Jun 16, 2026 · 1:11:48
Sarah Sherman on Good Hang with Amy Poehler
The Hang, in Short
Mitra Jouhari calls in from a Netflix office where the free hangers are broken and can't hold pants. She's here to prep Amy for Sarah Sherman, SNL cast member and the comedian formerly known as Sarah Squirm. Amy remembers when Sarah appeared butt naked on Mitra's show Three Busy Debras. They get into how Sarah's scatological body horror comedy makes her a "fun pervert" who invites the audience in with bits about her "flapping labia," then turns around and yells at them for liking it. Mitra, who toured with Sarah on the truly excellent Sarah Mitra and Jamie Are Ugly Tour, wants to know about Sarah's child musical theater career. Also her biggest bomb. The two recap COVID times when Amy's sons zoomed with Mitra about LA's unhoused situation, and Mitra lived with Patty Harrison making disgusting cocktails.
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Full Transcript
Click any timestamp to jump to that moment in the video.- 0:05
Hello everyone. Welcome to another
- 0:06
episode of Good Hang. We are very
- 0:08
excited about our guest today. It is
- 0:09
Sarah Sherman. Sarah is a current cast
- 0:12
member on Saturday Night Live and we
- 0:15
could consider her a vet. She has just
- 0:16
finished her fifth season. And I just
- 0:19
want to file this one under not safe for
- 0:21
work or for kids because we do get into
- 0:23
some fun and down and dirty topics like
- 0:27
uh well SNL duh and psychoanalysis and
- 0:31
Long Island and her insane
- 0:34
wildly original new special Sarah Squirm
- 0:38
live and in the flesh on HBO. So, um,
- 0:41
listen for Sarah, but but before we
- 0:43
start, right, we always like to talk to
- 0:45
somebody who knows our guest, who, um,
- 0:48
who has spent time with them and who can
- 0:50
speak well and give us a question. And,
- 0:52
uh, we're going to talk today to Mitra
- 0:53
Jihari. Metitra is an amazing actress,
- 0:57
writer, producer. You may know her uh,
- 1:00
from episodes of the Bear, from the show
- 1:02
she created, Three Busy Deborah. Um,
- 1:04
she's a writer on um, Big Mouth. And,
- 1:08
um, she's just incredible talent. came
- 1:10
up with Sarah, her good friend. We're
- 1:12
gonna check in with Mitra, who is on her
- 1:14
lunch break and and get a question from
- 1:16
her. So, hi Mitra. It's good to see you.
- 1:26
This episode of Good Hang is presented
- 1:28
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- 1:31
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- 2:04
All I ever wanted.
- 2:12
>> She's on the set.
- 2:14
>> Merra is on the set.
- 2:17
Metra, where are we talking to you from?
- 2:20
>> Netflix.
- 2:23
>> A lot of people don't know Netflix has
- 2:25
beautiful offices. Really? Really?
- 2:28
>> They give you a free hanger.
- 2:31
So
- 2:32
>> incredible. You could hang anything on
- 2:34
that.
- 2:35
>> You can hang anything on that as long as
- 2:37
it's not pants because the hanger is
- 2:38
broken.
- 2:41
>> I hear giggles in the back. I'm wish I
- 2:44
was in there.
- 2:44
>> On top of Mitra being incredibly
- 2:46
talented. She's also like a real deal
- 2:50
activist, boots on the ground person.
- 2:52
And I was thinking about during COVID
- 2:54
when you when you zoomed with my sons to
- 2:59
talk to them about the LA unhoused
- 3:02
situation and what they could do about
- 3:03
it. It was me.
- 3:05
>> They were so cute and sweet. I I like I
- 3:09
I loved talking to them. They were so
- 3:12
thoughtful and had such good questions
- 3:14
and were really making me laugh.
- 3:16
Remember that when we were all just like
- 3:19
in that COVID bubble of just like I
- 3:21
guess we I guess we this is how we'll
- 3:23
learn now.
- 3:24
>> I was living with Patty and we were
- 3:26
making some of the most [ __ ] up
- 3:28
cocktails imaginable. Like actively
- 3:31
drinking them being like this is
- 3:32
disgusting
- 3:34
and finishing them.
- 3:38
>> Patty Harrison, another hilarious
- 3:40
comedian and actor. Okay, we've got
- 3:43
Sarah coming in today. That's why I'm
- 3:45
sad. Another reason why I'm sad I'm not
- 3:47
there. I want to be seeing her.
- 3:48
>> I have so many questions for Sarah. Did
- 3:50
you watch her special?
- 3:51
>> Yes.
- 3:54
I have questions for her, too.
- 3:56
>> Her nasty ass.
- 3:57
>> Her nasty ass special. You have known
- 4:01
Sarah for a very long time. When did you
- 4:03
two first meet?
- 4:04
>> Uh 2015. and our mutual friend Drenin
- 4:08
who knew her from Chicago uh she was
- 4:10
coming out to New York to do shows and
- 4:12
she guested on this show called Holy
- 4:14
[ __ ] that I was a part of and he was
- 4:15
like there's this freak coming named
- 4:19
Sarah Sherman and I think you guys would
- 4:21
really like each other and then we like
- 4:23
hit it off immediately and we went on a
- 4:25
tour with this great comedian writer
- 4:28
named Jamie Loftess called the Sarah
- 4:30
Mitron and Jamie are ugly tour
- 4:34
um and just like she eventually wrote
- 4:37
and appeared butt naked on Deborah.
- 4:40
>> Yeah. So we we worked on a show
- 4:41
together, Three Busy Deborah on Adult
- 4:43
Swim that you wrote and produced and you
- 4:46
were the star of uh along with other
- 4:48
Deborah's
- 4:49
>> Sandy and Alyssa.
- 4:50
>> That's right. And Sarah was a writer on
- 4:52
there, which is where I first heard her.
- 4:53
And I and I was introduced to her as
- 4:55
Sarah Squirm, which is the name she was
- 4:57
going by at the time, which I remember
- 5:00
thinking at the time it was unusual that
- 5:02
a comic actor had like what felt like
- 5:05
almost like a rockar name.
- 5:08
>> Yes. which and it makes so much sense
- 5:10
because like she came up in these great
- 5:12
music venues and like it was like I feel
- 5:14
like every time I would come to Chicago
- 5:17
and do shows with her at the hideout it
- 5:19
was always like with these really
- 5:22
interesting bands that I would like I've
- 5:24
never heard of, would never have heard
- 5:26
of and and she's like such a true fan of
- 5:28
like live music and worked in radio and
- 5:31
like just brings all of that. So, it
- 5:33
like makes sense to me that this like
- 5:34
person who's working in these DIY spaces
- 5:37
both like in music and standup and art
- 5:38
would have this sort of like rocker
- 5:40
character persona.
- 5:42
>> Totally. My questions today for her are
- 5:44
really like when did that person start?
- 5:47
When does that person come out? Because
- 5:49
you know Sarah really well and I've
- 5:52
gotten to know her from getting to work
- 5:53
with her and her persona and her
- 5:56
personality are like alike but also very
- 5:59
different.
- 6:00
>> Yeah. She's like I feel like it makes so
- 6:02
much sense that she landed in Chicago
- 6:04
because she does have this like warmth
- 6:07
and like I don't know familiarity with
- 6:10
people that feels very Midwestern to me
- 6:12
even though she's not from there but
- 6:14
like she's just very cozy. People feel
- 6:16
very comfortable with her. Um which you
- 6:19
wouldn't expect from someone whose like
- 6:20
material is kind of exclusively about
- 6:22
like her flapping labia.
- 6:26
>> Exactly. Like for people that are
- 6:28
learning about Sarah here, like her
- 6:31
stuff on SNL is, you know, in the
- 6:33
structure of SNL, but Sarah's material
- 6:34
is like super scatological. She calls it
- 6:37
body horror. It's like a ton of like
- 6:40
dysmorphia on dysmorphia. Shocking,
- 6:43
shocking, shocking stuff. And um I want
- 6:46
to ask Tara like the cutaways to her
- 6:48
audience during the special. I'm like,
- 6:51
who is this audience?
- 6:53
>> I have the same exact thought.
- 6:55
>> So many men. So many men laughing and
- 6:57
being like ritually humiliated in at the
- 7:00
same time. It's amazing.
- 7:02
>> Perverts.
- 7:05
God. My favorite word. My favorite word.
- 7:08
>> Would you say Sarah's your first pervert
- 7:09
guest?
- 7:10
>> Oh, absolutely not.
- 7:13
>> No. But I love a pervert. Um I don't
- 7:16
like a creep.
- 7:17
>> There's a difference.
- 7:18
>> Big time. And it's a fine line. I mean,
- 7:21
you know, and it's very it happens.
- 7:23
Don't get me wrong. I'm not saying but
- 7:25
but rarely are women creeps, but they
- 7:27
can definitely be perverts. But if
- 7:29
you're a perverted man, you you have a
- 7:31
high creep susceptibility. Obviously,
- 7:33
>> you got to be really careful.
- 7:34
>> You got to be really careful.
- 7:38
>> But a fun pervert. I mean, they kind of
- 7:40
feel almost, you know, this is another
- 7:42
thing that I want to talk to Sarah about
- 7:44
is like the way she
- 7:47
is a fun pervert and then turns on her
- 7:50
audience and yells at them for liking
- 7:52
it. That's so real. Well, cuz it's like
- 7:56
it's such a relief to have someone
- 7:58
obviously in such a heightened way, but
- 8:00
like talk about all the all these things
- 8:02
that like I also am like horrified by in
- 8:06
my own body where I'm like, why does it
- 8:08
do that? Why is there hair there? What
- 8:10
is that substance? like having someone
- 8:14
put words to it and and show it in like
- 8:17
such a na it like it it is so
- 8:19
heightened, but it's also like how I
- 8:21
feel looking at like these parts of me
- 8:24
and she it it like she she really brings
- 8:27
it to life in a way that is like
- 8:29
actually very inviting. I feel where
- 8:32
it's like I'm disgusting. Aren't you
- 8:33
disgusting? We're all disgusting. No,
- 8:35
you're the disgusting one. It's a
- 8:38
perfect way to sum it up in watching her
- 8:41
stuff. I'm like on on the surface level
- 8:43
it's kind of like grotesque almost
- 8:47
performance art stuff but then
- 8:49
underneath it is like this idea of
- 8:52
claiming
- 8:53
the stuff that gets thrown at us all the
- 8:56
time anyway. Just kind of claiming it
- 8:58
and like doubling down on it.
- 9:00
>> Yes. The horrors of being a woman and
- 9:02
having a body.
- 9:03
>> Yes. So I always ask people to give my
- 9:06
guest a question. What do you think
- 9:08
Sarah want to talk about? answer. Small
- 9:11
or big. Any story you want to prompt her
- 9:14
to tell or anything you don't know about
- 9:16
her yet.
- 9:17
>> Okay. I wrote down a few.
- 9:18
>> Oh, you're such a writer.
- 9:21
>> I really overthought it.
- 9:26
>> Why don't we get the room?
- 9:28
>> Let's get the room in here and let's
- 9:29
just keep pitching.
- 9:30
>> Yeah. I got together about 30,000 of my
- 9:33
favorite writers to put together a few
- 9:34
questions for Sarah. Okay. Um, I wanted
- 9:39
to force her to talk about her uh child
- 9:44
musical theater career because she was
- 9:47
really um she has so many stories about
- 9:49
like liberties she took with the
- 9:52
characters that she was given.
- 9:54
>> Amazing. Thank you. That's great.
- 9:58
>> Um, okay. I had two like bigger
- 10:01
questions. Um, if you had a zillion
- 10:04
dollars to make any disgusting practical
- 10:06
creation, what would it be?
- 10:08
>> Whoa, great question. We might have to
- 10:10
ask all these questions. These are good.
- 10:12
>> And then, what is your biggest bomb and
- 10:15
what's your favorite show that you've
- 10:16
done? Uh, so it's like a, you know, best
- 10:18
and worst because I feel like Sarah's
- 10:20
had some like really high highs and some
- 10:22
really low lows. So, I think either of
- 10:26
those I would be really excited to hear
- 10:27
about. Great. And then if there's time,
- 10:29
what where does she stand on the Real
- 10:30
Housewives of Rhode Island?
- 10:33
You know, if you're on if you know, if
- 10:34
you're like hitting a wall
- 10:35
conversationally.
- 10:38
>> Okay, perfect. I can't wait to ask her
- 10:40
these questions. Really good questions,
- 10:42
Vitra. Thanks for talking to us on your
- 10:44
lunch break.
- 10:45
>> I loved every second.
- 10:48
>> Okay, bye. Thanks, Vitra. Thanks so
- 10:50
much.
- 10:51
>> Bye.
- 10:51
>> Bye, honey.
- 10:54
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>> Woohoo! And this is the food wall. I
- 12:07
should have I'm going to kill my I
- 12:09
should have brought a little food for
- 12:10
the wall.
- 12:10
>> It's okay. You don't need to bring it. I
- 12:12
don't want that to be
- 12:12
>> to bring food for the wall.
- 12:15
>> I didn't want it to people to feel like
- 12:17
they needed to bring.
- 12:18
>> No, I would. I could, not to brag, I
- 12:20
could have contributed to this like
- 12:22
crazy. I I can only imagine what you
- 12:24
would have contributed to this.
- 12:25
>> So amazing.
- 12:27
>> I actually before we started, I wore
- 12:29
these in in on behalf of you because I
- 12:32
feel like you would like them. I wore a
- 12:33
cheeseburger sneakers.
- 12:34
>> That should be on the food wall.
- 12:35
>> All right, we'll put one on the wall.
- 12:37
>> What is Let me
- 12:38
>> It's a cheeseburger sneaker from um
- 12:40
>> It's Dolls Kill.
- 12:41
>> It's Dolls Kill.
- 12:44
>> And I feel like I'm not going to lift my
- 12:46
foot up because I don't want any
- 12:47
perverts
- 12:48
>> seeing our feet for free. Screenshots
- 12:50
would sell for a lot of money. Yep.
- 12:53
>> And I'm wearing ice cream. Oh, I'm
- 12:55
wearing ice cream.
- 12:56
>> Oh, great. Okay, I feel good now. Okay,
- 12:58
I'm not stressed. I was stressed that I
- 13:00
didn't bring food, but I I came as food.
- 13:02
>> You came as food.
- 13:03
>> I came as food.
- 13:04
>> Sarah Sherman is here.
- 13:05
>> Do you feel weird now that you're
- 13:07
wearing one shoe? It
- 13:08
>> was such a good question. Let me think.
- 13:10
Let me take that in.
- 13:11
>> Um, yeah. I'm going to take the other
- 13:13
shoe off. But now perverts are going to
- 13:16
know that I'm barefoot the whole time.
- 13:17
>> You see the feet?
- 13:18
>> No. God, I would never let anyone see my
- 13:21
feet.
- 13:22
>> Have you se
- 13:22
>> for free? No. Lord,
- 13:24
>> honey. For free.
- 13:25
>> What do I look like? Take me out to
- 13:27
dinner first. Hello. Take me out to a
- 13:29
plastic dinner first.
- 13:32
>> Have you seen your wiki feed?
- 13:33
>> Yeah.
- 13:34
>> And what do we what are we talking?
- 13:35
>> I'm happy about it. Oh, good.
- 13:37
>> I I you know, I feel like with body
- 13:40
parts, no one knows this more than you.
- 13:43
Um like you have to some you make peace
- 13:45
with, some you feel neutral about, some
- 13:46
you have big thoughts about. I like my
- 13:48
feet.
- 13:49
>> I like
- 13:50
>> How about you?
- 13:51
>> I have like a I got a I got anxious
- 13:54
recently. Well, as you know on the show,
- 13:56
we have to wear many different shoes,
- 13:57
many different hats, many different
- 13:59
shoes, many different wigs. I'm always
- 14:00
put in sort of I think everyone's put
- 14:02
doing a practical joke on me by putting
- 14:03
me in these big heels to the point where
- 14:06
one of the writers, Asha Ward, shout out
- 14:09
Asha, she puts like in the stage
- 14:12
directions like Sarah exits like tick
- 14:14
tick tick tick tick tick because that's
- 14:15
my heel shovel. like click click click
- 14:17
click click click click click clack cuz
- 14:19
I can't walk on a heel. I'm always click
- 14:20
clacking around. And so something
- 14:22
happened to my feet where I think one of
- 14:25
my toes I have no medical basis for
- 14:29
this. I did not go to a doctor. I did
- 14:30
not look this up.
- 14:31
>> Interesting.
- 14:32
>> I think that one of my toes is like it's
- 14:36
a toe.
- 14:38
>> I love that we're talking about body
- 14:39
stuff right away. I LOVE IT.
- 14:42
>> YOU ASKED FOR IT.
- 14:43
>> I know I did. I asked for it. I don't
- 14:44
know if I should look this up. In my
- 14:46
head, one of my toes is just the bones
- 14:48
are loose but inside of the toe sack.
- 14:51
>> Well, I have a whole thing about, you
- 14:52
know, like
- 14:53
>> Oh my god, you have
- 14:54
>> But your feet now we're really giving it
- 14:56
for the perves who love feet. But your
- 14:58
feet your feet health are very important
- 15:00
like now cuz I'm getting to the age
- 15:02
where I'm starting to read like
- 15:03
>> barely 21.
- 15:05
>> You're getting to the age of barely 21.
- 15:07
>> Barely legal always. that what do you
- 15:10
what needs to stay healthy for you to
- 15:12
like survive the next and feet is a big
- 15:15
one like meaning you got to be able take
- 15:18
take care of your feet have good balance
- 15:21
do you have good balance can you balance
- 15:22
on one leg
- 15:24
>> I'm saying this like so cockally I feel
- 15:27
like yeah
- 15:28
>> yeah right on you did it
- 15:29
>> and I don't have I'm going to say
- 15:30
something again this is more feet thing
- 15:32
I have a huge arch
- 15:35
>> that's very so do I it's crazy
- 15:37
>> and it's good to have Okay.
- 15:39
>> Because not only does it make your feet
- 15:42
look nice when you want to eventually
- 15:43
sell your feet pics, which we're all
- 15:45
going to be there like
- 15:46
>> I have tried actually and I have failed.
- 15:50
>> Okay, we're going to get into that.
- 15:51
Sarah Sherman is here. She is our first
- 15:54
SNL C current SNL cast member on the
- 15:57
show.
- 15:57
>> I wonder if I have all the scoop. Do I
- 15:59
have all the
- 16:00
>> Well, you're a vet.
- 16:03
>> Like, how many years have you been on
- 16:04
the show?
- 16:05
>> Five.
- 16:06
>> Five. But you just wrapped SNL. You have
- 16:08
a comedy special out. It's incredible. I
- 16:11
cannot wait to talk about it. It's
- 16:13
insane.
- 16:13
>> It's It's quite insane.
- 16:14
>> It's quite insane. Right now you were in
- 16:17
that like school's out summer time like
- 16:20
you just finished your last show last
- 16:22
week. How are you feeling? How's your
- 16:24
energy level? Where you at?
- 16:25
>> I feel like I had So when you hosted
- 16:28
this season at the very beginning,
- 16:30
right?
- 16:30
>> And not to suck your butt, but everybody
- 16:32
goes, "Who's your favorite host?" I go
- 16:34
everyone goes Amy Polar. like
- 16:35
immediately
- 16:37
and I had a lot of questions for you. I
- 16:39
was like, "What?"
- 16:40
>> I I wish like like every It's so funny
- 16:43
as a cast member, you have such an
- 16:46
experience and then when you're a host,
- 16:47
you have the experience which is like
- 16:49
you just wish you could immediately do
- 16:50
it again.
- 16:51
>> Yes.
- 16:51
>> Immediately. And the I was just saying
- 16:54
to someone, my favorite times are always
- 16:57
the in between times.
- 16:58
>> Interesting.
- 16:59
>> I love the like the joking around
- 17:01
between scenes. I like the like
- 17:04
>> the beginning of the week. Like the show
- 17:06
is like the event, but I tend to
- 17:10
remember and like the like weird middle
- 17:13
times. And I have such a fond memory
- 17:16
>> of me, you and Bowen. I know. Sitting on
- 17:20
a couch and really like getting to know
- 17:21
you in in a way that I don't think I had
- 17:23
in a fast amount of time.
- 17:25
>> Yes. Laughing nonstop.
- 17:27
>> I know. And a lot of giggles.
- 17:29
>> A lot of giggling. Laughing. Thank you
- 17:31
for saying that. Okay, so I was your
- 17:33
favorite host. Great. I appreciate that.
- 17:34
>> And my favorite like I wish people saw
- 17:37
the table read like that is when I am
- 17:41
laughing. I'm like and that was my
- 17:43
favorite part of your week because
- 17:45
what's okay? I'm going to the butt
- 17:46
sucking is going to commence you.
- 17:48
>> I'm usually doing that.
- 17:50
>> Okay, good. Well, this is gonna be a
- 17:51
good hang. try to receive
- 17:53
>> I you like obvious so it's like
- 17:57
obviously you're good at SNL like
- 17:59
obviously but seeing you know how many
- 18:02
sketches are at table read like 40 you
- 18:04
have a different funny thing you were
- 18:07
doing like fun new character voices for
- 18:09
every sketch out of the 40 and it's like
- 18:11
how many of those were cold reads and
- 18:13
you were just like do like the doll with
- 18:15
the eye
- 18:16
>> oh yeah that was a good sketching Seth
- 18:18
wrote that
- 18:18
>> laughing
- 18:19
>> he submitted a sketch for us and we
- 18:21
didn't do I try to watch so that I can
- 18:23
organically laugh if I'm not in a
- 18:24
sketch. I try not to read those sketches
- 18:26
ahead of time.
- 18:26
>> Oh, interesting. Okay.
- 18:27
>> So, I watch the whole table read like
- 18:29
>> Well, that's very generous of you
- 18:30
because you're actually providing an
- 18:32
audience which people don't usually do
- 18:34
like they, you know, everyone's in their
- 18:35
own
- 18:37
>> world at those readroughs and everyone's
- 18:39
tired and everyone's like waiting for
- 18:42
their stuff to get on. And so the fact
- 18:43
that you could even do that means that
- 18:45
you're like trying to actually stay
- 18:46
present like you're a generous person
- 18:48
>> and well I think it's also a sucking
- 18:50
butt right back at you.
- 18:51
>> I'll take it. We're human centipede
- 18:53
ourselves all the way.
- 18:56
I mean come on
- 18:58
>> that's a good trilogy. There's three.
- 19:00
>> I cannot believe that movie was made.
- 19:03
>> The movies. There's three.
- 19:05
>> I know there's three.
- 19:06
>> There are three. And do you need me to
- 19:08
talk about the differences between
- 19:09
>> for some reason because I am so a gas at
- 19:11
that movie. I get it constantly on my
- 19:13
TikTok.
- 19:14
>> Is it having a resurgence?
- 19:16
>> Yeah, there's like a lot of clips about
- 19:18
or or like I just keep watching right
- 19:21
>> because I'm horrified by Okay, sorry. I
- 19:22
digress.
- 19:23
>> You are making it happen. I'm going to
- 19:24
use your podcast platform to do
- 19:26
something. Tom six. No.
- 19:28
>> If you are doing a human centipede,
- 19:33
>> we do not need a human centipede for us.
- 19:36
I'll do it. I will show
- 19:38
>> she will not I will not allow her. I'll
- 19:41
do it. Black and white full color over.
- 19:44
>> Absolutely not. We don't need it. Not
- 19:45
now.
- 19:46
>> Some of the best most important cinnamon
- 19:48
that's been made.
- 19:49
>> [ __ ] disgusting.
- 19:50
>> And Tom, you are a freak.
- 19:52
>> Okay. But you're you're on your summer
- 19:55
break.
- 19:55
>> Yeah.
- 19:56
>> So you like what do you do for your
- 19:57
summer?
- 19:59
>> What are you doing?
- 19:59
>> So I'm experimenting with something this
- 20:01
summer. I don't understand how anyone
- 20:04
can do anything while is happening. I
- 20:07
feel like were you doing this? Were you
- 20:09
I can't Well, I haven't said cuz
- 20:10
>> all consuming
- 20:11
>> when when when I even said to you cuz
- 20:13
you did work birth and it was about you
- 20:15
being the sketch when you hosted about
- 20:17
you being pregnant and giving birth to
- 20:18
work
- 20:18
>> and I was like okay so this actually was
- 20:21
your life?
- 20:22
>> Yeah.
- 20:22
>> The fact that you were pregnant there I
- 20:25
can't even work there like if my contact
- 20:27
is too dry. I don't know what your life
- 20:29
is and if you ever want to carry a
- 20:31
child, but pregnancy is wild and funny
- 20:34
and fun because you are completely
- 20:36
different body and you love body stuff
- 20:39
>> and you're you scare a lot of people by
- 20:41
walking around
- 20:41
>> and it scares me.
- 20:43
>> Yeah, it's scary.
- 20:43
>> And I'm like, what do you mean they're
- 20:44
moving my organs around inside me? They
- 20:46
have to stay where they are.
- 20:48
>> So sci-fi that there's a body inside of
- 20:51
you.
- 20:52
>> That's never alone. I
- 20:54
>> I can't even imagine like my body can't
- 20:56
even take being at the job regular. Not
- 20:58
that pregnant isn't regular.
- 21:00
New normal.
- 21:01
>> New normal. Hey, I watch it. But like if
- 21:05
I have like a bad burrito and I'm like
- 21:07
bloated, I'm like I I can't write.
- 21:10
>> Well Well, this is what I mean is like
- 21:12
the idea of like everyone knowing when
- 21:14
someone has a stomach ache. That's new.
- 21:17
>> That that is new. That's new.
- 21:19
>> You know what I don't like? And I'm I'll
- 21:20
say it. I'll stand on my two feet,
- 21:22
buckle my shoe, and say I don't like it.
- 21:24
It's like hot girls with IBS. It's like
- 21:26
I'm not proud
- 21:28
>> of the diarrhea that I have every single
- 21:29
day chronically.
- 21:30
>> And we're about 7 minutes in. We got to
- 21:32
diarrhea.
- 21:33
>> I was hoping we would
- 21:34
>> the morning.
- 21:37
>> I just think that like more and more
- 21:39
there's a there's an acceptance that
- 21:41
everyone has a different way to work
- 21:44
within the system. Yeah. And I would say
- 21:47
that you being on the show is also I
- 21:50
think another example of like how the
- 21:52
show has smartly remembered that it is a
- 21:55
variety show with a million different
- 21:58
voices and different styles. And so
- 22:01
there just was I think a little bit more
- 22:02
it was just like a more homogeneous same
- 22:04
way to do it same people writing it same
- 22:06
people on it and it's just keeps
- 22:08
changing.
- 22:08
>> I actually think about this a lot
- 22:09
because I'm like this is not even to say
- 22:12
it's self-deprecatingly said that with
- 22:14
an accent.
- 22:16
I don't think I would have gotten on the
- 22:18
show
- 22:20
during your era because
- 22:23
>> Yeah. No,
- 22:24
>> that's not controversial.
- 22:26
>> But I'm would have I would like to be a
- 22:31
more talented sketch performer.
- 22:33
>> Okay.
- 22:33
>> I find myself to be quite limited.
- 22:36
>> Okay.
- 22:37
>> And I would Do you know what I'm saying?
- 22:38
>> Well, okay. Let's
- 22:39
>> So, I'm thinking let's cookie stars. I
- 22:41
was not born, you know, I was born when
- 22:43
I was born.
- 22:44
>> Okay. Sarah Sherman, let's go back.
- 22:46
>> No, we're going back.
- 22:46
>> We're going back to Long Island.
- 22:48
>> We're all We're going back 18 years.
- 22:51
Well, I'm I'm 18 now. Just turned 18.
- 22:55
Okay.
- 22:58
So, you're in Long Island as a little
- 23:00
>> Yeah, as a little
- 23:01
>> as a little. Your mom is a public school
- 23:03
teacher.
- 23:04
>> So was mine.
- 23:05
>> And um your dad runs a a children's
- 23:09
clothing company. Fascinating. I mean,
- 23:11
>> like, of course you love clothes. Of
- 23:14
course you dress.
- 23:15
>> I know, but I'm like addicted. Okay.
- 23:17
>> It is his fault.
- 23:18
>> Yeah. So, he's so he has like a he's
- 23:20
like a garmentto.
- 23:21
>> Yeah. He is like old school Jewish
- 23:23
schmata business. So, it's like everyone
- 23:25
saw Uncut Gems was like the diamond
- 23:27
district in Manhattan. It's all those
- 23:29
Jewish guys running around. Two blocks
- 23:31
over is the garment district and schmata
- 23:33
is Yiddish for rags. So, it's like all
- 23:35
the same kind of Jewish guys running
- 23:37
around with clothes.
- 23:38
>> Right. Long Island seems like it has
- 23:40
produced some really complicated
- 23:44
interesting characters.
- 23:45
>> Well, I saw Uncut Gems and I go, "Huh,
- 23:49
that's about my dad." I just the vibe,
- 23:52
>> right?
- 23:53
>> So, I stalked the writer and I was like,
- 23:55
"You wrote a movie about my dad." And he
- 23:58
goes, "Well, this is actually quite
- 23:59
interesting because I'm from your
- 24:01
neighborhood. I went to a high school
- 24:03
near your high school and my dad is in
- 24:05
Schmata." So, yeah, I did.
- 24:06
>> Wow.
- 24:07
>> I know.
- 24:08
Long Island.
- 24:09
>> Okay. What is fifth grade Sarah look
- 24:12
like?
- 24:12
>> So annoying. I was like because I was
- 24:15
like the clothes thing. Like my dad was
- 24:18
in schmata. I grew up around clothes. So
- 24:20
like I was addicted to the nanny Golden
- 24:24
Girls and like my big thing
- 24:27
>> um
- 24:28
>> in when in middle school when I started
- 24:30
doing middle school plays, Miss Orange
- 24:32
who ran the costume department would let
- 24:35
me kind of raid the costume closet. This
- 24:38
makes sense and you were into that.
- 24:39
Okay. We we um we we we always speak to
- 24:43
people who know our guests really well
- 24:44
and we get a question from them and we
- 24:45
talk to Mitra.
- 24:47
>> Okay.
- 24:48
>> So, Mitra gave us a she's the best.
- 24:50
>> What did you do, girl?
- 24:52
>> Girl and she gave us a couple really
- 24:53
good questions. So, throughout this
- 24:55
interview, I'm going to pepper them in
- 24:57
cuz of course, Mitra, good girl giving
- 24:59
us so many good questions.
- 25:00
>> I'm sure I'm I'm sure the list is long.
- 25:02
And this Miss Orange reminds me of one
- 25:04
of those questions which is um you did a
- 25:08
lot of musical theater as a kid.
- 25:11
>> I did.
- 25:11
>> And you took liberty with some parts.
- 25:14
>> And Midra, you know what you have done.
- 25:18
>> Mra knows what she has done.
- 25:20
>> She's helping out her friend.
- 25:22
>> I just I Let me explain myself. I'm
- 25:26
defend myself here. I always wanted to
- 25:30
be a comedian. like grew up watching it.
- 25:33
>> Why? Why do you think funny family?
- 25:35
>> Funny family. Really funny family. Funny
- 25:38
dad,
- 25:39
>> funny like you know love love expression
- 25:43
was like mean bullying funny was
- 25:45
addicted to like Seinfeld SNL
- 25:49
>> Brothers and Sisters
- 25:50
>> younger brother also funny but I was
- 25:52
kind of like a bully but it was funny.
- 25:55
>> So you know
- 25:56
>> that's when bullies were funny.
- 25:57
>> I know right. And I had a big um science
- 26:00
room skeleton in my room. My parents
- 26:03
were always like, "Why'd you end up like
- 26:04
this? You're normal." And I'm like, "You
- 26:07
got me a giant science room skeleton
- 26:09
when I was like,
- 26:10
>> you know, my brother was like three on
- 26:12
April F." I loved April Fool's Day cuz
- 26:14
that also felt like the comedian's day
- 26:16
to shine. It's like clowns Christmas.
- 26:20
He was like three and I put this giant
- 26:23
life-siz science room skeleton in his
- 26:25
bed and he woke up crying, you know?
- 26:27
Right. So, it's like stuff like that. I
- 26:29
loved April My B mitzvah was on April
- 26:31
Fool's Day.
- 26:32
>> Whoa. What was the theme? Did you
- 26:34
>> It was April Fools.
- 26:35
>> It was April Fool's theme.
- 26:36
>> Yeah. And the invitation was snakes in a
- 26:38
can that I hand delivered to everyone's
- 26:39
house.
- 26:41
>> You learn so much about people when they
- 26:43
talk about their bar and you really do.
- 26:45
Like Ike Barold was in here and his was
- 26:47
like I like Ike. Like he was running. He
- 26:50
was like he was like running for, you
- 26:52
know, president or whatever. You learn
- 26:54
so much about what what their hopes and
- 26:57
dreams are. Okay. Snakes in a can on
- 27:00
every seat
- 27:02
>> and like you know you're on in a bad
- 27:04
mitzvah you're like on the this the
- 27:06
beimma the stage at the synagogue and I
- 27:08
had a wrapped audience of like
- 27:09
80year-old old bald Jewish guys. I was
- 27:13
going off. That was my first like I
- 27:16
crushed at my mom.
- 27:18
>> Oh my god. Do you remember any of your
- 27:20
material? Yes. Of course. It's like cuz
- 27:22
it was my first, you know, I was I've
- 27:23
been what is it? Chasing the dragon or
- 27:25
whatever since like the high
- 27:28
>> was I went to a very conservative
- 27:30
synagogue. Okay.
- 27:31
>> And it's like the service is like 8
- 27:33
hours intense Hebrew. I didn't know a
- 27:35
word I was saying.
- 27:37
>> And they go like, "And now the
- 27:38
sisterhood of the temple would like to
- 27:40
present you with your gift." And like
- 27:42
these two um conservative women came up
- 27:46
with uh candlesticks. I go, "Great. Just
- 27:48
what I always wanted.
- 27:52
My mom was in the FRONT GOING
- 27:55
AND THEN NOT to brag, it was kind of the
- 27:57
talk of the town for like a second.
- 27:59
>> I BET
- 28:00
>> IT WAS KIND OF LIKE everyone was like
- 28:01
killed.
- 28:04
>> Great. I always turning to a camera
- 28:06
that's not there.
- 28:12
>> Okay. So, what liberties did you take as
- 28:14
a musical theater kid? What how did you
- 28:16
interpret the parts?
- 28:18
>> You're so evil. Is this is this is this
- 28:20
a nonPC story?
- 28:22
>> So, I just wanted to be a comedian and I
- 28:23
wanted to be a performer.
- 28:25
>> So, it's like I would do any play like I
- 28:28
would do like I couldn't sing or dance
- 28:30
but I do the musicals cuz I just wanted
- 28:31
to do it and I could never get a part
- 28:34
because it wasn't good. But I was like
- 28:36
in with the costume closet. that Miss
- 28:38
Orange would let me like that's I got
- 28:40
addicted to like '8s little like sequin
- 28:42
jackets cuz like
- 28:44
>> Grandma Yeta and then Nanny would wear
- 28:45
them and that's she let and Miss Orange
- 28:47
let me keep the jacket. I know the one
- 28:50
that looked exactly like Grandma yet
- 28:51
sequin jacket
- 28:53
>> and so she let me kind of I didn't have
- 28:54
a part. I was in the chorus and into the
- 28:56
woods.
- 28:57
>> Oh yeah.
- 28:58
>> Which was behind a screen. You were in
- 29:01
the woods.
- 29:01
>> I was in the woods in silhouette.
- 29:03
>> Sure.
- 29:04
>> So I was just basically a little
- 29:06
outline. Yeah.
- 29:08
>> But I was in the costume closet. I found
- 29:10
a red and black
- 29:12
lace gown with a fur hand muff.
- 29:15
>> Oh, yeah.
- 29:15
>> And I went to the director and I said,
- 29:17
"So, this is my costume. I am the my
- 29:20
character is the Russian Zarina."
- 29:24
>> And so, I'm just I didn't really think I
- 29:27
even knew what that was. I didn't have
- 29:28
any words. I didn't have an accent,
- 29:29
nothing. And so in the play bill, it
- 29:32
would be like all the leads listed and
- 29:35
then like the chorus, a whole list of
- 29:37
all the faceless people behind the scrim
- 29:39
and then Sarah Sherman will be playing
- 29:41
the Russian Sarina.
- 29:43
>> That's incredible. You created
- 29:44
>> personality disorder.
- 29:47
But it's such a com I mean that is the
- 29:49
thing about you Sarah is and like we'll
- 29:52
get to it with SNL but like there is an
- 29:54
innate confidence about you
- 29:57
>> that and and I say that because I I I
- 30:00
want you to know to me that's like the
- 30:02
what distinguishes people on SNL right
- 30:04
away.
- 30:05
>> Sure.
- 30:06
>> Whether the content doesn't matter. It's
- 30:08
like are we worried about you when we're
- 30:10
watching you? I'm never worried about
- 30:12
you anytime you're ever performing like
- 30:15
and it's not like cocky like cuz you're
- 30:17
super self-deprecating all the time.
- 30:18
You're very honest. You're very like
- 30:21
your your your feelings are right up
- 30:23
front and center. But there is a
- 30:24
confidence that I feel like you just
- 30:26
were born with this idea of like
- 30:29
grabbing things and wanting them.
- 30:31
>> I think I am so used to bombing even
- 30:35
though it sounds like I crushed my first
- 30:36
time at bat. I'm so It's like everything
- 30:40
that has every bad thing could that
- 30:42
could happen to me on stage has already
- 30:44
happened kind of thing. So it's like I
- 30:46
don't even know if it's like confidence.
- 30:48
It's like I'm going to [ __ ] crush
- 30:49
this [ __ ] right now. It's like what what
- 30:52
more could happen? I'm going to Madison
- 30:54
Square Garden. What more could happen?
- 30:56
>> But ambivalence is confidence too. It is
- 30:59
like this idea of like I'm just going to
- 31:01
float a little bit. a little
- 31:02
dissociation too, but like I'm going to
- 31:04
float above this moment so that you're
- 31:07
going to have to come find me. I'm not
- 31:08
going to like be like like me, like me,
- 31:10
like me. That's the difference. But you
- 31:12
went to Northwestern.
- 31:14
>> And oh, this is what I find so
- 31:15
interesting when you talk about like I
- 31:16
want to have more experience in sketch
- 31:18
and improv. You try out for like the
- 31:20
sketch group, don't get in.
- 31:22
>> Yep.
- 31:23
>> Yep. Which was like I was is
- 31:27
devastating.
- 31:28
>> That's devastating. And I had tried
- 31:29
stand up. Like I dabbled a little bit
- 31:30
when I was like 16. Like I I like going
- 31:33
to doing an open mic at like a barbecue
- 31:35
restaurant cuz you know I couldn't do a
- 31:37
bar yet. Like I dabbled a little but
- 31:40
that was my first big like you know all
- 31:42
I wanted to do was be a comedian and it
- 31:46
when someone was like my peers were like
- 31:48
no. I was like are you kidding me?
- 31:50
>> Yeah.
- 31:50
>> And so I'm full of I could be motivated
- 31:52
by spite.
- 31:53
>> But then you start a comedy show in
- 31:54
Chicago called Hell Trap Nightmare.
- 31:56
>> Yeah. How would you describe that show?
- 31:58
>> Um,
- 32:01
like the first to I like that you rolled
- 32:04
your eyes.
- 32:05
>> Like, how could I even begin to
- 32:09
>> This is the the first show is my
- 32:11
friend's basement. We were of course it
- 32:13
was Chicago has like an amazing DIY
- 32:16
electronic noise crazy performance art
- 32:19
comedy scene
- 32:20
>> and like you know there there was like
- 32:23
comedy like there's all this improv in
- 32:25
Chicago and whatever but I was like the
- 32:27
funniest people to me were these like
- 32:28
freaks.
- 32:29
>> Yeah.
- 32:29
>> So like my friend Mike Sugarman was
- 32:31
performing as under this noise moniker
- 32:33
Suge and the first Hell Trap night night
- 32:36
mint. I had a stroke. The first Hell
- 32:38
Trap nightmare was in my friend's
- 32:40
basement. The poster was like uh a
- 32:42
woman's face was see-through and you
- 32:44
could see her teeth and brains. Sure.
- 32:46
>> Because I was like, you know, that's the
- 32:47
trigger warning.
- 32:48
>> Yeah.
- 32:49
>> And you know, I hosted I did like 10 bad
- 32:52
minutes of standup and then my friend
- 32:54
Suge came out in a trench coat and a wig
- 32:59
um sunglasses, flashed everyone, and he
- 33:02
had taped to his dick. Yeah.
- 33:04
>> And was, you know, smashing light bulbs,
- 33:07
but that was music, of course.
- 33:09
>> Yeah. And I think I did a uh I don't
- 33:12
even know what the these bits were like
- 33:14
it was like a stretch to call it comedy
- 33:17
like
- 33:17
>> well it was like performance art right
- 33:20
but with but with like
- 33:22
>> the intent was to be funny but when I I
- 33:26
chugged a can of room temperature clam
- 33:29
chowder. I think the joke was literally
- 33:31
like oh you like a woman who's a tall
- 33:32
drink of water. I'm I'm a tall can of
- 33:34
clam chowder. and then chug the whole
- 33:36
thing and everyone's like, "Cool."
- 33:39
Okay.
- 33:40
>> You know, it's we don't need to look
- 33:42
back on our bits and explain them. They
- 33:44
were just like moments. They were
- 33:46
moments, babe. You were experimenting,
- 33:48
>> of course.
- 33:49
>> But you were you were like I mean I I
- 33:51
think it's one of the things that you've
- 33:52
brought to the show like just your
- 33:55
aesthetic, not only outside, but like
- 33:56
your influences like you are very very
- 34:00
interested in all types of media and
- 34:03
art.
- 34:04
>> I am. We we talk about in your special
- 34:06
like like Paula Pound's own [ __ ]
- 34:08
Spongebob. You also talk about like
- 34:12
>> barely makes sense by the way and gave
- 34:13
birth to what
- 34:17
>> sometimes they just say stuff and I'm
- 34:18
like it's going in.
- 34:20
>> Um but also Ren and Stimpy and like
- 34:23
Pee-Wee like what were your like what
- 34:25
were what kind of stuff were you like
- 34:28
when you think about all that stuff that
- 34:30
jammed in your head when you were
- 34:31
younger? What jam what got in there? I
- 34:34
think like I always um I loved doing art
- 34:37
and making stuff and I also loved
- 34:40
performing comedy and for some reason I
- 34:42
didn't know that you could do both at
- 34:44
the same time like when I had started.
- 34:45
So it was like 2015 like
- 34:48
>> you know there's not like the internet
- 34:50
and the way it is now. Like I didn't
- 34:52
realize I could blend art like I was
- 34:53
doing all the posters for my show like
- 34:56
cuz it's like it was very you know
- 34:57
runchy blue like horrific comedy. So,
- 35:00
I'd make the posters be like lungs with
- 35:01
nipples on it and be like, you know what
- 35:02
the show's going to be? Whatever,
- 35:04
>> right?
- 35:04
>> Um, the letters are like a tampon with
- 35:07
poop on it. Sorry, whatever. I wasn't
- 35:09
that creative, but I was like, oh, that
- 35:11
was like a trigger warning for the
- 35:13
Awesome. My mom, by the way, to my
- 35:15
special taping, wore my old Hell Trap
- 35:17
nightmare shirt, which was a uterus with
- 35:20
ovary eyeballs and a severed finger
- 35:24
shoved up into the and a smiling like
- 35:27
open gashed vagina with like a butthole.
- 35:30
What' you guys do? Insert picture here.
- 35:35
My mom
- 35:35
>> Sarah, how does what do your parents
- 35:39
think? Like how do they h It is so
- 35:42
intense.
- 35:43
>> It's intense. It's intense.
- 35:45
>> And and I and I don't mean to be
- 35:47
misogynistic because like if it's a man,
- 35:49
it's they get a different pass, but like
- 35:51
your style
- 35:53
>> as a parent because your parents love
- 35:55
you and they love that you're they love
- 35:57
the work. How do they like do they
- 35:59
invite their friends to your show? They
- 36:02
they they're down.
- 36:04
>> It is it's literally like Paul Schrader
- 36:06
hardcore. the the no my daughter no turn
- 36:09
it off when he has to watch his daughter
- 36:10
doing porn it is THAT BUT UM NO TURN IT
- 36:13
OFF but um they love it
- 36:16
>> they love it
- 36:17
>> they are really supportive and I do
- 36:19
think I hate to say it I think that's
- 36:21
like what the confidence is a little
- 36:24
>> okay I I think that that's true I I
- 36:26
didn't want to say it but like I'm
- 36:28
learning about like loving parents
- 36:30
privilege like
- 36:31
>> if you have parents who are like you're
- 36:32
great you that really creates a
- 36:35
scaffolding for the rest of your life.
- 36:37
Obviously, when you try things where
- 36:38
you're like, well, I guess my parents
- 36:40
will still love me.
- 36:41
>> No, I there there there's not a threat
- 36:43
of losing my family.
- 36:44
>> Yeah. And like
- 36:47
>> maybe this is TMI, but I did a bit I've
- 36:50
done a lot of like updates where I'm in
- 36:51
a big animal costume. And that is
- 36:53
Lauren's idea.
- 36:54
>> Yeah.
- 36:54
>> Because I think I'm like he's like,
- 36:56
"What am I going to do with her? She's
- 36:57
crazy. She's like a wild animal. I'll
- 36:59
just make her be a wild animal."
- 37:01
I don't think people know that he
- 37:03
pitches bit like he was like, "You're
- 37:05
going to play a squirrel." I'm like,
- 37:06
"Okay."
- 37:09
Whatever you want. You're my bos. Okay,
- 37:10
boss.
- 37:12
He said like after I did I think a
- 37:14
squirrel or some [ __ ] animal. He
- 37:17
said, "When you did that, I could tell
- 37:18
you were loved as a child." And I was
- 37:20
like, "Oh,
- 37:22
clocked
- 37:24
>> clocked.
- 37:24
>> Clocked." He has very Oh, yeah.
- 37:29
>> I I remember being like Oh yeah.
- 37:32
>> Yeah. He he he as the kids would say he
- 37:35
can read you really fast
- 37:36
>> for Phil.
- 37:47
>> Okay. So you have this this way of
- 37:49
performing and then you audition for SNL
- 37:52
first when you're really young.
- 37:54
>> Mhm.
- 37:55
>> Don't get in.
- 37:56
>> Mhm.
- 37:56
>> What was that like? Well,
- 37:59
>> like was it a real audition? Did like
- 38:00
did you go into the studio? Okay,
- 38:02
>> it was um Sha Halpern from IO. Shout out
- 38:05
girl.
- 38:05
>> Shout out. Let's talk about Sha for one
- 38:07
second. Sha Halpern ran Improv Olympic a
- 38:10
theater in Chicago now called IO cuz the
- 38:12
Olympics sued and made them change their
- 38:14
name.
- 38:15
>> The Olympics.
- 38:16
>> The Olympics. That's right. And um Sha
- 38:19
was the was the the director who in in
- 38:22
my case just like put me on an improv
- 38:25
team. Said, "Hey, there's a woman named
- 38:27
Tina. you're going to really like her.
- 38:29
You guys, Sha Sha arranged that marriage
- 38:32
and Sha was in charge of so many of us
- 38:35
and like launched so many careers.
- 38:36
>> Oh my god, I didn't know that.
- 38:37
>> So, Hal Burn Sha got you in front of the
- 38:40
Sha Sha's she's always had an eye.
- 38:43
>> She knows. That's great because I would
- 38:46
I just wanted to do comedy. I couldn't
- 38:47
get into the [ __ ] college thing and
- 38:49
so I was like, "Oh, I'll go do it in
- 38:51
Chicago stuff in Chicago." And I was
- 38:54
like kind of a bad fit. And I'm like not
- 38:56
again how I feel self-conscious about my
- 38:58
limited range. It's like you kind of
- 39:00
need a little bit of range for improv
- 39:02
and I was kind of not a good fit there.
- 39:04
And I would also wear like they would be
- 39:06
like I'd have to get talking. It's like
- 39:08
hey you're wearing a big shirt with the
- 39:09
brain on it. A little distracting. I'm
- 39:11
like
- 39:13
um I was like I'm kind of a bad fit
- 39:15
there. But she was like you're going to
- 39:18
do the SNL audition. And at that time I
- 39:20
was like I was 22 and I was like uh
- 39:23
that's a bad idea cuz I was doing these
- 39:25
shows with the penis whatever
- 39:28
>> and I was like I just didn't and and she
- 39:31
she was like you're going to do that.
- 39:32
She's like you're going to be great like
- 39:33
if you need help with it. And I was like
- 39:35
well everyone tells you
- 39:37
>> I didn't know anything and there you
- 39:38
know everyone's like oh your your five
- 39:40
minutes it has to be like characters and
- 39:41
impressions or whatever.
- 39:42
>> So I did that and it was obviously
- 39:45
terrible. Like it was just like I was
- 39:47
trying to do what I thought the
- 39:49
assignment was. Sure. And I bombed
- 39:51
really badly.
- 39:53
>> Um I wore like my I remember what I
- 39:56
wore. I wore I know this is we're
- 39:59
actually finding out I'm a clothes
- 40:00
addict. I all my memories are marked by
- 40:03
like my outfit.
- 40:04
>> Well, I would say that you're you like
- 40:06
work from the outside in.
- 40:07
>> Yeah, I do. Actually, this is a problem
- 40:10
at SNL.
- 40:11
>> All right. Well, now it's time now for
- 40:12
season six. Inside out. work from the
- 40:16
inside. It's really hard.
- 40:17
>> Would love to see you just in a I would
- 40:19
love to see you in a neutral dress, a
- 40:21
slip dress. Hair natural, no makeup.
- 40:25
>> Yes.
- 40:25
>> Leaves flowing.
- 40:28
>> Hello, children. Your homework's late.
- 40:32
Big recurring character. Your homework's
- 40:35
late. Okay, I think can somebody write
- 40:37
that down? It's amazing. But this is
- 40:39
Lauren's big thing with me. He's like,
- 40:41
"Just let's just
- 40:42
>> yeah,
- 40:42
>> get it to and I'm like for Sai."
- 40:45
>> Okay, it's okay. It's okay. Don't don't
- 40:47
beat yourself up. I mean, it's a lot to
- 40:49
ask.
- 40:49
>> It's a lot. It's hard.
- 40:51
>> It's hard. It's hard to show any
- 40:54
especially when you're
- 40:56
It's like playing with it's like
- 40:58
practicing with your backhand. Like
- 40:59
you're really your forehand's really
- 41:01
strong and you're like I can score. And
- 41:03
someone's like now hit it with your
- 41:04
backhand. You're like now? Like season
- 41:06
3?
- 41:08
>> You think I'm trying? I I try like you
- 41:11
know Ashley Padilla started 2 years ago
- 41:13
and I'm like oh my god the character and
- 41:16
like everyone every character she has is
- 41:19
like a internal world and like the jokes
- 41:22
come kind of easy to her because she has
- 41:24
like inside she like knows what the
- 41:26
character wants and there's like
- 41:28
>> there's a motivation there and I feel
- 41:30
like I've been doing it all wrong for
- 41:32
like six [ __ ] years cuz I'm like what
- 41:34
if the wig is weird and then you have to
- 41:36
come like writing the joke cuz it's so
- 41:38
much harder cuz You're like forcing it
- 41:40
from the other way around. It's It's
- 41:42
outside in. So, it's a little harder.
- 41:44
>> I'm going to say something right now. I
- 41:46
think you're not afraid of the failure.
- 41:48
I think you're afraid of the success cuz
- 41:49
I actually think you can do it. I
- 41:51
actually think you are a good actor and
- 41:53
you do it. You're afraid of being
- 41:55
successful at it. So, like
- 41:59
>> cast me. I'm not afraid of being an
- 42:01
actor. I am free. People say that thing
- 42:05
where they're like, "Oh my god, you're
- 42:06
standup. That's so brave." I'm like,
- 42:08
it's it's cowardice. It is true. Yes, it
- 42:11
is true cowardice. Like I, you know, so
- 42:14
many things even in my special are like
- 42:16
people are like, "Oh my god, you're like
- 42:17
loose and riffing." Uh, that's all
- 42:19
written down.
- 42:22
You think I would riff during my HBO
- 42:25
comedy?
- 42:26
No. I have a pre-planned bit. I'm like,
- 42:29
I'm going to find someone in the crowd
- 42:30
wearing glasses. And I go, why' you wear
- 42:32
glasses to the show? So you can wear
- 42:34
your pre pubescent.
- 42:36
Sorry, wrong.
- 42:37
>> It's okay. We We'll edit it. Here we go.
- 42:38
And show my failure.
- 42:42
>> I'm actually a vulnerable Santa.
- 42:48
My god. You should make your own
- 42:50
blooper. Vulnerable blooper reel.
- 42:54
Showing my armpits. Hey guys, why did
- 42:57
you wear your glasses to the show? So
- 42:58
you could see my preubescent body
- 43:00
better. You pervert. Everyone goes, "Oh,
- 43:02
you think I thought of that on THE SPOT?
- 43:06
NO, I WROTE it down eight years ago and
- 43:09
I've been saying it every day since.
- 43:12
Sucks.
- 43:12
>> I feel like once you get the confidence
- 43:15
of um
- 43:17
knowing that you're not getting fired
- 43:18
from the show, basically like which is
- 43:20
true. Like you're at that point.
- 43:22
>> Congrats, babe. You're at that point.
- 43:24
>> I was crazy this season a little bit.
- 43:26
>> Well, you might get fired from something
- 43:27
you say for sure, but not for lack of
- 43:30
like we don't need you.
- 43:31
>> But yes, you might get fired. Yeah.
- 43:33
Yeah. Yeah. HR did want me to talk to
- 43:36
you. Yeah.
- 43:37
>> And I'm sorry for what I did and who I
- 43:39
touched.
- 43:40
>> Yeah.
- 43:40
>> Yeah. Yeah. I have to say like what I
- 43:43
find so impressive about you is you have
- 43:45
managed to maintain yourself, your POV
- 43:49
and your sense of what you think is
- 43:51
funny and you've worked within the
- 43:53
system. I.e. like
- 43:55
>> you coming at Colin and update is a
- 43:57
perfect example where you're like okay
- 43:59
I'm going to use this structure. I'm
- 44:03
going to hit Colin who's like the
- 44:05
ultimate like alpha straight white
- 44:08
punching bag successful punching bag and
- 44:10
he can handle it and why it's so
- 44:12
satisfying to watch because to me it
- 44:14
also and you do this a lot in your
- 44:16
comedy especially in your in your in
- 44:18
your special
- 44:19
>> where you like play around with what I
- 44:21
like to call like the millennial threat
- 44:23
like this this idea that like someone's
- 44:26
going to get something wrong.
- 44:27
>> Yes.
- 44:28
>> But people are very scared to screw up.
- 44:30
>> Yes. And and I I have
- 44:32
>> of course we all have
- 44:33
>> but you are like pressuring the powers
- 44:36
that be that they might [ __ ] up. It's
- 44:39
very exhilarating to watch cuz obviously
- 44:40
it's also talking about like cancer
- 44:42
girls are like misogyny and like
- 44:44
patriarchy and all that stuff but it's
- 44:45
not it's just funny
- 44:47
>> right
- 44:47
>> and it's like as mean as I'd be to Colin
- 44:50
calling him a pedophile whatever
- 44:52
whatever I'm really mean to myself.
- 44:54
>> Yeah. So it's, you know, but even that
- 44:58
it's like I got lucky on the show
- 45:00
because he he I had joined the show as a
- 45:04
complete act. I was shocked that I was
- 45:06
there. All my friends like the inside
- 45:07
joke was like okay Sarah's going to show
- 45:09
up as a waiter and see go want some
- 45:10
water ma'am and they got fired. You know
- 45:12
that was the big joke with all my
- 45:14
friends who are apparently like love me
- 45:15
and are nice to me or whatever.
- 45:17
>> But so it was like so I was just happy
- 45:19
to be there and I wasn't expecting
- 45:21
anything to happen. like I was writing
- 45:23
sketches but I didn't really know I
- 45:24
didn't even have final draft until
- 45:26
midnight on writing night like I didn't
- 45:27
know about any of this
- 45:29
>> and then um so I wasn't getting any
- 45:31
sketches on the show but I didn't really
- 45:32
care but then Colin was like why don't
- 45:35
you come on update and do like your
- 45:37
yourself and I didn't even know that you
- 45:39
could do that
- 45:41
>> there is some version of getting known
- 45:44
on the show and it doesn't stamp you
- 45:46
forever but like where people see you as
- 45:48
a person with a face
- 45:50
>> but I wouldn't have done that if he
- 45:52
didn't say so cuz it felt like
- 45:53
presumptuous or something like I really
- 45:55
was there to be like a good sport and
- 45:57
just do whatever the job was.
- 45:58
>> Okay. But I just want to gently say to
- 46:00
you that you should just take credit for
- 46:02
that success because even though it
- 46:04
wasn't your original idea perhaps we all
- 46:07
know that we're collaborating.
- 46:10
>> We're all collaborating working together
- 46:12
but you have to deliver. One other thing
- 46:14
I want to ask you about and then we'll
- 46:16
jump off SNL but
- 46:18
>> question.
- 46:20
Let's talk about Louis Zakarion.
- 46:21
>> What is there to say?
- 46:22
>> Louie runs the makeup department and he
- 46:26
is incredible.
- 46:28
>> It's crazy.
- 46:29
>> Like, let's talk about him for a second
- 46:31
and what he's made for you.
- 46:32
>> Uh, what hasn't he? He does it.
- 46:36
Prosthetics and makeup takes time. Yeah.
- 46:39
And like I think I've seen people
- 46:40
describe the SNL makeup experience as a
- 46:42
pit crew. There's like eight people
- 46:44
putting on a bald cap at once. I've
- 46:45
moderated um uh ComicCon panels for him
- 46:49
where it's like it'll be a guy in a grou
- 46:51
grou suit or whatever being like sir
- 46:53
what's your fastest bald cap application
- 46:55
and he goes 2 minutes and everyone you
- 46:57
hear the crowd go
- 47:00
>> you see like every X-Men character in
- 47:02
like a blue man
- 47:03
>> they should make them they should make a
- 47:05
TV show like the pit
- 47:06
>> and they should make it in the makeup
- 47:08
room of Louis room because the way that
- 47:11
they like in like in the pit the way
- 47:12
they like save people by like stabing
- 47:15
putting them in the heart and like you
- 47:16
like that's how Louis has to do makeup.
- 47:18
>> Yeah. He's ripping a bird beak off and
- 47:20
putting googly eyes on my eyes. He's get
- 47:22
out there. But by the way, he he's
- 47:24
having so much fun. Like he never says
- 47:27
no. He's having so much fun. He films
- 47:29
the whole thing. And it's like we could
- 47:31
have like 45 seconds to get me looking
- 47:33
from Jessica Rabbit into like Miss
- 47:35
Grinch or whatever. And he still has
- 47:37
like one selfie and it's like hilarious.
- 47:40
He like gets off on the thrill of it. He
- 47:42
he like my favorite we did a thing where
- 47:46
it was like it was supposed to look like
- 47:47
me and Michael B. Jordan got stuck on a
- 47:49
roller coaster and it like our it blew
- 47:51
our like hair and mouth open and I was
- 47:53
like I was like can you make it look
- 47:56
like I have a speculum in my mouth like
- 47:59
blowing my mouth out but you don't see
- 48:00
any pla like it just has to look like
- 48:02
it's naturally like that
- 48:04
>> and he doesn't say no
- 48:06
>> right
- 48:07
>> well that's what an emergency room
- 48:09
doctor is like we'll see what we can do.
- 48:11
Yeah. Oh my god. Let the baby die. I
- 48:13
don't think so. And it's the same stakes
- 48:15
for a comedy show.
- 48:16
>> It's the same stakes.
- 48:17
>> It's the same stakes.
- 48:18
>> And that's if there's any takeaway, it's
- 48:20
that what you do is as important as
- 48:22
people that work in the
- 48:22
>> No one banged their pots and pans for
- 48:24
me.
- 48:26
>> Exactly.
- 48:27
>> Um, this is another Metra question. If
- 48:29
you had unlimited funds
- 48:32
>> and you could make any disgusting
- 48:34
creation, what would it be? I don't know
- 48:35
if I want to ask you this question.
- 48:37
>> Yeah. Maybe let's say on SNL. So we have
- 48:39
to say that it passes like you have like
- 48:42
>> cuz cuz there have been
- 48:45
>> that is a this is another reason why I
- 48:48
working outside in
- 48:50
>> I love that taking that and I'm going to
- 48:52
write my book about that. Um so you have
- 48:54
fun with your book. I'm taking outside
- 48:56
in. It's like it it's such it can be
- 49:00
such a hindrance because like me and Dan
- 49:02
Bulla had like this idea for like maybe
- 49:04
a sketch that's like at um like a facial
- 49:07
spa or something and when they take our
- 49:11
sheet masks off it just pulls the whole
- 49:13
front of our face off.
- 49:15
>> And for years I me and Louis have been
- 49:18
like how are we going to do that? Cuz
- 49:20
like when I first started the show I was
- 49:22
in like one sketch every six and a half
- 49:24
months. So like was it? But now it's
- 49:26
like maybe I'll be maybe I'll be playing
- 49:28
Trump right beforehands. Who knows?
- 49:29
James, I'm coming for your breakfast
- 49:31
nachos. You put
- 49:33
>> So it's like if I had unlimited funds,
- 49:36
it would be like I would be able to do
- 49:39
something like that really fast with L.
- 49:41
Like I just want to take my whole face
- 49:43
off.
- 49:44
>> Why do you want to
- 49:45
>> I don't know. It's really weird and it's
- 49:48
not normal.
- 49:49
>> I It is. It like when you say that my
- 49:53
brain pictures it and I'm like
- 49:55
>> Sarah Sarah you just made your life so
- 49:57
much harder.
- 49:58
>> But I know I'm but that is just it also
- 50:01
is like there is a there is such a
- 50:04
incredible performance art artist like
- 50:08
like you have a Cindy Sherman vibe. You
- 50:11
have a like you have a you have a like a
- 50:14
a dance with the grotesque that's super
- 50:17
interesting and it's always like what
- 50:19
level is like gross like what does what
- 50:21
grosses you does anything gross you out
- 50:23
>> the other day
- 50:25
literally I like you know how people
- 50:28
like chew on their like sleeves or like
- 50:31
>> oh yeah like wet
- 50:32
>> wet fabric on my teeth like I got grazed
- 50:35
on on the train on the tooth with my own
- 50:38
sleeve and it like
- 50:40
>> gave you You're chill.
- 50:41
>> I That's like my nails on a chalkboard
- 50:42
is like stuff like that.
- 50:44
>> Okay. But any kind of like your face
- 50:46
peeling off, you're down.
- 50:47
>> All good. All good.
- 50:50
All good.
- 50:51
>> And and then my last question in the SNL
- 50:54
space is cuz we all have them. What does
- 50:55
your SNL stress dreams look like?
- 50:57
>> Oh, I actually wrote a sketch about
- 50:59
this.
- 51:00
>> Okay. Incredible.
- 51:01
>> Um it is Oh my god, I wish I could
- 51:04
remember the sketch cuz it was like, you
- 51:05
know, when you stay up all night, you're
- 51:06
like, I'm getting a Nobel Peace Prize
- 51:09
for what I just wrote. Classic sketch.
- 51:11
>> Classic sketch.
- 51:12
>> They always win the Nobel Peace Prize.
- 51:14
>> I'm like, if I read I read it wrote it
- 51:16
two years ago. I'm sure if I read it
- 51:17
today, I'd be like, "What?"
- 51:19
>> You know what I mean? When you're like,
- 51:20
>> "Yes."
- 51:20
>> My stress dream is always writing night.
- 51:23
>> Okay.
- 51:23
>> And it's always I get to I'm at writing
- 51:27
night and I'm the clock says it's like
- 51:30
midnight or 1:00 in the morning and I
- 51:32
don't have anything yet and I'm going
- 51:33
from room to room with like my tin can
- 51:36
being like, "Will you wait with me?" And
- 51:38
everyone's like, "No, I'm already busy.
- 51:40
I already have my thing for the week."
- 51:41
And I'm going door to door down the
- 51:43
hallway. And the hallway gets longer.
- 51:46
Very, okay, Christopher Nolan, don't
- 51:48
steal this. We're running a little
- 51:49
project.
- 51:52
>> Odyssey 2. Um, the human centipede.
- 51:56
>> Don't temp me with a good time. Maybe
- 51:58
polar. And the hallway just gets longer
- 51:59
and longer, and I'm like, does anyone
- 52:01
want to write with me? And that's like
- 52:02
that's the what I'm the most anxious
- 52:04
about all the time. It's like bombing on
- 52:06
live TV is one thing. Bombing trying to
- 52:09
get someone to write a sketch with you
- 52:10
is a fate worse than death. I have one
- 52:13
more stress dream that was my first
- 52:15
year.
- 52:15
>> Okay,
- 52:16
>> which was there's a prop toilet on the
- 52:19
floor of 8H. This I have this dream two
- 52:21
times. There's a prop toilet on the
- 52:24
floor of 8H.
- 52:25
>> I know it's not hooked up to any pipes.
- 52:28
I know it's a prop and I [ __ ] in it
- 52:30
anyway. And everybody's looking at me
- 52:32
like the last shot and Murder on the
- 52:34
Orient Express. There's like a shot
- 52:35
where they're like all looking down at
- 52:36
this dead body and you see the POV of
- 52:38
the dead body looking back at everyone.
- 52:40
And I see everyone looking at me going,
- 52:42
"The toilet's not hooked on anything.
- 52:44
Why'd you do that?" And I'm going, "I
- 52:46
know. I have no idea what happened." And
- 52:49
my young and dream analyst at the time
- 52:50
said that when you poop in a dream
- 52:54
gross,
- 52:56
it's it's like you're putting work out
- 52:58
there and you're embarrassed.
- 53:00
I worked hard. Yeah. Oh, and also do you
- 53:04
have a Yungian um dream analysis? Do you
- 53:07
do a lot of therapy?
- 53:08
>> I do many times a week.
- 53:10
>> Fun.
- 53:11
>> Doesn't seem to be working.
- 53:13
>> Online or in person?
- 53:15
>> I'm on the
- 53:17
>> You're on the couch.
- 53:19
>> Yep.
- 53:21
I'm lying down on the couch and
- 53:24
>> the whole time.
- 53:25
>> Yep.
- 53:26
>> Whoa.
- 53:26
>> I'm doing like analysis. I'm call I'm
- 53:29
doing analysis.
- 53:30
>> That's old school. Yeah. And um just I
- 53:34
just noticed recently because I don't
- 53:36
look at my therapist and sometimes I'll
- 53:38
be like this.
- 53:39
>> Male or female therapist? Of
- 53:41
>> course it's a man.
- 53:44
IT'S NOT FIXED. IT'S A MAN. It's not
- 53:48
working. A woman would fix it
- 53:52
like this. And I said something and I
- 53:55
heard his laugh behind me and I went
- 53:59
like he was he forgot he was there.
- 54:01
Yeah. And I was like, "Stop."
- 54:04
I don't know why that was. So I
- 54:06
immediately I was like I never looked at
- 54:09
him and I was like oh my
- 54:10
>> get it together.
- 54:12
You're making me think about like my
- 54:14
stress dreams for SNL were less about
- 54:17
like
- 54:18
will you guys, you know, uh like where
- 54:21
where can I uh get in here and write
- 54:24
with people or like oh no my my my the
- 54:27
[ __ ] in my toilet you guys don't like
- 54:28
which is
- 54:29
>> your work your work.
- 54:30
>> Um but mine was disappointing.
- 54:34
>> Mine was about disappointing like
- 54:36
powerful figures. It's a very Gen Xy
- 54:39
stress dream. So mine was
- 54:41
>> always mine was always about
- 54:43
>> uh I would often have it which is I'd
- 54:45
hear Jenna Rosatano as we talked about
- 54:47
the great ad calling me and I would
- 54:49
realize oh my god I'm not on stage like
- 54:52
I I'm missing my my um queue
- 54:56
>> and I had it more than once where I'd be
- 54:57
running down from 9 to 8
- 55:00
>> and I'd pass everybody whose opinion I
- 55:02
cared about it
- 55:03
>> and they look at you
- 55:04
>> and they would go like this
- 55:07
>> like and it was everyone You could
- 55:09
imagine it was people from my past. It
- 55:12
was people working on the show. It was
- 55:14
always of course Lauren and like and
- 55:15
everyone was just like wow like you
- 55:18
really let us down.
- 55:25
>> It's like Amy Polar you ARE LATE FOR HOT
- 55:27
DOG BAR MITZVAH.
- 55:30
WHERE IS YOUR PROSTHETIC BUTT? YOUR
- 55:32
FUNNY WIG.
- 55:36
It's so crazy. What gives us literal
- 55:38
anxiety trauma is like you running to go
- 55:41
do like Mr. Butt in the hot dog hospital
- 55:46
>> and Lauren going you're a disappointment
- 55:49
to your father like wait
- 55:52
I have to go be Captain Crunch the
- 55:54
musical.
- 55:59
>> It's so stupid.
- 56:01
>> So stupid.
- 56:02
>> It's so stupid.
- 56:03
>> Okay. And the last question that that
- 56:06
Mitra wanted me to ask you, she had so
- 56:09
many good ones, was like the and you're
- 56:11
talking, you've talked about it a little
- 56:12
bit, but like the biggest bomb and the
- 56:14
best and the favorite show you've ever
- 56:16
done cuz we talk about you must have
- 56:19
>> bombed big time. And I'm kind of
- 56:20
fascinated about your time opening with
- 56:22
Adam Sandler, who talk about what a like
- 56:25
terrific, lovely person and like nicest
- 56:30
person probably to be around and open
- 56:33
for, but the audience might not have
- 56:35
been that ready for you.
- 56:38
>> He is. So,
- 56:38
>> is that a good way to say it?
- 56:41
>> Thank and thank you. I'll take it away
- 56:43
from here.
- 56:43
>> Okay. Exactly. It is. Okay. Butt sucking
- 56:47
initiation.
- 56:49
a computeren enhanced butt sucking right
- 56:51
now. You and Adam
- 56:54
and there have been other cat like Fred,
- 56:57
>> you guys are so mchy that it's like
- 57:02
I'm thinking of people who have like how
- 57:05
could anyone do SNL without the menches.
- 57:08
Like I have Adam being like, "You're
- 57:09
doing great kid." Like I would have
- 57:12
blown my brains out from here to the
- 57:14
western seabboard if I didn't have him
- 57:16
being like, "You got it, dude."
- 57:17
>> Yeah. He's so every time you see him,
- 57:20
how's your mother? How's your father?
- 57:21
How's Hanukkah? What's going on? I love
- 57:23
you. Mwah. How are you? So menchy and
- 57:26
like opening for him, I have bombed a
- 57:28
lot because people have paid good money
- 57:31
to be there. They have hired
- 57:32
babysitters. They drove all the way from
- 57:34
Hackinack. They are six drinks in. They
- 57:37
are there to see Adam Sandler, not Long
- 57:41
Island Presents, Sarah Sherman, someone
- 57:43
they don't know who's sweating up there.
- 57:44
They have paid good money to see the
- 57:46
wedding singer. Well, honestly, when I
- 57:48
was watching your special, I was
- 57:49
fascinated by the audience because I was
- 57:51
like, this audience. So, your special um
- 57:55
Sarah Squirm live in the flesh.
- 57:57
>> Live and in the flesh. Live plus in the
- 57:59
flesh.
- 58:00
>> Thank you. That was a big That was a big
- 58:02
thing.
- 58:02
>> Live plus in the flesh. Um and I and
- 58:06
first of all, why is it squirm?
- 58:08
>> That was how I like when I was doing
- 58:10
these ba basement shows with the stuff.
- 58:13
It was just like the poster was like,
- 58:15
you know, I wrote written in guts. It
- 58:17
was like a also I was like performing
- 58:19
with bands like piss piss piss moan moan
- 58:21
moan rest in peace Alejandro he has
- 58:22
passed. Um that's a crazy thing to say
- 58:27
>> but like I was like so I was like I
- 58:28
don't want to just be like and Sarah and
- 58:30
then there's Sarah. So like I was kind
- 58:32
of like
- 58:33
>> it was like it was like your punk
- 58:34
persona. It was like it was like x-ray
- 58:37
specs or like Alice Cooper or something
- 58:39
like it's very music. It's very music,
- 58:42
but that's like the show that's like it
- 58:43
was the shows that I was doing cuz I was
- 58:46
like I just, you know, it was it was the
- 58:47
vibe.
- 58:48
>> Yeah.
- 58:48
>> And um
- 58:50
>> did you get pressure to or like did
- 58:52
people say it should be Sarah Sherman?
- 58:54
So then when I got so so like I
- 58:56
auditioned for when I auditioned for SNL
- 58:58
do you know they or no I was doing I was
- 59:01
just performing as Sarah Squirm at the
- 59:02
time and I wasn't really like thinking
- 59:04
about it and then when I got so that
- 59:06
that's on all of my SNL paperwork is
- 59:09
just they found me at a show as Sarah
- 59:11
Squirm. So that's still on my paper.
- 59:13
>> You've never been paid.
- 59:14
>> I've never been paid. I don't work
- 59:15
there.
- 59:16
>> Yeah.
- 59:16
>> My alter ego works there.
- 59:19
Point to another ghost over here. My
- 59:21
alter ego works there. And Lauren, when
- 59:24
I got the job, Lauren called me and was
- 59:26
like, you know, they're like, "Oh,
- 59:27
Sarah, like Lauren's calling you." And I
- 59:29
was like, "Hello." And he's like, "We
- 59:32
think squirm is a little distracting."
- 59:34
And I go, "Say no more. You can have
- 59:38
more."
- 59:38
>> And you know who like that? Your
- 59:40
parents.
- 59:40
>> Yeah. Oh, my mom is still this day. It's
- 59:43
like people will be like, "Hi, I'm Mrs.
- 59:44
Squirm." And she's like, "No, that don't
- 59:47
call me that."
- 59:48
>> Yeah. They want to hear Sherman up
- 59:49
there.
- 59:49
>> They want to hear Sherman. Yeah. And so
- 59:51
it was when I was doing the special like
- 59:52
not you know people don't know me from
- 59:54
standup really cuz I know the ticket
- 59:56
sales show
- 59:58
Pittsburgh
- 1:00:01
they like you know everyone's like it
- 1:00:03
should be like Sarah Sherman live in the
- 1:00:05
flesh but I'm like but that's not the
- 1:00:06
character.
- 1:00:07
>> Yeah I get it and it it really helps set
- 1:00:09
like the table like you said like you
- 1:00:11
set the table really fast. In fact, the
- 1:00:13
table is set.
- 1:00:14
>> It's set
- 1:00:15
>> because
- 1:00:17
that the special starts with something
- 1:00:19
I've never seen in a comedy special,
- 1:00:20
which is like it's like there's like a
- 1:00:22
warning of graphic violence.
- 1:00:24
>> There is.
- 1:00:26
>> It's like there's a warning of graphic
- 1:00:27
like there's so many warnings.
- 1:00:29
>> There is. Yeah.
- 1:00:30
>> And
- 1:00:32
>> you also start with John Waters.
- 1:00:33
>> I know. Which is the ultimate trigger
- 1:00:36
warning.
- 1:00:37
>> Yes. You're you're so right. if he's
- 1:00:39
like put a got to put a stamp on
- 1:00:40
something, you know that like there's
- 1:00:43
going to be so much poop
- 1:00:45
>> talked about for sure. And also just
- 1:00:48
like he's like this I mean he's
- 1:00:53
What does he mean to you? John Waters
- 1:00:54
like
- 1:00:57
>> how did you get him? How do you wrote
- 1:00:59
him a letter? I wrote him a letter that
- 1:01:02
was like I drew like everything what
- 1:01:06
what's so helpful with visual art
- 1:01:09
>> or like all this. It's like you can
- 1:01:11
provide your own trigger warning always.
- 1:01:14
So I wrote a like for the posters for
- 1:01:16
Hell Trap. It's like there's a butthole
- 1:01:18
that's bleeding with an eyeball. Like
- 1:01:20
you know what you're getting into.
- 1:01:21
>> Oh my god.
- 1:01:22
>> Sarah, enough. Enough.
- 1:01:25
>> Okay. So I wrote him a letter and there
- 1:01:27
was like intestines all over it and I
- 1:01:28
was like do you want to like you know
- 1:01:30
there's this do you want to play the
- 1:01:32
stage manager in my stand up special and
- 1:01:34
I was like your scene partner will be
- 1:01:35
this and then I drew a little picture of
- 1:01:37
me as like the bones and guts on the
- 1:01:38
floor and I'm like this is who you're
- 1:01:40
going to be talking to. And then I put
- 1:01:41
my number at the bottom of the letter
- 1:01:43
and I was like if you're interested call
- 1:01:44
me or whatever. And then I was getting
- 1:01:46
into therapy on a particularly
- 1:01:48
devastating read of a day. I had just
- 1:01:51
bought a loaf of sourdough bread and I
- 1:01:53
was literally walking down my block
- 1:01:54
ripping off pieces of bread and eating
- 1:01:56
it like an animal or a raccoon. Good
- 1:01:58
job, Lauren. You knew. Um, and I got a
- 1:02:03
call from an unknown number Baltimore
- 1:02:04
area code. Hey Sarah, it's John Waters.
- 1:02:07
I'll see you on set.
- 1:02:09
>> What?
- 1:02:10
>> Yeah. And I said to my producers, cuz I
- 1:02:13
had written the stage manager character.
- 1:02:14
>> What a cool way to say it. I'll see you
- 1:02:16
on set.
- 1:02:16
>> I was like,
- 1:02:18
>> that's an old school fun way to say it.
- 1:02:20
I see you on set.
- 1:02:21
>> See you on set. And I was like, "Do you
- 1:02:22
want me to Is there anything you want to
- 1:02:23
say?" Like, and he's like, "I'm not
- 1:02:25
writing it. You wrote it. I'm saying
- 1:02:27
what you wrote." And I go, "That's
- 1:02:28
professional."
- 1:02:29
>> Yeah. Yeah.
- 1:02:30
>> He doesn't have punchup. He's like,
- 1:02:31
"I'll be
- 1:02:32
>> I bet he had about like a 2hour door to
- 1:02:34
door, right? Like he was like, "We got a
- 1:02:35
heart out. We got to be out here in an
- 1:02:37
hour and a half."
- 1:02:38
>> He was being hilarious and he was
- 1:02:40
pitching jokes cuz he could he couldn't.
- 1:02:42
And guess what? They made it in.
- 1:02:44
>> Yeah.
- 1:02:45
>> Okay. Do you want some Visine? Cuz my
- 1:02:47
eyeballs out. That was a John Waters
- 1:02:49
original riff. Yeah.
- 1:02:52
It's like I'm the luckiest girl in the
- 1:02:53
world. That crazy thing. I keep going
- 1:02:56
back to SNL, but you're bringing it out
- 1:02:57
of me, girl.
- 1:02:59
>> I If I didn't have SNL, I would be a
- 1:03:03
random crazy person.
- 1:03:04
>> But I want to say something. I don't
- 1:03:06
find you crazy. I don't think you're
- 1:03:09
crazy. That's why you're interesting.
- 1:03:12
Because if you were truly detached in
- 1:03:15
like in a way not to name names but like
- 1:03:17
other sometimes like performers who are
- 1:03:20
kind of in your millia or vibe are then
- 1:03:23
it's hard
- 1:03:25
then it's kind of hard to attach.
- 1:03:27
>> Sure.
- 1:03:28
>> It is hard like it's like okay they're
- 1:03:30
in their own like creative world but
- 1:03:32
like I don't know we're just going to
- 1:03:33
kind of watch it from afar but you you
- 1:03:35
aren't.
- 1:03:36
>> So it's that's very interesting because
- 1:03:38
you're command of what you're doing in a
- 1:03:40
way that's
- 1:03:40
>> right. There is some but I'm like
- 1:03:42
without SNL would I have been able to do
- 1:03:44
this crazy comedy special where there's
- 1:03:46
like a clay butt that farts out a ghost
- 1:03:49
would John Waters have agreed like I
- 1:03:51
don't know probably not thank god
- 1:03:54
>> and for people that have listened all
- 1:03:55
the way to the end I mean there is a
- 1:03:57
clay butt that
- 1:03:58
>> happens right in the beginning if you
- 1:03:59
don't like it turn it off
- 1:04:01
>> turn it off
- 1:04:02
>> um speaking of comedy as we end what are
- 1:04:05
you who are you listening to laughing
- 1:04:07
because you know you do comedy all day
- 1:04:08
for a job who what Do you watch
- 1:04:12
>> Yes.
- 1:04:13
>> to laugh? Like what is your check out?
- 1:04:15
Like is it a video? Is it a Are you
- 1:04:18
watching old movies? Are you like what
- 1:04:20
what's making you laugh?
- 1:04:21
>> Most recently, always Real Housewives.
- 1:04:25
>> The The last question um Me had for you
- 1:04:27
is, are you enjoying Real Housewives
- 1:04:29
Rhode Island?
- 1:04:31
Listeners, Sarah's just like
- 1:04:33
>> she's just she's a ghast at the obvious
- 1:04:36
yes.
- 1:04:37
>> Did you grow up watching soaps? Yeah, I
- 1:04:40
watched General Hospital, which was
- 1:04:43
>> my favorite show of all time.
- 1:04:45
>> Weren't you on a soap?
- 1:04:47
>> I begged to be on General Hospital so I
- 1:04:49
could bring my mom and we met Sunonny
- 1:04:51
Krenth those and stopped for days.
- 1:04:53
>> Yeah.
- 1:04:53
>> Okay. I just talked to Paula Pel who
- 1:04:55
also loves soaps and has not been on one
- 1:04:57
and I feel like Paul should definitely
- 1:04:58
be
- 1:05:00
>> Oh yes. I think they were like, "Are you
- 1:05:02
kidding?" And I was like, "Uh, no.
- 1:05:04
>> No. Who did you play on the soap?"
- 1:05:06
>> A woman.
- 1:05:10
A Russian uh
- 1:05:11
>> Yeah, the Russians aren't.
- 1:05:12
>> The Russians areno.
- 1:05:13
>> Yep.
- 1:05:14
>> Um I w I love talking about what makes
- 1:05:16
me laugh. I was watching home movies the
- 1:05:18
other day.
- 1:05:19
>> Hysterical laughing like
- 1:05:22
of your family.
- 1:05:24
>> No, I wish actually that would be nicer.
- 1:05:26
The cartoon.
- 1:05:27
>> Oh, home movies.
- 1:05:29
>> Oh, home. Okay. I don't know home
- 1:05:31
movies.
- 1:05:31
>> It's [ __ ] funny and it's very crude
- 1:05:34
animation.
- 1:05:36
>> My kids love it. I have. Yeah,
- 1:05:37
>> it's so funny. Dying laughing.
- 1:05:41
>> Oh, we've got our We've got some friends
- 1:05:42
in there like um Han Benjamin. Okay, got
- 1:05:46
it. So, it's
- 1:05:47
>> laughing.
- 1:05:48
>> And it's animated to come created by
- 1:05:51
Brendan Small and Laura Bashard who made
- 1:05:53
Bob's Burgers. Got it. Got it. Got it
- 1:05:55
home.
- 1:05:56
>> Laughing.
- 1:05:56
>> So, are you a big animation girl?
- 1:05:58
>> No,
- 1:05:59
>> you're not.
- 1:06:00
>> No.
- 1:06:00
>> Cuz I bet people are like you're like
- 1:06:02
animation. Um, like you look like a
- 1:06:04
cartoon, you [ __ ] bugeyed [ __ ]
- 1:06:06
Jesus.
- 1:06:10
Sarah, apologize.
- 1:06:12
>> Sarah, you said that to yourself.
- 1:06:13
>> I know. Apologize to my friend Sarah.
- 1:06:16
Bad.
- 1:06:17
>> I patted myself.
- 1:06:18
>> But you're not a But you're not a
- 1:06:20
cartoon person.
- 1:06:21
>> No, I cuz they like they can't emote or
- 1:06:24
anything. Like I love Red and Stimpy.
- 1:06:26
I'm not like laughing out loud. Yes. So
- 1:06:28
I don't know why they're getting in my
- 1:06:30
ass.
- 1:06:31
>> Yeah, that's good. get in my ass. And
- 1:06:33
then
- 1:06:33
>> that's really funny.
- 1:06:34
>> I just did. Do you know Hollywood
- 1:06:36
Handbook the podcast?
- 1:06:37
>> I love Hollywood Handbook.
- 1:06:38
>> I was
- 1:06:39
>> Okay, I shout out to Hollywood Handbook.
- 1:06:42
Those guys are hysterical. I saw them
- 1:06:44
recently in a restaurant and asked if I
- 1:06:46
could be on their pod.
- 1:06:47
>> And I watched you and they were like,
- 1:06:49
"No." They were like, "We're booked."
- 1:06:52
And also I watched you on Hollywood
- 1:06:54
Handbook and that bit went on forever.
- 1:06:56
>> So it was 45 minutes.
- 1:06:58
>> Yeah. It's just one long bit. just one
- 1:07:00
long fat joke
- 1:07:02
>> and it
- 1:07:03
>> sorry
- 1:07:04
>> it was so I love a bit that goes on that
- 1:07:07
long.
- 1:07:07
>> I love it. And they were like acting
- 1:07:09
like they hated it. I love it. They say
- 1:07:11
like Sean won't say one word. I can't
- 1:07:14
like I was laughing like a baby last
- 1:07:17
like I was going like
- 1:07:20
sweat laughing so hard sweating through
- 1:07:22
my pants. Sweating through my hat and my
- 1:07:25
pants.
- 1:07:25
>> I know. I I think there's some delight
- 1:07:28
and it's kind of it's I'm going to I'm
- 1:07:30
going to I'm going to bring us back.
- 1:07:32
>> There is some kind of delight that you
- 1:07:34
have that I share
- 1:07:37
>> which is if you get to be around like
- 1:07:40
likeminded and safe people and you guys
- 1:07:42
are like playing like and going like
- 1:07:45
just on the corner and edges of things
- 1:07:47
but it's with people that are like not
- 1:07:49
just like nice people that you like
- 1:07:51
basically. There's no greater joy
- 1:07:54
because it feels like you're actually
- 1:07:55
like I guess I imagine it would be like
- 1:07:59
entering dangerous terrain with people
- 1:08:01
who are really skilled that will take
- 1:08:02
care of you. That's the closest I mean
- 1:08:04
we're not athletes.
- 1:08:05
>> My body is relaxed
- 1:08:08
>> that the
- 1:08:09
>> I love that too. I love I love a family
- 1:08:11
that teases each other.
- 1:08:13
>> I that to me is a sign of intimacy
- 1:08:16
>> and it's a sign of safety if you're with
- 1:08:18
it obviously has to be the right people
- 1:08:20
the right way. Like when that happens,
- 1:08:22
it feels like like a special kind of
- 1:08:24
magic.
- 1:08:24
>> Yeah. And like Yeah. We making fat
- 1:08:27
jokes. Is that amazing? No. But it's sa
- 1:08:29
it's safe. You can like be a little
- 1:08:31
scary when it's like safe.
- 1:08:33
>> Yes.
- 1:08:35
>> You're so right.
- 1:08:36
>> Well, congratulations on being a vet.
- 1:08:41
>> Was that an abrupt goodbye? What should
- 1:08:43
we do? I'm going to put my shoe back on.
- 1:08:45
>> Oh. Oh, I forgot.
- 1:08:47
>> Can you believe that? that I've had my
- 1:08:49
shoes off the entire time.
- 1:08:50
>> Did How did it feel? Did you feel
- 1:08:52
grounded?
- 1:08:52
>> It didn't feel bad. I don't mind it.
- 1:08:55
>> It didn't feel I didn't Yeah, I know
- 1:08:57
what you mean. Like, was I grounding
- 1:08:58
during that time?
- 1:08:59
>> Like, did you or were the whole time you
- 1:09:01
were talking to me, were you like
- 1:09:02
>> Are you a shoes off person in your
- 1:09:04
house? Did people have to take their
- 1:09:05
shoes off?
- 1:09:05
>> I like my shoes on and I like
- 1:09:07
Frankenstein boots all day.
- 1:09:10
>> Yeah.
- 1:09:10
>> I'm not even wearing them right now. So,
- 1:09:12
you think I'm a [ __ ] liar. I'm
- 1:09:13
wearing little cuties, though. But let's
- 1:09:15
not show them for free. Let's not show
- 1:09:17
them for free.
- 1:09:17
>> Oh, man. No, no, you got to pay for
- 1:09:19
that.
- 1:09:19
>> Yeah, that's correct. A lot. Cuz we're
- 1:09:22
on TV. So,
- 1:09:23
>> and AI is going to take everybody's job.
- 1:09:25
So, we're going to The only thing robots
- 1:09:26
don't have human feet.
- 1:09:28
>> And when they show them, they have an
- 1:09:30
extra toe. And that's kind of
- 1:09:32
interesting.
- 1:09:32
>> And if you were listening at the very
- 1:09:34
beginning, Sarah has a weird condition
- 1:09:36
where her big toe is just a sack of
- 1:09:37
bones. So, if that's your kink,
- 1:09:40
>> then you got to go to her toe channel,
- 1:09:42
>> right? And if you are only listening to
- 1:09:46
the end of this podcast, weird. Why
- 1:09:47
didn't you listen to the beginning? Did
- 1:09:48
you just like scrub through?
- 1:09:50
>> And if that's your kink, then we're not
- 1:09:52
kink shaming you. But you might want to
- 1:09:54
think about listening a podcast entire
- 1:09:55
way through because it also might be
- 1:09:56
satisfying,
- 1:09:57
>> right? Or I like to kink shame. I think
- 1:09:59
it's weird when people like stuff that's
- 1:10:00
weird.
- 1:10:04
>> Sarah, thank you for doing this. Thank
- 1:10:06
you for having me.
- 1:10:07
>> Thank you for coming.
- 1:10:11
>> Thank you so much, Sarah Squirm. Sarah
- 1:10:14
Sherman. Um it was so fun to um talk to
- 1:10:19
you and you're so fast and funny and um
- 1:10:22
yeah, what a delight. And um you know,
- 1:10:26
Sarah and I talked about a lot of people
- 1:10:28
that we've had the pleasure to work
- 1:10:29
with, but I just want to give a little
- 1:10:31
shout out again to a woman in my life
- 1:10:34
who really shaped my career, and I know
- 1:10:36
a lot of people in Chicago could say the
- 1:10:38
same, and that is Shaa Halpern. Chara um
- 1:10:42
was the uh creator and the uh person who
- 1:10:46
started a theater uh called IO in
- 1:10:49
Chicago with Dell Close. Um and um Chara
- 1:10:53
was just one of those people that if she
- 1:10:56
saw something in you, she put you in
- 1:10:58
front of important people and she put
- 1:10:59
you on stage and uh in my case she
- 1:11:01
changed my life. So thank you Shaa for
- 1:11:04
helping me meet most of the people who I
- 1:11:06
still work with today. And um for those
- 1:11:10
of you that um are in Chicago, go see
- 1:11:12
improv and go see it in any city,
- 1:11:15
support it today and every day and
- 1:11:18
support the arts. Okay, thanks. Bye.
- 1:11:22
You've been listening to Good Hang. The
- 1:11:24
executive producers for this show are
- 1:11:25
Bill Simmons, Jenna Weiss Berman, and
- 1:11:27
me, Amy Polar. The show is produced by
- 1:11:30
The Ringer and Paperkite. For The
- 1:11:31
Ringer, production by Jack Wilson, Cat
- 1:11:33
Spalain, Kaia McMullen, and Aia Xenerys.
- 1:11:36
for Paperkite. Production by Sam Green,
- 1:11:39
Joel Levelvel, and Jenna Weiss Berman.
- 1:11:41
Original music by Amy Miles.
- 1:11:44
>> Want a really good