Jun 2, 2026 · 1:14:20
Tom Holland on Good Hang with Amy Poehler
The Hang, in Short
Jacob Batalon's dog Vulpix picks the absolute worst time to demand attention, launching herself at him the second he hops on Zoom with Amy. They bond over heating pads and creaky 30-year-old knees before getting into the good stuff about Tom Holland. Jacob and Tom met doing Spider-Man screen tests back in 2016 when they were barely old enough to drink, and director Jon Watts made sure their friendship became real. Now Jacob's out here advocating against Tom doing his own stunts (Amy agrees, it's genuinely too dangerous) and pitching a Spider-Man movie where Peter just does his taxes, eats ice cream with Ned, and ices his knees. Honestly? We'd watch it. The whole conversation radiates that easy warmth of two people who've genuinely grown up together on set.
Listen or Watch
Full Transcript
Click any timestamp to jump to that moment in the video.- 0:05
Hello everyone. Welcome to another
- 0:06
episode of Good Hang. I am very excited.
- 0:08
We have a movie star with us today. We
- 0:11
have a superstar and that is Tom
- 0:14
Holland. Tom Holland who is in two of
- 0:17
the biggest movies to come out this
- 0:18
summer. The Odyssey and Spider-Man:
- 0:20
Brand New Day. I think they're coming
- 0:22
out in the same month. He's a legend.
- 0:24
He's the best. And we talk about so many
- 0:26
great things. We talk about your dad
- 0:28
roasting your friends. We talk about um
- 0:31
the joy of dancing. We talk about doing
- 0:33
American accents. And I tell him that I
- 0:37
believe that he is the type of man that
- 0:38
will save us from toxic masculinity. So
- 0:41
he he takes on uh that responsibility
- 0:44
like a good man does. So um cannot wait
- 0:47
to get started. But before we do, um we
- 0:50
always talk to somebody who knows our
- 0:52
guests and we speak to Jacob Batalone
- 0:55
today. Jacob, who plays Ned in
- 0:57
Spider-Man, is Tom's really good friend
- 0:59
in real life. I mean, they grew up
- 1:01
together on set, you guys. So, um, let's
- 1:04
get Jacob on the line here. And I'm
- 1:06
going to get my headphones
- 1:08
and we'll check in. Jacob, are you
- 1:10
there?
- 1:17
This episode of Good Hang is presented
- 1:19
by Paul Molive. Family time isn't just
- 1:22
the big moments. It's week night dinners
- 1:25
sitting around the table, everyone
- 1:27
talking at once. So when the plates are
- 1:29
empty and the sink is full, use Palm
- 1:31
Olive Ultra. Palm Olive's most powerful
- 1:34
formula removes up to 99.9%
- 1:38
of grease, leaving your dishes sparkling
- 1:40
clean. And the new convenient pump makes
- 1:43
cleaning even easier, so you can spend
- 1:45
less time tackling dirty dishes and more
- 1:48
time together. Shop now at
- 1:50
palmolive.com.
- 1:52
What do you say?
- 1:56
I wanted
- 2:00
>> Hey,
- 2:00
>> Jacob.
- 2:01
>> Hey. Hey, what's going on?
- 2:03
>> Mahalo.
- 2:04
>> Oh my god. Hey. Hi.
- 2:07
>> What's going on? I'm so sorry. My dog is
- 2:10
like not leaving me alone.
- 2:11
>> Not at all. Let's talk about this dog.
- 2:12
For people that can't see this dog, what
- 2:14
kind of dog we got here?
- 2:16
>> Uh, she's a multi poo. So, uh,
- 2:18
>> she's she's so cute. She's well groomed.
- 2:22
>> Yeah, she's pretty. She just got her
- 2:23
haircut and she's uh I swear to God she
- 2:25
was like not bothering me the whole day
- 2:27
and then as soon as she sees me on Zoom
- 2:28
she's like, "Oh, it's time to
- 2:30
get to get going." Like it's
- 2:31
>> We love dogs on Zoom. We love What's her
- 2:34
What's her name?
- 2:35
>> Uh her name is Vulpix, like the Pokemon.
- 2:38
Um yeah,
- 2:40
>> amazing.
- 2:42
>> Yeah. So, there's that.
- 2:44
>> Jacob, it is so nice to talk to you.
- 2:47
>> Oh, thank you so much for having me.
- 2:48
This is so awesome. I literally need to
- 2:50
get the gushing out of the way. Pause.
- 2:51
Um I I literally I love you so much.
- 2:54
This is so great. I I'm such a big fan
- 2:56
of you.
- 2:56
>> Thank you very very much for saying
- 2:58
that. Um my I have two teenage boys and
- 3:00
they're kind of blown away that I'm
- 3:02
talking to you today.
- 3:03
>> Amazing. Oh, that's really nice.
- 3:04
>> You're very very famous and um and they
- 3:07
love your work as do I. And I love I
- 3:10
love like I will just say and I feel it
- 3:12
already and the work that you do the
- 3:15
your spirit comes through.
- 3:16
>> Oh, thank you so much. shirt. That means
- 3:18
a lot, Amy. Thank you.
- 3:19
>> Of course. It's really kind and and and
- 3:21
and may I say like it's also just it's
- 3:24
very Hawaiian.
- 3:25
>> I appreciate it. Yeah. I mean, hopefully
- 3:27
people are still proud of me back home.
- 3:30
>> Well, there is this thing this like um
- 3:32
there's something very hard to pin down
- 3:35
or like explain it almost like
- 3:37
explaining it ruins it, but about
- 3:39
Hawaiian people and culture. But I mean,
- 3:42
I I I just have to say I thank you for
- 3:45
your energy and and Hawaii and their
- 3:48
energy because it means a lot. Um, we're
- 3:51
thrilled to talk to you today because
- 3:52
you and Tom Holland, our guests who I've
- 3:56
never had the pleasure to meet and can't
- 3:57
wait to meet
- 3:58
>> are are genuinely really good friends.
- 4:01
>> Yeah. Yeah. We I mean I I think it's
- 4:04
it's not hyperbole to say that we've
- 4:05
literally seen each other grow up. And
- 4:08
um I've I I'm obviously proud of who
- 4:11
he's become and like what he's done with
- 4:12
his life and where he's gone in his
- 4:14
career as well. Um but it's it's crazy.
- 4:16
We we you know, at the time we we
- 4:18
weren't even allowed to drink alcohol.
- 4:20
>> Yeah.
- 4:21
>> And and now we're uh 30.
- 4:24
>> I know. I mean, in in researching for
- 4:26
today, the fact that when you guys got
- 4:29
the parts, you were 18, 19.
- 4:31
>> Yeah. Yeah. we're we're about to do
- 4:33
>> and and and frankly signing, you know, a
- 4:36
contract that was like we're going to do
- 4:37
a lot of movies with you. Um and it's
- 4:39
going to be the next 10 years of your
- 4:40
life. I mean, that is a big decision to
- 4:42
make at that age. And boy,
- 4:45
>> you're gambling that the person you're
- 4:47
working with like
- 4:48
>> hopefully is not a dick, right?
- 4:51
>> Exactly. Did you guys read together,
- 4:54
audition together and read together?
- 4:56
>> Yeah. So, I I had done like the
- 4:58
traditional thing of Well, I think self
- 4:59
tapes at the time were still kind of
- 5:00
new. Um, so I did I did a couple of
- 5:02
those and then we did a screen test
- 5:04
together for the first time and I think
- 5:06
ever since like that time it back in
- 5:08
like 2016
- 5:11
it just I think that the chemistry was
- 5:13
pretty apparent and you know at that
- 5:15
time I remember I don't remember a lot.
- 5:17
I feel like for me that was like my
- 5:19
first ever job. And so that that like
- 5:21
that kind of big audition and uh coming
- 5:25
in it it was all like literally such a
- 5:28
blur that I barely remember what we said
- 5:30
to each other. I just remember thinking
- 5:32
like god I really hope I have a job
- 5:33
after school. Like but it was just like
- 5:37
such a great time with him cuz he was
- 5:38
such a
- 5:39
>> easygoing person and he made it so
- 5:41
light. Um,
- 5:43
>> and at that time, you know, John Watts,
- 5:45
our director at the time, um, really
- 5:47
really made it a point for us to really
- 5:49
bond, and it just it was like such a
- 5:52
beautiful sort of story of of like two
- 5:54
friends coming together out of nowhere.
- 5:56
>> Yes. I mean, you can just tell that you
- 5:58
two really love and enjoy each other.
- 6:00
And the movie hinges a lot on Peter and
- 6:02
Ned's like relationship that
- 6:04
>> Yeah. Yeah. Absolutely. I think, you
- 6:06
know, Tom is also very he's big on like
- 6:08
making those relationships uh feel real
- 6:11
and like that's kind of like the
- 6:12
backbone of of Peter Parker's story. So,
- 6:14
I think he was also a very big proponent
- 6:17
proponent of uh making sure those
- 6:19
relationships make make sense and and
- 6:20
that it works. So,
- 6:21
>> yeah, I mean it it goes deeper, you
- 6:23
know, to this just this idea of like
- 6:25
male friendships and how they're
- 6:27
important they are and how
- 6:29
>> men really need friends.
- 6:31
>> Yeah, absolutely. like the I don't want
- 6:33
to advocate like male loneliness or
- 6:34
anything, but like it's a real thing.
- 6:36
It's true. It's a real thing to have
- 6:38
somebody that you know has your back and
- 6:39
that also
- 6:41
>> can kind of um be with you through the
- 6:43
the tough times.
- 6:44
>> Absolutely.
- 6:46
>> Um in this new movie, I mean, there are
- 6:48
some tough times cuz you guys all forget
- 6:50
that you know each other and you have to
- 6:51
kind of you have to learn to figure out
- 6:54
what's great about each other again.
- 6:55
It's a cool metaphor.
- 6:57
>> Yeah, it's really cool and hopefully
- 6:58
hopefully it works out for him. Usually
- 7:00
usually Spider-Man's life is not great.
- 7:02
So
- 7:07
>> now are you did you grow up as a as a
- 7:10
big fan of Marvel and and comic books
- 7:12
and these characters?
- 7:14
>> You know, I got to say I was more of a
- 7:15
Power Ranger guy.
- 7:16
>> Um Power Rangers is definitely my thing.
- 7:18
>> Yes.
- 7:19
>> But I think
- 7:19
>> What did you like about Power Rangers? I
- 7:21
think it's just like the colored
- 7:23
leotards
- 7:26
and and just like their cool helmets
- 7:28
because I know that obviously it wasn't
- 7:30
them doing the fight scenes but it was
- 7:31
still super cool. Um I really I I really
- 7:35
got into uh superhero stuff like
- 7:37
actually when Toby Magguire was doing
- 7:39
Spider-Man and I think a lot of us for
- 7:41
people who were like millennials I think
- 7:42
that was like our that was like our guy.
- 7:45
>> Yeah. I remember when I first saw
- 7:46
Spider-Man, I I I thought like, how did
- 7:49
this guy do all of this stuff?
- 7:51
>> Yeah.
- 7:51
>> And then I see Tom doing all this stuff
- 7:54
by himself and it's like insane. Like
- 7:56
it's actually crazy to be, you know,
- 8:00
again, 30. Like like not that 30's old
- 8:02
or anything, but like when he was 19, he
- 8:05
would get knocked down and come right
- 8:06
back up. And now like you know, he needs
- 8:08
a couple days. You know,
- 8:09
>> Jacob, I want to talk about this with
- 8:10
him today cuz I'd like him to stop. It's
- 8:13
I'm telling like he's actually doing
- 8:15
something just too dangerous for his
- 8:16
body. Like you know dumb for a reason.
- 8:18
Yeah.
- 8:19
>> Okay. This isn't going to go over well.
- 8:20
But I don't even think should there
- 8:22
should be any stunts at all in any
- 8:23
movies.
- 8:24
>> He's just like doing like taxes. Yeah.
- 8:27
He just does his taxes all movie. Yeah.
- 8:29
>> Yeah. Exactly.
- 8:31
Yes. Peter learns to do his taxes and
- 8:33
Ned helps him and they go get ice cream
- 8:36
as a little treat
- 8:38
>> and then they watch a movie and they
- 8:40
That's That's what I want to see. And
- 8:41
then that's how the movie ends. That
- 8:42
That would actually be very beautiful. I
- 8:44
think that's very
- 8:46
>> And they just put ice on some of their
- 8:48
old injuries.
- 8:49
>> Yeah. Yeah. Like especially on their
- 8:50
knees. My knees are hurting. Oh my
- 8:52
goodness.
- 8:52
>> Yeah. They put some ice on their knees
- 8:54
and maybe I don't know, they call like,
- 8:55
you know, they they order they get food
- 8:57
delivered and they just chill.
- 8:59
>> Oh my god. You know, my Mrs. This is so
- 9:01
random, but she put me on to putting
- 9:02
like heat pads on my lower back.
- 9:04
>> It's not random, babe. Let's talk about
- 9:06
it.
- 9:07
>> Heat. Heat. I mean, I'm lying on a
- 9:10
heating pad all day.
- 9:10
>> I could I could sleep in all day now,
- 9:12
but
- 9:12
>> Okay. You want to You want want me to
- 9:14
blow your mind? Right behind me.
- 9:17
>> Yeah.
- 9:18
>> I'm going to show you this.
- 9:21
>> Right behind me, I have a good heating.
- 9:26
>> You put this in the microwave.
- 9:28
>> Oh, yes. When you're right,
- 9:30
>> you can wrap it on Oh, I don't know,
- 9:32
your shoulder or your lower back. It's
- 9:35
incredible.
- 9:36
I am literally this is how I know like
- 9:38
I'm so turned on by that. I genuinely
- 9:40
want to buy one now. Like
- 9:42
>> Oh, I'm gonna send you one.
- 9:43
>> Oh, thank you.
- 9:45
>> Before we get to your question for Tom,
- 9:47
just let's talk a little bit more about
- 9:48
what's so great about him. What's so
- 9:50
great about him?
- 9:50
>> Yeah. You know, I think again from the
- 9:52
first time I met him, he's just been so
- 9:55
he he's been so welcoming and so nice to
- 9:57
me. And obviously like he had done a few
- 9:59
things before I had and he was really
- 10:01
willing to to be there for me and
- 10:03
support me. And there was a lot of times
- 10:05
earlier in my career where I didn't
- 10:06
really know what I was doing. Um, just
- 10:08
in general, um, you know, I have like a
- 10:10
whole team of people to help me through
- 10:11
that stuff, but at the same time, I
- 10:14
think just dealing with like the sort of
- 10:15
uh actor part of it. I think he was
- 10:18
always there to be supportive of me. Um,
- 10:21
and I know him like as a person, like I
- 10:23
just know he would never talk dirty
- 10:24
behind my back.
- 10:25
>> Yeah.
- 10:26
>> Um, and he's just like a good he's just
- 10:28
an amazing like good person like that.
- 10:29
And um I don't want to flex too hard,
- 10:32
but he just bought me this little rolly.
- 10:34
Um I wanted I wanted to wear it for him,
- 10:37
you know, cuz he that's my boy for life.
- 10:39
Um
- 10:42
>> and I hope he doesn't mind that I that I
- 10:44
told everyone that. But uh
- 10:45
>> well, he's very British, so he'll
- 10:47
probably be a little embarrassed.
- 10:48
>> Super embarrassed.
- 10:49
>> But we're But we can flash it a little
- 10:51
bit. Wow. That's a real friend. You
- 10:53
know, not one of my friends has ever
- 10:55
bought me a Rolex.
- 10:56
>> I think I think this is your sign, Amy.
- 10:57
You got to re you got to reassemble, you
- 10:59
know, you got to like rebunch them up.
- 11:01
>> It's really making me feel like a do I
- 11:02
even have friends.
- 11:03
>> That's what I I That's what I said. I
- 11:05
was like, you know, I just uh this is
- 11:07
also like another side piece to my
- 11:09
story. I just uh had a I had a bachelor
- 11:11
party in Vegas and it was so fun. It was
- 11:13
the greatest time ever and um it just
- 11:17
like I showed everyone this watch and
- 11:19
they were all like, "Oh, that's a great
- 11:20
watch." And I'm like, "Yeah, one of my
- 11:21
closest friends got it for me." So, you
- 11:24
know,
- 11:29
but um
- 11:29
>> Oh, man. Jacob, that's so awesome.
- 11:32
>> But he's he's truly just an amazing
- 11:33
person. And like I can't tell you like
- 11:35
the the way he carries himself. I mean,
- 11:38
just professionally uh and and like you
- 11:41
know uh in in his personal life, he he
- 11:44
just makes sure that everyone around him
- 11:46
is like comfortable and but he also he
- 11:48
also doesn't take you know from
- 11:50
anybody. He's very he very stands on on
- 11:52
himself and for his people and I think I
- 11:55
try to carry that with myself in my own
- 11:57
personal life because he's he's really
- 11:58
been a great role model to me. Um and
- 12:01
this is probably the most I've talked
- 12:03
really great about him.
- 12:04
>> Yeah. Well, like I think a lot of you
- 12:06
probably give each other a lot of
- 12:07
You know, that's what I think we talk a
- 12:09
lot more to each other than we do
- 12:10
like I do love him to death though. Like
- 12:11
I I know that he only ever shows me
- 12:13
love. So
- 12:14
>> Oh, thank you so much for saying that.
- 12:15
And do you have a question uh do you
- 12:18
think I should ask him today? something
- 12:19
he would want to talk about, a story, or
- 12:21
something that you think would be good.
- 12:22
>> Oh my gosh.
- 12:25
Uh if if he's if he would want to, I
- 12:27
think you should ask him about the
- 12:28
Boiling Rock part one.
- 12:30
>> Fantastic.
- 12:31
>> I I think that'll that'll really that'll
- 12:34
put a smile on his face.
- 12:35
>> The Boiling Rock part one.
- 12:37
>> Part one. Yes, that is that is
- 12:38
definitely some Jacob and Tom inside
- 12:41
stuff.
- 12:43
>> Okay, perfect. And he maybe he'll say no
- 12:45
comment and that will be fine, too.
- 12:47
>> Yeah. See what it is. Yeah,
- 12:49
>> perfect. I mean, this is the kind of
- 12:51
this is the kind of scoop we need.
- 12:55
>> Well, congratulations on your impending
- 12:57
marriage.
- 12:57
>> Oh, thank you so much. I appreciate it.
- 13:00
>> You really are heading into your 30s
- 13:02
with um like a a tight lower back and a
- 13:06
fancy watch and a new bride.
- 13:09
>> It's pretty amazing. It's a pretty good
- 13:10
way to get in.
- 13:13
>> It's been so nice talking to you. It's
- 13:15
so great to meet you.
- 13:16
>> Thank you again for your work. I really
- 13:18
mean it that the relationship that you
- 13:19
guys have, you know, it's especially for
- 13:22
young men who are men and women who are
- 13:25
watching it. It's really important to
- 13:26
show those kind of relationships and so
- 13:28
thanks for your work and such a pleasure
- 13:30
talking to you.
- 13:31
>> Yeah. Thank you. Hope to see you soon.
- 13:32
>> I hope so, Jacob. I hope so. All right.
- 13:34
Okay. Take care.
- 13:35
>> All right. Speak to you soon. Okay.
- 13:37
Bye-bye.
- 13:40
>> This episode is brought to you by
- 13:41
Subaru. Most cars just stick to the
- 13:44
asphalt, but hybrids can be found on
- 13:46
dirt roads, back roads, and everything
- 13:47
in between because the Subaru Cross Trek
- 13:50
Hybrid and Subaru Forester Hybrid were
- 13:52
built for adventure. With up to 597 m
- 13:56
per tank in the Cross Trek Hybrid and
- 13:58
581 miles in the Forester Hybrid, love
- 14:01
goes the extra mile in the Subaru
- 14:03
Forester Hybrid and Cross Trek Hybrid.
- 14:06
Visit subaru.com/hybrid
- 14:08
to learn more. Maximum range based on
- 14:10
EPA estimated combined fuel economy and
- 14:13
a full tank of fuel. Actual mileage and
- 14:15
range may vary.
- 14:19
This episode is brought to you by
- 14:20
PayPal. You got to love things that have
- 14:22
flexibility like waistbands after lunch.
- 14:25
And thanks to PayPal, monthly payment
- 14:28
plans. Pay nothing at checkout and then
- 14:30
enjoy a flexible monthly payment plan
- 14:33
that works for you with no sign up or
- 14:35
late fees. And it's available in
- 14:37
millions of stores. Pay monthly with
- 14:40
PayPal. Subject to approval, pay monthly
- 14:42
consumer loads made by Web Bank.
- 14:45
Available through PayPal, Inc.
- 14:46
nmls910457.
- 14:50
Learn more at paypal.com/paymonly.
- 14:55
>> Tom, I just want to start by saying I
- 14:56
know you're British, so I will not
- 14:58
compliment you that much.
- 14:59
>> Okay, fantastic. Great stuff. We we'll
- 15:01
we'll get to teasing pretty fast, but
- 15:04
you are the probably the biggest movie
- 15:07
star that we've had on Good Hang. You
- 15:09
are my Tom Cruz. You are
- 15:10
>> Oh, fantastic. Wow. Thank you so much.
- 15:13
What a great start to
- 15:14
>> I think you are saving movies and I
- 15:16
think you are an incredible immense
- 15:18
talent.
- 15:19
>> Thank you very much.
- 15:20
>> And I love your work.
- 15:21
>> Oh, that's very sweet of you. Thank you.
- 15:23
>> And I'm so happy that you wanted to
- 15:25
Let's drink. Let's drink after that.
- 15:27
Mhm.
- 15:29
>> But I was so happy that you wanted to
- 15:31
come on because you're like a huge part
- 15:34
of our family's experience in movies. I
- 15:37
have two teenage boys. They are huge
- 15:40
fans of your work and as am I. And I
- 15:44
think the way you approach your work and
- 15:46
the way you approach who you work with
- 15:48
and how you work is really very very
- 15:51
special.
- 15:51
>> Thank you.
- 15:52
>> And then compliments. Done.
- 15:53
>> Done.
- 15:54
>> Yeah.
- 15:55
>> Now criticism.
- 15:56
>> Yes. So, you grew up in Southwest.
- 15:59
You're short as Thank you, Amy.
- 16:02
>> Well, you know, I'm a shorty, so I never
- 16:04
even know how tall anybody is. So, I
- 16:07
think everybody's tall. Um, you're a
- 16:09
Southwest London boy.
- 16:11
>> Yes.
- 16:11
>> And growing up with two art artist
- 16:14
parents, comedian dad.
- 16:16
>> Yeah. My dad is a standup. Yeah. My mom
- 16:18
is a photographer.
- 16:19
>> Okay. So, what is your house like? Like,
- 16:22
what are you guys laughing at? because
- 16:24
I'm kind of obsessed with the fact that
- 16:26
UK and US like there are big big um
- 16:30
things that we love that we don't know
- 16:32
about each other's comedy,
- 16:34
>> right? It's interesting. I mean, my dad
- 16:36
obviously being a standup,
- 16:39
>> what was so interesting as a kid is that
- 16:41
I always thought he was just unemployed
- 16:45
>> because he was always around.
- 16:47
>> Like he would put us to bed
- 16:48
>> and then he would go off and do his job.
- 16:50
He was either a comedian or Batman. Like
- 16:52
I had no idea what my dad did at night.
- 16:55
>> Yeah.
- 16:55
>> Um that's great.
- 16:56
>> So it was just a lot of fun. And my dad
- 16:57
was always really keen for us to all
- 17:01
contribute to the family dinner as much
- 17:03
as each other.
- 17:04
>> You know, there's telling stories. How
- 17:05
was your day at school? Like good was
- 17:08
never a good enough answer. It was
- 17:09
always like, well, tell me why your day
- 17:11
was good or tell me why your day was
- 17:12
bad. M
- 17:13
>> and I think his showmanship really
- 17:15
helped us as young kids to become, you
- 17:18
know, social and and I think it's really
- 17:21
helped me in my life and my career what
- 17:23
I ended up doing.
- 17:25
>> The tough thing about having a comedian
- 17:27
as a parent, as I'm sure your kids will
- 17:30
know,
- 17:30
>> is that no one that you bring to the
- 17:32
house is safe.
- 17:34
>> Like any of my mates that come over when
- 17:36
we were kids, my dad would just rinse
- 17:38
them. And it was like it was almost like
- 17:41
he was using dinner as like a warm-up to
- 17:44
go out and do a show that night.
- 17:46
>> Oh, this is gonna this is going to hit
- 17:47
home.
- 17:48
>> So, it was always we had an amazing
- 17:49
childhood and my parents are such
- 17:52
wonderful people. I really admire both
- 17:54
of them. You know, my mom in the way
- 17:56
that she continued working but was also
- 17:58
like the most hands-on
- 18:00
>> mom. And then my dad the same. My dad
- 18:02
was like I said,
- 18:03
>> he would only work when we were asleep.
- 18:05
So, he was always there. He took us to
- 18:07
school. He would take us out after
- 18:09
school.
- 18:09
>> Four. There's four boys in your family.
- 18:11
>> There's four of us. Yeah.
- 18:12
>> You're the oldest.
- 18:13
>> I'm the oldest. Probably not the most
- 18:16
>> intelligent of the four of us. My
- 18:18
brother Harry is pretty
- 18:19
>> okay.
- 18:20
>> Sharp.
- 18:20
>> Harry's sharp. Is there any of the four
- 18:22
that are introverted?
- 18:23
>> I'd say Paddyy is slightly introverted.
- 18:25
Yeah. Patty is the youngest.
- 18:27
>> He's a really talented painter.
- 18:29
>> Yeah.
- 18:29
>> So, he's really kind of got into this
- 18:33
world of like sitting up in his bedroom
- 18:34
and you're like, "What's Patty doing?"
- 18:35
And then he comes downstairs with this
- 18:37
canvas and it's it's amazing. He
- 18:39
actually worked on Spider-Man 4 in the
- 18:42
art department.
- 18:43
>> Oh, that's cool. I'm curious about Birth
- 18:45
Order because I'm the oldest as well and
- 18:47
being the oldest is like there is a
- 18:49
responsibility.
- 18:50
>> Yes,
- 18:52
>> it is.
- 18:52
>> To set an example,
- 18:53
>> one of your brothers was worked on like
- 18:55
was your assistant during one of the
- 18:57
films.
- 18:58
>> Yeah, Harry was my assistant for a long
- 19:00
time,
- 19:01
>> which was actually great. You know, when
- 19:03
I hired him, I was a little nervous
- 19:06
about
- 19:06
>> Yeah.
- 19:07
>> my asking my brother for a coffee and
- 19:08
him being like, "Fuck off.
- 19:10
>> You're chilling." Like, "What are you
- 19:12
doing?
- 19:14
>> I'm not getting you a coffee."
- 19:19
>> But he came around.
- 19:20
>> Yeah, he came around. He was great. He's
- 19:21
super professional. And him and I now
- 19:24
>> are running a production company
- 19:25
together.
- 19:26
>> Oh, that's great. and um trying to sort
- 19:27
of revitalize that mid-budget movie and
- 19:30
and and uh you know really try and put
- 19:34
those movies back on the map.
- 19:35
>> What is it like to be in a house with
- 19:37
four boys? It's wild.
- 19:38
>> I mean that's more a question for my
- 19:40
poor mom. Um, I think when Paddyy came
- 19:43
along,
- 19:45
there is a video somewhere of his birth
- 19:48
video and he comes out and his balls are
- 19:51
so red and I think you can hear my dad
- 19:54
go, "Oh, for God's sake."
- 19:59
Also, I mean, your mom probably would
- 20:01
would deny this to the, you know, to the
- 20:05
day she dies, but when you're having a
- 20:07
fourth child and you've had three boys,
- 20:10
maybe you're like, maybe this one would
- 20:12
be a girl.
- 20:13
>> Yeah, I think that was the intention.
- 20:15
And listen, I want to just say that I
- 20:17
love my brother to absolute death. He is
- 20:21
>> the best. I love him. He can take it.
- 20:24
And bless him as the youngest. He is the
- 20:25
butt of every joke. Um, I remember once
- 20:28
we had this huge argument when we were
- 20:30
kids, huge argument and we were outside
- 20:33
and sometimes our parents were like, "Go
- 20:34
outside and you figure it out, the three
- 20:36
of you. Don't fight,
- 20:38
>> but just get it off your chest."
- 20:39
>> And then like a week later, I said to my
- 20:42
dad, I'd like really got into air rifles
- 20:44
for some reason.
- 20:45
>> I was like, "Dad, I really want an air
- 20:47
rifle." And he was like,
- 20:48
>> "Did you see that argument you had the
- 20:50
other day?" I was like, "No, you can't
- 20:52
have an air rifle."
- 20:53
>> Yeah.
- 20:54
>> But yeah, our house was carnage. pure
- 20:56
carnage, but like in a good way.
- 20:58
>> Broken things like broken like there is
- 21:01
a feeling when you have a lot of boys
- 21:02
where you have to just kind of say
- 21:04
goodbye to nice things.
- 21:05
>> I think so.
- 21:06
>> Yeah.
- 21:06
>> What I have come to realize though now
- 21:09
that I have gotten older and moved out
- 21:11
and all of my brothers have moved out
- 21:13
that my parents were really keen for us
- 21:15
to be tidy.
- 21:17
>> Yeah.
- 21:17
>> But since I've all we've all moved out,
- 21:19
we have all realized that we were not
- 21:21
the problem. It is my parents that were
- 21:24
the problem. They were the ones. They
- 21:26
were the ones.
- 21:29
>> Are you still messy? Are you messy?
- 21:31
>> I ah this is a bit of a tough one
- 21:33
because
- 21:35
>> I live on two sides of the world. Yes.
- 21:37
>> We live in London and we live here in
- 21:39
LA.
- 21:40
>> And in London, I am really keen to keep
- 21:42
everything
- 21:44
>> really tidy.
- 21:45
>> But when you come to America, you just
- 21:46
let it all go.
- 21:47
>> I just I feel like I'm a guest when I'm
- 21:49
here, you know?
- 21:50
>> You know what? We don't appreciate that.
- 21:52
>> I know. I know. I should maybe change my
- 21:54
ways a little.
- 21:56
The thought of you guys working it out
- 21:58
in your house makes me feel like as
- 22:00
brothers makes me think about you as a
- 22:03
young person cuz we we started to get to
- 22:05
know you as a young person dancing in on
- 22:09
the West End in Billy Elliot and like
- 22:11
the way in which you had freedom to move
- 22:15
felt like that just came from your house
- 22:18
like right. My parents were always huge
- 22:21
fans of dancing. And all of us were sent
- 22:23
to this kind of Saturday school. It was
- 22:25
called Nifty Feet. It was this kind of
- 22:28
really fun little street dance kind of
- 22:31
class and we would do these shows every
- 22:32
summer at the ballet school down the
- 22:34
road.
- 22:35
>> And my parents loved it. Like it was
- 22:37
such a fun
- 22:39
>> time. And I remember it's so funny how
- 22:42
>> there are conversations that you have in
- 22:44
your life that really shape you as a
- 22:46
person. And I remember one
- 22:49
dance class or something my parents
- 22:51
would come and watch every single time.
- 22:52
They were always there watching. And I
- 22:55
guess maybe I was having a bad day or
- 22:57
something and and I was marking all the
- 22:59
routines. And on the way home, I thought
- 23:01
that I had been really cool in the way
- 23:03
that I had marked it. It was like, oh, I
- 23:04
don't care. I don't need to try that
- 23:06
hard.
- 23:06
>> Sure. Sure. Sure.
- 23:07
>> And I remember this conversation I had
- 23:08
with my dad where he was talking about
- 23:10
doing your best and even if you're not
- 23:12
feeling your best, you need to present
- 23:14
as your best. And it's such a it's so
- 23:16
interesting how,
- 23:18
>> you know, that simple little
- 23:19
conversation I had in the back of his
- 23:21
car has been so important to me as an
- 23:24
adult and a professional. And I think
- 23:25
about that conversation a lot.
- 23:27
>> It's so interesting you say that because
- 23:28
that is like a hard lesson for kids of a
- 23:32
certain age to learn that trying is
- 23:34
cool.
- 23:35
>> Totally.
- 23:35
>> But it's a it's it's so vulnerable.
- 23:38
>> Yeah.
- 23:38
>> And to look like you care.
- 23:40
>> Yeah. And it is our instinct to just I I
- 23:43
I've did it as an adult too. Like there
- 23:45
were times in my career where I would be
- 23:47
nervous. So I would just get kind of
- 23:49
like sleepy and ambivalent.
- 23:50
>> Yeah. Yeah. Yeah. Right. You're like I
- 23:51
don't really care about this.
- 23:52
>> Like you know auditioning for the Cohen
- 23:54
brothers just being like yawning in the
- 23:56
middle of it. Um because I was nervous
- 23:59
like and it is a hard lesson to learn.
- 24:01
But that is what is the difference
- 24:03
between I think like great performances
- 24:05
is people show that they care.
- 24:07
>> Totally. And it's that idea that
- 24:10
failing if you tried is better than
- 24:13
failing if you didn't try.
- 24:14
>> Yeah, for sure.
- 24:15
>> You know, because then you don't feel
- 24:16
bad about it. You're like, at least I
- 24:18
did my best.
- 24:19
>> Just wasn't meant to be.
- 24:21
>> Little Tom Holland dancing. Could watch
- 24:24
it all day.
- 24:27
>> Janet Jackson.
- 24:28
>> Yes.
- 24:29
>> You love
- 24:30
>> I love Janet Jackson so much.
- 24:32
>> Let's talk about Janet for a second.
- 24:34
>> Oh man,
- 24:35
>> she's just electric.
- 24:37
She's so talented. And then we grew up I
- 24:40
like Janx grew up with Janet. Janet was
- 24:43
first on TV as a little young actress on
- 24:45
um Good Times doing like very heavy
- 24:48
material and then Janet of course
- 24:50
Michael but Janet we were like okay
- 24:52
Michael's sister Janet
- 24:55
>> and then Janet was her own just
- 24:58
incredible artist
- 25:00
>> who had huge hits and was an incredible
- 25:04
dancer. I to be perfectly honest with
- 25:06
you, I really feel like if you asked me
- 25:08
to list five people that have been
- 25:10
integral in the success of my career,
- 25:12
she would be one of them because have
- 25:14
you ever met her?
- 25:14
>> I've never met her. No. But if I didn't,
- 25:16
>> she's here.
- 25:17
>> Yeah. Can you imagine? Like, oh my god,
- 25:20
>> Janet, come on out.
- 25:22
>> But if I didn't
- 25:24
>> show that I had an understanding of like
- 25:26
rhythm, my mom would have never got me
- 25:28
into dancing. And if I didn't get into
- 25:29
dancing, I would never have been spotted
- 25:32
to audition for this show. and if I
- 25:33
didn't do that show, I wouldn't have got
- 25:35
an agent. And you know, it was never
- 25:37
something that I sought out. I never
- 25:39
wanted to be an actor. It was never like
- 25:41
>> I sat down with my parents and was like,
- 25:42
I have this dream of being famous. So,
- 25:44
if it hadn't been for that song when I
- 25:47
was a kid, I probably wouldn't be sat
- 25:49
here today, which is kind of crazy,
- 25:50
>> isn't it crazy? I was talking to Billy
- 25:52
Eyish was here and we were talking about
- 25:53
how she was like, you know, getting
- 25:56
ready to compete in all of her dancing
- 25:58
competitions.
- 25:59
and then like got hurt and then her song
- 26:02
became but I do feel like I have a
- 26:05
strong love and passion for dancing. I
- 26:08
feel like dancing is first of all it
- 26:10
feels like magic when people can do it
- 26:12
well it feels like something spiritual
- 26:15
but also I love it just personally
- 26:17
because it's very good for my nervous
- 26:19
system.
- 26:19
>> Yeah. Like it is this thing where if you
- 26:21
can shake it out and move, you can calm
- 26:25
yourself or whatever. It is this really
- 26:28
primal thing that I think opens the door
- 26:31
to all different types of creativity.
- 26:33
>> Totally agree. Yeah.
- 26:34
>> So what is your relationship to dancing
- 26:36
right now? How often do you dance? Where
- 26:37
do you dance? It comes at a very
- 26:40
interesting time because last week I did
- 26:43
my first dance rehearsal for the Fred a
- 26:46
stair movie that we're doing in next
- 26:49
year.
- 26:49
>> God,
- 26:50
>> I it's funny like I
- 26:52
>> I don't find myself getting that nervous
- 26:55
anymore for things, you know, because
- 26:58
you do it so often and it becomes second
- 27:00
nature and it feels like another day at
- 27:02
the office. But I went to Pineapple
- 27:04
Dance Studios, which is where I trained
- 27:06
as a kid when we were doing Billy
- 27:08
Elliot. I was with the director of the
- 27:10
movie and the choreographer of the
- 27:11
movie.
- 27:12
>> Wow.
- 27:12
>> And I was petrified because I'd been
- 27:15
telling this guy, this director, Paul
- 27:17
King, I said, "Don't worry, bro. Like, I
- 27:19
can dance, dude. Like,
- 27:20
>> babe, I'm not one of those actors."
- 27:22
>> Yeah. Like, I'm a dancer dancer.
- 27:23
>> Yeah. I was on the West End. Okay.
- 27:25
>> Right. And we get there and it's a, you
- 27:28
know, a bare room with a hardwood floor.
- 27:30
I've got tap shoes on. First time I've
- 27:31
worn tap shoes in 15 years.
- 27:34
>> And immediately I'm like, "Wow, my feet
- 27:35
feel like in these shoes."
- 27:37
>> Yeah, these hurt.
- 27:38
>> Yeah.
- 27:39
>> And um he kind of was a little bit like,
- 27:43
>> "Okay,
- 27:43
>> okay,
- 27:43
>> do your thing.
- 27:44
>> Show me what you got."
- 27:46
>> And I I went over to the computer and I
- 27:49
Googled the the Billy Elliot music and
- 27:52
was like, "I'm either going to do
- 27:54
something amazing here or I'm really
- 27:55
going to shoot myself in the foot."
- 27:56
Yeah.
- 28:08
>> And without even having to think of what
- 28:09
the first step was, it just happened
- 28:12
naturally. Now,
- 28:13
>> if I did the dance like I did last week
- 28:16
in front of my Billy Elliot
- 28:17
choreographers when I was a kid, they
- 28:19
probably would have buried me. Yeah.
- 28:21
Because it was horrendous.
- 28:22
>> They'd have a lot of really upset. But
- 28:25
it was really it was really exciting and
- 28:28
I've been very nervous about the idea of
- 28:29
making that film just because you know
- 28:32
it's going to be a huge undertaking from
- 28:34
a prep point of view and
- 28:36
>> it's also a big risk I think you know
- 28:38
it's a big
- 28:38
>> we're so ready for it.
- 28:40
I'm really excited. But after that
- 28:41
rehearsal,
- 28:43
>> any fears I had or any questions of
- 28:45
like, should I be making this movie
- 28:47
completely left
- 28:48
>> the room because I think my biggest
- 28:50
regret in my career so far
- 28:52
>> is that when I finished that show, I
- 28:54
quit dancing.
- 28:56
>> Yeah.
- 28:56
>> And I just, you know, would dance in a
- 28:57
club or something like that, but
- 28:58
wouldn't go and take class.
- 29:00
>> Yeah. And the thing I love most about my
- 29:01
job is that you can book a a film and
- 29:05
learn all of these amazing skills from
- 29:07
the best people in the business. And to
- 29:09
be able to do that again and pick up
- 29:11
dancing from square one and try to get
- 29:14
back into it, I think it's going to be
- 29:15
so fulfilling.
- 29:16
>> It's so cool. I mean, like you you you
- 29:19
were on the West End at how old? How old
- 29:20
were you when you were in Billy Elliott?
- 29:22
>> I started when I was 11.
- 29:24
>> Wow.
- 29:25
>> And I finished when I was 13. It was a
- 29:28
riot. I mean, I I've said this to many
- 29:30
people who who do um theater and are,
- 29:33
you know, on a in a long run, like to
- 29:36
have the hardest part of your day be at
- 29:38
the end of your day is really hard. You
- 29:40
know, you're just always prepping for
- 29:43
the end of your day.
- 29:44
>> Yeah, totally.
- 29:45
>> Was do you feel like in many ways that
- 29:47
was the hardest you ever worked was
- 29:48
doing that show or because you were
- 29:50
young like what when you go back to that
- 29:53
time, what do you feel like your energy?
- 29:56
Did you just have unlimited energy at
- 29:58
11, 12, and 13?
- 29:59
>> Yeah, I think so. Really? You know, it
- 30:01
was tough. But yeah, no, I think there
- 30:03
was also there was four of us. There
- 30:04
were four Billies at any one time. Yeah.
- 30:06
>> And you would share the roles. So you
- 30:08
would do Monday night, someone would do
- 30:09
Tuesday night.
- 30:10
>> You would do standby, so you would be
- 30:12
backstage in case a Billy got injured
- 30:15
and you would have to rush on.
- 30:16
>> I remember one night I had the night
- 30:18
off. I was playing golf with my dad and
- 30:20
we got a phone call saying, "Oh, Ollie's
- 30:22
come off the show. Brad's going on. can
- 30:24
you come in to be on standby? Cuz it had
- 30:27
happened in like the first 20 minutes of
- 30:29
the show. And then by the time I got to
- 30:31
the theater, Brad had then hurt himself.
- 30:34
>> So I had to go on and someone actually
- 30:36
wrote a letter into the theater and was
- 30:38
like, "Wouldn't it be easier and less
- 30:40
confusing to just use the same kid
- 30:43
rather than constantly changing them
- 30:44
out?"
- 30:46
>> Um, but no, I don't know if it's the
- 30:48
hardest I've ever worked. I think the
- 30:50
Odyssey, the the most recent film I did,
- 30:52
I mean, that was,
- 30:54
>> you know, one of the toughest jobs I've
- 30:55
ever had.
- 30:56
>> I cannot wait to talk to you about it.
- 30:57
First of all, can't believe I'm not in
- 30:58
the Odyssey because everyone else is.
- 31:02
>> Christopher Techville Techville. Um,
- 31:08
>> I mean, but I cannot. Also, all I've
- 31:11
heard is that how hard it is. And you do
- 31:14
hard things in your movies. Okay.
- 31:19
you you.
- 31:21
But before we get to those the two
- 31:23
biggest movies of the summer that you
- 31:25
are in, um I just want to talk about The
- 31:28
Impossible for a second.
- 31:29
>> Okay.
- 31:29
>> Because
- 31:30
>> yes,
- 31:31
>> for people that haven't seen it, don't
- 31:33
watch it. It's too sad.
- 31:34
>> It's intense.
- 31:35
>> It's so intense and it's so sad. It's so
- 31:38
good.
- 31:38
>> It's It's heartbreaking.
- 31:39
>> You are incredible in that movie. Your
- 31:41
performance is incredible. Naomi, you
- 31:44
and McGregor, the the younger children
- 31:46
who play your brothers are incredible.
- 31:49
It is for anyone who the moment when you
- 31:51
reunite is like, you know, I know that
- 31:54
I'm depressed when that comes up on my
- 31:55
TikTok. Like, I know that I'm your
- 31:58
algorithm is taking you through your
- 32:00
>> W. Sometimes my kids will look at my
- 32:02
algorithm and they'll be like, "Mom,
- 32:04
what's going on?" And it'll be like, "I
- 32:05
got to watch the scene again." I started
- 32:07
crying explaining the scene to Jenna
- 32:10
this morning. I was like, "And then they
- 32:11
fight each other." But Tom, that movie
- 32:16
that that movie is what was it? What
- 32:19
would what do you remember about the
- 32:20
experience of making that movie as a
- 32:22
young person? I think for me just an
- 32:24
acting masterclass from Naomi Watts and
- 32:27
just getting to be on set with her every
- 32:29
day and watching a professional at the
- 32:32
top of her game deliver you know a sort
- 32:36
of masterful performance while also
- 32:38
taking me under her wing and teaching me
- 32:41
everything that I knew know about cinema
- 32:44
really you know.
- 32:45
>> Was it your first feature that you had
- 32:46
done?
- 32:46
>> Yeah, it was my first film. So I had
- 32:48
left Billy. I did my first audition for
- 32:50
the film while I was in the show.
- 32:52
>> Wow.
- 32:53
>> I think I had the summer off after I
- 32:54
finished the show and then went straight
- 32:56
in to make that film. So, I had no idea
- 32:58
what I was doing.
- 32:59
>> Wow.
- 33:00
>> And I can imagine as, you know, an
- 33:03
actress that was doing a job that she
- 33:05
would might describe as the hardest role
- 33:07
she's ever played to have to also teach
- 33:09
a young kid how to do it.
- 33:12
>> She showed such patience and she was so
- 33:14
caring and kind. And I would make
- 33:16
mistakes because you know what it's
- 33:18
like.
- 33:18
>> Yeah. Where do I go? Why is there a big
- 33:21
red sausage on the floor? Like, what is
- 33:23
that about? And
- 33:24
>> she was so sweet and kind. And even if
- 33:27
we were in emotional scenes, she could
- 33:28
just snap right out of it and say, "Just
- 33:31
you're you're blocking me from the
- 33:32
you're standing in front of the camera."
- 33:34
I would move. She would get right back
- 33:36
into it.
- 33:37
>> So, she just was an absolute powerhouse.
- 33:39
And she had a great work ethic. She was
- 33:41
so kind and courteous to the crew. So it
- 33:44
for me
- 33:45
>> starting my career in this business it
- 33:47
could not have been a better blueprint
- 33:48
for how to behave and how to you know
- 33:51
work.
- 33:51
>> Well you talked about in in all in
- 33:53
Spider-Man in Odyssey in all of the
- 33:55
stuff you've done like you talk about
- 33:57
people that you've met who you've
- 33:59
learned a lot from like mentors in some
- 34:01
way.
- 34:02
>> Totally. I think my favorite thing about
- 34:04
being an actor is that you are the only
- 34:08
person when the camera calls cut who is
- 34:11
allowed to be in the middle of the room
- 34:13
>> and do absolutely nothing, right? You
- 34:16
you can be in the middle of that kind of
- 34:19
>> ecosystem and you have nothing to do.
- 34:21
You're just waiting for everyone to
- 34:22
reset. So you have the perfect vantage
- 34:25
point to just watch people work and see
- 34:27
how they do it and see how they do it
- 34:29
differently and see how directors
- 34:30
communicate with actors or crew. See how
- 34:33
actors take notes. I love
- 34:35
>> listening to a director give an actor a
- 34:37
note.
- 34:38
>> Yeah.
- 34:38
>> And go I I can't wait to see how you
- 34:40
interpret that note. And sometimes
- 34:41
you're like, "Wow, I wouldn't have done
- 34:42
it like that, but that is actually
- 34:44
really interesting."
- 34:45
>> Yeah. So for me it's less about asking
- 34:48
people for advice and it's more just
- 34:51
sitting back and watching them work
- 34:53
really.
- 34:54
>> I mean I think that is the the thing is
- 34:55
that people are always watching how
- 34:57
people behave in the world.
- 34:58
>> Totally.
- 34:59
>> And it what you say means nothing if
- 35:01
it's different than your behavior. Like
- 35:02
you just watch how people behave.
- 35:04
>> Exactly. And you know what it's like on
- 35:05
a film set. You're there for 5 months.
- 35:07
You're up at 4 in the morning. Like you
- 35:09
get to see every shade of a person's
- 35:11
personality.
- 35:12
>> Yeah. So seeing someone like Matt Damon
- 35:13
for example on the Odyssey, I have never
- 35:15
seen anyone work as hard as Matt did on
- 35:18
that film.
- 35:18
>> Yeah.
- 35:19
>> And he was as kind and gracious as he
- 35:22
was at the beginning of the day, at the
- 35:23
end of the day, and on the toughest
- 35:25
days.
- 35:26
>> So it just was it was awesome for me to
- 35:27
see someone as experienced as himself
- 35:30
also just be the nicest guy and treat it
- 35:33
as if this was his first movie.
- 35:35
>> Yeah, that's awesome.
- 35:43
you go from the impossible to Spider-Man
- 35:46
and somehow and you know you've talked
- 35:48
about it a lot 1500 people audition for
- 35:51
that role getting that part um it's just
- 35:56
it's just like winning a 10-year lottery
- 35:58
and it's just changed completely changed
- 36:00
your life and also it's someone telling
- 36:02
you like hey the next 10 years of your
- 36:04
life are going to be this like it's
- 36:06
heavy and exciting all at the same time
- 36:08
It's It was a really weird day the day
- 36:11
that I found out that I got the part
- 36:13
because it's all I had ever wanted. I
- 36:16
remember watching Andrew's movies in the
- 36:18
cinema.
- 36:18
>> Yeah.
- 36:19
>> And just thinking to myself like, "Oh,
- 36:20
wow." Like, imagine if I got an
- 36:22
opportunity like that to play that
- 36:24
character. Like that would be
- 36:25
>> But even then you were like, "I could do
- 36:27
that."
- 36:29
>> If I knew that I could do it, it was
- 36:30
more just this like hunger of
- 36:33
>> I would love to play that role one day.
- 36:35
M
- 36:35
>> I then spent the next like 5 years
- 36:37
thinking about it, thinking about it. I
- 36:39
found out that they were they were
- 36:40
auditioning for it. I got myself in
- 36:42
there and I spent about six, seven
- 36:46
months auditioning for the film and all
- 36:48
I could think about was getting that
- 36:50
job.
- 36:50
>> Yeah.
- 36:51
>> And then the day that I got it and I
- 36:53
found out, it was like through the roof
- 36:56
excitement and then immediate like, "Oh,
- 36:59
but now I have to actually do it."
- 37:00
>> Oh, a nightmare. Dread. Why did I want
- 37:03
this? Like this is a night like you're
- 37:05
holding the hot potato and you're like
- 37:07
who can I give this to?
- 37:08
>> Totally. And like what's been crazy is
- 37:12
doing this fourth film now Spider-Man
- 37:14
Brand New Day. I felt very similar to
- 37:16
the way I did on my first film which was
- 37:20
excitement, fear, you know, trying to
- 37:24
find this sense of confidence that I
- 37:25
could do this cuz the third movie was so
- 37:28
successful and sharing the screen with
- 37:30
Toby and Andrew felt like the perfect
- 37:32
sendoff. for all of us. So when I walked
- 37:34
on set for the first time, there was a
- 37:36
feeling of like this
- 37:38
right now like we
- 37:41
dest
- 37:45
felt like oh this is exactly what we've
- 37:47
been missing. And
- 37:48
>> I am so excited for this next chapter of
- 37:52
the franchise because it feels
- 37:53
different. It feels new and unique. It
- 37:55
feels more mature. Um, and you know, I
- 37:59
love John Watts, the guy that directed
- 38:00
the first three, and I think tonally he
- 38:03
did such a good job with making these
- 38:04
films feel like the experience of a
- 38:07
teenager.
- 38:08
>> Yeah. Well, I love what you guys are uh
- 38:10
getting into, which is this idea of if I
- 38:13
had to relearn why I love people,
- 38:17
>> like that thing of if I had to if I had
- 38:20
to like do it all over again, would I
- 38:23
choose the people in my life? Like it's
- 38:25
a deep cool metaphor for what it's like
- 38:29
to get older, like to grow up, to look
- 38:31
at your life, like it's very cool. And
- 38:34
and and also like what what is memory?
- 38:38
Like what what are we supposed to
- 38:39
remember? What are we supposed to let go
- 38:41
of? Like it's very very cool territory.
- 38:44
>> Yeah. I think my proudest thing about
- 38:46
this new movie is the message of it. You
- 38:49
know, it's it's a superhero movie at the
- 38:50
end of the day. Tom Rosman, the studio
- 38:52
head, kind of describes it as a
- 38:54
superhuman movie
- 38:55
>> because I think the message is so
- 38:57
important for young people in this
- 38:59
digital age. It's so easy to sit at home
- 39:01
of an evening and just scroll through
- 39:03
your phone and just turn your mind to
- 39:05
mush and to forget about how important
- 39:07
socializing is.
- 39:08
>> Well, my phone is my best friend, so I
- 39:10
don't talk about it.
- 39:10
>> Tell me about it. Tell I had like a
- 39:12
whole bunch of watch
- 39:14
yesterday.
- 39:19
growing up, did you care about
- 39:21
Spider-Man? Because you and dressed up
- 39:23
as Spider-Man. Yeah, because I have boys
- 39:26
who loved Spider-Man, too. And And it's
- 39:29
really fascinating to watch how that
- 39:32
character gets into the psyche of girls
- 39:35
and boys. Um, why do you think they Why
- 39:38
did you as a young kid?
- 39:39
>> I think it's because he's always asking
- 39:41
himself that question of who am I?
- 39:44
>> Yeah.
- 39:44
>> You know, cuz he doesn't know who he is
- 39:45
yet. It's this young experience of
- 39:49
>> failing or trying to talk to the crush
- 39:51
that you have at school and it doesn't
- 39:52
go well or being behind on homework. And
- 39:55
>> it's it's just that youthful experience
- 39:58
of finding out who you are as a person.
- 40:00
>> Yeah.
- 40:01
>> Um and what I love about this film is
- 40:03
that the whole premise of the movie is
- 40:04
that he's neglecting who he is. He is
- 40:07
kind of trying his best to suppress his
- 40:10
trauma and just focus on being a hero
- 40:13
>> while failing to realize that the person
- 40:16
he is makes him the hero that we love.
- 40:20
>> So, it's a really nice little balancing
- 40:22
act. Um, and I also think if you ask any
- 40:25
young kid what their favorite color is,
- 40:26
it's going to be red or blue.
- 40:29
>> And he has both of those.
- 40:30
>> He's got them both.
- 40:31
>> He has both of those.
- 40:32
>> He's got both, babe.
- 40:33
>> Yeah. And he also does that thing where
- 40:37
he shoots from his fingers
- 40:39
>> and but it's not this kind of shoot.
- 40:42
>> That is very important distinction.
- 40:44
>> Yes. Because it is a totally different
- 40:46
distinction. I'm probably doing it
- 40:47
wrong.
- 40:47
>> That's close enough.
- 40:48
>> Close enough. Yeah.
- 40:49
>> And um and that for little young people
- 40:53
feels like a way to like like expel
- 40:56
energy. Yeah. like and and the other
- 40:58
thing I'll just say is that because of
- 41:00
course because you're a dancer the way
- 41:01
you moved as that character cuz
- 41:03
Spider-Man moves so it when you and
- 41:06
you've talked about this which I love is
- 41:08
like you like to get into characters
- 41:10
physically first like that's how you
- 41:12
kind of walk around the space with them
- 41:14
>> and I I I just want to before we move
- 41:18
off of the dancing part I just want to
- 41:20
say that I think there's a deeper reason
- 41:22
why your viral moment dancing to
- 41:26
umbrella was so successful.
- 41:29
I have to bring it up. I'm sorry. I've
- 41:30
watched it 5,000 times.
- 41:32
>> I get more compliments for that dance
- 41:34
than any piece of work I have ever done.
- 41:37
>> Yeah, I've probably watched it more than
- 41:39
most movies. Um, but I not only because
- 41:44
of the talent, not only because it's
- 41:45
just so funny and fun and great and like
- 41:47
you guys are having such a good time
- 41:48
together,
- 41:49
>> but it's a person who is, dare I say,
- 41:54
comfortable with their feminine side.
- 41:56
>> Oh, yeah. Totally. Yeah.
- 41:59
>> Well, oh yeah, totally. Yeah. But that's
- 42:01
not always the case with men in general.
- 42:05
And I mean, you've you've talked about
- 42:07
it, like being a young boy doing ballet,
- 42:10
being like a a a a person who's had to
- 42:12
like figure out like what is what is
- 42:15
typically male, what is typically
- 42:16
female, like what what comes from all
- 42:17
that. When you come out confidently in
- 42:20
that in that outfit
- 42:23
and crush it, it was like exploded
- 42:26
everybody's ideas of everything in the
- 42:28
best way. Now, I'm not like I know that
- 42:31
wasn't your intention maybe, but I just
- 42:34
hope you know that it opened up a lot of
- 42:37
feelings for a lot of people.
- 42:39
>> I will say though, at one point in the
- 42:40
dress rehearsal, the lady was like, "Do
- 42:42
you think we could cut the shorts a
- 42:44
little bit short?" I was like, "No."
- 42:45
>> You were like, "Okay,
- 42:47
>> I'm doing enough.
- 42:48
>> I'm doing enough for the cause.
- 42:50
>> This is still
- 42:52
years ahead of its time."
- 42:53
>> 100%.
- 42:55
And that moment, what is your memory of
- 42:57
that moment doing it? Because did you
- 42:59
feel the time like this is really fun
- 43:00
and funny and goofy or and then has the
- 43:03
response been confusing to you or did
- 43:05
you what what's your memory of doing
- 43:07
that?
- 43:08
>> I I was I was really excited about it. I
- 43:11
was nervous
- 43:12
>> at the prospect of doing a live show.
- 43:15
>> Sure.
- 43:15
>> And doing the dance and messing up the
- 43:17
choreography or something like that.
- 43:18
>> But it's funny, it never really crossed
- 43:20
my mind how it would be received. I just
- 43:24
thought,
- 43:25
>> "Oh, what a fun idea. like we'll do this
- 43:27
kind of singing in the rain thing and
- 43:29
you felt the energy in the room
- 43:31
literally deflate like I started doing
- 43:33
the thing in the suit and there's like
- 43:35
you know everyone in that audience is
- 43:36
like 19 years old and I was like what on
- 43:38
earth is he doing
- 43:40
>> and I just knew in my body I was like
- 43:42
when I take this suit off you are going
- 43:44
to go nuts
- 43:47
>> and I remember like I had to put
- 43:49
lipstick on behind the dancers and
- 43:50
stuffing and I had to rip the suit off
- 43:53
behind them which I'm almost sad I
- 43:54
didn't do that on camera cuz it was so
- 43:57
fun just having a rip away suit.
- 44:00
>> Um
- 44:01
>> they probably were they wanted to like
- 44:02
cover just in case you didn't get it
- 44:04
right.
- 44:04
>> Just in case you know there was
- 44:06
>> Little did they know they were working
- 44:07
with a professional.
- 44:08
>> Exactly.
- 44:09
>> Yeah. A professional.
- 44:10
>> A professional.
- 44:11
>> And that and that dance is a great
- 44:13
example of what your dad said in the
- 44:15
car, which is like, "Go for it, babe."
- 44:17
>> Yeah. If you're going to do it, give it
- 44:19
100%.
- 44:20
>> Yes.
- 44:21
>> It's such a thrilling performance. Thank
- 44:24
you so much. Thank you.
- 44:25
>> It is. Am I wrong?
- 44:28
>> That's why I'm so excited about this
- 44:29
Fred a stair thing because of how kind
- 44:31
of scary it is and how much if I don't
- 44:35
commit to it 100% it won't work. And I
- 44:38
kind of love the idea of that.
- 44:40
>> There's like a million different ways in
- 44:41
which you can put your art out into the
- 44:43
world, right? Everybody gets to put it
- 44:45
out however they want. But, you know,
- 44:48
there's just there's there's few repres
- 44:51
representations of men that feel like
- 44:54
they're like open to experiences in that
- 44:58
way. Am I making any sense?
- 44:59
>> Yeah. No, totally. Yeah.
- 45:00
>> Okay. So, save us.
- 45:01
>> Yeah. I I will do my best,
- 45:03
>> Tom. Please. But I want to ask you one
- 45:06
question. Don't or I want to ask a favor
- 45:09
of you. Don't do any more stunts.
- 45:11
>> Yeah, dude.
- 45:12
>> Oh my word.
- 45:13
>> No more stunts. I know that um
- 45:15
>> in movies period.
- 45:18
>> Yeah.
- 45:19
>> But I do feel like stunts are there.
- 45:22
Well, I mean, you just have to be what
- 45:26
>> when you're doing a stunt, what do you
- 45:28
do with your body? Like what what's what
- 45:30
are some tricks?
- 45:31
>> Just let it happen. Like just grip it
- 45:34
and rip it, you know? Like more often
- 45:37
than not, you're on a wire and you're
- 45:39
there's another guy on the end with a
- 45:41
button and you always want to make sure
- 45:43
you say hello to him and keep him sweet
- 45:45
because you don't want him to dial it up
- 45:46
and just fire you off into oblivion.
- 45:49
>> Um, but truth be told,
- 45:51
>> I have an amazing team of stunt
- 45:54
performers that I work with and you know
- 45:56
the luxury of the Spider-Man suit is
- 45:58
that when one of us is in it, we're very
- 46:00
interchangeable. And as it is a
- 46:03
character that requires like a really
- 46:05
elite level of physicality,
- 46:07
>> those guys are you know exir
- 46:10
British gymnasts, you know, world
- 46:12
champions and stuff like that. So
- 46:14
>> as the movies have gone on, my appetite
- 46:16
to do everything has definitely dwindled
- 46:19
because they do a better job.
- 46:21
>> Like I can do a backflip
- 46:22
>> but Luke can do a double backflip.
- 46:24
>> Yeah. So, it's like if you want it to be
- 46:26
really special, sometimes you have to
- 46:28
take your ego out of the room and just
- 46:30
let them handle the tough stuff
- 46:31
>> and you got to protect the money maker.
- 46:33
You got to protect the money. I mean,
- 46:36
come on, babe. We can't We can't mess
- 46:37
with that face.
- 46:38
>> No. But I do love it and it is fun. The
- 46:40
rush is really great when you do
- 46:41
something
- 46:42
>> that is really scary and it goes really
- 46:44
well. It is a great feeling.
- 46:46
>> Yeah, I bet. And it does feel like the
- 46:47
closest to being an athlete.
- 46:49
>> Yeah, totally. Yeah, absolutely.
- 46:50
>> And the team like you did it.
- 46:51
>> YEAH. WELL DONE. LET'S GO.
- 46:53
>> YEAH. EXACT. Cuz sometimes acting
- 46:55
doesn't feel that way.
- 46:57
>> Yeah. It's not. Especially on set cuz
- 46:58
there's, you know, whenever the if the
- 47:00
crew give you a round of applause, it
- 47:01
feels so like they're just like we want
- 47:03
to go home, right? Like get on with it.
- 47:06
Yeah. Well done. You did some acting.
- 47:09
>> Um
- 47:10
>> but yeah, if you do a stunt, you do feel
- 47:12
like pretty badass. Yeah. Totally.
- 47:14
>> Um uh
- 47:16
>> the last thing I'll say about Spider-Man
- 47:17
is Jacob. Your relationship with Jacob
- 47:20
is really really cool.
- 47:21
>> Yeah, he's the best. He and I mean I
- 47:23
love that you guys are, you know, real
- 47:25
friends in real life and met at a young
- 47:27
age and kind of grew up together doing
- 47:30
the the films together and also it just
- 47:32
like shows
- 47:34
>> like Ned and Peter's relationship I
- 47:36
think is an example of like great male
- 47:38
friendship. Um and um we spoke to him
- 47:42
before this podcast.
- 47:43
>> No way. Oh no.
- 47:46
>> Yes. who we got. We spoke um we he
- 47:50
talked a little bit about you and also
- 47:51
he gave us a question to ask and he was
- 47:53
a total delight. Um he flashed his um
- 47:56
his Rolex.
- 47:58
>> Oh, really? He showed you. Nice. Nice.
- 48:01
>> But um he wanted me to ask you a
- 48:04
question. He wants me and you do it.
- 48:07
Feel free to pass if you want because I
- 48:09
don't know what this is about.
- 48:12
>> So I don't know. Um, he wants me to ask
- 48:15
you about the boiling rock part one.
- 48:18
>> Oh, wow. The boiling rock.
- 48:21
>> Is this worth talking about?
- 48:24
>> You can tell us off the air.
- 48:27
>> I think I should probably tell you off
- 48:28
the air.
- 48:29
>> I knew it. I knew it.
- 48:30
>> But now it's going to sound like we're
- 48:31
smoking crack or something.
- 48:36
>> No, it's such a typical boy thing. I was
- 48:39
like, give me a question that you would
- 48:41
want to talk about. He was like, the
- 48:42
boiling rock part one. I was like, he's
- 48:44
not going to want to talk about this.
- 48:45
>> Oh man.
- 48:47
>> Yeah. No, we'll chat about that.
- 48:48
>> Okay, we'll chat about that later. But
- 48:50
tell me what you love about Jacob.
- 48:52
>> I just love his.
- 48:58
>> Oh man, I'm taking that Rolex back.
- 49:02
Uh, I just love his I love who he is as
- 49:04
a person. I love his soul. I love his
- 49:07
his energy. I love
- 49:09
>> his his enthusiasm. He you know what's
- 49:13
been so amazing for the two of us is
- 49:15
that our lives changed on the same day
- 49:18
together.
- 49:19
>> Yeah.
- 49:19
>> And we've been through this whole
- 49:21
journey together and I've loved every
- 49:23
minute of it. All of John's movies,
- 49:24
making those and now working with Destin
- 49:27
>> it and sharing that with someone that
- 49:29
has been there since the beginning is
- 49:31
really special.
- 49:32
>> Yeah.
- 49:32
>> He's also just one of my best mates.
- 49:34
Like if I haven't seen him for 6 months,
- 49:37
when I link up with him, it's as if no
- 49:39
time has passed. Yeah.
- 49:41
>> And he's an amazing actor and I think
- 49:43
that no one could play Ned the way that
- 49:45
Jacob does. I think that
- 49:47
>> he is the only person
- 49:49
>> that could get those kinds of laughs and
- 49:51
especially in this movie. I think he's
- 49:53
really dialed up the humor in in an
- 49:56
excellent way.
- 49:57
>> And I just I just
- 49:58
>> I mean he feels like he feels like he's
- 50:00
he's like that character is like a a
- 50:04
standin for the fan almost, you know,
- 50:06
like the audience. And I think that was
- 50:08
John Watts's kind of goal was to create
- 50:11
a movie
- 50:12
>> that felt like all of us were
- 50:14
experiencing what it's like to be
- 50:16
Spider-Man. But me and him, we just did
- 50:17
an escape room together.
- 50:21
>> And everyone's just like, "Climb the
- 50:22
walls, dude."
- 50:24
>> We were in LA and I text him and I was
- 50:26
like, "Are you here?" And he said,
- 50:27
"Yes." And I was like, "I booked this
- 50:29
escape room, bro, if you want to come."
- 50:31
And we went, one of the producers from
- 50:33
the movie came and him and I were
- 50:36
useless. really
- 50:37
>> useless. But we're both leaders, which
- 50:39
is a recipe for disaster.
- 50:41
>> That's right.
- 50:41
>> So, there was a lot of like, Jacob, let
- 50:43
me do it. Let me do it.
- 50:44
>> What are we doing here?
- 50:45
>> And then the time is ticking down.
- 50:47
>> Yeah. Yeah. It was no good. But I love
- 50:49
him to death and I I really He will be a
- 50:52
friend for life and he is such a
- 50:55
wonderful person and I couldn't be more
- 50:57
grateful to have done this with him.
- 50:59
>> Yeah. Oh, he says the same about you.
- 51:00
And and the other big big gigantic movie
- 51:03
coming out this summer that you're going
- 51:04
to start talking about and probably be
- 51:05
doing press now for the next 5,000
- 51:08
years.
- 51:08
>> Yes.
- 51:08
>> Is the Odyssey.
- 51:10
>> Yeah.
- 51:10
>> Um which uh it looks incredible. I um
- 51:16
Who do you play in it?
- 51:17
>> I play Tmacus.
- 51:19
>> Okay.
- 51:20
>> When I first sat down with Chris, I said
- 51:21
I'm so excited to play Telmacus.
- 51:24
>> Yeah, sure. I'm heavily dyslexic,
- 51:27
>> which is one of the reasons why, and I'd
- 51:28
love to talk to you today about it
- 51:29
actually, is why I've never done SNL
- 51:32
>> because of the Q card.
- 51:33
>> I'm just so petrified at the concept of
- 51:36
like trying to read something
- 51:38
>> and they change.
- 51:40
>> Well, I I'm sure they have had many
- 51:42
dyslexics host.
- 51:44
>> Totally. It's just that like for me, I
- 51:46
can read fine.
- 51:48
>> Yeah.
- 51:48
>> But when I have to read out loud, it
- 51:50
just becomes like a kind of
- 51:52
>> It's like a mental block. Yeah.
- 51:55
>> And I can freeze. So for me, my worst
- 51:57
day at work is the read through. Like at
- 51:59
the read through, I will try and
- 52:01
highlight everything and learn my lines
- 52:03
ahead of time.
- 52:04
>> Yes.
- 52:05
>> So that I'm more kind of skimming it
- 52:07
than I am.
- 52:08
>> You're kind of remembering it visually,
- 52:09
but you know it.
- 52:10
>> Yeah. So I've been, you know, I've been
- 52:11
really lucky that they've asked me a few
- 52:13
times to do it. And the truth is is that
- 52:15
I'm actually just really scared at the
- 52:17
prospect of I love the show and I love
- 52:20
the idea of
- 52:21
>> having fun and making a fool of yourself
- 52:22
in such a fun creative way. It's just
- 52:25
that thing of the Q cards.
- 52:26
>> You have to remember there have been
- 52:27
people that have hosted that have been
- 52:28
fully on drugs.
- 52:30
>> Yeah, that is true. That is true. I
- 52:32
think you can do it.
- 52:35
>> And who are those people?
- 52:37
>> Well, I'll tell you. You can tell.
- 52:38
>> Are you telling me the boiling rock?
- 52:40
I'll tell you those people.
- 52:43
But it is but but that's so I I love you
- 52:46
talking about that Tom because it is
- 52:48
true like the way we learn
- 52:50
>> how everybody learns is very different
- 52:53
and of course then what that does is it
- 52:57
makes you like be a physical tactile
- 53:00
person
- 53:00
>> right
- 53:01
>> like that's that of course that's how
- 53:03
you become that's how you express
- 53:04
yourself.
- 53:05
>> Yeah. So, okay, this is interesting to
- 53:07
me because to me like a a nightmare
- 53:10
would be being in a Christopher Nolan
- 53:12
movie and like not knowing my lines or
- 53:15
like that's a night
- 53:16
>> that would be bad.
- 53:18
>> Okay, so your character is How would you
- 53:21
explain your character?
- 53:22
>> My character is a young man
- 53:26
who is
- 53:28
kind of feeling this incredible sense of
- 53:30
protection towards his mom. She's under
- 53:33
an immense amount of pressure from these
- 53:34
very vulgar men who all want to marry
- 53:37
her and become the king of Ithaca.
- 53:40
>> And Odysius, my dad, he is the king of
- 53:43
Ithaca, but no one knows whether he is
- 53:46
alive or not.
- 53:46
>> Who's playing Odysius?
- 53:47
>> That is Matt Damon.
- 53:48
>> Ah,
- 53:49
>> and the story is about a dad trying to
- 53:52
come home
- 53:53
>> and a young boy trying to find his dad.
- 53:56
And there is obviously a wonderful scene
- 53:59
when that kind of story comes full
- 54:01
circle
- 54:02
>> and you know for me it was a dream come
- 54:05
true job working with Chris.
- 54:07
>> What's it like working with him?
- 54:08
>> Just a dream. An absolute dream. He is
- 54:11
>> he is so fun to work for.
- 54:14
>> Fun.
- 54:14
>> Working for Chris is just a it's a
- 54:17
delight. I absolutely loved working for
- 54:19
him. I admire him beyond belief. His
- 54:22
crew is without a doubt the best that I
- 54:26
have ever worked with.
- 54:27
>> Is it a quiet place? Like I picture
- 54:29
everyone in suits being very good at
- 54:32
their job.
- 54:33
>> I would say it's a very focused place.
- 54:36
>> It's definitely fun. Yeah.
- 54:38
>> You know, like I laughed a lot when I
- 54:39
was there
- 54:40
>> and we we had a really good time,
- 54:44
>> but it's definitely we are there to do a
- 54:46
job. We are there to try and,
- 54:48
>> you know, create something that has
- 54:50
never been done before. We were filming
- 54:51
everything on IMAX.
- 54:53
>> What is I've heard this now, but what
- 54:55
does that mean for you? How does it make
- 54:56
it different for you to film on IMAX?
- 54:58
>> The camera is like as big as this table.
- 55:00
>> I see. Okay. So, the camera's huge.
- 55:02
>> Yeah, it's humongous. And if and they
- 55:04
had this thing that Hoita had designed,
- 55:06
the cinematographer, which we called the
- 55:08
blimp,
- 55:09
>> and it was essentially, you remember
- 55:10
those old boxes, the the stills
- 55:12
photographers would have that would
- 55:13
dampen out the sound? It's essentially
- 55:15
that but for the camera.
- 55:17
>> Whoa. So when they put the the camera in
- 55:19
there, you can't hear anything. But if
- 55:22
they're having it handheld, it goes like
- 55:27
it's like super loud.
- 55:28
>> Wa.
- 55:29
>> So it's if you're doing scenes like
- 55:31
that, it is really difficult to focus.
- 55:33
And I I struggle focusing sometimes.
- 55:36
>> And I remember again like talking about
- 55:38
lessons and watching actors work. I
- 55:40
remember a scene between Matt and Anne
- 55:42
Hathaway. It's about a 9minut scene and
- 55:46
the camera can only run for 3 minutes at
- 55:48
a time because it runs out of film.
- 55:51
>> Wow.
- 55:51
>> So they would run it, they would take it
- 55:53
out the blimp, reload it, put it back in
- 55:55
and then the two actors would just carry
- 55:57
on from where they left off. And this is
- 55:59
like the most emotional scene in the
- 56:01
movie. It is like
- 56:02
>> it's so fantastic.
- 56:05
>> And to see both of them cuz obviously
- 56:07
they shot I think they shot Matt's side
- 56:09
first and then they shot an side. So
- 56:11
that took almost an entire afternoon.
- 56:13
Mhm.
- 56:13
>> And to see them stay in character and
- 56:16
stay in that emotion and never waver and
- 56:19
never come out of it. And they would
- 56:21
call cut. They would reload the camera.
- 56:23
Matt and Anne just stayed there in the
- 56:25
moment for 3 minutes maybe before the
- 56:27
camera would roll again.
- 56:28
>> Wow.
- 56:29
>> It was just a masterclass in patience,
- 56:31
professionalism, and like confidence in
- 56:33
themselves.
- 56:34
>> It was awesome. And I think Chris
- 56:36
>> Chris really
- 56:38
>> gives you a lot of confidence.
- 56:40
>> Yeah. Like there's something about
- 56:43
doing a take and him coming up to you
- 56:44
and giving you a pat on the back and
- 56:46
sort of saying, "Great, let's move on."
- 56:48
>> That must feels like, "Oh, whoa." Like I
- 56:51
nailed that.
- 56:51
>> He is such a He's so incredible. His his
- 56:54
work is so incredible. And you're right.
- 56:56
When you work with people who are in
- 56:57
like that elevated space, like really in
- 57:00
the top of their game, you just like a
- 57:03
rise a rising tide rises all raises all
- 57:07
boats. That's exactly it. I can't
- 57:09
>> That's my favorite saying.
- 57:10
>> That's my favorite saying.
- 57:12
>> Also, I want to say that you get to work
- 57:15
again with your partner in life, Zenaia,
- 57:17
who is an incredible actress.
- 57:20
>> What do you learn from her as an
- 57:21
actress, as an artist? What do you like
- 57:23
working with her? You work with her in
- 57:25
Spider-Man. You work with her in this.
- 57:26
You work with her in Life. What do you
- 57:28
What have you learned from her?
- 57:30
>> I think what I love about watching her
- 57:32
work as an actress is she's just
- 57:35
fearless.
- 57:36
>> Yeah. She's just like absolutely 10 toes
- 57:39
down like I'm going to give this
- 57:41
everything. And I think when you watch
- 57:43
her as Ru.
- 57:44
>> Yeah.
- 57:44
>> In that show,
- 57:46
>> she could not be more different to who
- 57:48
she is in real life.
- 57:50
>> And then if you see her as Emma in the
- 57:52
drama,
- 57:53
>> it's it's just such a different
- 57:55
performance, but with no less intent or
- 57:58
passion or drive.
- 58:00
>> Yeah.
- 58:01
>> And I I think she's I think she's the
- 58:03
best actor going. I really think she has
- 58:06
like something special.
- 58:08
>> Whenever you're in a relationship where
- 58:09
you're just doing the same thing,
- 58:11
>> right?
- 58:12
>> That can be super helpful because you
- 58:14
understand what the other person is
- 58:15
going through. You understand?
- 58:17
>> It's a wild world being in this industry
- 58:19
and you know there are ups and downs and
- 58:21
>> you know you go from shooting a movie
- 58:23
which is when we're all at our most
- 58:25
comfortable and then you do a press tour
- 58:26
which feels like you're kind of standing
- 58:28
out on the stage
- 58:29
>> and it's so nice to have someone that
- 58:32
understands that in such a personal way
- 58:35
so that you can talk each other down or
- 58:37
you can big each other up and
- 58:39
>> and uh it's a lifeline. It it really is.
- 58:41
I couldn't imagine doing what I do
- 58:43
without her. Please don't ever um we
- 58:46
love you two together and also um I know
- 58:49
it's we don't know you um we're this is
- 58:53
we're projecting but and I don't know
- 58:56
Zenaia but I am such a huge fan of her
- 58:58
work and what I feel like she and you
- 59:00
both prove is like the more talented you
- 59:03
are the easier you are to work with.
- 59:05
like you guys come into I've heard just
- 59:08
the most amazing things about her and
- 59:10
how she works and um you guys just
- 59:15
delivered this version of how to work
- 59:18
that is really really amazing
- 59:20
>> and I can see why you you respect that
- 59:23
in each other. Yeah, we we had an
- 59:25
amazing moment on Spider-Man Brand New
- 59:28
Day and it's only because of our
- 59:30
relationship that this happened where we
- 59:33
were shooting this scene and we'd shot
- 59:35
my coverage. We then turned around on
- 59:37
Zena, we're doing her coverage and I
- 59:39
would never ever dream of saying this to
- 59:41
an actress that I wasn't with.
- 59:44
>> Right.
- 59:44
>> And I said to her, I said, "Do you think
- 59:46
that this scene is working?"
- 59:48
>> Yeah.
- 59:48
>> And she was like, "No, I don't think
- 59:50
this scene is working at all." So, I
- 59:52
then went to the producers and asked
- 59:54
like, "Do you think the scene is
- 59:55
working?" And they said, "No." And I was
- 59:56
like, "Yeah, me and Z are like really
- 59:57
not feeling it." I then went and sat
- 59:59
down with Destin and said, "Hey, man.
- 1:00:00
Listen, I know we've been shooting for
- 1:00:02
hours." And
- 1:00:03
>> I hate to tell you this, but I just I
- 1:00:04
don't think that this scene is working.
- 1:00:06
Z and I like what we're supposed to
- 1:00:08
feel. We're not feeling it in the
- 1:00:10
moment.
- 1:00:11
>> And what I love about Destin is
- 1:00:14
>> he's so calm.
- 1:00:16
>> There's nothing that could throw him
- 1:00:17
off. and he just kind of he listened and
- 1:00:20
he sat down and he was like, "Well, what
- 1:00:21
is it that you're trying to feel
- 1:00:23
>> and I told him and he went, "Yeah,
- 1:00:25
you're right. That's exactly what we
- 1:00:26
need to be feeling." So, he just he said
- 1:00:28
to the crew, "Everyone can go home."
- 1:00:30
>> Incredible.
- 1:00:30
>> We're going to sit down and we're going
- 1:00:31
to rewrite this scene with the writer,
- 1:00:33
Justin,
- 1:00:34
>> who was such a talent.
- 1:00:36
>> And we came in the next day, we reshot
- 1:00:39
the scene, and I'm so glad that we did
- 1:00:41
because it sings in the movie. It really
- 1:00:43
does.
- 1:00:44
>> But it's just it's a it was just so
- 1:00:46
funny. Like I was thinking about like if
- 1:00:48
this wasn't Zenaia that I was sitting
- 1:00:49
across from.
- 1:00:51
>> Imagine on someone else's coverage being
- 1:00:52
like do you think this is working?
- 1:00:54
>> Well I have I have done that
- 1:00:57
>> and I'm here to say it does not go over
- 1:00:59
well.
- 1:00:59
>> No it does not.
- 1:01:00
>> Yeah because it's like is this good?
- 1:01:02
>> Are you going to do it like that?
- 1:01:03
>> I go are we doing a good job? And
- 1:01:05
they're like are you talking to me like
- 1:01:08
>> this is my best work.
- 1:01:10
>> Nope. I'm talking to myself.
- 1:01:11
>> Yes. You're so right. I mean that
- 1:01:13
there's an intimacy that matters when
- 1:01:16
you're doing work like that. And also,
- 1:01:18
you know, in the reverse, when you're
- 1:01:20
working with someone you know very well,
- 1:01:21
sometimes you forget like,
- 1:01:24
>> oh, we have to kind of just like show up
- 1:01:26
and be scene partners here and we have
- 1:01:28
to not like
- 1:01:29
>> cross those boundaries. Yeah.
- 1:01:31
>> But yeah, it's I mean it's exactly what
- 1:01:33
I'm talking about is like I feel like
- 1:01:34
you guys are always striving
- 1:01:37
>> and challenging each other and
- 1:01:38
challenging you know and and being
- 1:01:41
partners and in life and in work. It's
- 1:01:43
really really cool to see. Thank you.
- 1:01:44
>> I do want to tell the one thing about
- 1:01:45
the Odyssey is and in Spider-Man you
- 1:01:47
have to do an American accent.
- 1:01:48
>> Yes. Which actually weirdly feels more
- 1:01:52
comfortable for me as an actor. It just
- 1:01:55
feels like there's an immediate degree
- 1:01:57
of separation from who I am as a person.
- 1:02:00
And you know doing different American
- 1:02:01
accents is difficult. You know on the
- 1:02:04
Odyssey I think there was a few times
- 1:02:05
where I went full like New York Queens
- 1:02:08
like Odysius you're home. How are you?
- 1:02:11
You know AND IT'S LIKE WHAT
- 1:02:15
for you.
- 1:02:19
>> So I think that
- 1:02:20
>> are there words that help you get into
- 1:02:22
an American accent?
- 1:02:23
>> Ironically the words that I struggle to
- 1:02:26
say the most is Spider-Man.
- 1:02:28
It's so weird.
- 1:02:30
>> You know what? While you drink, I'll
- 1:02:32
share that my Boston accent, my East
- 1:02:34
Coast Boston accent,
- 1:02:35
>> okay?
- 1:02:36
>> When I was playing Leslie, Nope. The one
- 1:02:38
word that I had a hard time saying was I
- 1:02:40
still have a hard time saying is
- 1:02:42
government.
- 1:02:43
>> Government,
- 1:02:43
>> which I had to say so much and playing a
- 1:02:47
government employee, but there's
- 1:02:49
something about the word
- 1:02:52
>> govern
- 1:02:54
cuz we would say government like
- 1:02:56
government We'd say government in
- 1:02:59
government.
- 1:02:59
>> Yeah. Like that you get rid of the R.
- 1:03:01
>> Okay.
- 1:03:02
>> Like Yeah. I I have to deal with a
- 1:03:03
government.
- 1:03:04
>> Okay. Government.
- 1:03:05
>> Government.
- 1:03:06
>> Cuz also there's an N in there. That is
- 1:03:08
weird government.
- 1:03:09
>> Government. Yeah. So SP because you'd
- 1:03:12
want to say Spider-Man.
- 1:03:13
>> No. Because I would want to say
- 1:03:14
Spider-Man is what for some reason
- 1:03:18
sounded so much more.
- 1:03:20
>> And I'm like that's kind of New York,
- 1:03:21
isn't it? And he's like, no, that is the
- 1:03:23
deep south. Um
- 1:03:25
>> but I
- 1:03:26
>> y'all you were like y'all. I'm
- 1:03:27
Spider-Man.
- 1:03:29
>> Hey y um yeah I don't know. I just for
- 1:03:32
some reason
- 1:03:32
>> you're very good at it.
- 1:03:33
>> I really found Spider-Man a difficult
- 1:03:36
word to say for some reason.
- 1:03:38
>> Isn't it funny? I mean I'm sure a lot of
- 1:03:41
people don't know that you're British.
- 1:03:43
>> I do still get that actually a lot
- 1:03:44
getting recognized on the street and
- 1:03:46
people are like
- 1:03:47
>> uh what is going on with your accent,
- 1:03:50
dude?
- 1:03:50
>> You know the Brits are not always the
- 1:03:52
best at American accents.
- 1:03:54
>> That is true. The Irish are a little
- 1:03:56
better and the Australians are the best.
- 1:03:58
>> You think so?
- 1:03:59
>> I do.
- 1:04:00
>> Like Naomi speaking, she's fantastic.
- 1:04:03
There's a lot of very good like
- 1:04:05
Australians that crush it. I think the
- 1:04:07
Brits tend to be the worst.
- 1:04:09
>> That is an interesting observation.
- 1:04:11
>> Now, I'm just going to say I cannot do a
- 1:04:12
British accent, so I would never even
- 1:04:13
try.
- 1:04:14
>> A British accent is tough.
- 1:04:16
>> There's so many of them.
- 1:04:17
>> There's just too many of them, and you
- 1:04:18
have to commit to one. And it's quite
- 1:04:20
it's hard. Zenaia has become amazing at
- 1:04:23
British accents. It's actually kind of
- 1:04:25
crazy. It's crazy. Um, but yeah, I think
- 1:04:29
and also it's very difficult to do a
- 1:04:30
British accent and not make it become a
- 1:04:32
caricature type accent.
- 1:04:34
>> Yeah. I mean, I think I think conversely
- 1:04:37
like with Brits when they do American
- 1:04:38
accents, the one thing that they do is
- 1:04:40
they they kind of always turn into
- 1:04:44
this kind of talking,
- 1:04:46
>> right?
- 1:04:47
>> Like it's just very cuz they want to
- 1:04:49
make sure that they're rounding out
- 1:04:51
their consonants.
- 1:04:52
>> There's lots of long Rs. One of the
- 1:04:54
things I find really difficult is a lot
- 1:04:56
of Americans, New Yorkers especially,
- 1:04:59
when they're ordering food, it's very
- 1:05:01
different to how we order food. In
- 1:05:03
England, it says, "Please, may I have
- 1:05:05
the burger with number two? Thank you so
- 1:05:06
much. Please." That'd be, "Thank you.
- 1:05:07
Thank you. Thank you." And in America,
- 1:05:09
it's totally fine to be like, "I'll have
- 1:05:10
the number two."
- 1:05:12
>> Yeah.
- 1:05:12
>> And just leave it at that.
- 1:05:13
>> Especially in the East Coast.
- 1:05:14
>> Totally. And I would be doing scenes and
- 1:05:16
my dialect coach would come in and be
- 1:05:17
like, "Stop saying please."
- 1:05:19
>> Ooh. like
- 1:05:21
>> a kid from New York's not going to say
- 1:05:22
please if you're asking for a burger. So
- 1:05:24
I you can see it. There's a moment in
- 1:05:26
this movie where someone asks me for a
- 1:05:27
coffee and I just go sure. And even
- 1:05:29
through the suit you can see like I'm
- 1:05:32
like my dad is going to be so
- 1:05:33
disappointed in me.
- 1:05:40
>> I mean in New York it's gotten to the
- 1:05:42
point where it's like let me get
- 1:05:43
>> Yeah. Yeah. Yeah.
- 1:05:44
>> I mean but that is so I mean I I'm still
- 1:05:46
shocked when people get like let me get
- 1:05:48
a uh egg and cheese. It's like, "Let me
- 1:05:50
get."
- 1:05:50
>> And
- 1:05:52
my dad always says to me, he goes, "No,
- 1:05:54
son. You can't go and get it.
- 1:05:56
>> They'll bring it to you,
- 1:05:58
>> but you can't go and get it. You can
- 1:06:00
have it.
- 1:06:00
>> Let me get,
- 1:06:01
>> but you you can't go and get it. They'll
- 1:06:03
stop you getting it."
- 1:06:05
>> It's so true. I mean, I I I The other
- 1:06:09
last thing I'll say is that it took me a
- 1:06:11
long time real to realize that quite
- 1:06:13
meant something different for Americans
- 1:06:15
as than it did for Brits. So quite for
- 1:06:19
you means pretty good. So like
- 1:06:21
>> how was it? It was quite good.
- 1:06:22
>> Yeah.
- 1:06:23
>> That's means it was pretty good. But we
- 1:06:25
don't understand that as Americans. We
- 1:06:27
use quite as like it was very good. So
- 1:06:30
like it was quite good.
- 1:06:32
>> Oh wow.
- 1:06:32
>> Like we say like it was quite a show.
- 1:06:36
>> Oh wow.
- 1:06:36
>> You know so for a long time Brits would
- 1:06:39
be telling me that they kind of didn't
- 1:06:41
like things that much and I'd be like
- 1:06:44
like they like it.
- 1:06:46
He said it was quite good. And I don't
- 1:06:49
think enough friends know this
- 1:06:51
>> that we don't always understand that
- 1:06:53
quite means pretty good.
- 1:06:57
>> But we are like He loved it. Which is
- 1:06:59
also very American. We've talked about
- 1:07:01
your films. Before we go, I just want to
- 1:07:03
talk about your beer.
- 1:07:05
>> Oh yes.
- 1:07:06
>> Your non-alcoholic beer.
- 1:07:08
>> Yes.
- 1:07:09
>> Bureau.
- 1:07:10
>> Be
- 1:07:10
>> your brand.
- 1:07:11
>> Um congratulations on it.
- 1:07:13
>> Thank you so much. We've been drinking
- 1:07:14
it from these cups the entire time.
- 1:07:16
>> Delicious.
- 1:07:17
>> And um why did you start a brand and why
- 1:07:20
non-alcoholic?
- 1:07:21
>> So, I quit drinking.
- 1:07:23
>> Yeah.
- 1:07:23
>> Um because I had a problem and I just
- 1:07:27
couldn't put it down and it was
- 1:07:30
affecting my professional life. It was
- 1:07:31
affecting my personal life and my
- 1:07:33
health.
- 1:07:34
>> Mhm. So, I decided to to pack it in and
- 1:07:38
I got through that first year, which I
- 1:07:40
think was the toughest challenge that
- 1:07:42
I've ever been on. And during that first
- 1:07:45
year, I noticed that there was limited
- 1:07:49
options for people like me that were
- 1:07:50
looking for something that would scratch
- 1:07:52
that itch, that would help you
- 1:07:54
>> live or go to the bar and be a part of
- 1:07:57
the social experience, but not feel like
- 1:07:58
the only person with a lemonade.
- 1:08:01
>> Yeah. The truth behind the shandies,
- 1:08:03
which we're bringing out this summer, is
- 1:08:05
that Z has never drank. She's never been
- 1:08:08
a drinker.
- 1:08:09
>> She's incredible.
- 1:08:10
>> She's the best. She's the best.
- 1:08:12
>> She's the best.
- 1:08:12
>> She's never drank.
- 1:08:13
>> So on her game,
- 1:08:14
>> I know.
- 1:08:16
>> And um which means she never found the
- 1:08:19
taste for beer. And everyone remembers
- 1:08:21
their first beer. It's a little bit like
- 1:08:23
that kind of doesn't taste great.
- 1:08:25
>> Like why does my dad drink this all the
- 1:08:26
time?
- 1:08:26
>> And then you get drunk and you're like,
- 1:08:28
oh, okay, let's go. I'm not here, but
- 1:08:31
I'm here.
- 1:08:32
>> Right. So, she just she's incredibly
- 1:08:34
proud of Bureau. It's just there there
- 1:08:35
is a missing link of like she doesn't
- 1:08:37
enjoy the stuff that I'm trying to sell.
- 1:08:40
>> Right.
- 1:08:42
>> So, my mom actually came up with the
- 1:08:44
idea and she said, "You know what? If
- 1:08:46
you did a Chandi, which is uh it's
- 1:08:49
essentially half a beer and then half a
- 1:08:51
lemonade."
- 1:08:52
>> Ooh. and we have a a grapefruit flavor.
- 1:08:56
There's lemon lime. There's blackberry
- 1:08:58
yuzu. There's elderflower. And it was a
- 1:09:00
ploy to create something at the company
- 1:09:02
that she could enjoy.
- 1:09:04
>> Yeah. So, when this comes out, you will
- 1:09:06
have turned 30. What is something you're
- 1:09:08
looking forward to about turning 30?
- 1:09:10
What what what's exciting about it?
- 1:09:12
>> I am
- 1:09:14
I'm incredibly proud of my 20s. M
- 1:09:17
>> like I look back at the things that have
- 1:09:19
happened in my life personally and then
- 1:09:21
professionally and I look back on them
- 1:09:24
really really fondly. So I'm kind of sad
- 1:09:26
to say goodbye to my 20s
- 1:09:28
>> but equally excited to to walk into my
- 1:09:32
30s. I think as a kid growing up in this
- 1:09:34
industry I've always just been a kid at
- 1:09:36
work.
- 1:09:37
>> Yeah.
- 1:09:38
>> You know and I'm really excited to sort
- 1:09:40
of and I think that's probably an
- 1:09:41
internal thing. Not that people treat me
- 1:09:43
like a kid. It's just I've always felt
- 1:09:45
like, oh, I'm just kind of the young one
- 1:09:47
here
- 1:09:48
>> and I'm really excited to be, you know,
- 1:09:51
a young man on set and and experience
- 1:09:53
what that's like. And
- 1:09:55
>> I have some really exciting projects in
- 1:09:56
the pipeline and uh
- 1:09:58
>> Yeah.
- 1:09:58
>> And yeah, I'm excited.
- 1:10:00
>> That's awesome. I mean, I I I feel like
- 1:10:04
just much like Spider-Man, like there's
- 1:10:06
so much ahead for you, but there is a it
- 1:10:11
feels like from a very young age, you've
- 1:10:13
had a very strong sense of yourself.
- 1:10:14
That is kind of like something that you
- 1:10:16
just kind of have. It's a thing often
- 1:10:19
you're born with and I think people feel
- 1:10:21
it from you. Um I know I'm count myself
- 1:10:25
as one of the many people who can't like
- 1:10:26
wait to see whatever you're doing next.
- 1:10:28
It's really awesome. And so we always
- 1:10:30
finish our our our um interviews by
- 1:10:33
asking our guests like, you know, in
- 1:10:35
these in these like often complicated
- 1:10:37
and troubled times, what they're doing
- 1:10:40
to laugh,
- 1:10:41
>> right?
- 1:10:42
>> Who makes them laugh? You come from a
- 1:10:43
funny family.
- 1:10:45
>> What are you watching, listening to,
- 1:10:47
reading? What video do you watch over
- 1:10:49
and over again? What is your like
- 1:10:50
comfort? What's your comfort movie? What
- 1:10:53
is your like comedy goto that Tom that
- 1:10:57
makes Tom laugh? And then I want to show
- 1:10:58
you a Tik Tok dance and see if you can
- 1:11:00
teach me.
- 1:11:02
>> But don't worry, not now.
- 1:11:03
>> I
- 1:11:04
>> Now that we're friends and we're going
- 1:11:05
to hang out.
- 1:11:06
>> My favorite night out is to go to the
- 1:11:09
comedy club.
- 1:11:10
>> Oo.
- 1:11:11
>> I love all standup. I think it is the
- 1:11:13
bravest form of art in our world because
- 1:11:16
it's like I remember being backstage
- 1:11:18
with my dad. I've always been so
- 1:11:20
impressed by my dad. Like he is like my
- 1:11:23
hero because he he never brought the bad
- 1:11:26
gigs home. He's your own.
- 1:11:28
>> He never brought bad gigs home. He's
- 1:11:30
always been someone that's incredibly
- 1:11:32
positive. He's super ambitious. He's
- 1:11:34
really tenacious. And I remember one
- 1:11:37
night he took me to the comedy store and
- 1:11:40
we went together to watch and we went
- 1:11:41
backstage and we saw all the comics kind
- 1:11:44
of getting ready for their set.
- 1:11:45
>> Yeah.
- 1:11:46
>> And I was so impressed by when I go to
- 1:11:48
work, I get picked up,
- 1:11:51
>> someone makes my breakfast.
- 1:11:52
>> Someone hands me the words that I'm
- 1:11:54
supposed to say. Someone will tell me
- 1:11:55
where I'm supposed to stand. Someone
- 1:11:57
dresses me and I'm considered an artist.
- 1:12:00
But so much of that work is done for me.
- 1:12:02
>> But then backstage you see them taking
- 1:12:04
their anorak off, putting their pack
- 1:12:06
lunch on the side. They go out, they
- 1:12:08
nail it, they come in and they head off
- 1:12:10
to the next club. And I know some of
- 1:12:12
them have writers and all that sort of
- 1:12:13
stuff, but to see the singular effort
- 1:12:16
that it takes, I was always so impressed
- 1:12:18
by that. Um, and I love that my dad took
- 1:12:22
me to see that because it was really eye
- 1:12:23
opening to me.
- 1:12:24
>> That's cool. That's very cool.
- 1:12:26
>> Tom Holland, thank you so much for being
- 1:12:29
here.
- 1:12:29
>> Yeah, my pleasure.
- 1:12:30
>> It really means a lot. We were very,
- 1:12:32
very excited to have someone of your
- 1:12:33
caliber sitting across from us. And um,
- 1:12:36
congratulations on the two most gigantic
- 1:12:39
movies ever coming. Um, and thank you
- 1:12:42
for all the work that you do and thanks
- 1:12:43
for being so great and a pleasure to
- 1:12:45
meet you.
- 1:12:45
>> Amazing. Thanks, Amy. I appreciate it.
- 1:12:47
Thank you so much. Thanks, guys. It's
- 1:12:48
been so fun.
- 1:12:51
>> Tom Holland. H what a delight. Love
- 1:12:55
talking to you. Thank you so much for
- 1:12:57
coming and um can't wait to see what
- 1:13:00
you're in this summer and what you're in
- 1:13:01
ever forever for the rest of your life.
- 1:13:04
Uh such a fan. Um, and uh, for this
- 1:13:07
Polar Plunge, I just wanted, you know,
- 1:13:08
we talked a little bit about dancing and
- 1:13:10
we talked about Janet Jackson and um,
- 1:13:13
there is a choreographer on TikTok um,
- 1:13:16
named Charlie Wakey who has started a
- 1:13:18
trend where he he created a dance to
- 1:13:21
like a smooth criminal mashup, a Michael
- 1:13:23
Jackson song. And um I just I just love
- 1:13:27
that side of um dancing online where
- 1:13:31
somebody starts a trend and then other
- 1:13:33
people kind of take it on and do their
- 1:13:35
version of it. And I've been watching it
- 1:13:36
a lot. So check him out. Check out all
- 1:13:39
the original choreographers and dancers
- 1:13:41
um online uh who are making great stuff.
- 1:13:44
And um keep dancing, babe. Keep dancing.
- 1:13:49
Okay. Thanks. See you soon. Bye.
- 1:13:54
You've been listening to Good Hang. The
- 1:13:56
executive producers for this show are
- 1:13:57
Bill Simmons, Jenna Weiss Berman, and
- 1:13:59
me, Amy Polar. The show is produced by
- 1:14:01
The Ringer and Paperkite. For The
- 1:14:03
Ringer, production by Jack Wilson, Cat
- 1:14:05
Spalain, Kaia McMullen, and Alia
- 1:14:07
Xanerys. For Paperkite, production by
- 1:14:10
Sam Green, Joel Levelvel, and Jenna
- 1:14:12
Weiss Berman. Original music by Amy
- 1:14:14
Miles.