Jun 23, 2026 · 1:12:25

Greta Lee on Good Hang with Amy Poehler

The Hang, in Short

Amy brings on chef Allison Roman to talk well behind Greta Lee's back before the Past Lives star joins. Allison recounts meeting Greta when they both worked restaurants in Brooklyn (Milk Bar basement versus the glamorous Sonbar upstairs). She describes young Greta as impossibly hot, impeccably dressed, and intimidatingly cool. They bond over the chaos of being a stressy host who says things like "you can eat that, but not yet" while guests stand there confused. The best bit: Allison admits she pipes up with cooking advice to confused men at butcher shops, and eight times out of ten they completely ignore her. It's like being a doctor on a plane, she says, except everyone's like "we're good, random lady." Allison's question for Greta gets at restaurant life as actor training. Once a server, always a server.

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  1. 0:05

    Hello everyone. Welcome to another

  2. 0:06

    episode of Good Hang. Very excited to

  3. 0:08

    talk to my buddy today, Greta Lee. Greta

  4. 0:11

    is an incredible actress. You may have

  5. 0:13

    seen her film Past Lives. You may have

  6. 0:15

    seen her in The Morning Show. She's been

  7. 0:17

    in Girls and Broad City and and Russian

  8. 0:19

    Doll and she's so talented and beautiful

  9. 0:22

    and wonderful. And we're going to talk

  10. 0:23

    about a lot of fun things. We're going

  11. 0:24

    to talk about um being a waitress. We're

  12. 0:27

    gonna talk about uh how to drown on

  13. 0:29

    camera. We're gonna talk about all the

  14. 0:32

    fun we had making Russian doll together.

  15. 0:34

    And uh she's also gonna explain her new

  16. 0:37

    part in Toy Story 5 in which she plays

  17. 0:39

    the villain. And that villain is an

  18. 0:42

    iPad. Um but uh before we get into

  19. 0:45

    talking to Greta, we're going to speak

  20. 0:47

    to somebody who knows her, who wants to

  21. 0:49

    speak well behind her back, and uh give

  22. 0:51

    me a question to ask her, and that is

  23. 0:53

    celebrity chef Allison Roman. Allison

  24. 0:56

    Roman, an author, a a podcaster, kind of

  25. 1:00

    a a food expert, hostess with the

  26. 1:02

    mostess. And Allison is going to join

  27. 1:03

    us. I believe she has a cat that's also

  28. 1:06

    going to join as well. So, let's hear

  29. 1:08

    from Allison and get a question. Hi,

  30. 1:10

    Allison.

  31. 1:13

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  44. 1:53

    >> Hi.

  45. 1:54

    >> Oh my god. Amy.

  46. 1:56

    >> Hi.

  47. 1:57

    >> Hi. It's so nice to meet you.

  48. 2:00

    >> I can't tell you how nice it is to meet

  49. 2:02

    you.

  50. 2:02

    >> Is this your personal kitchen?

  51. 2:04

    >> It is. Yeah. I live here.

  52. 2:06

    >> This big guy is here.

  53. 2:09

    This is Leonard.

  54. 2:11

    He's just such a big guy.

  55. 2:13

    >> Leonard. Yeah. and he loves to be in the

  56. 2:16

    mix.

  57. 2:16

    >> Well, first of all, we're going to talk

  58. 2:17

    about Greta today, the great Greta Lee.

  59. 2:19

    >> Of course.

  60. 2:20

    >> Um, but I do want to talk to you about

  61. 2:22

    First Bloom, which is your brick

  62. 2:24

    andmortar store that you open in a

  63. 2:27

    Catskills and you're opening perhaps

  64. 2:29

    other places.

  65. 2:31

    >> Perhaps. Um, yeah, I started a little

  66. 2:33

    grocery store in 2023. We opened um sort

  67. 2:38

    of like a

  68. 2:40

    and I didn't I didn't really have like a

  69. 2:43

    full plan. I was like, I'm gonna open a

  70. 2:45

    grocery store and that was it. And then

  71. 2:46

    I did and I was like, okay, well, now

  72. 2:47

    what? Um, but it went really well and I

  73. 2:50

    love doing it and yeah, we're gonna open

  74. 2:52

    one in Brooklyn later this year.

  75. 2:55

    >> I listen to podcasts while I grocery

  76. 2:56

    shop or listen to music because I like

  77. 2:58

    the I don't really want to I don't want

  78. 3:01

    to chat.

  79. 3:01

    >> No, I don't want to chat. Although I do

  80. 3:04

    and part of I mean, I guess it makes

  81. 3:05

    sense because I did open a grocery

  82. 3:06

    store, but you know, like the like the

  83. 3:08

    co-ops. I don't know. LA doesn't really

  84. 3:10

    have

  85. 3:11

    >> This is very This is very Brooklyn.

  86. 3:13

    Yeah,

  87. 3:13

    >> I don't [ __ ] with the co-ops. It's so

  88. 3:16

    stressful to me.

  89. 3:17

    >> Who is the time?

  90. 3:18

    >> Exactly. It's my worst nightmare to walk

  91. 3:20

    into a place and people are already

  92. 3:22

    disappointed about my participation.

  93. 3:24

    >> Oh, yeah.

  94. 3:25

    >> Like, hey, nice to see you.

  95. 3:28

    It's been a while.

  96. 3:29

    >> So, that said, I did determine that like

  97. 3:32

    I thought if there was a job that I

  98. 3:34

    would would do at a co-op, which doesn't

  99. 3:36

    exist, but like I would stand in the

  100. 3:38

    aisles and effectively like tell people

  101. 3:40

    what to do. Like if people were like,

  102. 3:42

    "What do I do with like red lentils?"

  103. 3:43

    I'd be like, "Oh, well, I here here are

  104. 3:47

    some great things." And then I just

  105. 3:48

    stand there. I don't have to do anything

  106. 3:50

    else.

  107. 3:50

    >> That's really smart. You'd just be like,

  108. 3:52

    you'd be like the cruise director. Like,

  109. 3:54

    let's talk about ramps.

  110. 3:55

    >> Yeah. What are you really going to do

  111. 3:56

    with those? Let's be honest with with

  112. 3:58

    ourselves. Are they going to rot in the

  113. 3:59

    fridge? You going to throw them away?

  114. 4:00

    You are. You're going to compost them.

  115. 4:01

    But like the number of times I'm in a

  116. 4:03

    butcher shop and I hear like a person,

  117. 4:06

    most often a man who doesn't know what

  118. 4:08

    they're doing and they ask the butcher

  119. 4:09

    and the butcher like gives them kind of

  120. 4:11

    vague advice. I sometimes pipe up and

  121. 4:15

    I'm like, "Oh, you don't want to grill

  122. 4:16

    that. That's going to be a nightmare."

  123. 4:17

    Or, you know, like sometimes I actually

  124. 4:19

    like to sear it briefly, you know, like

  125. 4:20

    and I'd say eight times out of 10 they

  126. 4:23

    are so uninterested in what I have to

  127. 4:24

    say. Like they're like, "Thanks."

  128. 4:27

    >> Like I'm just a lady in the butcher

  129. 4:28

    shop.

  130. 4:29

    >> Thanks, lady.

  131. 4:31

    Yeah. And I'm like, some people would

  132. 4:32

    kill for this.

  133. 4:34

    >> You're like, "Babe, I this is I'm a

  134. 4:36

    professional." Also, it's like it's

  135. 4:38

    you're like a doctor on an airplane and

  136. 4:39

    they're like, "Is there a doctor on

  137. 4:40

    board?" And it's like, "I

  138. 4:42

    guess I got to I guess I got to go save

  139. 4:45

    a life."

  140. 4:46

    >> Yeah. Exactly. And imagine imagine

  141. 4:47

    having a medical issue and the doctor

  142. 4:49

    comes over and the people are like,

  143. 4:50

    "We're good." You know, that's sort of

  144. 4:52

    what it feels like to me. I'm like being

  145. 4:53

    robust with the bookshare.

  146. 4:56

    Okay. So, speaking of Brooklyn, I feel

  147. 4:58

    like that is where maybe you met Greta.

  148. 5:00

    >> It is where I met Greta.

  149. 5:02

    >> Yeah.

  150. 5:02

    >> Didn't you work together at a

  151. 5:04

    restaurant?

  152. 5:04

    >> So, we did. And I think like I was

  153. 5:07

    working at Milk Bar at the time, which

  154. 5:08

    was like

  155. 5:09

    >> that we shared a kitchen with Sonbar,

  156. 5:11

    which is where Greta worked. And but we

  157. 5:13

    were like in the basement. We were very

  158. 5:15

    separate. It was like Milkbar people and

  159. 5:17

    Sbar people did not necessarily

  160. 5:19

    co-mingle. Um, and so I knew of her. I

  161. 5:22

    think I saw her like the hot person that

  162. 5:24

    worked at Sonbar.

  163. 5:25

    >> Yeah. Like the most beautiful person in

  164. 5:26

    the world.

  165. 5:27

    >> Exactly. You're like, who's this hot

  166. 5:28

    cool person that's so welldressed and

  167. 5:30

    seems fun. Like I can't be friends with

  168. 5:32

    them. I was talking to somebody about

  169. 5:34

    this the other day like how hard it is

  170. 5:35

    to be welldressed now because of the

  171. 5:37

    homogeneous culture and everybody sees

  172. 5:39

    everything and but she so manages to

  173. 5:42

    like carry through. I mean, her style is

  174. 5:45

    the envy of every person with a with,

  175. 5:48

    you know, awareness of the internet that

  176. 5:50

    has like seen all of her appearances

  177. 5:51

    over the last few years, but like she's

  178. 5:53

    always had it. She's always had

  179. 5:55

    individuality that like really comes

  180. 5:56

    through.

  181. 5:57

    >> Let's talk well behind her back. What do

  182. 5:59

    you love about her?

  183. 6:00

    >> Um, I love that she is one of the

  184. 6:03

    hardest working and also kindest people

  185. 6:05

    that I've ever met. And I also, and this

  186. 6:08

    isn't really like, you know, a virtue,

  187. 6:10

    but she is hilarious. She's so funny and

  188. 6:13

    so funny. So funny and like has a great

  189. 6:16

    sense of humor and is just like such a

  190. 6:18

    bright light in the world and no matter

  191. 6:21

    where she goes and like how she shows up

  192. 6:25

    like just existing, she is as fabulous

  193. 6:28

    as you might think she is if you've

  194. 6:30

    never met her. And I have seen it with

  195. 6:32

    like with her kids and her family and

  196. 6:33

    her friends and with like a random

  197. 6:37

    server at a restaurant and with

  198. 6:39

    basically any human on the planet. She's

  199. 6:41

    just like exceedingly kind and generous

  200. 6:44

    but and like hospitable. She has like a

  201. 6:46

    real like hospitality vibe around her

  202. 6:49

    and I feel like she was always the

  203. 6:50

    person hosting. She was always the

  204. 6:52

    person inviting people over. It was like

  205. 6:54

    the more the marrier energy every time.

  206. 6:56

    Um and that is such a rare personality

  207. 7:00

    trait I think.

  208. 7:01

    >> Yeah. I mean you you are a great example

  209. 7:03

    of this but it does feel like host so

  210. 7:05

    much of hosting is the vibe you give off

  211. 7:08

    when you're hosting.

  212. 7:09

    >> Yeah. So, I love hosting. However, I'll

  213. 7:11

    just say that I realized that at times I

  214. 7:15

    was a little bit of a stressy host.

  215. 7:18

    >> But you feel like you've outgrown that?

  216. 7:19

    Like you you've moved on into a

  217. 7:21

    different era.

  218. 7:22

    >> I've worked on it. I've worked on it.

  219. 7:23

    >> Well, you also you realize that like no

  220. 7:25

    one has a good time when you're stressed

  221. 7:27

    out. Like everyone actually has a bad

  222. 7:29

    time.

  223. 7:29

    >> I know. But like we all know these

  224. 7:31

    things, but you know when you're you're

  225. 7:33

    when something comes out of your mouth

  226. 7:34

    and you're like, "Oh, [ __ ] I said that

  227. 7:36

    out loud." Like

  228. 7:37

    >> Yeah. I I still do it. I'll be like,

  229. 7:39

    "Oh, it's fine." No, it's totally fine.

  230. 7:41

    Like, it's not fine. It's not fine at

  231. 7:43

    all.

  232. 7:43

    >> Totally. Or like, um, you can eat that,

  233. 7:45

    but um, we're not not yet. You know,

  234. 7:48

    like whatever stupid [ __ ] you say.

  235. 7:50

    >> No. And then there's like the apology

  236. 7:51

    part where it's like, well, this was

  237. 7:53

    supposed to, but I didn't have the and

  238. 7:54

    it's like I even have to check myself

  239. 7:56

    and because I'm so good at giving people

  240. 7:58

    advice to not do that, and then I do

  241. 8:00

    that and I'm like, well, I'm a bad

  242. 8:02

    student of myself. Like, I have to like

  243. 8:05

    practice what I preach here. Um, but

  244. 8:07

    yeah, it's very hard. But I'm really

  245. 8:08

    happy to hear that you're on the other

  246. 8:09

    side of that or at least on your

  247. 8:11

    journey.

  248. 8:11

    >> I'm working on it with professionals day

  249. 8:13

    and night. Day and night.

  250. 8:17

    >> Okay. So, we always start our episodes

  251. 8:19

    with a question for our guest. Do you

  252. 8:21

    have a question that you think Greta

  253. 8:23

    would like to answer or I should ask

  254. 8:25

    her?

  255. 8:25

    >> Yeah, absolutely. I was thinking about

  256. 8:27

    like what people don't know about her,

  257. 8:28

    like what people maybe don't ask her

  258. 8:30

    often or like I wonder how much they get

  259. 8:33

    into like that restaurant part of her

  260. 8:35

    because I have a belief that like once

  261. 8:37

    you're a restaurant person, you're

  262. 8:38

    always a restaurant person and it

  263. 8:39

    teaches you a lot. So I kind of want to

  264. 8:41

    know like how in this iteration of her

  265. 8:43

    life in this career does like what from

  266. 8:47

    restaurant days has she held on to or

  267. 8:49

    like how has working in restaurants made

  268. 8:50

    her a better actor or or you know

  269. 8:54

    multihyen it as it were.

  270. 8:55

    >> Allison I love that question. I also was

  271. 8:58

    a restaurant person and waiter and for

  272. 9:00

    many many years in New York and wanted

  273. 9:02

    to ask just that because I do think it

  274. 9:04

    is incredible training for life. Yeah,

  275. 9:06

    it it's like the work ethic is

  276. 9:07

    unparalleled and I think that like she

  277. 9:09

    has so much of that and maybe that was

  278. 9:11

    pre- restaurants, but I also think if

  279. 9:13

    you have it, you're more inclined to

  280. 9:14

    work at a restaurant. So, it all kind of

  281. 9:15

    ties in together.

  282. 9:16

    >> Um, before we go, I'm going to ask you

  283. 9:18

    for some free advice. Um, like people do

  284. 9:20

    to doctors and to chefs. Um, I love

  285. 9:23

    >> which is uh I feel like my artich chokes

  286. 9:30

    there's I have to take so much off. I

  287. 9:33

    can't even tell you how niche this

  288. 9:35

    question already is specifically to suit

  289. 9:38

    my intro. I have a dried artich choke on

  290. 9:40

    my in a vase right here. I did not This

  291. 9:43

    is just on my counter. Like I'm obsessed

  292. 9:45

    with artichokes.

  293. 9:46

    >> Me too. I I just got back from Italy.

  294. 9:48

    Not to brag and the artich chokes there

  295. 9:50

    were next level. Divine.

  296. 9:53

    >> Incredible. I love I love how it looks.

  297. 9:56

    I'm just starting to work with them. And

  298. 9:59

    it is like it's feel I must must be like

  299. 10:01

    what a gardener feels like when they

  300. 10:02

    have to just like crazy prune a rose

  301. 10:04

    bush. Like it's like I have to cut all

  302. 10:08

    of that away.

  303. 10:09

    >> You're like I'm killing it. There's

  304. 10:10

    nothing left.

  305. 10:11

    >> Cut the top. Cut the now. Cut the stem.

  306. 10:14

    Get all the leaves almost all of the

  307. 10:16

    leaves off. I guess my question I'll

  308. 10:18

    make it is how do you like to prepare

  309. 10:21

    your artichokes these days?

  310. 10:23

    >> Well, forever and always. And and let me

  311. 10:26

    also just say that I too have been to

  312. 10:28

    Italy. Not to brag, not recently, but it

  313. 10:30

    has happened. And the way that they do

  314. 10:33

    artichokes there is so like they're

  315. 10:35

    almost treating them like a trash

  316. 10:37

    vegetable. Like they're so prolific and

  317. 10:39

    like the way that they grow and they

  318. 10:41

    like you see truckloads of them and they

  319. 10:43

    they peel or uh like pair back like the

  320. 10:46

    whole thing

  321. 10:48

    heart and they're like

  322. 10:50

    >> the rest is garbage. They throw it away.

  323. 10:51

    Yeah. And I had never experienced that

  324. 10:54

    until I left the United States,

  325. 10:56

    obviously, because I grew up with

  326. 10:57

    basically a whole steamed artichoke

  327. 10:59

    where you trim the stem, but the stem is

  328. 11:01

    super edible. I love eating the stem.

  329. 11:03

    The stem is basically like a an

  330. 11:05

    extension of the heart. So, it's just as

  331. 11:07

    tender. It's just as edible. It's sweet.

  332. 11:09

    It's delicious. But I just trim the the

  333. 11:13

    leaves just right beyond the thorn.

  334. 11:15

    >> Okay. And you cut the top.

  335. 11:17

    >> And I leave the whole leaf. Yeah. I cut

  336. 11:19

    the top to expose a little rose in the

  337. 11:21

    center. But that's honestly just

  338. 11:23

    aesthetics.

  339. 11:25

    But I like to do it

  340. 11:26

    >> and then I'll season it with salt and

  341. 11:28

    then I'll steam them

  342. 11:29

    >> like you know an inch or two of boiling

  343. 11:31

    water. Artichokes prop them up.

  344. 11:34

    >> Do you take the fuzzy stuff out after

  345. 11:36

    they steam or before?

  346. 11:38

    >> After they steam.

  347. 11:39

    >> I think I learned that. I think I

  348. 11:40

    learned that from you.

  349. 11:41

    >> I do have a video online on on how to

  350. 11:43

    eat an artich choke.

  351. 11:44

    >> Okay. Thank you for confirming my

  352. 11:46

    positive artichoke bias. I can't believe

  353. 11:48

    you have a dried one right in front of

  354. 11:50

    you.

  355. 11:50

    >> I know. Just trim Oh, also I was going

  356. 11:52

    to say trim away like the tiniest leaves

  357. 11:54

    near the outside base of the sound.

  358. 11:56

    >> Of course, I'm not an animal.

  359. 11:57

    >> And then once you steam it, if any of

  360. 11:59

    the like leaves on the outer part are

  361. 12:01

    too tough, just discard them. But like I

  362. 12:03

    don't trim it too far in advance.

  363. 12:05

    >> Okay, I love to hear this. Okay,

  364. 12:07

    listeners, I hope it's getting you

  365. 12:09

    hungry for artichokes. Thank you so

  366. 12:11

    much, Allison. What a pleasure. And I'm

  367. 12:13

    sure Greta will be so happy that we

  368. 12:14

    talked. So, thanks again.

  369. 12:16

    >> I hope so. I love her so much. She's so

  370. 12:18

    wonderful. Bye

  371. 12:19

    >> bye. Bye, Leonard.

  372. 12:22

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    Honors member and follow Paris and

  403. 13:37

    Hilton on the socials to see how Paris

  404. 13:39

    points can be your points. When you want

  405. 13:42

    points that actually make your summer

  406. 13:43

    sleigh, it matters where you stay.

  407. 13:47

    >> Hi. Hi, bud.

  408. 13:49

    >> Oh, I just want to stare at you.

  409. 13:50

    >> Oh my god, Greta. Greta is here and

  410. 13:53

    she's has her arms full of gifts. Okay.

  411. 13:56

    >> Yeah. Okay. So, yeah, I have some

  412. 13:59

    flowers. It's a collection of natives

  413. 14:02

    and non-native natives. People really

  414. 14:04

    care about that here.

  415. 14:05

    >> From your garden.

  416. 14:05

    >> From my garden. Come on. Look at that.

  417. 14:07

    We have some white sage and some, you

  418. 14:10

    know, little lemon verbanana and

  419. 14:12

    >> and you wrapped it in a paper.

  420. 14:14

    >> Paper

  421. 14:15

    >> people. This is a professional wrapping

  422. 14:17

    job with a rubber band and everything.

  423. 14:20

    >> This is gorgeous. Thank you.

  424. 14:22

    >> Okay.

  425. 14:22

    >> What am I put over?

  426. 14:23

    >> There's more. I have this. Okay. What we

  427. 14:27

    also have?

  428. 14:27

    >> It's like I'm worried you don't you

  429. 14:29

    don't have a grocery store. Like you

  430. 14:30

    don't have access to kale. Um

  431. 14:33

    >> this is from your garden.

  432. 14:34

    >> Yeah. And I have these eggplants.

  433. 14:37

    Honestly, you're helping me. I can't eat

  434. 14:39

    this all.

  435. 14:41

    >> Okay, I'm going to say something. I'm

  436. 14:42

    very sorry.

  437. 14:43

    >> What?

  438. 14:44

    >> I don't like eggplant.

  439. 14:45

    >> I knew. I knew it.

  440. 14:46

    >> I'm so

  441. 14:48

    Get them out of here.

  442. 14:49

    >> I knew that was going to happen.

  443. 14:51

    >> I love I love how they look. [ __ ]

  444. 14:53

    >> I They're so funny.

  445. 14:55

    >> I love it as an emoji. Incredible.

  446. 14:58

    >> I know. But as a

  447. 14:59

    >> You don't You don't like the taste?

  448. 15:00

    >> It's too slimy. It's too slimy. No, but

  449. 15:04

    you can learn. You can listen this is

  450. 15:06

    this is the thing now I I know there are

  451. 15:08

    a lot of things you can do

  452. 15:10

    >> with eggplant. Okay. What about kale?

  453. 15:12

    You like kale?

  454. 15:12

    >> Kale. Love kale.

  455. 15:15

    >> Obsessed with kale. This looks like

  456. 15:17

    dinosaur kale.

  457. 15:18

    >> Yeah, dinosaur kale and curly kale.

  458. 15:21

    Okay. This is soup.

  459. 15:22

    >> They're avocados.

  460. 15:24

    >> Incredible avocados for people

  461. 15:25

    listening. They're huge.

  462. 15:27

    >> They're huge. You can't eat them for

  463. 15:28

    like a year.

  464. 15:33

    You like you can't like don't even give

  465. 15:34

    it back.

  466. 15:36

    Just leave it here. Just it's like

  467. 15:38

    decoration. Don't even look at it. Don't

  468. 15:40

    touch it for like at least a year. I'm

  469. 15:42

    going to take that long.

  470. 15:43

    >> Gigantic.

  471. 15:44

    >> That's an or blanco. Excuse me.

  472. 15:47

    >> See? See? It's a It's a cross between a

  473. 15:50

    pomelo and a white grapefruit. They're

  474. 15:52

    delicious.

  475. 15:53

    >> Wow.

  476. 15:54

    >> It's really It's really nice in a like

  477. 15:56

    an alcoholic beverage

  478. 15:58

    >> with This is a Mexican lime.

  479. 16:00

    >> Wow. It's yellow. It's wonderful. And

  480. 16:03

    some of the lemon verbanana. You can put

  481. 16:05

    like flowers in your drink. I live in LA

  482. 16:08

    now. What's happened?

  483. 16:10

    >> Well, hi. Remember me?

  484. 16:12

    >> I know. You're very This is very LA.

  485. 16:14

    >> Look, you have your own kale.

  486. 16:18

    >> Brought her own kale.

  487. 16:19

    >> This is bad.

  488. 16:20

    >> She brought her own kale. I mean, in LA,

  489. 16:21

    you have to have it in your car.

  490. 16:23

    >> Yeah. At all times. This to me is

  491. 16:25

    success that you have a garden and you

  492. 16:27

    bring in your fruit to people. That is,

  493. 16:30

    >> is it?

  494. 16:31

    >> Yeah.

  495. 16:31

    >> Oh gosh,

  496. 16:32

    >> that's success.

  497. 16:33

    >> Thank you.

  498. 16:34

    >> We have done so much stuff together.

  499. 16:36

    >> We have.

  500. 16:36

    >> I was like looking at what we've worked

  501. 16:38

    on together and I want to talk about all

  502. 16:39

    of it. We worked on Broad City. We

  503. 16:41

    worked on a show called Old Soul. We

  504. 16:42

    worked on Sisters, Russian Doll.

  505. 16:45

    >> And I just want to start by saying

  506. 16:46

    here's what I love about you.

  507. 16:48

    >> Not only are you super talented and so

  508. 16:50

    good at so many things, but I feel like

  509. 16:52

    you how I would describe you is you are

  510. 16:54

    a person who takes their work seriously,

  511. 16:56

    but not themselves seriously.

  512. 16:58

    >> Oh. Would you think would you agree that

  513. 17:00

    that's kind of true?

  514. 17:01

    >> Yeah, I do. I agree.

  515. 17:03

    >> Yeah.

  516. 17:04

    >> Next question.

  517. 17:04

    >> Okay.

  518. 17:05

    >> So, how did we first meet?

  519. 17:08

    >> How do we first meet?

  520. 17:09

    >> Cuz I don't remember when we met. I

  521. 17:12

    mean, we met on some project that we

  522. 17:14

    worked on, but what which one did I

  523. 17:16

    audition for you first? I mean, I'm sure

  524. 17:19

    we

  525. 17:20

    >> maybe

  526. 17:22

    that time in New York gets really

  527. 17:25

    confusing to me.

  528. 17:26

    >> Agree. you know, and I feel like I end

  529. 17:29

    up talking about it a lot because, you

  530. 17:31

    know, once you you get in the habit of

  531. 17:33

    telling your story of how you started

  532. 17:35

    and then you're like telling the story

  533. 17:36

    and and then soon you're like, I don't

  534. 17:38

    even

  535. 17:39

    >> this real

  536. 17:39

    >> is this did I am I lying on this

  537. 17:43

    >> cuz it's easier just to say the story

  538. 17:45

    who can do that and then you know I was

  539. 17:48

    on girls and then but it was this really

  540. 17:51

    special really important time for women

  541. 17:54

    >> um and women in comedy And there was

  542. 17:57

    this moment. It was very distinct to cuz

  543. 18:00

    I think I was

  544. 18:01

    >> observing it somewhat from the outside a

  545. 18:04

    little bit because I was coming off of

  546. 18:05

    doing theater and I was like really just

  547. 18:07

    I want to do straight theater.

  548. 18:09

    >> But Abby and Alana and you know you and

  549. 18:12

    Tina and and Maya and everyone on SNL

  550. 18:16

    >> riding the wings of that into Lena and

  551. 18:21

    Schumer and and everyone. It was really

  552. 18:24

    >> it was big. I want to talk about going

  553. 18:27

    back because it's so interesting you

  554. 18:29

    bring up the theater part because in

  555. 18:30

    researching you I did not know that you

  556. 18:34

    before I met you had already been on the

  557. 18:36

    West End.

  558. 18:37

    >> No one cares. No one cares about that.

  559. 18:39

    >> I care about that.

  560. 18:40

    >> You do? No. Really?

  561. 18:41

    >> Are you kidding me? First of all,

  562. 18:43

    >> I know you love theater.

  563. 18:44

    >> I don't know how people do it, so I want

  564. 18:46

    to ask you. Okay. Okay.

  565. 18:48

    >> But hold on.

  566. 18:48

    >> Okay.

  567. 18:49

    >> Going back even further.

  568. 18:50

    >> Mhm. Your mom classically classically

  569. 18:54

    trained pianist.

  570. 18:55

    >> Yeah.

  571. 18:56

    >> Your dad doctor.

  572. 18:57

    >> Yeah.

  573. 18:58

    >> What kind of doctor?

  574. 18:59

    >> He is a physical therapist.

  575. 19:01

    >> I need him.

  576. 19:02

    >> Do you?

  577. 19:03

    >> Yeah. Let's go.

  578. 19:04

    >> What do you need? What's wrong?

  579. 19:06

    >> Well, what's wrong?

  580. 19:07

    >> I said I wasn't going to bring it up.

  581. 19:10

    >> My body [ __ ] frozen shoulder is back,

  582. 19:13

    dude.

  583. 19:14

    >> I know.

  584. 19:15

    >> I know.

  585. 19:15

    >> He can help with that.

  586. 19:16

    >> Okay, so I need his number.

  587. 19:17

    >> Yeah, Dr. Lee.

  588. 19:18

    >> And please, nobody call in. Nobody call

  589. 19:21

    in. This isn't even a call-in show.

  590. 19:22

    >> Wait, nobody I don't know. You want him

  591. 19:25

    to call in?

  592. 19:26

    >> Nobody call in. Please don't give me

  593. 19:28

    your advice about frozen shoulder. I

  594. 19:29

    know all of it. I know all of it and I

  595. 19:32

    appreciate it, but I can't. Okay,

  596. 19:34

    >> this we're cutting all this out. We're

  597. 19:35

    going to cut out sweating. Okay. Your

  598. 19:37

    dad is a physical therapist.

  599. 19:41

    >> So, you have a left brain, right brain

  600. 19:43

    household growing up.

  601. 19:44

    >> Yeah. What was What was that? Is that

  602. 19:46

    true?

  603. 19:46

    >> Yeah. I mean, I guess that's what they

  604. 19:48

    say. They're like h I don't know. My

  605. 19:51

    parents are weird. They're so wild.

  606. 19:55

    >> Um,

  607. 19:55

    >> what are they like?

  608. 19:56

    >> They are okay. Well, I just took them to

  609. 19:58

    the Dior show. I saw that.

  610. 20:01

    >> I know. So nice.

  611. 20:02

    >> But here's the thing. You know, they

  612. 20:03

    invited themselves.

  613. 20:07

    >> Like, everyone is talking about what an

  614. 20:09

    incredible daughter I am.

  615. 20:10

    >> Okay. Okay.

  616. 20:11

    >> I got a text from my mom that was a

  617. 20:13

    screen grab of a picture of Lockma. This

  618. 20:16

    is a venue for the show. and she was

  619. 20:18

    like didn't say anything, just a picture

  620. 20:21

    of that and an announcement that said

  621. 20:24

    Dior cruise show will be at the at

  622. 20:26

    Lochma um with the new David Geffin

  623. 20:29

    gallery.

  624. 20:30

    >> And I kind of I just I didn't really

  625. 20:32

    respond right away,

  626. 20:34

    >> which I think made it

  627. 20:35

    >> you just gave it like a heart.

  628. 20:36

    >> Oh yeah, it sent an eggplant emoji.

  629. 20:42

    She's like, I hate it when you do this.

  630. 20:43

    >> Um and and no, she invited herself. She

  631. 20:47

    was like, "So, I'm coming." What time?

  632. 20:49

    Yeah. And And your dad's coming, too.

  633. 20:51

    Because it's not fair. He He's coming,

  634. 20:54

    too. If I'm coming, which is funny cuz I

  635. 20:56

    was like, "I I didn't say you're

  636. 20:57

    coming."

  637. 20:58

    >> Okay. Let's break this down, though,

  638. 20:59

    because do you feel obligated

  639. 21:02

    >> to say you can say no?

  640. 21:05

    >> I could, but No, actually, I can't.

  641. 21:08

    >> Okay.

  642. 21:09

    >> Okay. No. Okay. Because that's the

  643. 21:12

    dynamic

  644. 21:13

    >> a little bit. When it comes to certain

  645. 21:14

    things, I also Okay. I mean, to be fair,

  646. 21:18

    I go to these things and it's it's

  647. 21:20

    exciting, but to go with your parents,

  648. 21:22

    to go with my parents, it is something

  649. 21:24

    special. I mean, they're

  650. 21:26

    >> they've never been to a fashion show

  651. 21:28

    before.

  652. 21:28

    >> What did they think of it?

  653. 21:30

    >> They were amazed.

  654. 21:31

    >> Yeah,

  655. 21:31

    >> they they touched everything. They

  656. 21:33

    wanted everything. They took There were

  657. 21:35

    these blankets that were meant to keep

  658. 21:37

    people warm. They They grabbed all of

  659. 21:38

    them.

  660. 21:40

    >> They want They They have so many now. I

  661. 21:42

    mean, I I They It was incredible. I I

  662. 21:45

    don't know. I think they were cuz

  663. 21:47

    sometimes they get shy. I don't know if

  664. 21:49

    you have this with family or relatives.

  665. 21:51

    If you bring them to

  666. 21:52

    >> I wish my parents were shy.

  667. 21:54

    >> Okay. So, they're not

  668. 21:55

    >> They go right up to like anybody and be

  669. 21:58

    like

  670. 21:58

    >> they'll go to like big fans of yours.

  671. 22:01

    >> Yeah. We want a picture before the

  672. 22:03

    night's over. Like that kind of thing.

  673. 22:04

    >> They're the demanding type.

  674. 22:05

    >> Yes.

  675. 22:06

    >> Yeah. Like a little entitled.

  676. 22:07

    >> My parents were not shy are not shy.

  677. 22:09

    >> Well, my parents my the thing I would

  678. 22:12

    rather that. What makes it even more

  679. 22:14

    confusing is they're they're both it's

  680. 22:16

    like a light switch. They're either like

  681. 22:19

    >> so like cosplaying like some sort of

  682. 22:21

    like silent shy demure

  683. 22:24

    >> thing and and then it'll just switch to

  684. 22:27

    super aggressive, super demanding, you

  685. 22:30

    know, do you know who my daughter is?

  686. 22:32

    Like that kind of stuff.

  687. 22:33

    >> But your parents are first. Are you

  688. 22:35

    first gen?

  689. 22:36

    >> Um they immigrated and had me here. So,

  690. 22:39

    I'm the first person in my family to go

  691. 22:43

    to school in America.

  692. 22:45

    >> Got it. Um,

  693. 22:45

    >> and they immigrated from Korea, met

  694. 22:47

    there, and then they spoke Korean in the

  695. 22:50

    home or mostly English.

  696. 22:51

    >> Korean was my first language.

  697. 22:53

    >> Yeah.

  698. 22:53

    >> I had a really [ __ ] up accent actually

  699. 22:55

    because we moved by kindergarten. I was

  700. 22:58

    in Brooklyn.

  701. 22:59

    >> Mhm.

  702. 22:59

    >> And I had we were living in Canar States

  703. 23:01

    and I had like a Korean Brooklyn accent.

  704. 23:04

    >> What does that sound like?

  705. 23:05

    >> They won't tell me. I want to know. Is

  706. 23:06

    there is there anyone that has that

  707. 23:08

    accent now that

  708. 23:09

    >> I keep pointing back people I'm like

  709. 23:10

    like her like that and no and they're

  710. 23:12

    like no no

  711. 23:13

    >> no and but I went to ESL and I went to

  712. 23:16

    speech therapy and all of that. I'm

  713. 23:17

    dying to know.

  714. 23:18

    >> Oh how funny sound like I want to talk

  715. 23:21

    about language in general cuz a lot of

  716. 23:23

    your work is like circles around that

  717. 23:26

    especially the most beautiful film my

  718. 23:29

    favorite film of the past 5 10 years

  719. 23:32

    past lives which is Sisters. Yeah,

  720. 23:35

    that's right.

  721. 23:36

    >> Yeah.

  722. 23:37

    >> But you're a little kid. You do singing

  723. 23:40

    competitions.

  724. 23:41

    >> Classical singing.

  725. 23:43

    >> Yeah.

  726. 23:43

    >> What's the difference between classical

  727. 23:45

    singing and singing?

  728. 23:46

    >> Um, well, it was like it was opera. It

  729. 23:49

    was

  730. 23:49

    >> Okay, there we go. It was another way to

  731. 23:51

    say opera.

  732. 23:53

    >> Well, yeah, but I I did things like I I

  733. 23:57

    won like the Bach Festival. I I'm like I

  734. 24:01

    was just so What was I doing?

  735. 24:03

    just being smart,

  736. 24:04

    >> doing so many things. But I was so into

  737. 24:07

    it like I and

  738. 24:09

    >> my my siblings, both my siblings can

  739. 24:11

    sing pretty much every Italian Arya

  740. 24:15

    because of me.

  741. 24:16

    >> Like they hate singing at me now. But

  742. 24:19

    that's like I was so

  743. 24:20

    >> You were singing Italian aras at what

  744. 24:22

    age?

  745. 24:23

    >> I mean middle school. I started in

  746. 24:26

    middle school. I was like a conductor of

  747. 24:28

    a a children's choir at one point. Oh my

  748. 24:32

    god.

  749. 24:34

    >> Did they ask you to do it or did you

  750. 24:35

    just

  751. 24:35

    >> No, they didn't ask me to do it. I just

  752. 24:37

    did it. They were like They were like,

  753. 24:39

    "Why is she doing that?"

  754. 24:41

    >> They were like, "Ma'am, you need to

  755. 24:42

    leave. Stop. Stop doing that."

  756. 24:44

    >> I mean, you're a big- time achiever. I

  757. 24:46

    mean, you work really hard and

  758. 24:48

    >> I do. I want to stop. Well, I mean, what

  759. 24:51

    what what is like a throughine in all of

  760. 24:53

    your stuff

  761. 24:55

    >> is that and what I meant in, you know,

  762. 24:57

    the very beginning is like you really

  763. 24:58

    show up and you work really hard, but

  764. 25:00

    there's an ease to when you work there.

  765. 25:02

    There's not a striving vibe about you at

  766. 25:05

    all, Greta. But you are, when you look

  767. 25:07

    at what you've done, like before you

  768. 25:09

    arrived in New York, before you were

  769. 25:10

    getting all those acting parts, you were

  770. 25:12

    winning competitions and you were like

  771. 25:14

    studying theater and in like Broadway

  772. 25:17

    shows. Basically, I had my first job

  773. 25:20

    right out of the gate in New York City

  774. 25:23

    actually was Law and Order SVU. I did

  775. 25:25

    one episode of those.

  776. 25:26

    >> Okay. Pause.

  777. 25:27

    >> Yes. Um

  778. 25:28

    >> Okay. So,

  779. 25:30

    >> Mhm.

  780. 25:31

    >> We love Law and Order at this show.

  781. 25:33

    >> Yes, you do.

  782. 25:34

    >> We've interviewed Marishka, the great

  783. 25:35

    Marisha Harate.

  784. 25:36

    >> Yeah, I did. I did a scene with her.

  785. 25:38

    >> Okay. Okay. Y

  786. 25:40

    >> Now, I tend to sometimes stay a little

  787. 25:43

    bit away from SVU because

  788. 25:46

    >> too sexy.

  789. 25:47

    Well, that's one way to put it.

  790. 25:52

    >> Mishka's too damn sexy

  791. 25:54

    >> because I get worried about like is it

  792. 25:57

    going to be is a girl going to be in the

  793. 25:59

    drawer? Is she hanging from the soul?

  794. 26:01

    It's a lot.

  795. 26:03

    >> What?

  796. 26:03

    >> I was in the incest.

  797. 26:05

    >> I knew it.

  798. 26:08

    >> I knew it. I knew it. I was so afraid to

  799. 26:10

    ask.

  800. 26:10

    >> It was such good residuals. That's so

  801. 26:13

    upsetting. It did so well. Oh god. Wait.

  802. 26:16

    Okay. So, you were

  803. 26:20

    >> That is the thing. I wanted the young

  804. 26:23

    version of me wants to be an SV SBU or

  805. 26:25

    Law and Order. But you Okay. It is a

  806. 26:27

    really big deal. But so imagine though,

  807. 26:29

    that's my first job, right? And and I

  808. 26:31

    call my parents, immigrant parents, and

  809. 26:34

    I'm like, I did it. Oh my gosh. Okay,

  810. 26:37

    it's airing this time. They and and they

  811. 26:40

    >> you didn't tell them what it

  812. 26:41

    >> No, I'm not gonna tell them, but I'm

  813. 26:42

    like OKAY

  814. 26:45

    >> I don't know what I don't know what they

  815. 26:48

    >> What do you remember about shooting that

  816. 26:49

    with Marishka and team? Were you

  817. 26:51

    >> Oh, just I was like terrible. Like, you

  818. 26:53

    know, I the bells are like like the I

  819. 26:57

    had no idea what I was doing.

  820. 26:58

    >> People know that that sometimes when

  821. 26:59

    you're in like a big studio before they

  822. 27:01

    start the scene, they like ring this

  823. 27:03

    giant scary bell

  824. 27:05

    >> like a tornado's coming.

  825. 27:06

    >> Yeah, that's

  826. 27:08

    And instead of ducking and hiding or

  827. 27:11

    running, you're supposed to act.

  828. 27:13

    >> Yeah. And they're like, "Now go cry."

  829. 27:15

    >> Yeah. Exactly.

  830. 27:17

    >> So,

  831. 27:17

    >> did you have to cry?

  832. 27:19

    >> What did I have to do? Oh, no. I had to

  833. 27:21

    I was the roommate of the victim.

  834. 27:24

    >> Okay. That's That's

  835. 27:25

    >> So, I wasn't participating.

  836. 27:27

    >> Thank God.

  837. 27:27

    >> In the incident.

  838. 27:28

    >> Thank God. Great. So, you just were

  839. 27:30

    around. You were like You like I don't

  840. 27:32

    even know.

  841. 27:33

    >> I didn't do it.

  842. 27:35

    >> Kind of. Kind of. Oh man.

  843. 27:38

    >> You were like, I don't know. She was

  844. 27:39

    here last Tuesday night and

  845. 27:41

    >> and then she wasn't.

  846. 27:42

    >> Yeah.

  847. 27:43

    >> All right. Putnham spelling be is the

  848. 27:44

    next big job.

  849. 27:46

    >> Yeah.

  850. 27:46

    >> What is it like to do shows? How did you

  851. 27:49

    I mean, you're a young person at the

  852. 27:51

    time, but what did you do to prep and

  853. 27:52

    get ready?

  854. 27:53

    >> I'm always very curious people that are

  855. 27:55

    on Broadway.

  856. 27:56

    >> Yeah. The um seven shows or eight shows

  857. 27:59

    a week.

  858. 28:00

    >> Um I don't know. I think there were a

  859. 28:03

    lot of things happening cuz I also I had

  860. 28:05

    graduated from Northwestern which was um

  861. 28:09

    >> a Big 10 school like it was an

  862. 28:11

    incredible theater program and all of

  863. 28:12

    that but it was also a Big 10 school.

  864. 28:14

    So, I learned how to like do like a keg

  865. 28:16

    stand and made all kinds of friends from

  866. 28:19

    Shbuen, Wisconsin. And it was very

  867. 28:21

    formative. And I kind of

  868. 28:25

    >> um then was bringing that sort of like,

  869. 28:27

    oh, I'm I'm going to like move to New

  870. 28:29

    York City and become an an artist and

  871. 28:31

    live like a Sex in a City fantasy,

  872. 28:34

    but I had a very intense full-time job.

  873. 28:38

    And you kind of

  874. 28:39

    >> it takes so much discipline. And I think

  875. 28:42

    that, you know, it was hard. I bet

  876. 28:44

    >> I was 21. I was 21, 22 trying to figure

  877. 28:48

    out how to be a responsible,

  878. 28:51

    professional, show up on time.

  879. 28:53

    >> Yeah.

  880. 28:54

    >> You know, every time,

  881. 28:55

    >> right? But you're on the West End. I

  882. 28:56

    want to ask you about Mark Ryland.

  883. 28:58

    >> Yes.

  884. 28:59

    >> I love him. He's an incredible actor.

  885. 29:01

    >> Yes, he is. Yes. That whole experience

  886. 29:04

    was also very unique, very special. We

  887. 29:07

    did a play called Leette. Mhm.

  888. 29:10

    >> Um, it's uh, it was set in 16th century

  889. 29:12

    France and it was inamic pentameter.

  890. 29:15

    >> Oh,

  891. 29:15

    >> my character only spoke in words that

  892. 29:17

    rhymed with blue.

  893. 29:19

    >> Oh dear.

  894. 29:22

    >> Well, you say, "Oh dear."

  895. 29:25

    >> Yeah.

  896. 29:25

    >> Oh dear. Is right.

  897. 29:26

    >> That would definitely be one of those

  898. 29:28

    things that I would show up and I'd be

  899. 29:30

    like, "Oh man, I wish I knew this."

  900. 29:32

    >> No, I think you would be like, "Yes."

  901. 29:34

    >> Really? I mean, I think you would. Okay,

  902. 29:35

    cool. But this is like when I guess in

  903. 29:37

    talking about this I'm like God life is

  904. 29:40

    long. I'm like I wow there's like so

  905. 29:44

    much stuff people have no idea about.

  906. 29:46

    >> Well, you have had an amazing

  907. 29:47

    interesting bunch of jobs. You have you

  908. 29:49

    have toggled between very dramatic and

  909. 29:52

    very comedic which few people can do

  910. 29:54

    well and you have gone back and forth

  911. 29:56

    and back and forth.

  912. 29:57

    >> I don't know why.

  913. 30:00

    >> You're really good at both.

  914. 30:02

    >> Stop being so good at both. Stop being

  915. 30:04

    good at both. I don't know.

  916. 30:06

    >> I mean, I'm always worried that we're

  917. 30:07

    going to lose you because you're so

  918. 30:10

    naturally funny.

  919. 30:12

    >> That

  920. 30:13

    >> you are going to lose me into my garden.

  921. 30:15

    I'm going to go and never come back.

  922. 30:18

    >> You're going to make jokes to the

  923. 30:19

    plants. They're going to get very funny

  924. 30:22

    that Yeah. Um, no. I'm I'm afraid we're

  925. 30:25

    going to lose you to like the drama

  926. 30:27

    world and

  927. 30:28

    >> Oh, you won't.

  928. 30:29

    >> Okay. All right. Whatever. No.

  929. 30:31

    >> Okay. So, then um here's something fun.

  930. 30:34

    Okay.

  931. 30:35

    >> You and I have something in common that

  932. 30:36

    I don't think we ever talked about,

  933. 30:38

    which is that we both worked in

  934. 30:39

    restaurants.

  935. 30:40

    >> Yeah.

  936. 30:41

    >> And I do think there's like a very

  937. 30:43

    specific type of person that works in

  938. 30:45

    restaurants, especially like New Yorky

  939. 30:47

    restaurants.

  940. 30:48

    >> And you're younger than me, but I I

  941. 30:50

    imagine we at the same time in our lives

  942. 30:52

    worked in like kind of like fancy

  943. 30:54

    restaurants in New York.

  944. 30:56

    >> So, we do something on the podcast where

  945. 30:57

    we ask um a friend or someone to speak

  946. 31:00

    well behind your back and give me a

  947. 31:02

    question. We talked to Allison Roman

  948. 31:03

    today.

  949. 31:04

    >> Oh my goodness.

  950. 31:05

    >> Yes.

  951. 31:06

    >> Your Brooklyn buddy.

  952. 31:07

    >> Oh my gosh. Yes.

  953. 31:09

    >> And um she was with her cat Leonard. And

  954. 31:13

    we were talking about she was talking

  955. 31:15

    about so many things that she loves

  956. 31:16

    about you. Your ease as a person and as

  957. 31:20

    a host. Um your incredible style and

  958. 31:24

    like how you don't make anybody feel bad

  959. 31:27

    that you're the prettiest, coolest

  960. 31:28

    person in the room.

  961. 31:30

    you never make us feel bad about it,

  962. 31:32

    which thank you, Greta. Um, and and also

  963. 31:35

    just your work ethic, like how you have

  964. 31:38

    this way of um of uh of

  965. 31:42

    kind of getting things done that feels

  966. 31:45

    like um somebody who used to work in the

  967. 31:47

    restaurant

  968. 31:49

    because you were working with her,

  969. 31:51

    right? Where were you guys working

  970. 31:52

    together?

  971. 31:52

    >> We were working for David Chen at the

  972. 31:54

    Mom Fukugu restaurant.

  973. 31:55

    >> What was that like? That was a hot

  974. 31:57

    restaurant.

  975. 31:58

    >> Crazy. It was so so [ __ ] crazy.

  976. 32:02

    >> Crazy.

  977. 32:03

    >> I just so hard.

  978. 32:04

    >> I so hard. So hard. So so hard. But at

  979. 32:08

    that time in New York though, it's like

  980. 32:10

    what year was that? Um from like 2007,

  981. 32:14

    2008 to I don't know. I mean, I was

  982. 32:18

    there on and off for a good five years,

  983. 32:20

    maybe more. Yeah.

  984. 32:21

    >> Like I'd go do a job, I'd book something

  985. 32:23

    and think like, "Oh, goodbye." I'd have

  986. 32:25

    like a big goodbye.

  987. 32:29

    like I'm never coming back.

  988. 32:30

    >> Yeah. Like see you like oh and like pick

  989. 32:33

    up the tab you know like oh my god my

  990. 32:36

    friends who worked in finance I'd like

  991. 32:38

    book like one one commercial and be like

  992. 32:41

    I got this I got these buddies don't

  993. 32:43

    even worry about and then just come

  994. 32:45

    crawling back. But

  995. 32:47

    >> but that time for food was really

  996. 32:50

    exciting cuz it was like David Chang and

  997. 32:52

    we're friends now. We have kids the same

  998. 32:54

    age and you know we we live really

  999. 32:56

    really close and we have mutual friends

  1000. 32:57

    and it's funny reminiscing about that

  1001. 33:00

    time collectively because there's just

  1002. 33:02

    it's like chefs were rock stars and

  1003. 33:06

    being a part of that was really exciting

  1004. 33:08

    for all of us.

  1005. 33:08

    >> What's it like working at like a

  1006. 33:10

    restaurant that is so hot, you know,

  1007. 33:13

    that everybody wants to get to? What was

  1008. 33:14

    the what was it like?

  1009. 33:16

    >> I was so powerful.

  1010. 33:17

    >> Yeah.

  1011. 33:18

    >> I I was a hostess. I was like basically

  1012. 33:21

    encouraged to be mean. So great.

  1013. 33:24

    >> Incredible.

  1014. 33:25

    >> Yeah. Okay. As a as a past hostess of a

  1015. 33:28

    very fancy restaurant.

  1016. 33:29

    >> What would you say to people? Never

  1017. 33:32

    works.

  1018. 33:32

    >> Oh.

  1019. 33:33

    >> Do you know what I mean? Like what when

  1020. 33:34

    would people get um

  1021. 33:37

    >> you know what would they do that you'd

  1022. 33:39

    be like absolutely

  1023. 33:41

    >> not? The culture was different then.

  1024. 33:44

    >> And you would easily tell someone, okay,

  1025. 33:48

    it's going to be 4 hours.

  1026. 33:51

    That's not even within like a meal a

  1027. 33:54

    stretch of a meal time. Like four like

  1028. 33:57

    dinner time is over. Like if if you're

  1029. 33:59

    starting four hours is crazy. Four

  1030. 34:01

    basically seated or four hours to eat.

  1031. 34:04

    >> Four hours to get seated wait times to

  1032. 34:06

    like to tell someone like

  1033. 34:08

    >> and they're like thank you mistress. May

  1034. 34:09

    I have another?

  1035. 34:10

    >> Yeah. So do I just wait over here or do

  1036. 34:13

    I like do you want my phone? I'm like no

  1037. 34:16

    go away. That's what that means.

  1038. 34:18

    >> Yeah. 4 hours means it's not happening.

  1039. 34:20

    >> Yeah. It's not happening. Did you ever

  1040. 34:21

    have people try to slip you cash?

  1041. 34:24

    >> Yeah.

  1042. 34:24

    >> Mhm. And did they ever like try to like

  1043. 34:26

    throw like fancy names around like

  1044. 34:29

    >> Yes. But that I I think that that

  1045. 34:32

    restaurant though I don't know where you

  1046. 34:33

    worked that was really discouraged. So

  1047. 34:35

    it was helpful. Like that just wouldn't

  1048. 34:36

    work.

  1049. 34:37

    >> Sure. Um, I mean I I I I feel like when

  1050. 34:40

    I was waiting tables, there was there

  1051. 34:42

    was definitely a vibe of like a

  1052. 34:46

    >> a finance vibe, I guess, is the only way

  1053. 34:48

    to say it, where and let's be honest, it

  1054. 34:50

    was finance bros who were like, I'm

  1055. 34:52

    willing to spend a lot of money here.

  1056. 34:55

    Like that was the vibe. Like, uh, I know

  1057. 34:57

    you might have a system and

  1058. 34:59

    reservations,

  1059. 35:01

    >> but I'm very rich.

  1060. 35:02

    >> Yes, I know.

  1061. 35:04

    >> Like I'm going to have so many oysters.

  1062. 35:06

    Yeah.

  1063. 35:08

    >> Where did you work?

  1064. 35:09

    >> Were you at seafood?

  1065. 35:10

    >> I worked at a place called Aqua Grill.

  1066. 35:12

    >> Oh my god.

  1067. 35:13

    >> Do you remember it?

  1068. 35:14

    >> Yeah.

  1069. 35:15

    >> Rest in peace.

  1070. 35:16

    >> Oh my gosh. You were one of those

  1071. 35:18

    [ __ ] Oh, I see it now.

  1072. 35:20

    >> Yeah, it was Soho. We were like Soho

  1073. 35:22

    gang.

  1074. 35:23

    >> Yes. Congratulations. Very like seafood

  1075. 35:26

    forward. A lot of voice.

  1076. 35:28

    >> Do you have to wear like a pressed

  1077. 35:29

    shirt? A button down? Yeah, I had to

  1078. 35:31

    wear a button down and um a button down

  1079. 35:34

    and I think it was a maroon apron.

  1080. 35:36

    >> Oh, wow.

  1081. 35:37

    >> Remember maroon was really big.

  1082. 35:38

    >> Yes, I do.

  1083. 35:39

    >> So, Allison's question, sorry. So, let

  1084. 35:41

    me get back to Allison. So, Allison's

  1085. 35:44

    question uh was a really good one I

  1086. 35:46

    thought which was like

  1087. 35:48

    >> what have you held on to

  1088. 35:50

    >> um from your restaurant days? Like how

  1089. 35:52

    how does it help you as an actor? Does

  1090. 35:55

    it do you think about any of that? Like

  1091. 35:57

    is there any connection to what you do

  1092. 35:59

    now? I think like you know the

  1093. 36:02

    expression being in the weeds,

  1094. 36:04

    >> what that can feel like and and and like

  1095. 36:07

    the crush of it and how exhausting it

  1096. 36:09

    is. And

  1097. 36:11

    >> I feel like that part that I don't know

  1098. 36:14

    that kind of like like multitasking,

  1099. 36:16

    extreme multitasking what we do.

  1100. 36:19

    >> Yeah.

  1101. 36:19

    >> I was I was like thinking about like

  1102. 36:21

    something I shot where I I was drowning.

  1103. 36:25

    >> Oh my gosh. Acting.

  1104. 36:26

    >> I know. Acting is so weird. So weird.

  1105. 36:28

    Why do we do it?

  1106. 36:29

    >> I don't know. I hate it.

  1107. 36:30

    >> I hate it, too.

  1108. 36:32

    >> So, why did you have to drown? Is this

  1109. 36:34

    recent?

  1110. 36:35

    >> Yeah. Well, is it?

  1111. 36:36

    >> Mhm.

  1112. 36:37

    >> Okay. So, you were drowning story.

  1113. 36:40

    >> It's in that spoiler alert.

  1114. 36:42

    >> But did you know, Amy, that acting like

  1115. 36:45

    you're drowning for something is just

  1116. 36:48

    drowning?

  1117. 36:49

    >> I I can't.

  1118. 36:50

    >> Did you know that?

  1119. 36:51

    >> This is why you shouldn't do this.

  1120. 36:53

    >> No. Don't do it.

  1121. 36:54

    >> There's no reason. Don't do it. It's not

  1122. 36:57

    any any even getting in water.

  1123. 36:59

    Absolutely not.

  1124. 37:01

    >> No swimming, nothing.

  1125. 37:02

    >> No.

  1126. 37:03

    >> So, yeah. Right. They're like, "Okay, so

  1127. 37:05

    do the fake drowning."

  1128. 37:06

    >> It's like, "Okay, I guess it's the

  1129. 37:09

    swallowing water.

  1130. 37:10

    >> You have to choke and you have to and

  1131. 37:12

    and when it's really good, they don't

  1132. 37:14

    know if it's if you're acting or if

  1133. 37:17

    you're

  1134. 37:18

    >> dying.

  1135. 37:20

    How are they going to know that?" And

  1136. 37:21

    they tell you things like, "Well, you

  1137. 37:22

    give them the sing signal like hand

  1138. 37:24

    signal." It's like, but if you're dying,

  1139. 37:27

    how are you going to give the signal?

  1140. 37:29

    >> Yeah, you can't give them the signal cuz

  1141. 37:30

    it really breaks the mood.

  1142. 37:31

    >> It doesn't It breaks the mood. And also,

  1143. 37:34

    you want to be good. So, in if you're

  1144. 37:38

    like, well, turns out maybe you don't,

  1145. 37:40

    but um but if you are successful enough

  1146. 37:44

    at the drown, then you it's impossible

  1147. 37:48

    to distinguish between real and not, you

  1148. 37:52

    know.

  1149. 37:52

    >> Well, this goes under a thing I like to

  1150. 37:54

    say. Don't be good at things you don't

  1151. 37:56

    want to do.

  1152. 37:56

    >> Right.

  1153. 37:57

    >> So, if you're good at the drown, you're

  1154. 37:59

    gonna get asked to do it again. Go. So,

  1155. 38:01

    be careful

  1156. 38:02

    >> because if if that scene is

  1157. 38:05

    >> there was a lot of it.

  1158. 38:06

    >> Yeah. And they're going to be like, get

  1159. 38:08

    let's get Greta. She's good. She's good.

  1160. 38:10

    Go.

  1161. 38:10

    >> You have to get scuba certified. Oh my

  1162. 38:12

    god. No scuba. No scuba. People should

  1163. 38:16

    not scuba.

  1164. 38:17

    >> Sorry. I have a lot of hot takes today,

  1165. 38:20

    but scuba absolutely not.

  1166. 38:28

    Okay. You have two boys and I'm the

  1167. 38:31

    mother of two boys

  1168. 38:32

    >> and they are how old?

  1169. 38:34

    >> Okay, let's see. Apollo is nine now and

  1170. 38:37

    Raph just turned seven.

  1171. 38:38

    >> So, having a seven and nineyear-old,

  1172. 38:41

    those are kind of delicious times for

  1173. 38:43

    boys.

  1174. 38:44

    >> What's it like being the mom of boys?

  1175. 38:47

    >> I'm obsessed with them.

  1176. 38:49

    >> Yeah.

  1177. 38:50

    >> Oh god.

  1178. 38:51

    >> Yeah. I love them so much.

  1179. 38:54

    >> Yeah.

  1180. 38:55

    >> It's so annoying.

  1181. 38:56

    >> Yeah.

  1182. 38:58

    >> They're your little husbands.

  1183. 38:59

    >> They They're my little husbands.

  1184. 39:03

    >> Oh, yeah. Okay.

  1185. 39:05

    >> They're better. That's too weird, right?

  1186. 39:06

    >> Yeah. It's

  1187. 39:07

    >> They're your best friends. They're your

  1188. 39:08

    best friends/son husbands.

  1189. 39:11

    >> No, let's get it right. How have you

  1190. 39:13

    changed from being like Because you're a

  1191. 39:15

    mom now. What's

  1192. 39:16

    >> Everything's changed. Everything's

  1193. 39:17

    changed. Um, I god

  1194. 39:21

    >> I'm also a boy mom and I think that is

  1195. 39:24

    specific and never like thought about

  1196. 39:27

    that one way or the other. And I look at

  1197. 39:29

    other moms who are not boy moms and I'm

  1198. 39:31

    like "Oh

  1199. 39:32

    >> okay. Let's talk about it cuz I also am

  1200. 39:34

    a boy mom."

  1201. 39:35

    >> Wait, how old are yours now?

  1202. 39:36

    >> My guys are getting old. They're like

  1203. 39:38

    15, almost 16 and 17.

  1204. 39:41

    >> No.

  1205. 39:41

    >> Yeah, they're

  1206. 39:43

    >> Oh, no. 15 and 17.

  1207. 39:45

    >> They're like Yes, I know. They're like

  1208. 39:48

    driving and out in the world and

  1209. 39:50

    >> Oh god.

  1210. 39:51

    >> I know. And almost voting and

  1211. 39:54

    um but you're I want to talk about it

  1212. 39:57

    because you know there's a joke about

  1213. 39:58

    boy mom but there is something very

  1214. 40:00

    interesting about

  1215. 40:01

    >> wait what's a joke about boy mom? Well,

  1216. 40:03

    the joke is kind of that boy moms are

  1217. 40:05

    are I guess like a little more worn down

  1218. 40:08

    because

  1219. 40:11

    >> you know it not all boys of course but

  1220. 40:15

    and not all people kids that identify as

  1221. 40:18

    male but in general you have to play a

  1222. 40:21

    lot. There's a lot of play.

  1223. 40:23

    >> Why do you think I'm so tan? You're just

  1224. 40:26

    always outside playing.

  1225. 40:27

    >> I'm just outside. I'm like running on

  1226. 40:31

    the bicycle. I am I am like I'm doing

  1227. 40:34

    stuff with the boys.

  1228. 40:35

    >> I know. You're like It's always like

  1229. 40:37

    camp. It's like let's go run them out.

  1230. 40:39

    >> Yeah, let's go every day. Just you got

  1231. 40:42

    to run them like dogs.

  1232. 40:43

    >> You do. And and um

  1233. 40:46

    >> uh Yeah, cuz and I'm also talking about

  1234. 40:49

    how much I want them to be outside and

  1235. 40:51

    how much I want them to be in their

  1236. 40:52

    bodies. And so what does that mean? I

  1237. 40:54

    have to be outside. Like I want them to

  1238. 40:57

    play soccer. I'm playing soccer. Like I

  1239. 41:00

    want them to I'm I'm doing all of it.

  1240. 41:02

    >> Do you like doing it?

  1241. 41:04

    >> Are you an athletic person?

  1242. 41:05

    >> Yeah. Yeah, I do like it.

  1243. 41:07

    >> Yeah. Did you play sports and like what

  1244. 41:09

    was your sport?

  1245. 41:10

    >> I did. I was like I this I'm such an

  1246. 41:12

    actor. I was always like good enough.

  1247. 41:14

    I'm really good at faking it.

  1248. 41:16

    >> Oh my god. Me too. You know what I mean?

  1249. 41:17

    I was good with chatter.

  1250. 41:19

    >> Yeah.

  1251. 41:21

    >> Like I didn't really quite have the

  1252. 41:23

    athletic thing, but I was I was really

  1253. 41:24

    good at Yeah. Same.

  1254. 41:26

    >> Yeah.

  1255. 41:27

    >> Same. And but sometimes I get it wrong

  1256. 41:28

    and the kids are like, "What are you

  1257. 41:30

    do?" Like, "What?

  1258. 41:31

    >> Are you fast? Do you run?"

  1259. 41:33

    >> Yeah.

  1260. 41:33

    >> Knew it. Incredible.

  1261. 41:34

    >> I know. But again, had to do that for a

  1262. 41:37

    movie.

  1263. 41:38

    >> Oh god. That's right. I don't don't run.

  1264. 41:41

    Don't worry. Nobody's going to ask me to

  1265. 41:42

    run for a movie.

  1266. 41:45

    >> It is so hard.

  1267. 41:47

    >> So, so hard. It is so hard.

  1268. 41:53

    >> It's bad for you. It's actually bad for

  1269. 41:54

    you.

  1270. 41:55

    >> I absolutely agree.

  1271. 41:56

    >> Yeah. I had to run in something where

  1272. 41:59

    >> What did you have to run in

  1273. 42:00

    >> for Tron? I had to pretend that I was

  1274. 42:04

    gonna be killed if I didn't run for my

  1275. 42:07

    life. Okay. So, if you think about that

  1276. 42:10

    movie and you think about like the end,

  1277. 42:11

    like no, I'm going to say like

  1278. 42:13

    >> half of that movie my character is

  1279. 42:16

    running for her life. And I'm not like

  1280. 42:20

    >> you just have to sprint. There's no way

  1281. 42:21

    to train for that. And my character

  1282. 42:23

    isn't a marathon runner, so it doesn't

  1283. 42:25

    justify me. Like it's just like me in

  1284. 42:29

    this state then suddenly running like I

  1285. 42:32

    don't know like 13 miles like in one you

  1286. 42:36

    know a night shoot where I'm just

  1287. 42:38

    >> what

  1288. 42:39

    >> I broke. Yeah.

  1289. 42:40

    >> Again I was like why

  1290. 42:42

    >> you ran 13 miles?

  1291. 42:43

    >> I measured and yeah with I forgot how

  1292. 42:46

    many takes we did where this one Yeah.

  1293. 42:49

    This is a shot where I was like running

  1294. 42:50

    along the length of a pier and they had

  1295. 42:52

    to bring in the we shut down production

  1296. 42:54

    because the next day I I took one step

  1297. 42:56

    and I couldn't I couldn't walk.

  1298. 42:59

    >> Of Yeah, of course. Cuz you you

  1299. 43:01

    basically ran a half marathon without

  1300. 43:03

    any training. Yeah.

  1301. 43:04

    >> Yeah. I mean I train I trained I trained

  1302. 43:08

    but I didn't train in the right way.

  1303. 43:09

    >> I mean I didn't know how like I didn't

  1304. 43:11

    know how. But I remember doing um Blades

  1305. 43:14

    of Glory, this ice skating movie, and

  1306. 43:16

    the we had an incredible like ice

  1307. 43:19

    dancing coach who like

  1308. 43:21

    >> was in the Olympics and she would just

  1309. 43:24

    be teaching me. And I was like, I'm not

  1310. 43:26

    going to be able to do this.

  1311. 43:28

    >> Like I I am an actor. I will try my

  1312. 43:31

    best, but there's I can't learn how to

  1313. 43:34

    be an ice dancer. I I don't if you gave

  1314. 43:38

    me years

  1315. 43:41

    >> if you gave me all the money in the

  1316. 43:42

    world like we're going to have to we're

  1317. 43:44

    going to work have to work around this.

  1318. 43:46

    >> So you would just tell her this and then

  1319. 43:47

    what what would she say?

  1320. 43:49

    >> Really good coaches you know they just

  1321. 43:51

    are like they like yeah but you got this

  1322. 43:55

    >> right? No.

  1323. 43:56

    >> And I'm like I do not have this.

  1324. 43:59

    And to your point about the chatter, I

  1325. 44:02

    would we would have our like workouts,

  1326. 44:05

    >> which I dreaded. Um, even though she was

  1327. 44:08

    so wonderful. And I would I learned I

  1328. 44:11

    was like, "Oh, you know what? If I get a

  1329. 44:13

    little coffee in her and ask her a

  1330. 44:14

    couple questions, I can burn some of

  1331. 44:16

    this time cuz we only had an hour. So I

  1332. 44:19

    would buy her a coffee and we'd sit and

  1333. 44:21

    I remember she would sit in front of the

  1334. 44:23

    clock and we'd be right behind her and

  1335. 44:24

    I'd be like, "What is going on with your

  1336. 44:26

    daughter?"

  1337. 44:27

    And she like, "Okay, well, we have to

  1338. 44:29

    get to work." But anyway, and she would

  1339. 44:31

    cuz I was like, "Please don't put me on

  1340. 44:33

    the ice."

  1341. 44:35

    >> Anyway,

  1342. 44:35

    >> yeah.

  1343. 44:36

    >> Did you train? But you now run on your

  1344. 44:38

    own in life. Okay, good.

  1345. 44:41

    >> Thank God.

  1346. 44:42

    >> God, don't run again.

  1347. 44:44

    >> No,

  1348. 44:44

    >> don't ever run again.

  1349. 44:45

    >> It's really bad for you. Don't do it.

  1350. 44:47

    >> Um, okay. When I met you, you had done a

  1351. 44:50

    bunch of TV. Like you said, you were on

  1352. 44:52

    Rod City, you were on Girls, you were

  1353. 44:54

    doing um a bunch of different things.

  1354. 44:56

    And we worked together on a show called

  1355. 44:59

    Old Soul with Natasha Leon, a pilot that

  1356. 45:01

    did not get picked up and was

  1357. 45:04

    >> the a basic idea was Natasha was kind of

  1358. 45:06

    the youngest person in a group of very

  1359. 45:08

    old people. And we gathered these

  1360. 45:10

    incredible actors. Fred Willard, Richard

  1361. 45:12

    Benjamin, um, Ellen Buren, Mara Gibbs,

  1362. 45:16

    um, Rita Moreno, and it was a crazy

  1363. 45:20

    cast.

  1364. 45:22

    >> Shot, not picked up.

  1365. 45:23

    >> Yeah. Insane.

  1366. 45:24

    >> Insane.

  1367. 45:25

    >> What do you remember about that? Do you

  1368. 45:27

    have any memories of that time?

  1369. 45:28

    >> I remember Rita Mareno told me I was on

  1370. 45:30

    my phone too much.

  1371. 45:33

    >> So funny. Really wasn't. I still think

  1372. 45:36

    about it's like one of those things that

  1373. 45:37

    you just can't you're I can't let go of

  1374. 45:39

    that because I'm like

  1375. 45:40

    >> I was barely and I'm I'm not on social

  1376. 45:43

    media now. Like I'm very I I don't

  1377. 45:46

    consider myself to be addicted.

  1378. 45:48

    >> I'm not. I wasn't.

  1379. 45:49

    >> Well, but she told me I was.

  1380. 45:51

    >> It's funny. I'm having a memory that I

  1381. 45:52

    did a movie with um uh Charles Groden, a

  1382. 45:56

    movie called The X, and he said, "You're

  1383. 45:59

    always on your phone."

  1384. 46:02

    >> And I put my phone down. Like I remember

  1385. 46:04

    being like,

  1386. 46:06

    >> "Thank you for that feedback." But

  1387. 46:08

    >> Rita,

  1388. 46:09

    >> Rita gave it to you. Yeah,

  1389. 46:10

    >> she did. Um, but she also she I think

  1390. 46:13

    she had just written a book or I don't

  1391. 46:15

    know, she was

  1392. 46:16

    >> giving a lot of sort of like

  1393. 46:18

    >> Yeah.

  1394. 46:19

    >> life advice and sort of her take on

  1395. 46:21

    things and it was so fun. It was fun to

  1396. 46:24

    hang out with that crew.

  1397. 46:26

    >> I remember it feeling like such a sure

  1398. 46:29

    thing.

  1399. 46:29

    >> I know.

  1400. 46:30

    >> I know, right?

  1401. 46:31

    >> Okay. And then we worked together on

  1402. 46:34

    Sisters.

  1403. 46:34

    >> Yes.

  1404. 46:35

    >> Which is a movie uh for people. Paul

  1405. 46:37

    Lapel wrote it. Me and Tina were in it.

  1406. 46:39

    It was a crazy talented cast. None of

  1407. 46:42

    whom worked enough in my opinion. It was

  1408. 46:44

    like weeks and weeks. Why? What? How?

  1409. 46:48

    Makes no sense. What What was happening?

  1410. 46:52

    >> I don't know. It was just like you and

  1411. 46:53

    Kate McKinnon and um Bobby Moahan just

  1412. 46:56

    like at craft service just like

  1413. 46:58

    >> just there waiting so long for so long

  1414. 47:01

    because that sinkhole remember there was

  1415. 47:03

    that that sound stage we had to be

  1416. 47:07

    >> indoors the the house like all the

  1417. 47:09

    plants were dying they were decomposing

  1418. 47:12

    we do you remember we had to build a

  1419. 47:15

    sinkhole that's right it it didn't there

  1420. 47:19

    for so they built us

  1421. 47:21

    >> uh Uh, not you guys, but they built like

  1422. 47:23

    Bobby, Kate, um, um, who else? John

  1423. 47:26

    Glazer. These little plywood cabins,

  1424. 47:30

    >> like little boxes to live in.

  1425. 47:33

    >> They were like dog houses

  1426. 47:35

    >> to sit in.

  1427. 47:36

    >> To sit. I don't know what they wanted us

  1428. 47:38

    to do in them, but that's what we had.

  1429. 47:41

    And we were in the box.

  1430. 47:43

    >> Get in the box.

  1431. 47:43

    >> Get in the box.

  1432. 47:44

    >> And we would just wait.

  1433. 47:47

    >> Why were we there for so long? That

  1434. 47:49

    movie took so long.

  1435. 47:50

    >> It did. And and also I can remember cuz

  1436. 47:53

    everybody on the John Leguismo there

  1437. 47:55

    were a lot of like very talented people

  1438. 47:57

    on the movie, John Cena and um like

  1439. 48:01

    Baron holds so many people but I can

  1440. 48:03

    remember and and when you're smart

  1441. 48:05

    enough to be working for a long time

  1442. 48:07

    there's definitely a feeling when you

  1443. 48:08

    walk into something and you're like okay

  1444. 48:09

    we're going to be shooting at like a

  1445. 48:10

    sinkhole for two weeks where you start

  1446. 48:12

    to angle like you're like do I do you

  1447. 48:15

    think my character is here? It needs to

  1448. 48:17

    be

  1449. 48:18

    >> like I wonder if she's already

  1450. 48:21

    the sisters. Like you you are a sister

  1451. 48:24

    and you're like I could she have left

  1452. 48:27

    the party? I feel like she's gone.

  1453. 48:30

    >> And there was a couple moments where

  1454. 48:32

    like camera was shooting this way and

  1455. 48:33

    whoever was in the background was like

  1456. 48:36

    >> oh my god Samantha B was in the I was

  1457. 48:38

    like I was like I'm going to be in the

  1458. 48:40

    background of this shot for the next two

  1459. 48:42

    weeks.

  1460. 48:43

    >> Oh but so I apologize.

  1461. 48:45

    >> Thank you. Thank you. I came here to

  1462. 48:47

    accept this apology. Now I have it. But

  1463. 48:51

    it's so nice though thinking about I

  1464. 48:54

    feel like that doesn't happen anymore.

  1465. 48:55

    >> I know.

  1466. 48:56

    >> No one would say yes to that anymore.

  1467. 48:59

    >> Be like you actually can't.

  1468. 49:00

    >> Everyone be like no that we we have

  1469. 49:02

    fought our unions have fought for you to

  1470. 49:04

    not do that anymore. Our unions have

  1471. 49:05

    fought against the wooden boxes. Um, no,

  1472. 49:08

    but I I remember that time when we got

  1473. 49:11

    to improvise together and I feel like

  1474. 49:14

    that scene that we got to do do together

  1475. 49:16

    is really funny and I but I but I'm

  1476. 49:18

    curious if you think it still holds up.

  1477. 49:20

    >> Yeah,

  1478. 49:21

    >> it does.

  1479. 49:22

    >> Yeah, it does.

  1480. 49:22

    >> I think it does, too. Why? Because it's

  1481. 49:24

    tricky territory. So, there's a scene in

  1482. 49:27

    the film where Greta's character is

  1483. 49:29

    playing like who you what you first

  1484. 49:33

    think is like this kind of submissive,

  1485. 49:35

    quiet, but like secretly angry

  1486. 49:37

    >> nail technician.

  1487. 49:38

    >> Nail technician who you think cannot

  1488. 49:41

    speak English very well and is just kind

  1489. 49:42

    of like dealing with these ridiculous

  1490. 49:45

    women. And my character is doing that

  1491. 49:47

    like gross kind of liberal thing where

  1492. 49:49

    she's trying to connect like tell me

  1493. 49:51

    about you, you know, and how do you

  1494. 49:52

    pronounce your name and all that stuff?

  1495. 49:54

    let me save you like very white savior

  1496. 49:57

    [ __ ] and we are doing it back and

  1497. 49:59

    forth

  1498. 50:00

    >> and but it does it does walk a little

  1499. 50:03

    bit of a line and it is the bigger

  1500. 50:05

    question for me about like in your

  1501. 50:08

    career I'm sure you've had to decide

  1502. 50:10

    over and over again do I want to play a

  1503. 50:13

    character that could seem stereotypical

  1504. 50:15

    do I want to do I want to speak Korean

  1505. 50:17

    in this part do I wanna like like what

  1506. 50:20

    has that been like for you to have to

  1507. 50:22

    try to figure that out everybody has to

  1508. 50:24

    kind of figure out how they're going to

  1509. 50:27

    >> exploit what they naturally know how to

  1510. 50:30

    do at the beginning of their career, but

  1511. 50:32

    it's not always based on their

  1512. 50:34

    ethnicity. So, like how do you how do

  1513. 50:36

    you juggle that or manage that or have

  1514. 50:38

    you

  1515. 50:38

    >> It's annoying.

  1516. 50:39

    >> It's annoying to navigate. But you with

  1517. 50:43

    that that was an easy decision for me

  1518. 50:46

    because and I and I understand the kind

  1519. 50:50

    of the conversation around it and what

  1520. 50:52

    was tricky to navigate. Um

  1521. 50:55

    >> but it's just it's people like I

  1522. 50:59

    >> I have so much love for Hwan because

  1523. 51:03

    like I know that chick. I know her. I

  1524. 51:07

    know her so deep and I some of my

  1525. 51:11

    funniest experiences

  1526. 51:13

    um at nail salons I was mora I you know

  1527. 51:17

    it was it's switched and

  1528. 51:19

    >> you I think that scene also works

  1529. 51:20

    because you know status is inverted and

  1530. 51:24

    >> and I think that it's

  1531. 51:26

    >> easy to assume and I think it's easy to

  1532. 51:29

    assume if you are not in a marginalized

  1533. 51:32

    position to um assume like oh no like

  1534. 51:35

    this is this is hurtful or this is

  1535. 51:39

    but I think when you're looking at

  1536. 51:41

    people and for me in that moment it she

  1537. 51:45

    is in total control.

  1538. 51:48

    >> Yeah.

  1539. 51:48

    >> It's so funny like and I've been in that

  1540. 51:51

    situation at the nail.

  1541. 51:52

    >> That's the thing about comedy. It's

  1542. 51:54

    tricky, right? It's like if it's funny

  1543. 51:56

    >> Yeah.

  1544. 51:57

    >> then there's something that's striking

  1545. 51:59

    the right chord, but you can't always

  1546. 52:01

    figure out what it is. And

  1547. 52:02

    >> and it's not funny unless it's true. And

  1548. 52:05

    there's something about that that was

  1549. 52:08

    very true.

  1550. 52:09

    >> And I felt like what we were doing and

  1551. 52:13

    and what the opportunity was was a

  1552. 52:15

    chance to play something that rang very

  1553. 52:18

    true for me. And I could see I knew it

  1554. 52:20

    was going to be funny. I knew she was

  1555. 52:22

    going to be funny and there were many

  1556. 52:24

    opportunities for her

  1557. 52:26

    >> to come alive and like Yeah. be a

  1558. 52:29

    person.

  1559. 52:30

    >> Yeah.

  1560. 52:30

    >> Yeah. And then you play someone

  1561. 52:32

    completely different in Russian Doll.

  1562. 52:34

    you play this like

  1563. 52:37

    >> beautiful kind of like sweet birthday

  1564. 52:41

    >> uh let's get ready to party like the the

  1565. 52:44

    version of like who you want to have

  1566. 52:46

    greet you at the door like the ultimate

  1567. 52:47

    hostess

  1568. 52:49

    >> and also just this kind of like lost but

  1569. 52:53

    free spirit like so aspirational this

  1570. 52:57

    this woman

  1571. 52:58

    >> what was your experience like on Russian

  1572. 53:00

    Doll is it like to say a line over and

  1573. 53:02

    over again and like for that line to

  1574. 53:04

    become so iconic and like also to be on

  1575. 53:07

    a show that was such a hit.

  1576. 53:08

    >> Yeah.

  1577. 53:09

    >> How wild was that? I mean,

  1578. 53:12

    >> well, you know, that first I said no.

  1579. 53:15

    >> Yeah.

  1580. 53:15

    >> I was like, there's no way. I I was I

  1581. 53:18

    just felt like I don't know how to do

  1582. 53:20

    this. I don't know how

  1583. 53:21

    >> Do you remember why you said no?

  1584. 53:22

    >> Yeah. It was like I I don't know how to

  1585. 53:24

    say the same line again and again.

  1586. 53:26

    >> I asked you. I said, "Can we just shoot

  1587. 53:28

    it once and you can reuse that?"

  1588. 53:30

    >> Right.

  1589. 53:30

    >> And you said no.

  1590. 53:31

    >> Right.

  1591. 53:33

    So, for people you don't know, um I

  1592. 53:35

    produced Russian Doll along with Natasha

  1593. 53:38

    and Leslie Hedland and we were and we

  1594. 53:40

    were

  1595. 53:40

    >> talking about Greta's character

  1596. 53:43

    specifically being like this reset. You

  1597. 53:45

    are the reset. You're kind of home for

  1598. 53:48

    that character. You really are a safe

  1599. 53:50

    person.

  1600. 53:51

    >> You play even though you play this

  1601. 53:53

    twinkly sparkly like

  1602. 53:56

    >> um adventure crazy lady, you are safe.

  1603. 53:59

    >> Yes. and they're with the chicken and

  1604. 54:01

    it's like Yeah.

  1605. 54:03

    >> So, you have to do the same line over

  1606. 54:04

    and over again cuz the show they start

  1607. 54:06

    over and over again and it's kind of

  1608. 54:09

    like uh Natasha's character has to

  1609. 54:11

    reset. So, how did what what was it like

  1610. 54:13

    to do it? Was it like did you get into

  1611. 54:15

    it?

  1612. 54:15

    >> Well, I said the line I think that way

  1613. 54:18

    once and then I realized that was the

  1614. 54:23

    way I had to say it every single time.

  1615. 54:26

    And I can't say it felt like I had

  1616. 54:30

    landed like the perfect way I wanted to

  1617. 54:33

    say it. It was already done. Like I was

  1618. 54:36

    like, that's that's the one. Okay,

  1619. 54:39

    great. Moving on.

  1620. 54:42

    >> Let's get her in. Let's get Let's get to

  1621. 54:44

    her drowning.

  1622. 54:44

    >> Yep. Okay, good. Let's get to the

  1623. 54:45

    drowning scene.

  1624. 54:46

    >> Start running.

  1625. 54:47

    >> Okay, moving on. Yeah. Um, but you know

  1626. 54:50

    that

  1627. 54:52

    I love acting with Natasha. Yeah,

  1628. 54:56

    >> my buddy Tosh.

  1629. 54:57

    >> Yeah.

  1630. 54:57

    >> And it's been some time, but there is

  1631. 55:00

    this thing with her where I feel it it

  1632. 55:03

    feels different for me than than other

  1633. 55:06

    people that I've acted with. There's

  1634. 55:09

    something there's something that happens

  1635. 55:11

    when I act with her. And and that was

  1636. 55:14

    true for Russian doll too because it's

  1637. 55:16

    not I can't say that there I could lie

  1638. 55:20

    and tell you that I came up with some

  1639. 55:21

    like insane backstory and boarded like

  1640. 55:25

    each time we went back but it wasn't it

  1641. 55:28

    wasn't that it was just about friendship

  1642. 55:31

    and like it's just like a connection

  1643. 55:33

    that you have with someone

  1644. 55:35

    >> and Natasha over the years I I just like

  1645. 55:38

    she's just one of those people that I

  1646. 55:39

    had like a very instant connection with

  1647. 55:42

    and you just look into those huge

  1648. 55:44

    [ __ ] eyes and you are just so locked

  1649. 55:47

    in and

  1650. 55:48

    >> and it's just it's so nice. Yeah.

  1651. 55:51

    >> It's it's I think it's what anchored

  1652. 55:53

    that show was the genuine chemistry

  1653. 55:56

    between the two of you cuz you worked

  1654. 55:57

    together. You really had such great

  1655. 55:58

    respect for each other. You worked so

  1656. 56:00

    well together.

  1657. 56:01

    >> And that show is about like

  1658. 56:05

    >> who who is the who are my chosen family?

  1659. 56:08

    Who are the people that are going to be

  1660. 56:10

    like at my birthday party saving me from

  1661. 56:13

    myself? Like who are they going to be?

  1662. 56:16

    >> Um, and you can't really fake that. And

  1663. 56:19

    you definitely had that.

  1664. 56:21

    >> Yeah.

  1665. 56:21

    >> Okay. But now I'm moving on to

  1666. 56:24

    >> drink.

  1667. 56:27

    >> Is it weird that I'm drinking Diet Coke?

  1668. 56:28

    Honestly, like I feel like No, I

  1669. 56:31

    >> You are the first guest to have a soda

  1670. 56:33

    and it isn't a clear glass, which we

  1671. 56:35

    probably forced you to do.

  1672. 56:37

    >> Yeah. You know what? I'm so tired. I'm

  1673. 56:39

    just tired.

  1674. 56:40

    >> Now, is that a is that a straight up

  1675. 56:42

    Coke or a diet?

  1676. 56:43

    >> It's a diet coke. I mean, that's what

  1677. 56:44

    was available. Just like you're not

  1678. 56:47

    drinking any any judgment here.

  1679. 56:50

    >> Sometimes you need a soda like a little

  1680. 56:51

    soda.

  1681. 56:52

    >> Yeah.

  1682. 56:52

    >> Are you a coffee drinker?

  1683. 56:53

    >> Yeah.

  1684. 56:54

    >> And why are you so tired?

  1685. 56:58

    >> Too personal?

  1686. 56:59

    >> No. I mean,

  1687. 57:00

    >> what's going on with your sleep? Let's

  1688. 57:01

    get to it.

  1689. 57:01

    >> Oh god. I know, right? Look, I I was

  1690. 57:04

    like, I don't want to talk about

  1691. 57:05

    pmenopause cuz this is like all

  1692. 57:08

    your frozen shoulder.

  1693. 57:09

    >> Your frozen which one is frozen

  1694. 57:12

    up again. I said to Jenna,

  1695. 57:15

    >> I was like I'm not I said I'm like not

  1696. 57:17

    going to talk about it cuz it's like it

  1697. 57:18

    makes me feel so old and women

  1698. 57:22

    >> out there are suffering. You're not old.

  1699. 57:23

    You're beautiful. But I am an old old

  1700. 57:25

    crone. I'm an old crony witch who can't

  1701. 57:28

    lift her arms.

  1702. 57:28

    >> I'm trailing behind you.

  1703. 57:31

    left

  1704. 57:32

    shoulder. Millennials are just getting

  1705. 57:34

    old and I'm here to tell you as Gen X.

  1706. 57:37

    >> Yeah.

  1707. 57:38

    >> Well, first of all, welcome. Like, we

  1708. 57:39

    welcome you. Like, coming on the other

  1709. 57:42

    side of it is not bad. It's actually

  1710. 57:43

    kind of nice to not be young, like

  1711. 57:46

    considered young. It's kind of nice,

  1712. 57:48

    >> but you have a frozen shoulder,

  1713. 57:49

    >> but it's a nightmare for the body. It's

  1714. 57:51

    a nightmare for every day. The body.

  1715. 57:54

    >> I know. It's happening.

  1716. 57:57

    >> I don't know. Well, I like I don't

  1717. 57:59

    actually drink soda. I am today.

  1718. 58:03

    >> You know what I mean? Like do you

  1719. 58:04

    remember?

  1720. 58:04

    >> You know the truth that you're like

  1721. 58:06

    whatever it takes. Let's try it. Um what

  1722. 58:10

    is your sleep uh routine? What do you

  1723. 58:12

    like to do? Like how do you talk to me

  1724. 58:14

    about your night time routine?

  1725. 58:14

    >> My night time. Well, when I'm home,

  1726. 58:17

    right, and I'm

  1727. 58:18

    >> too much travel.

  1728. 58:19

    >> Yeah. Too much travel. What?

  1729. 58:21

    >> Yeah. You're traveling for work.

  1730. 58:22

    >> Oh, yeah. The travel Yes. Too much like

  1731. 58:25

    Oh my god. I was in Korea two week two

  1732. 58:27

    weeks ago. Three weeks ago. This is why

  1733. 58:28

    you're so tired.

  1734. 58:29

    >> But yeah, but what were you doing in

  1735. 58:32

    Korea?

  1736. 58:32

    >> I was It was a film festival.

  1737. 58:34

    >> Well, speaking of Korea, and thank you

  1738. 58:35

    for that transition.

  1739. 58:37

    >> Past lives.

  1740. 58:41

    >> What?

  1741. 58:42

    >> Greta.

  1742. 58:42

    >> Yes.

  1743. 58:43

    >> I believe I may have texted you.

  1744. 58:44

    >> I think you did.

  1745. 58:45

    >> I I mean, that movie is spectacular.

  1746. 58:48

    Your performance in it, everyone's

  1747. 58:50

    performance in it. Seline is so

  1748. 58:52

    beautifully directed. Yeah,

  1749. 58:55

    >> it's just like we were talking about it

  1750. 58:56

    earlier today in anticipation of this

  1751. 58:58

    and we were just talking about like the

  1752. 59:00

    meditative quality of it, the the rhythm

  1753. 59:02

    of it, like the music of it.

  1754. 59:04

    >> It's like everyone is watching and being

  1755. 59:07

    watched at different times. It's this

  1756. 59:09

    like beautiful triangle.

  1757. 59:12

    >> The actors are so great. You are so good

  1758. 59:14

    in it. It It is It must feel so

  1759. 59:18

    wonderful to be in such a good movie.

  1760. 59:24

    DOES IT?

  1761. 59:29

    >> YEAH. It feels so good.

  1762. 59:31

    >> It feels so good. Of course.

  1763. 59:34

    >> So good.

  1764. 59:34

    >> It feels good to be in a good mood.

  1765. 59:41

    >> It feels really good.

  1766. 59:43

    >> You want it all the time. That's what

  1767. 59:45

    you want.

  1768. 59:45

    >> I know. Your performance in it is so

  1769. 59:49

    beautiful. all the awards and like

  1770. 59:53

    >> I know the awards season is long over.

  1771. 59:54

    That's been many.

  1772. 59:56

    >> Did you win? I don't even know. Did you

  1773. 59:58

    win? [ __ ]

  1774. 59:59

    >> No, I don't even nominated.

  1775. 1:00:02

    >> Yeah, but you know, no one even knows

  1776. 1:00:04

    that. No one.

  1777. 1:00:06

    >> Yeah, no one knows.

  1778. 1:00:07

    >> 100%. No one ever remembers who won.

  1779. 1:00:10

    >> I could have introduced you as Academy

  1780. 1:00:12

    Award winner. No one would

  1781. 1:00:14

    >> I wouldn't have said I wouldn't have

  1782. 1:00:15

    corrected you.

  1783. 1:00:16

    >> No. No. Um, that's [ __ ] Of course.

  1784. 1:00:20

    Um, your what what does Selene like to

  1785. 1:00:23

    work with? Like,

  1786. 1:00:24

    >> you know, it was her first it was her

  1787. 1:00:26

    first movie.

  1788. 1:00:27

    >> Crazy.

  1789. 1:00:27

    >> I think it was her first time

  1790. 1:00:29

    >> song, the director of past lives.

  1791. 1:00:31

    >> So, was it just collaboration city

  1792. 1:00:33

    there? Were you

  1793. 1:00:34

    >> Yeah, it was its own thing. I'm never

  1794. 1:00:36

    going to have anything like that. Um,

  1795. 1:00:39

    >> I felt like it's I felt like, oh, we're

  1796. 1:00:42

    we're making something that it's going

  1797. 1:00:43

    to be something, you know? You did you

  1798. 1:00:45

    felt it at the time? You could you could

  1799. 1:00:47

    feel that and it felt very uh yeah

  1800. 1:00:51

    extremely collaborative. She'd done a

  1801. 1:00:52

    lot of theater and

  1802. 1:00:54

    >> it was so personal and it was just

  1803. 1:00:57

    everyone was taking such a big risk too.

  1804. 1:00:59

    Like I had no idea if I was going to be

  1805. 1:01:01

    able to act in Korean.

  1806. 1:01:04

    >> Yeah.

  1807. 1:01:04

    >> And and also to I'd never been the

  1808. 1:01:07

    number one in a movie the on the call

  1809. 1:01:09

    sheet ever before.

  1810. 1:01:12

    >> I'd never done drama in that way. Like I

  1811. 1:01:15

    hadn't done realism

  1812. 1:01:17

    >> like okay you you'll understand this. I

  1813. 1:01:19

    I had I realized this this instinct that

  1814. 1:01:23

    I needed to turn off where I would

  1815. 1:01:26

    improvise my face off and I needed to

  1816. 1:01:30

    turn I needed to stop doing that where I

  1817. 1:01:33

    would fill the silence jokes. Can you

  1818. 1:01:36

    imagine past lives with like what'd you

  1819. 1:01:40

    get that Russ like

  1820. 1:01:43

    >> describe it speaking my language she'd

  1821. 1:01:45

    be like she'd be like stop that

  1822. 1:01:50

    like what

  1823. 1:01:53

    >> which is also such an immature response

  1824. 1:01:55

    like what

  1825. 1:01:56

    >> what

  1826. 1:01:56

    >> I'm not doing anything

  1827. 1:01:59

    the whole idea that the camera was going

  1828. 1:02:01

    to stay on my face with Nothing

  1829. 1:02:06

    happening. I It was like I could not

  1830. 1:02:09

    handle it. I could like I would I would

  1831. 1:02:11

    be like cut

  1832. 1:02:13

    >> cut. We got it.

  1833. 1:02:14

    >> Like what do you do?

  1834. 1:02:16

    >> Just long shots just looking out the

  1835. 1:02:18

    window.

  1836. 1:02:19

    >> Yes.

  1837. 1:02:20

    >> For so long.

  1838. 1:02:21

    >> Yes. It's that is Thank you for sharing

  1839. 1:02:24

    that because I so relate. It is like my

  1840. 1:02:28

    hardest thing to just be kind of like

  1841. 1:02:30

    still in the moment.

  1842. 1:02:32

    like you said sit in the kind of like

  1843. 1:02:34

    inbetweeness of it all

  1844. 1:02:36

    >> and that film does that beautifully like

  1845. 1:02:40

    >> you that dreamy quality of the

  1846. 1:02:43

    inbetweeness of everything

  1847. 1:02:45

    >> whatever you had to adjust you adjusted

  1848. 1:02:48

    perfectly because it is so I I recommend

  1849. 1:02:52

    to anybody who has not watched past

  1850. 1:02:53

    lives I mean the it's my favorite kind

  1851. 1:02:56

    of like melancholy nostalgic like kind

  1852. 1:03:01

    of happy sad had love dream

  1853. 1:03:04

    >> and yes it was a side of you that I of

  1854. 1:03:09

    course I knew that you had but I don't

  1855. 1:03:10

    think a lot of people had got to see

  1856. 1:03:12

    which is to your point the kind of like

  1857. 1:03:14

    space

  1858. 1:03:15

    >> given to you and to give into the

  1859. 1:03:16

    project was really amazing.

  1860. 1:03:18

    >> Yeah.

  1861. 1:03:19

    >> I feel like at one point I counted how

  1862. 1:03:21

    many seconds was the long longest number

  1863. 1:03:24

    of seconds that I'd been in one take.

  1864. 1:03:26

    like literally for the frame to for it

  1865. 1:03:28

    to stay on my face for longer than I

  1866. 1:03:31

    think it was like a couple of minutes

  1867. 1:03:33

    >> which was really wild. Um well, you know

  1868. 1:03:36

    what it makes me it leads me to the

  1869. 1:03:38

    question that I like and I want to form

  1870. 1:03:41

    the right question cuz I I it's the idea

  1871. 1:03:44

    of being looked at and watched in

  1872. 1:03:46

    general

  1873. 1:03:48

    >> even though we're in this profession and

  1874. 1:03:49

    you would think we would be comfortable

  1875. 1:03:51

    with it

  1876. 1:03:52

    >> and yet

  1877. 1:03:54

    >> what are we doing? What am I?

  1878. 1:03:56

    >> But you are a fashion like

  1879. 1:03:58

    >> I know. Oh, yeah. I

  1880. 1:03:59

    >> You are

  1881. 1:04:00

    >> a fashion icon, Greta.

  1882. 1:04:02

    >> I don't like

  1883. 1:04:03

    >> You're basically a model.

  1884. 1:04:05

    >> You were You're so You have the best

  1885. 1:04:07

    clothes in the world. You're incredible

  1886. 1:04:09

    at posing.

  1887. 1:04:10

    >> Thanks.

  1888. 1:04:13

    >> And there's something that comes over

  1889. 1:04:14

    you

  1890. 1:04:15

    >> where you like

  1891. 1:04:16

    >> It's acting. It's acting. It's like

  1892. 1:04:19

    character acting. I like I think when

  1893. 1:04:21

    ever since I was really little, I just

  1894. 1:04:23

    wanted to be a male character actor.

  1895. 1:04:26

    Like I wanted to be one of the guys and

  1896. 1:04:29

    I and I think that posing on a red

  1897. 1:04:33

    carpet is not anything like you know

  1898. 1:04:36

    Diro or like

  1899. 1:04:38

    >> but okay I'm going to make a connection

  1900. 1:04:40

    to

  1901. 1:04:40

    >> Dirohu

  1902. 1:04:41

    >> is when I see you being like when when

  1903. 1:04:44

    we're all watching you on the I'm just

  1904. 1:04:46

    talking about like fashion carpet stuff

  1905. 1:04:47

    because it takes a certain like

  1906. 1:04:50

    >> you have to kind of withstand the the

  1907. 1:04:52

    the gaze the the the male gaze usually

  1908. 1:04:54

    but but just the general gaze

  1909. 1:04:56

    that you have this very solid foundation

  1910. 1:05:01

    in that moment that is very Dairoesque

  1911. 1:05:05

    which is it's very baller like you you

  1912. 1:05:08

    have a very like um confident vibe

  1913. 1:05:12

    >> and you know you have great style and

  1914. 1:05:14

    you know what you like to wear. I do.

  1915. 1:05:16

    And I have great people.

  1916. 1:05:18

    >> I have great people working with me.

  1917. 1:05:20

    >> Also, your [ __ ] Calvin Klein ad.

  1918. 1:05:22

    Jesus Christ.

  1919. 1:05:24

    >> Oh god. Running. But you know, and that

  1920. 1:05:27

    running,

  1921. 1:05:28

    >> but the abs, dude.

  1922. 1:05:29

    >> The abs. Oh god. I mean,

  1923. 1:05:32

    >> I don't want to I don't want to

  1924. 1:05:33

    objectify you, but you

  1925. 1:05:36

    >> What?

  1926. 1:05:36

    >> What is going on with your body in my

  1927. 1:05:39

    It's like you're so ripped.

  1928. 1:05:40

    >> I just I

  1929. 1:05:41

    >> It's It was actually rude.

  1930. 1:05:44

    It was actually rude for people. Um,

  1931. 1:05:47

    okay. Okay.

  1932. 1:05:50

    Um, Toy Story 5. Toy Story

  1933. 1:05:55

    >> from Calvin Klein in Toy Story 5.

  1934. 1:05:58

    >> Um, okay. Pixar.

  1935. 1:06:00

    >> Yes.

  1936. 1:06:00

    >> Is this your first time working with

  1937. 1:06:02

    Pixar?

  1938. 1:06:03

    >> Yeah.

  1939. 1:06:03

    >> Can you talk about the character you are

  1940. 1:06:05

    in Toy Story 5? Can we talk about it?

  1941. 1:06:07

    >> I play the villain, the main new

  1942. 1:06:09

    villain.

  1943. 1:06:10

    >> Oh my god. Exciting.

  1944. 1:06:11

    >> I PLAY AN IPAD.

  1945. 1:06:15

    NO, THAT'S RIGHT.

  1946. 1:06:17

    >> I play Her name is Lily Pad.

  1947. 1:06:20

    >> She's an iPad.

  1948. 1:06:21

    >> Oh, wow.

  1949. 1:06:22

    >> Yes. It was just fun. And And the movie

  1950. 1:06:25

    The movie is so good. It really

  1951. 1:06:28

    >> Joan Cusack. Oh my god.

  1952. 1:06:31

    >> Joan Cusack.

  1953. 1:06:32

    >> I love her so much.

  1954. 1:06:34

    >> What Joan does is just I mean, oh my

  1955. 1:06:37

    gosh. I I think I cried six times during

  1956. 1:06:40

    like a like a screening. It was really

  1957. 1:06:42

    embarrassing like with her

  1958. 1:06:44

    >> and and Tim and I was just crying.

  1959. 1:06:47

    >> Oh god, I love a Pixar cry. There's like

  1960. 1:06:49

    nothing like it.

  1961. 1:06:50

    >> This is such a good I think if you like

  1962. 1:06:53

    past lives, you are going to love Toy

  1963. 1:06:56

    Story 5. I'm serious.

  1964. 1:06:58

    >> That's an incredible tagline. I'm

  1965. 1:07:00

    serious. I'm serious.

  1966. 1:07:03

    >> It's really good. It's really

  1967. 1:07:05

    >> I think I might be trying to put

  1968. 1:07:06

    together what you're saying, but that

  1969. 1:07:08

    sounds amazing.

  1970. 1:07:10

    >> Yeah.

  1971. 1:07:10

    >> Oh, wow. Speaking of Joan and things,

  1972. 1:07:12

    people that we love and people who make

  1973. 1:07:14

    us laugh, I always ask my guests, who

  1974. 1:07:17

    are you listening to? What are you

  1975. 1:07:19

    watching? What video, TV show, movie,

  1976. 1:07:22

    what are you reading? Anything that

  1977. 1:07:24

    you're doing right now to like laugh and

  1978. 1:07:27

    enjoy. High low does not have to be

  1979. 1:07:30

    fancy.

  1980. 1:07:31

    >> Yeah. Okay. So, my my um something that

  1981. 1:07:35

    I literally just started watching is my

  1982. 1:07:37

    friend uh is sending me these YouTube

  1983. 1:07:40

    stain removal videos.

  1984. 1:07:43

    >> Okay, let's look at that.

  1985. 1:07:45

    >> Okay. Yeah. So, there's there's one guy.

  1986. 1:07:49

    >> I love stain removal.

  1987. 1:07:51

    >> You love it, too?

  1988. 1:07:51

    >> Yeah, I love it. All right. Here we go.

  1989. 1:07:53

    >> Yeah. So, what should we type in?

  1990. 1:07:55

    >> Um ink stain removal. Ink stain. I mean,

  1991. 1:08:00

    let's start with the, you know, the

  1992. 1:08:01

    toughest ones.

  1993. 1:08:03

    >> Ink stain is the toughest one. Okay,

  1994. 1:08:05

    let's see.

  1995. 1:08:06

    >> Gentle, gentle man. Gentleman's gazette.

  1996. 1:08:11

    >> Okay.

  1997. 1:08:11

    >> The right ways to remove ink stains.

  1998. 1:08:14

    >> Okay. To remove ink stains. All right.

  1999. 1:08:17

    So uh

  2000. 1:08:18

    >> Gentleman's Gazette.

  2001. 1:08:19

    >> Greta's been watching the right way to

  2002. 1:08:21

    remove in ink stains. Here we go again.

  2003. 1:08:24

    I have got to get my commercials

  2004. 1:08:28

    off YouTube. I think actually YouTube

  2005. 1:08:31

    reached out

  2006. 1:08:32

    >> and offered taping and I was like I

  2007. 1:08:34

    don't this just seems too hard. What do

  2008. 1:08:36

    you What do you mean? Like what do you

  2009. 1:08:39

    mean? I got to get a new account. I mean

  2010. 1:08:42

    >> it just seems too much. Okay. Oh, cute.

  2011. 1:08:45

    >> Yeah, right. Okay. So, this is a nice

  2012. 1:08:47

    gent gentleman named Preston.

  2013. 1:08:49

    >> This is a stain removal emergency. go to

  2014. 1:08:52

    this time to see our tips for everyone

  2015. 1:08:55

    else. Enjoy our standard intro.

  2016. 1:08:57

    >> Yeah. Oh, so he tells you if it's an

  2017. 1:08:59

    emergency, skip the intro.

  2018. 1:09:01

    >> And he's going to tell you the first

  2019. 1:09:03

    thing you need to do is make sure you

  2020. 1:09:04

    get it off your hands.

  2021. 1:09:05

    >> I love this guy already.

  2022. 1:09:08

    >> He's treating us like like we're idiots.

  2023. 1:09:11

    But sometimes if you found your way to

  2024. 1:09:13

    this video, then

  2025. 1:09:16

    >> it's nice, isn't it?

  2026. 1:09:17

    >> Really nice.

  2027. 1:09:18

    >> And this is he's this is a condensed

  2028. 1:09:20

    video. Now Preston is pulling out a

  2029. 1:09:22

    fountain pen, which right

  2030. 1:09:23

    >> Oh, you don't use a fountain pen.

  2031. 1:09:27

    >> You only sign your contracts in the

  2032. 1:09:28

    fountain pen. Mhm.

  2033. 1:09:30

    >> Yeah. Yeah. Wait, I know we're finishing

  2034. 1:09:32

    up, but are you gardening now?

  2035. 1:09:34

    >> Are you getting into it?

  2036. 1:09:35

    >> Thanks for asking. I am

  2037. 1:09:38

    >> I'm getting into it. I'm getting into

  2038. 1:09:39

    it. Yeah. Like what's going on? What are

  2039. 1:09:41

    you making? Um what are you what are you

  2040. 1:09:43

    growing? I'm right now I've planted um

  2041. 1:09:47

    uh some lettucees like easy like

  2042. 1:09:49

    lettucees.

  2043. 1:09:50

    >> Lettuce is hard.

  2044. 1:09:51

    >> Is it hard? Lettuce is hard.

  2045. 1:09:52

    >> Lettuce is [ __ ]

  2046. 1:09:54

    >> Lettuce is is the hardest.

  2047. 1:09:55

    >> Look so easy. It's already done.

  2048. 1:09:58

    >> Take it out.

  2049. 1:09:59

    >> Take it out.

  2050. 1:10:01

    >> It's the hardest thing. Rip it out

  2051. 1:10:02

    >> because it it's too hot for lettuce

  2052. 1:10:06

    here.

  2053. 1:10:06

    >> Oh, damn.

  2054. 1:10:06

    >> Because this I'm not gardening here,

  2055. 1:10:08

    honey. I'm gardening on the East Coast.

  2056. 1:10:10

    >> Okay, good. Then you're fine.

  2057. 1:10:11

    >> Here. No way.

  2058. 1:10:13

    Disgusting. Rip out the lettuce here.

  2059. 1:10:16

    No. No. I'm doing this on the east

  2060. 1:10:17

    coast. Okay. But it's still going to be

  2061. 1:10:19

    hot. But

  2062. 1:10:20

    >> you're right. It does burn, doesn't it?

  2063. 1:10:21

    Cuz I

  2064. 1:10:22

    >> And it um bolts. It It flowers because

  2065. 1:10:25

    it's too hot. And then it gets bitter.

  2066. 1:10:28

    >> I like that we're we're ending with

  2067. 1:10:30

    gardening because you're you you love

  2068. 1:10:33

    gardening.

  2069. 1:10:33

    >> I find it very gratifying. And but but

  2070. 1:10:37

    now a lot of actors are doing it, too.

  2071. 1:10:38

    And I'm just like, "Oh, I love it." it.

  2072. 1:10:41

    >> You're an actor.

  2073. 1:10:42

    >> I am.

  2074. 1:10:43

    >> Yeah,

  2075. 1:10:43

    >> I am.

  2076. 1:10:44

    >> We just found out Academy Award-winning

  2077. 1:10:46

    actor.

  2078. 1:10:48

    >> You heard it here first.

  2079. 1:10:49

    >> That's right.

  2080. 1:10:50

    >> Greta Lee.

  2081. 1:10:51

    >> Yep.

  2082. 1:10:51

    >> Love you, Greta.

  2083. 1:10:52

    >> I love you so much.

  2084. 1:10:53

    >> Thank you so much for doing this.

  2085. 1:10:54

    >> Thanks for having me.

  2086. 1:10:55

    >> Of course. Thank you for my beautiful

  2087. 1:10:56

    gifts of bounty.

  2088. 1:10:58

    >> Enjoy it.

  2089. 1:10:59

    >> And my gorgeous my gorgeous produce.

  2090. 1:11:01

    >> Yeah, you can't eat that avocado anytime

  2091. 1:11:03

    soon. I really need to

  2092. 1:11:08

    >> Thank you so much, Grety. you are so

  2093. 1:11:10

    funny and talented and beautiful and

  2094. 1:11:13

    it's just such a pleasure to get to talk

  2095. 1:11:15

    to you and um you know Greta has done so

  2096. 1:11:18

    many things and worked with so many

  2097. 1:11:19

    great people and we talked a little bit

  2098. 1:11:21

    about Joan Kuzzac today. So for this

  2099. 1:11:22

    polar plunge I just want to remind

  2100. 1:11:24

    everybody yet again about the genius

  2101. 1:11:26

    that is Joan Kuzzac. I mean you know her

  2102. 1:11:29

    from 16 candles from Working Girl from

  2103. 1:11:33

    uh School of Rock, High Fidelity

  2104. 1:11:36

    Broadcast News. Do yourself a favor,

  2105. 1:11:38

    open up a bottle of wine and and and

  2106. 1:11:42

    watch broadcast news tonight. Albert

  2107. 1:11:45

    Brooks, Holly Hunter, Joan Kuzzac, just

  2108. 1:11:50

    film and comedy at its best. So, thank

  2109. 1:11:53

    you Joan, thank you Greta. Thank you all

  2110. 1:11:56

    for listening and um see you soon. Bye.

  2111. 1:11:59

    You've been listening to Good Hang. The

  2112. 1:12:01

    executive producers for this show are

  2113. 1:12:03

    Bill Simmons, Jenna Weiss Berman, and

  2114. 1:12:04

    me, Amy Per. The show is produced by The

  2115. 1:12:07

    Ringer and Paperkite. For The Ringer,

  2116. 1:12:09

    production by Jack Wilson, Cat Spalain,

  2117. 1:12:11

    Kaia McMullen, and Aia Xanerys. For

  2118. 1:12:14

    Paperkite, production by Sam Green, Joel

  2119. 1:12:17

    Levelvel, and Jenna Weiss Berman.

  2120. 1:12:18

    Original music by Amy Miles.

  2121. 1:12:22

    really good. Hey

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