Jun 16, 2026 · 1:11:48

Sarah Sherman on Good Hang with Amy Poehler

The Hang, in Short

Mitra Jouhari calls in from a Netflix office where the free hangers are broken and can't hold pants. She's here to prep Amy for Sarah Sherman, SNL cast member and the comedian formerly known as Sarah Squirm. Amy remembers when Sarah appeared butt naked on Mitra's show Three Busy Debras. They get into how Sarah's scatological body horror comedy makes her a "fun pervert" who invites the audience in with bits about her "flapping labia," then turns around and yells at them for liking it. Mitra, who toured with Sarah on the truly excellent Sarah Mitra and Jamie Are Ugly Tour, wants to know about Sarah's child musical theater career. Also her biggest bomb. The two recap COVID times when Amy's sons zoomed with Mitra about LA's unhoused situation, and Mitra lived with Patty Harrison making disgusting cocktails.

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Full Transcript

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  1. 0:05

    Hello everyone. Welcome to another

  2. 0:06

    episode of Good Hang. We are very

  3. 0:08

    excited about our guest today. It is

  4. 0:09

    Sarah Sherman. Sarah is a current cast

  5. 0:12

    member on Saturday Night Live and we

  6. 0:15

    could consider her a vet. She has just

  7. 0:16

    finished her fifth season. And I just

  8. 0:19

    want to file this one under not safe for

  9. 0:21

    work or for kids because we do get into

  10. 0:23

    some fun and down and dirty topics like

  11. 0:27

    uh well SNL duh and psychoanalysis and

  12. 0:31

    Long Island and her insane

  13. 0:34

    wildly original new special Sarah Squirm

  14. 0:38

    live and in the flesh on HBO. So, um,

  15. 0:41

    listen for Sarah, but but before we

  16. 0:43

    start, right, we always like to talk to

  17. 0:45

    somebody who knows our guest, who, um,

  18. 0:48

    who has spent time with them and who can

  19. 0:50

    speak well and give us a question. And,

  20. 0:52

    uh, we're going to talk today to Mitra

  21. 0:53

    Jihari. Metitra is an amazing actress,

  22. 0:57

    writer, producer. You may know her uh,

  23. 1:00

    from episodes of the Bear, from the show

  24. 1:02

    she created, Three Busy Deborah. Um,

  25. 1:04

    she's a writer on um, Big Mouth. And,

  26. 1:08

    um, she's just incredible talent. came

  27. 1:10

    up with Sarah, her good friend. We're

  28. 1:12

    gonna check in with Mitra, who is on her

  29. 1:14

    lunch break and and get a question from

  30. 1:16

    her. So, hi Mitra. It's good to see you.

  31. 1:26

    This episode of Good Hang is presented

  32. 1:28

    by Paul Molive. Family time isn't just

  33. 1:31

    the big moments. It's weekn night

  34. 1:33

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  45. 2:04

    All I ever wanted.

  46. 2:12

    >> She's on the set.

  47. 2:14

    >> Merra is on the set.

  48. 2:17

    Metra, where are we talking to you from?

  49. 2:20

    >> Netflix.

  50. 2:23

    >> A lot of people don't know Netflix has

  51. 2:25

    beautiful offices. Really? Really?

  52. 2:28

    >> They give you a free hanger.

  53. 2:31

    So

  54. 2:32

    >> incredible. You could hang anything on

  55. 2:34

    that.

  56. 2:35

    >> You can hang anything on that as long as

  57. 2:37

    it's not pants because the hanger is

  58. 2:38

    broken.

  59. 2:41

    >> I hear giggles in the back. I'm wish I

  60. 2:44

    was in there.

  61. 2:44

    >> On top of Mitra being incredibly

  62. 2:46

    talented. She's also like a real deal

  63. 2:50

    activist, boots on the ground person.

  64. 2:52

    And I was thinking about during COVID

  65. 2:54

    when you when you zoomed with my sons to

  66. 2:59

    talk to them about the LA unhoused

  67. 3:02

    situation and what they could do about

  68. 3:03

    it. It was me.

  69. 3:05

    >> They were so cute and sweet. I I like I

  70. 3:09

    I loved talking to them. They were so

  71. 3:12

    thoughtful and had such good questions

  72. 3:14

    and were really making me laugh.

  73. 3:16

    Remember that when we were all just like

  74. 3:19

    in that COVID bubble of just like I

  75. 3:21

    guess we I guess we this is how we'll

  76. 3:23

    learn now.

  77. 3:24

    >> I was living with Patty and we were

  78. 3:26

    making some of the most [ __ ] up

  79. 3:28

    cocktails imaginable. Like actively

  80. 3:31

    drinking them being like this is

  81. 3:32

    disgusting

  82. 3:34

    and finishing them.

  83. 3:38

    >> Patty Harrison, another hilarious

  84. 3:40

    comedian and actor. Okay, we've got

  85. 3:43

    Sarah coming in today. That's why I'm

  86. 3:45

    sad. Another reason why I'm sad I'm not

  87. 3:47

    there. I want to be seeing her.

  88. 3:48

    >> I have so many questions for Sarah. Did

  89. 3:50

    you watch her special?

  90. 3:51

    >> Yes.

  91. 3:54

    I have questions for her, too.

  92. 3:56

    >> Her nasty ass.

  93. 3:57

    >> Her nasty ass special. You have known

  94. 4:01

    Sarah for a very long time. When did you

  95. 4:03

    two first meet?

  96. 4:04

    >> Uh 2015. and our mutual friend Drenin

  97. 4:08

    who knew her from Chicago uh she was

  98. 4:10

    coming out to New York to do shows and

  99. 4:12

    she guested on this show called Holy

  100. 4:14

    [ __ ] that I was a part of and he was

  101. 4:15

    like there's this freak coming named

  102. 4:19

    Sarah Sherman and I think you guys would

  103. 4:21

    really like each other and then we like

  104. 4:23

    hit it off immediately and we went on a

  105. 4:25

    tour with this great comedian writer

  106. 4:28

    named Jamie Loftess called the Sarah

  107. 4:30

    Mitron and Jamie are ugly tour

  108. 4:34

    um and just like she eventually wrote

  109. 4:37

    and appeared butt naked on Deborah.

  110. 4:40

    >> Yeah. So we we worked on a show

  111. 4:41

    together, Three Busy Deborah on Adult

  112. 4:43

    Swim that you wrote and produced and you

  113. 4:46

    were the star of uh along with other

  114. 4:48

    Deborah's

  115. 4:49

    >> Sandy and Alyssa.

  116. 4:50

    >> That's right. And Sarah was a writer on

  117. 4:52

    there, which is where I first heard her.

  118. 4:53

    And I and I was introduced to her as

  119. 4:55

    Sarah Squirm, which is the name she was

  120. 4:57

    going by at the time, which I remember

  121. 5:00

    thinking at the time it was unusual that

  122. 5:02

    a comic actor had like what felt like

  123. 5:05

    almost like a rockar name.

  124. 5:08

    >> Yes. which and it makes so much sense

  125. 5:10

    because like she came up in these great

  126. 5:12

    music venues and like it was like I feel

  127. 5:14

    like every time I would come to Chicago

  128. 5:17

    and do shows with her at the hideout it

  129. 5:19

    was always like with these really

  130. 5:22

    interesting bands that I would like I've

  131. 5:24

    never heard of, would never have heard

  132. 5:26

    of and and she's like such a true fan of

  133. 5:28

    like live music and worked in radio and

  134. 5:31

    like just brings all of that. So, it

  135. 5:33

    like makes sense to me that this like

  136. 5:34

    person who's working in these DIY spaces

  137. 5:37

    both like in music and standup and art

  138. 5:38

    would have this sort of like rocker

  139. 5:40

    character persona.

  140. 5:42

    >> Totally. My questions today for her are

  141. 5:44

    really like when did that person start?

  142. 5:47

    When does that person come out? Because

  143. 5:49

    you know Sarah really well and I've

  144. 5:52

    gotten to know her from getting to work

  145. 5:53

    with her and her persona and her

  146. 5:56

    personality are like alike but also very

  147. 5:59

    different.

  148. 6:00

    >> Yeah. She's like I feel like it makes so

  149. 6:02

    much sense that she landed in Chicago

  150. 6:04

    because she does have this like warmth

  151. 6:07

    and like I don't know familiarity with

  152. 6:10

    people that feels very Midwestern to me

  153. 6:12

    even though she's not from there but

  154. 6:14

    like she's just very cozy. People feel

  155. 6:16

    very comfortable with her. Um which you

  156. 6:19

    wouldn't expect from someone whose like

  157. 6:20

    material is kind of exclusively about

  158. 6:22

    like her flapping labia.

  159. 6:26

    >> Exactly. Like for people that are

  160. 6:28

    learning about Sarah here, like her

  161. 6:31

    stuff on SNL is, you know, in the

  162. 6:33

    structure of SNL, but Sarah's material

  163. 6:34

    is like super scatological. She calls it

  164. 6:37

    body horror. It's like a ton of like

  165. 6:40

    dysmorphia on dysmorphia. Shocking,

  166. 6:43

    shocking, shocking stuff. And um I want

  167. 6:46

    to ask Tara like the cutaways to her

  168. 6:48

    audience during the special. I'm like,

  169. 6:51

    who is this audience?

  170. 6:53

    >> I have the same exact thought.

  171. 6:55

    >> So many men. So many men laughing and

  172. 6:57

    being like ritually humiliated in at the

  173. 7:00

    same time. It's amazing.

  174. 7:02

    >> Perverts.

  175. 7:05

    God. My favorite word. My favorite word.

  176. 7:08

    >> Would you say Sarah's your first pervert

  177. 7:09

    guest?

  178. 7:10

    >> Oh, absolutely not.

  179. 7:13

    >> No. But I love a pervert. Um I don't

  180. 7:16

    like a creep.

  181. 7:17

    >> There's a difference.

  182. 7:18

    >> Big time. And it's a fine line. I mean,

  183. 7:21

    you know, and it's very it happens.

  184. 7:23

    Don't get me wrong. I'm not saying but

  185. 7:25

    but rarely are women creeps, but they

  186. 7:27

    can definitely be perverts. But if

  187. 7:29

    you're a perverted man, you you have a

  188. 7:31

    high creep susceptibility. Obviously,

  189. 7:33

    >> you got to be really careful.

  190. 7:34

    >> You got to be really careful.

  191. 7:38

    >> But a fun pervert. I mean, they kind of

  192. 7:40

    feel almost, you know, this is another

  193. 7:42

    thing that I want to talk to Sarah about

  194. 7:44

    is like the way she

  195. 7:47

    is a fun pervert and then turns on her

  196. 7:50

    audience and yells at them for liking

  197. 7:52

    it. That's so real. Well, cuz it's like

  198. 7:56

    it's such a relief to have someone

  199. 7:58

    obviously in such a heightened way, but

  200. 8:00

    like talk about all the all these things

  201. 8:02

    that like I also am like horrified by in

  202. 8:06

    my own body where I'm like, why does it

  203. 8:08

    do that? Why is there hair there? What

  204. 8:10

    is that substance? like having someone

  205. 8:14

    put words to it and and show it in like

  206. 8:17

    such a na it like it it is so

  207. 8:19

    heightened, but it's also like how I

  208. 8:21

    feel looking at like these parts of me

  209. 8:24

    and she it it like she she really brings

  210. 8:27

    it to life in a way that is like

  211. 8:29

    actually very inviting. I feel where

  212. 8:32

    it's like I'm disgusting. Aren't you

  213. 8:33

    disgusting? We're all disgusting. No,

  214. 8:35

    you're the disgusting one. It's a

  215. 8:38

    perfect way to sum it up in watching her

  216. 8:41

    stuff. I'm like on on the surface level

  217. 8:43

    it's kind of like grotesque almost

  218. 8:47

    performance art stuff but then

  219. 8:49

    underneath it is like this idea of

  220. 8:52

    claiming

  221. 8:53

    the stuff that gets thrown at us all the

  222. 8:56

    time anyway. Just kind of claiming it

  223. 8:58

    and like doubling down on it.

  224. 9:00

    >> Yes. The horrors of being a woman and

  225. 9:02

    having a body.

  226. 9:03

    >> Yes. So I always ask people to give my

  227. 9:06

    guest a question. What do you think

  228. 9:08

    Sarah want to talk about? answer. Small

  229. 9:11

    or big. Any story you want to prompt her

  230. 9:14

    to tell or anything you don't know about

  231. 9:16

    her yet.

  232. 9:17

    >> Okay. I wrote down a few.

  233. 9:18

    >> Oh, you're such a writer.

  234. 9:21

    >> I really overthought it.

  235. 9:26

    >> Why don't we get the room?

  236. 9:28

    >> Let's get the room in here and let's

  237. 9:29

    just keep pitching.

  238. 9:30

    >> Yeah. I got together about 30,000 of my

  239. 9:33

    favorite writers to put together a few

  240. 9:34

    questions for Sarah. Okay. Um, I wanted

  241. 9:39

    to force her to talk about her uh child

  242. 9:44

    musical theater career because she was

  243. 9:47

    really um she has so many stories about

  244. 9:49

    like liberties she took with the

  245. 9:52

    characters that she was given.

  246. 9:54

    >> Amazing. Thank you. That's great.

  247. 9:58

    >> Um, okay. I had two like bigger

  248. 10:01

    questions. Um, if you had a zillion

  249. 10:04

    dollars to make any disgusting practical

  250. 10:06

    creation, what would it be?

  251. 10:08

    >> Whoa, great question. We might have to

  252. 10:10

    ask all these questions. These are good.

  253. 10:12

    >> And then, what is your biggest bomb and

  254. 10:15

    what's your favorite show that you've

  255. 10:16

    done? Uh, so it's like a, you know, best

  256. 10:18

    and worst because I feel like Sarah's

  257. 10:20

    had some like really high highs and some

  258. 10:22

    really low lows. So, I think either of

  259. 10:26

    those I would be really excited to hear

  260. 10:27

    about. Great. And then if there's time,

  261. 10:29

    what where does she stand on the Real

  262. 10:30

    Housewives of Rhode Island?

  263. 10:33

    You know, if you're on if you know, if

  264. 10:34

    you're like hitting a wall

  265. 10:35

    conversationally.

  266. 10:38

    >> Okay, perfect. I can't wait to ask her

  267. 10:40

    these questions. Really good questions,

  268. 10:42

    Vitra. Thanks for talking to us on your

  269. 10:44

    lunch break.

  270. 10:45

    >> I loved every second.

  271. 10:48

    >> Okay, bye. Thanks, Vitra. Thanks so

  272. 10:50

    much.

  273. 10:51

    >> Bye.

  274. 10:51

    >> Bye, honey.

  275. 10:54

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    >> Woohoo! And this is the food wall. I

  305. 12:07

    should have I'm going to kill my I

  306. 12:09

    should have brought a little food for

  307. 12:10

    the wall.

  308. 12:10

    >> It's okay. You don't need to bring it. I

  309. 12:12

    don't want that to be

  310. 12:12

    >> to bring food for the wall.

  311. 12:15

    >> I didn't want it to people to feel like

  312. 12:17

    they needed to bring.

  313. 12:18

    >> No, I would. I could, not to brag, I

  314. 12:20

    could have contributed to this like

  315. 12:22

    crazy. I I can only imagine what you

  316. 12:24

    would have contributed to this.

  317. 12:25

    >> So amazing.

  318. 12:27

    >> I actually before we started, I wore

  319. 12:29

    these in in on behalf of you because I

  320. 12:32

    feel like you would like them. I wore a

  321. 12:33

    cheeseburger sneakers.

  322. 12:34

    >> That should be on the food wall.

  323. 12:35

    >> All right, we'll put one on the wall.

  324. 12:37

    >> What is Let me

  325. 12:38

    >> It's a cheeseburger sneaker from um

  326. 12:40

    >> It's Dolls Kill.

  327. 12:41

    >> It's Dolls Kill.

  328. 12:44

    >> And I feel like I'm not going to lift my

  329. 12:46

    foot up because I don't want any

  330. 12:47

    perverts

  331. 12:48

    >> seeing our feet for free. Screenshots

  332. 12:50

    would sell for a lot of money. Yep.

  333. 12:53

    >> And I'm wearing ice cream. Oh, I'm

  334. 12:55

    wearing ice cream.

  335. 12:56

    >> Oh, great. Okay, I feel good now. Okay,

  336. 12:58

    I'm not stressed. I was stressed that I

  337. 13:00

    didn't bring food, but I I came as food.

  338. 13:02

    >> You came as food.

  339. 13:03

    >> I came as food.

  340. 13:04

    >> Sarah Sherman is here.

  341. 13:05

    >> Do you feel weird now that you're

  342. 13:07

    wearing one shoe? It

  343. 13:08

    >> was such a good question. Let me think.

  344. 13:10

    Let me take that in.

  345. 13:11

    >> Um, yeah. I'm going to take the other

  346. 13:13

    shoe off. But now perverts are going to

  347. 13:16

    know that I'm barefoot the whole time.

  348. 13:17

    >> You see the feet?

  349. 13:18

    >> No. God, I would never let anyone see my

  350. 13:21

    feet.

  351. 13:22

    >> Have you se

  352. 13:22

    >> for free? No. Lord,

  353. 13:24

    >> honey. For free.

  354. 13:25

    >> What do I look like? Take me out to

  355. 13:27

    dinner first. Hello. Take me out to a

  356. 13:29

    plastic dinner first.

  357. 13:32

    >> Have you seen your wiki feed?

  358. 13:33

    >> Yeah.

  359. 13:34

    >> And what do we what are we talking?

  360. 13:35

    >> I'm happy about it. Oh, good.

  361. 13:37

    >> I I you know, I feel like with body

  362. 13:40

    parts, no one knows this more than you.

  363. 13:43

    Um like you have to some you make peace

  364. 13:45

    with, some you feel neutral about, some

  365. 13:46

    you have big thoughts about. I like my

  366. 13:48

    feet.

  367. 13:49

    >> I like

  368. 13:50

    >> How about you?

  369. 13:51

    >> I have like a I got a I got anxious

  370. 13:54

    recently. Well, as you know on the show,

  371. 13:56

    we have to wear many different shoes,

  372. 13:57

    many different hats, many different

  373. 13:59

    shoes, many different wigs. I'm always

  374. 14:00

    put in sort of I think everyone's put

  375. 14:02

    doing a practical joke on me by putting

  376. 14:03

    me in these big heels to the point where

  377. 14:06

    one of the writers, Asha Ward, shout out

  378. 14:09

    Asha, she puts like in the stage

  379. 14:12

    directions like Sarah exits like tick

  380. 14:14

    tick tick tick tick tick because that's

  381. 14:15

    my heel shovel. like click click click

  382. 14:17

    click click click click click clack cuz

  383. 14:19

    I can't walk on a heel. I'm always click

  384. 14:20

    clacking around. And so something

  385. 14:22

    happened to my feet where I think one of

  386. 14:25

    my toes I have no medical basis for

  387. 14:29

    this. I did not go to a doctor. I did

  388. 14:30

    not look this up.

  389. 14:31

    >> Interesting.

  390. 14:32

    >> I think that one of my toes is like it's

  391. 14:36

    a toe.

  392. 14:38

    >> I love that we're talking about body

  393. 14:39

    stuff right away. I LOVE IT.

  394. 14:42

    >> YOU ASKED FOR IT.

  395. 14:43

    >> I know I did. I asked for it. I don't

  396. 14:44

    know if I should look this up. In my

  397. 14:46

    head, one of my toes is just the bones

  398. 14:48

    are loose but inside of the toe sack.

  399. 14:51

    >> Well, I have a whole thing about, you

  400. 14:52

    know, like

  401. 14:53

    >> Oh my god, you have

  402. 14:54

    >> But your feet now we're really giving it

  403. 14:56

    for the perves who love feet. But your

  404. 14:58

    feet your feet health are very important

  405. 15:00

    like now cuz I'm getting to the age

  406. 15:02

    where I'm starting to read like

  407. 15:03

    >> barely 21.

  408. 15:05

    >> You're getting to the age of barely 21.

  409. 15:07

    >> Barely legal always. that what do you

  410. 15:10

    what needs to stay healthy for you to

  411. 15:12

    like survive the next and feet is a big

  412. 15:15

    one like meaning you got to be able take

  413. 15:18

    take care of your feet have good balance

  414. 15:21

    do you have good balance can you balance

  415. 15:22

    on one leg

  416. 15:24

    >> I'm saying this like so cockally I feel

  417. 15:27

    like yeah

  418. 15:28

    >> yeah right on you did it

  419. 15:29

    >> and I don't have I'm going to say

  420. 15:30

    something again this is more feet thing

  421. 15:32

    I have a huge arch

  422. 15:35

    >> that's very so do I it's crazy

  423. 15:37

    >> and it's good to have Okay.

  424. 15:39

    >> Because not only does it make your feet

  425. 15:42

    look nice when you want to eventually

  426. 15:43

    sell your feet pics, which we're all

  427. 15:45

    going to be there like

  428. 15:46

    >> I have tried actually and I have failed.

  429. 15:50

    >> Okay, we're going to get into that.

  430. 15:51

    Sarah Sherman is here. She is our first

  431. 15:54

    SNL C current SNL cast member on the

  432. 15:57

    show.

  433. 15:57

    >> I wonder if I have all the scoop. Do I

  434. 15:59

    have all the

  435. 16:00

    >> Well, you're a vet.

  436. 16:03

    >> Like, how many years have you been on

  437. 16:04

    the show?

  438. 16:05

    >> Five.

  439. 16:06

    >> Five. But you just wrapped SNL. You have

  440. 16:08

    a comedy special out. It's incredible. I

  441. 16:11

    cannot wait to talk about it. It's

  442. 16:13

    insane.

  443. 16:13

    >> It's It's quite insane.

  444. 16:14

    >> It's quite insane. Right now you were in

  445. 16:17

    that like school's out summer time like

  446. 16:20

    you just finished your last show last

  447. 16:22

    week. How are you feeling? How's your

  448. 16:24

    energy level? Where you at?

  449. 16:25

    >> I feel like I had So when you hosted

  450. 16:28

    this season at the very beginning,

  451. 16:30

    right?

  452. 16:30

    >> And not to suck your butt, but everybody

  453. 16:32

    goes, "Who's your favorite host?" I go

  454. 16:34

    everyone goes Amy Polar. like

  455. 16:35

    immediately

  456. 16:37

    and I had a lot of questions for you. I

  457. 16:39

    was like, "What?"

  458. 16:40

    >> I I wish like like every It's so funny

  459. 16:43

    as a cast member, you have such an

  460. 16:46

    experience and then when you're a host,

  461. 16:47

    you have the experience which is like

  462. 16:49

    you just wish you could immediately do

  463. 16:50

    it again.

  464. 16:51

    >> Yes.

  465. 16:51

    >> Immediately. And the I was just saying

  466. 16:54

    to someone, my favorite times are always

  467. 16:57

    the in between times.

  468. 16:58

    >> Interesting.

  469. 16:59

    >> I love the like the joking around

  470. 17:01

    between scenes. I like the like

  471. 17:04

    >> the beginning of the week. Like the show

  472. 17:06

    is like the event, but I tend to

  473. 17:10

    remember and like the like weird middle

  474. 17:13

    times. And I have such a fond memory

  475. 17:16

    >> of me, you and Bowen. I know. Sitting on

  476. 17:20

    a couch and really like getting to know

  477. 17:21

    you in in a way that I don't think I had

  478. 17:23

    in a fast amount of time.

  479. 17:25

    >> Yes. Laughing nonstop.

  480. 17:27

    >> I know. And a lot of giggles.

  481. 17:29

    >> A lot of giggling. Laughing. Thank you

  482. 17:31

    for saying that. Okay, so I was your

  483. 17:33

    favorite host. Great. I appreciate that.

  484. 17:34

    >> And my favorite like I wish people saw

  485. 17:37

    the table read like that is when I am

  486. 17:41

    laughing. I'm like and that was my

  487. 17:43

    favorite part of your week because

  488. 17:45

    what's okay? I'm going to the butt

  489. 17:46

    sucking is going to commence you.

  490. 17:48

    >> I'm usually doing that.

  491. 17:50

    >> Okay, good. Well, this is gonna be a

  492. 17:51

    good hang. try to receive

  493. 17:53

    >> I you like obvious so it's like

  494. 17:57

    obviously you're good at SNL like

  495. 17:59

    obviously but seeing you know how many

  496. 18:02

    sketches are at table read like 40 you

  497. 18:04

    have a different funny thing you were

  498. 18:07

    doing like fun new character voices for

  499. 18:09

    every sketch out of the 40 and it's like

  500. 18:11

    how many of those were cold reads and

  501. 18:13

    you were just like do like the doll with

  502. 18:15

    the eye

  503. 18:16

    >> oh yeah that was a good sketching Seth

  504. 18:18

    wrote that

  505. 18:18

    >> laughing

  506. 18:19

    >> he submitted a sketch for us and we

  507. 18:21

    didn't do I try to watch so that I can

  508. 18:23

    organically laugh if I'm not in a

  509. 18:24

    sketch. I try not to read those sketches

  510. 18:26

    ahead of time.

  511. 18:26

    >> Oh, interesting. Okay.

  512. 18:27

    >> So, I watch the whole table read like

  513. 18:29

    >> Well, that's very generous of you

  514. 18:30

    because you're actually providing an

  515. 18:32

    audience which people don't usually do

  516. 18:34

    like they, you know, everyone's in their

  517. 18:35

    own

  518. 18:37

    >> world at those readroughs and everyone's

  519. 18:39

    tired and everyone's like waiting for

  520. 18:42

    their stuff to get on. And so the fact

  521. 18:43

    that you could even do that means that

  522. 18:45

    you're like trying to actually stay

  523. 18:46

    present like you're a generous person

  524. 18:48

    >> and well I think it's also a sucking

  525. 18:50

    butt right back at you.

  526. 18:51

    >> I'll take it. We're human centipede

  527. 18:53

    ourselves all the way.

  528. 18:56

    I mean come on

  529. 18:58

    >> that's a good trilogy. There's three.

  530. 19:00

    >> I cannot believe that movie was made.

  531. 19:03

    >> The movies. There's three.

  532. 19:05

    >> I know there's three.

  533. 19:06

    >> There are three. And do you need me to

  534. 19:08

    talk about the differences between

  535. 19:09

    >> for some reason because I am so a gas at

  536. 19:11

    that movie. I get it constantly on my

  537. 19:13

    TikTok.

  538. 19:14

    >> Is it having a resurgence?

  539. 19:16

    >> Yeah, there's like a lot of clips about

  540. 19:18

    or or like I just keep watching right

  541. 19:21

    >> because I'm horrified by Okay, sorry. I

  542. 19:22

    digress.

  543. 19:23

    >> You are making it happen. I'm going to

  544. 19:24

    use your podcast platform to do

  545. 19:26

    something. Tom six. No.

  546. 19:28

    >> If you are doing a human centipede,

  547. 19:33

    >> we do not need a human centipede for us.

  548. 19:36

    I'll do it. I will show

  549. 19:38

    >> she will not I will not allow her. I'll

  550. 19:41

    do it. Black and white full color over.

  551. 19:44

    >> Absolutely not. We don't need it. Not

  552. 19:45

    now.

  553. 19:46

    >> Some of the best most important cinnamon

  554. 19:48

    that's been made.

  555. 19:49

    >> [ __ ] disgusting.

  556. 19:50

    >> And Tom, you are a freak.

  557. 19:52

    >> Okay. But you're you're on your summer

  558. 19:55

    break.

  559. 19:55

    >> Yeah.

  560. 19:56

    >> So you like what do you do for your

  561. 19:57

    summer?

  562. 19:59

    >> What are you doing?

  563. 19:59

    >> So I'm experimenting with something this

  564. 20:01

    summer. I don't understand how anyone

  565. 20:04

    can do anything while is happening. I

  566. 20:07

    feel like were you doing this? Were you

  567. 20:09

    I can't Well, I haven't said cuz

  568. 20:10

    >> all consuming

  569. 20:11

    >> when when when I even said to you cuz

  570. 20:13

    you did work birth and it was about you

  571. 20:15

    being the sketch when you hosted about

  572. 20:17

    you being pregnant and giving birth to

  573. 20:18

    work

  574. 20:18

    >> and I was like okay so this actually was

  575. 20:21

    your life?

  576. 20:22

    >> Yeah.

  577. 20:22

    >> The fact that you were pregnant there I

  578. 20:25

    can't even work there like if my contact

  579. 20:27

    is too dry. I don't know what your life

  580. 20:29

    is and if you ever want to carry a

  581. 20:31

    child, but pregnancy is wild and funny

  582. 20:34

    and fun because you are completely

  583. 20:36

    different body and you love body stuff

  584. 20:39

    >> and you're you scare a lot of people by

  585. 20:41

    walking around

  586. 20:41

    >> and it scares me.

  587. 20:43

    >> Yeah, it's scary.

  588. 20:43

    >> And I'm like, what do you mean they're

  589. 20:44

    moving my organs around inside me? They

  590. 20:46

    have to stay where they are.

  591. 20:48

    >> So sci-fi that there's a body inside of

  592. 20:51

    you.

  593. 20:52

    >> That's never alone. I

  594. 20:54

    >> I can't even imagine like my body can't

  595. 20:56

    even take being at the job regular. Not

  596. 20:58

    that pregnant isn't regular.

  597. 21:00

    New normal.

  598. 21:01

    >> New normal. Hey, I watch it. But like if

  599. 21:05

    I have like a bad burrito and I'm like

  600. 21:07

    bloated, I'm like I I can't write.

  601. 21:10

    >> Well Well, this is what I mean is like

  602. 21:12

    the idea of like everyone knowing when

  603. 21:14

    someone has a stomach ache. That's new.

  604. 21:17

    >> That that is new. That's new.

  605. 21:19

    >> You know what I don't like? And I'm I'll

  606. 21:20

    say it. I'll stand on my two feet,

  607. 21:22

    buckle my shoe, and say I don't like it.

  608. 21:24

    It's like hot girls with IBS. It's like

  609. 21:26

    I'm not proud

  610. 21:28

    >> of the diarrhea that I have every single

  611. 21:29

    day chronically.

  612. 21:30

    >> And we're about 7 minutes in. We got to

  613. 21:32

    diarrhea.

  614. 21:33

    >> I was hoping we would

  615. 21:34

    >> the morning.

  616. 21:37

    >> I just think that like more and more

  617. 21:39

    there's a there's an acceptance that

  618. 21:41

    everyone has a different way to work

  619. 21:44

    within the system. Yeah. And I would say

  620. 21:47

    that you being on the show is also I

  621. 21:50

    think another example of like how the

  622. 21:52

    show has smartly remembered that it is a

  623. 21:55

    variety show with a million different

  624. 21:58

    voices and different styles. And so

  625. 22:01

    there just was I think a little bit more

  626. 22:02

    it was just like a more homogeneous same

  627. 22:04

    way to do it same people writing it same

  628. 22:06

    people on it and it's just keeps

  629. 22:08

    changing.

  630. 22:08

    >> I actually think about this a lot

  631. 22:09

    because I'm like this is not even to say

  632. 22:12

    it's self-deprecatingly said that with

  633. 22:14

    an accent.

  634. 22:16

    I don't think I would have gotten on the

  635. 22:18

    show

  636. 22:20

    during your era because

  637. 22:23

    >> Yeah. No,

  638. 22:24

    >> that's not controversial.

  639. 22:26

    >> But I'm would have I would like to be a

  640. 22:31

    more talented sketch performer.

  641. 22:33

    >> Okay.

  642. 22:33

    >> I find myself to be quite limited.

  643. 22:36

    >> Okay.

  644. 22:37

    >> And I would Do you know what I'm saying?

  645. 22:38

    >> Well, okay. Let's

  646. 22:39

    >> So, I'm thinking let's cookie stars. I

  647. 22:41

    was not born, you know, I was born when

  648. 22:43

    I was born.

  649. 22:44

    >> Okay. Sarah Sherman, let's go back.

  650. 22:46

    >> No, we're going back.

  651. 22:46

    >> We're going back to Long Island.

  652. 22:48

    >> We're all We're going back 18 years.

  653. 22:51

    Well, I'm I'm 18 now. Just turned 18.

  654. 22:55

    Okay.

  655. 22:58

    So, you're in Long Island as a little

  656. 23:00

    >> Yeah, as a little

  657. 23:01

    >> as a little. Your mom is a public school

  658. 23:03

    teacher.

  659. 23:04

    >> So was mine.

  660. 23:05

    >> And um your dad runs a a children's

  661. 23:09

    clothing company. Fascinating. I mean,

  662. 23:11

    >> like, of course you love clothes. Of

  663. 23:14

    course you dress.

  664. 23:15

    >> I know, but I'm like addicted. Okay.

  665. 23:17

    >> It is his fault.

  666. 23:18

    >> Yeah. So, he's so he has like a he's

  667. 23:20

    like a garmentto.

  668. 23:21

    >> Yeah. He is like old school Jewish

  669. 23:23

    schmata business. So, it's like everyone

  670. 23:25

    saw Uncut Gems was like the diamond

  671. 23:27

    district in Manhattan. It's all those

  672. 23:29

    Jewish guys running around. Two blocks

  673. 23:31

    over is the garment district and schmata

  674. 23:33

    is Yiddish for rags. So, it's like all

  675. 23:35

    the same kind of Jewish guys running

  676. 23:37

    around with clothes.

  677. 23:38

    >> Right. Long Island seems like it has

  678. 23:40

    produced some really complicated

  679. 23:44

    interesting characters.

  680. 23:45

    >> Well, I saw Uncut Gems and I go, "Huh,

  681. 23:49

    that's about my dad." I just the vibe,

  682. 23:52

    >> right?

  683. 23:53

    >> So, I stalked the writer and I was like,

  684. 23:55

    "You wrote a movie about my dad." And he

  685. 23:58

    goes, "Well, this is actually quite

  686. 23:59

    interesting because I'm from your

  687. 24:01

    neighborhood. I went to a high school

  688. 24:03

    near your high school and my dad is in

  689. 24:05

    Schmata." So, yeah, I did.

  690. 24:06

    >> Wow.

  691. 24:07

    >> I know.

  692. 24:08

    Long Island.

  693. 24:09

    >> Okay. What is fifth grade Sarah look

  694. 24:12

    like?

  695. 24:12

    >> So annoying. I was like because I was

  696. 24:15

    like the clothes thing. Like my dad was

  697. 24:18

    in schmata. I grew up around clothes. So

  698. 24:20

    like I was addicted to the nanny Golden

  699. 24:24

    Girls and like my big thing

  700. 24:27

    >> um

  701. 24:28

    >> in when in middle school when I started

  702. 24:30

    doing middle school plays, Miss Orange

  703. 24:32

    who ran the costume department would let

  704. 24:35

    me kind of raid the costume closet. This

  705. 24:38

    makes sense and you were into that.

  706. 24:39

    Okay. We we um we we we always speak to

  707. 24:43

    people who know our guests really well

  708. 24:44

    and we get a question from them and we

  709. 24:45

    talk to Mitra.

  710. 24:47

    >> Okay.

  711. 24:48

    >> So, Mitra gave us a she's the best.

  712. 24:50

    >> What did you do, girl?

  713. 24:52

    >> Girl and she gave us a couple really

  714. 24:53

    good questions. So, throughout this

  715. 24:55

    interview, I'm going to pepper them in

  716. 24:57

    cuz of course, Mitra, good girl giving

  717. 24:59

    us so many good questions.

  718. 25:00

    >> I'm sure I'm I'm sure the list is long.

  719. 25:02

    And this Miss Orange reminds me of one

  720. 25:04

    of those questions which is um you did a

  721. 25:08

    lot of musical theater as a kid.

  722. 25:11

    >> I did.

  723. 25:11

    >> And you took liberty with some parts.

  724. 25:14

    >> And Midra, you know what you have done.

  725. 25:18

    >> Mra knows what she has done.

  726. 25:20

    >> She's helping out her friend.

  727. 25:22

    >> I just I Let me explain myself. I'm

  728. 25:26

    defend myself here. I always wanted to

  729. 25:30

    be a comedian. like grew up watching it.

  730. 25:33

    >> Why? Why do you think funny family?

  731. 25:35

    >> Funny family. Really funny family. Funny

  732. 25:38

    dad,

  733. 25:39

    >> funny like you know love love expression

  734. 25:43

    was like mean bullying funny was

  735. 25:45

    addicted to like Seinfeld SNL

  736. 25:49

    >> Brothers and Sisters

  737. 25:50

    >> younger brother also funny but I was

  738. 25:52

    kind of like a bully but it was funny.

  739. 25:55

    >> So you know

  740. 25:56

    >> that's when bullies were funny.

  741. 25:57

    >> I know right. And I had a big um science

  742. 26:00

    room skeleton in my room. My parents

  743. 26:03

    were always like, "Why'd you end up like

  744. 26:04

    this? You're normal." And I'm like, "You

  745. 26:07

    got me a giant science room skeleton

  746. 26:09

    when I was like,

  747. 26:10

    >> you know, my brother was like three on

  748. 26:12

    April F." I loved April Fool's Day cuz

  749. 26:14

    that also felt like the comedian's day

  750. 26:16

    to shine. It's like clowns Christmas.

  751. 26:20

    He was like three and I put this giant

  752. 26:23

    life-siz science room skeleton in his

  753. 26:25

    bed and he woke up crying, you know?

  754. 26:27

    Right. So, it's like stuff like that. I

  755. 26:29

    loved April My B mitzvah was on April

  756. 26:31

    Fool's Day.

  757. 26:32

    >> Whoa. What was the theme? Did you

  758. 26:34

    >> It was April Fools.

  759. 26:35

    >> It was April Fool's theme.

  760. 26:36

    >> Yeah. And the invitation was snakes in a

  761. 26:38

    can that I hand delivered to everyone's

  762. 26:39

    house.

  763. 26:41

    >> You learn so much about people when they

  764. 26:43

    talk about their bar and you really do.

  765. 26:45

    Like Ike Barold was in here and his was

  766. 26:47

    like I like Ike. Like he was running. He

  767. 26:50

    was like he was like running for, you

  768. 26:52

    know, president or whatever. You learn

  769. 26:54

    so much about what what their hopes and

  770. 26:57

    dreams are. Okay. Snakes in a can on

  771. 27:00

    every seat

  772. 27:02

    >> and like you know you're on in a bad

  773. 27:04

    mitzvah you're like on the this the

  774. 27:06

    beimma the stage at the synagogue and I

  775. 27:08

    had a wrapped audience of like

  776. 27:09

    80year-old old bald Jewish guys. I was

  777. 27:13

    going off. That was my first like I

  778. 27:16

    crushed at my mom.

  779. 27:18

    >> Oh my god. Do you remember any of your

  780. 27:20

    material? Yes. Of course. It's like cuz

  781. 27:22

    it was my first, you know, I was I've

  782. 27:23

    been what is it? Chasing the dragon or

  783. 27:25

    whatever since like the high

  784. 27:28

    >> was I went to a very conservative

  785. 27:30

    synagogue. Okay.

  786. 27:31

    >> And it's like the service is like 8

  787. 27:33

    hours intense Hebrew. I didn't know a

  788. 27:35

    word I was saying.

  789. 27:37

    >> And they go like, "And now the

  790. 27:38

    sisterhood of the temple would like to

  791. 27:40

    present you with your gift." And like

  792. 27:42

    these two um conservative women came up

  793. 27:46

    with uh candlesticks. I go, "Great. Just

  794. 27:48

    what I always wanted.

  795. 27:52

    My mom was in the FRONT GOING

  796. 27:55

    AND THEN NOT to brag, it was kind of the

  797. 27:57

    talk of the town for like a second.

  798. 27:59

    >> I BET

  799. 28:00

    >> IT WAS KIND OF LIKE everyone was like

  800. 28:01

    killed.

  801. 28:04

    >> Great. I always turning to a camera

  802. 28:06

    that's not there.

  803. 28:12

    >> Okay. So, what liberties did you take as

  804. 28:14

    a musical theater kid? What how did you

  805. 28:16

    interpret the parts?

  806. 28:18

    >> You're so evil. Is this is this is this

  807. 28:20

    a nonPC story?

  808. 28:22

    >> So, I just wanted to be a comedian and I

  809. 28:23

    wanted to be a performer.

  810. 28:25

    >> So, it's like I would do any play like I

  811. 28:28

    would do like I couldn't sing or dance

  812. 28:30

    but I do the musicals cuz I just wanted

  813. 28:31

    to do it and I could never get a part

  814. 28:34

    because it wasn't good. But I was like

  815. 28:36

    in with the costume closet. that Miss

  816. 28:38

    Orange would let me like that's I got

  817. 28:40

    addicted to like '8s little like sequin

  818. 28:42

    jackets cuz like

  819. 28:44

    >> Grandma Yeta and then Nanny would wear

  820. 28:45

    them and that's she let and Miss Orange

  821. 28:47

    let me keep the jacket. I know the one

  822. 28:50

    that looked exactly like Grandma yet

  823. 28:51

    sequin jacket

  824. 28:53

    >> and so she let me kind of I didn't have

  825. 28:54

    a part. I was in the chorus and into the

  826. 28:56

    woods.

  827. 28:57

    >> Oh yeah.

  828. 28:58

    >> Which was behind a screen. You were in

  829. 29:01

    the woods.

  830. 29:01

    >> I was in the woods in silhouette.

  831. 29:03

    >> Sure.

  832. 29:04

    >> So I was just basically a little

  833. 29:06

    outline. Yeah.

  834. 29:08

    >> But I was in the costume closet. I found

  835. 29:10

    a red and black

  836. 29:12

    lace gown with a fur hand muff.

  837. 29:15

    >> Oh, yeah.

  838. 29:15

    >> And I went to the director and I said,

  839. 29:17

    "So, this is my costume. I am the my

  840. 29:20

    character is the Russian Zarina."

  841. 29:24

    >> And so, I'm just I didn't really think I

  842. 29:27

    even knew what that was. I didn't have

  843. 29:28

    any words. I didn't have an accent,

  844. 29:29

    nothing. And so in the play bill, it

  845. 29:32

    would be like all the leads listed and

  846. 29:35

    then like the chorus, a whole list of

  847. 29:37

    all the faceless people behind the scrim

  848. 29:39

    and then Sarah Sherman will be playing

  849. 29:41

    the Russian Sarina.

  850. 29:43

    >> That's incredible. You created

  851. 29:44

    >> personality disorder.

  852. 29:47

    But it's such a com I mean that is the

  853. 29:49

    thing about you Sarah is and like we'll

  854. 29:52

    get to it with SNL but like there is an

  855. 29:54

    innate confidence about you

  856. 29:57

    >> that and and I say that because I I I

  857. 30:00

    want you to know to me that's like the

  858. 30:02

    what distinguishes people on SNL right

  859. 30:04

    away.

  860. 30:05

    >> Sure.

  861. 30:06

    >> Whether the content doesn't matter. It's

  862. 30:08

    like are we worried about you when we're

  863. 30:10

    watching you? I'm never worried about

  864. 30:12

    you anytime you're ever performing like

  865. 30:15

    and it's not like cocky like cuz you're

  866. 30:17

    super self-deprecating all the time.

  867. 30:18

    You're very honest. You're very like

  868. 30:21

    your your your feelings are right up

  869. 30:23

    front and center. But there is a

  870. 30:24

    confidence that I feel like you just

  871. 30:26

    were born with this idea of like

  872. 30:29

    grabbing things and wanting them.

  873. 30:31

    >> I think I am so used to bombing even

  874. 30:35

    though it sounds like I crushed my first

  875. 30:36

    time at bat. I'm so It's like everything

  876. 30:40

    that has every bad thing could that

  877. 30:42

    could happen to me on stage has already

  878. 30:44

    happened kind of thing. So it's like I

  879. 30:46

    don't even know if it's like confidence.

  880. 30:48

    It's like I'm going to [ __ ] crush

  881. 30:49

    this [ __ ] right now. It's like what what

  882. 30:52

    more could happen? I'm going to Madison

  883. 30:54

    Square Garden. What more could happen?

  884. 30:56

    >> But ambivalence is confidence too. It is

  885. 30:59

    like this idea of like I'm just going to

  886. 31:01

    float a little bit. a little

  887. 31:02

    dissociation too, but like I'm going to

  888. 31:04

    float above this moment so that you're

  889. 31:07

    going to have to come find me. I'm not

  890. 31:08

    going to like be like like me, like me,

  891. 31:10

    like me. That's the difference. But you

  892. 31:12

    went to Northwestern.

  893. 31:14

    >> And oh, this is what I find so

  894. 31:15

    interesting when you talk about like I

  895. 31:16

    want to have more experience in sketch

  896. 31:18

    and improv. You try out for like the

  897. 31:20

    sketch group, don't get in.

  898. 31:22

    >> Yep.

  899. 31:23

    >> Yep. Which was like I was is

  900. 31:27

    devastating.

  901. 31:28

    >> That's devastating. And I had tried

  902. 31:29

    stand up. Like I dabbled a little bit

  903. 31:30

    when I was like 16. Like I I like going

  904. 31:33

    to doing an open mic at like a barbecue

  905. 31:35

    restaurant cuz you know I couldn't do a

  906. 31:37

    bar yet. Like I dabbled a little but

  907. 31:40

    that was my first big like you know all

  908. 31:42

    I wanted to do was be a comedian and it

  909. 31:46

    when someone was like my peers were like

  910. 31:48

    no. I was like are you kidding me?

  911. 31:50

    >> Yeah.

  912. 31:50

    >> And so I'm full of I could be motivated

  913. 31:52

    by spite.

  914. 31:53

    >> But then you start a comedy show in

  915. 31:54

    Chicago called Hell Trap Nightmare.

  916. 31:56

    >> Yeah. How would you describe that show?

  917. 31:58

    >> Um,

  918. 32:01

    like the first to I like that you rolled

  919. 32:04

    your eyes.

  920. 32:05

    >> Like, how could I even begin to

  921. 32:09

    >> This is the the first show is my

  922. 32:11

    friend's basement. We were of course it

  923. 32:13

    was Chicago has like an amazing DIY

  924. 32:16

    electronic noise crazy performance art

  925. 32:19

    comedy scene

  926. 32:20

    >> and like you know there there was like

  927. 32:23

    comedy like there's all this improv in

  928. 32:25

    Chicago and whatever but I was like the

  929. 32:27

    funniest people to me were these like

  930. 32:28

    freaks.

  931. 32:29

    >> Yeah.

  932. 32:29

    >> So like my friend Mike Sugarman was

  933. 32:31

    performing as under this noise moniker

  934. 32:33

    Suge and the first Hell Trap night night

  935. 32:36

    mint. I had a stroke. The first Hell

  936. 32:38

    Trap nightmare was in my friend's

  937. 32:40

    basement. The poster was like uh a

  938. 32:42

    woman's face was see-through and you

  939. 32:44

    could see her teeth and brains. Sure.

  940. 32:46

    >> Because I was like, you know, that's the

  941. 32:47

    trigger warning.

  942. 32:48

    >> Yeah.

  943. 32:49

    >> And you know, I hosted I did like 10 bad

  944. 32:52

    minutes of standup and then my friend

  945. 32:54

    Suge came out in a trench coat and a wig

  946. 32:59

    um sunglasses, flashed everyone, and he

  947. 33:02

    had taped to his dick. Yeah.

  948. 33:04

    >> And was, you know, smashing light bulbs,

  949. 33:07

    but that was music, of course.

  950. 33:09

    >> Yeah. And I think I did a uh I don't

  951. 33:12

    even know what the these bits were like

  952. 33:14

    it was like a stretch to call it comedy

  953. 33:17

    like

  954. 33:17

    >> well it was like performance art right

  955. 33:20

    but with but with like

  956. 33:22

    >> the intent was to be funny but when I I

  957. 33:26

    chugged a can of room temperature clam

  958. 33:29

    chowder. I think the joke was literally

  959. 33:31

    like oh you like a woman who's a tall

  960. 33:32

    drink of water. I'm I'm a tall can of

  961. 33:34

    clam chowder. and then chug the whole

  962. 33:36

    thing and everyone's like, "Cool."

  963. 33:39

    Okay.

  964. 33:40

    >> You know, it's we don't need to look

  965. 33:42

    back on our bits and explain them. They

  966. 33:44

    were just like moments. They were

  967. 33:46

    moments, babe. You were experimenting,

  968. 33:48

    >> of course.

  969. 33:49

    >> But you were you were like I mean I I

  970. 33:51

    think it's one of the things that you've

  971. 33:52

    brought to the show like just your

  972. 33:55

    aesthetic, not only outside, but like

  973. 33:56

    your influences like you are very very

  974. 34:00

    interested in all types of media and

  975. 34:03

    art.

  976. 34:04

    >> I am. We we talk about in your special

  977. 34:06

    like like Paula Pound's own [ __ ]

  978. 34:08

    Spongebob. You also talk about like

  979. 34:12

    >> barely makes sense by the way and gave

  980. 34:13

    birth to what

  981. 34:17

    >> sometimes they just say stuff and I'm

  982. 34:18

    like it's going in.

  983. 34:20

    >> Um but also Ren and Stimpy and like

  984. 34:23

    Pee-Wee like what were your like what

  985. 34:25

    were what kind of stuff were you like

  986. 34:28

    when you think about all that stuff that

  987. 34:30

    jammed in your head when you were

  988. 34:31

    younger? What jam what got in there? I

  989. 34:34

    think like I always um I loved doing art

  990. 34:37

    and making stuff and I also loved

  991. 34:40

    performing comedy and for some reason I

  992. 34:42

    didn't know that you could do both at

  993. 34:44

    the same time like when I had started.

  994. 34:45

    So it was like 2015 like

  995. 34:48

    >> you know there's not like the internet

  996. 34:50

    and the way it is now. Like I didn't

  997. 34:52

    realize I could blend art like I was

  998. 34:53

    doing all the posters for my show like

  999. 34:56

    cuz it's like it was very you know

  1000. 34:57

    runchy blue like horrific comedy. So,

  1001. 35:00

    I'd make the posters be like lungs with

  1002. 35:01

    nipples on it and be like, you know what

  1003. 35:02

    the show's going to be? Whatever,

  1004. 35:04

    >> right?

  1005. 35:04

    >> Um, the letters are like a tampon with

  1006. 35:07

    poop on it. Sorry, whatever. I wasn't

  1007. 35:09

    that creative, but I was like, oh, that

  1008. 35:11

    was like a trigger warning for the

  1009. 35:13

    Awesome. My mom, by the way, to my

  1010. 35:15

    special taping, wore my old Hell Trap

  1011. 35:17

    nightmare shirt, which was a uterus with

  1012. 35:20

    ovary eyeballs and a severed finger

  1013. 35:24

    shoved up into the and a smiling like

  1014. 35:27

    open gashed vagina with like a butthole.

  1015. 35:30

    What' you guys do? Insert picture here.

  1016. 35:35

    My mom

  1017. 35:35

    >> Sarah, how does what do your parents

  1018. 35:39

    think? Like how do they h It is so

  1019. 35:42

    intense.

  1020. 35:43

    >> It's intense. It's intense.

  1021. 35:45

    >> And and I and I don't mean to be

  1022. 35:47

    misogynistic because like if it's a man,

  1023. 35:49

    it's they get a different pass, but like

  1024. 35:51

    your style

  1025. 35:53

    >> as a parent because your parents love

  1026. 35:55

    you and they love that you're they love

  1027. 35:57

    the work. How do they like do they

  1028. 35:59

    invite their friends to your show? They

  1029. 36:02

    they they're down.

  1030. 36:04

    >> It is it's literally like Paul Schrader

  1031. 36:06

    hardcore. the the no my daughter no turn

  1032. 36:09

    it off when he has to watch his daughter

  1033. 36:10

    doing porn it is THAT BUT UM NO TURN IT

  1034. 36:13

    OFF but um they love it

  1035. 36:16

    >> they love it

  1036. 36:17

    >> they are really supportive and I do

  1037. 36:19

    think I hate to say it I think that's

  1038. 36:21

    like what the confidence is a little

  1039. 36:24

    >> okay I I think that that's true I I

  1040. 36:26

    didn't want to say it but like I'm

  1041. 36:28

    learning about like loving parents

  1042. 36:30

    privilege like

  1043. 36:31

    >> if you have parents who are like you're

  1044. 36:32

    great you that really creates a

  1045. 36:35

    scaffolding for the rest of your life.

  1046. 36:37

    Obviously, when you try things where

  1047. 36:38

    you're like, well, I guess my parents

  1048. 36:40

    will still love me.

  1049. 36:41

    >> No, I there there there's not a threat

  1050. 36:43

    of losing my family.

  1051. 36:44

    >> Yeah. And like

  1052. 36:47

    >> maybe this is TMI, but I did a bit I've

  1053. 36:50

    done a lot of like updates where I'm in

  1054. 36:51

    a big animal costume. And that is

  1055. 36:53

    Lauren's idea.

  1056. 36:54

    >> Yeah.

  1057. 36:54

    >> Because I think I'm like he's like,

  1058. 36:56

    "What am I going to do with her? She's

  1059. 36:57

    crazy. She's like a wild animal. I'll

  1060. 36:59

    just make her be a wild animal."

  1061. 37:01

    I don't think people know that he

  1062. 37:03

    pitches bit like he was like, "You're

  1063. 37:05

    going to play a squirrel." I'm like,

  1064. 37:06

    "Okay."

  1065. 37:09

    Whatever you want. You're my bos. Okay,

  1066. 37:10

    boss.

  1067. 37:12

    He said like after I did I think a

  1068. 37:14

    squirrel or some [ __ ] animal. He

  1069. 37:17

    said, "When you did that, I could tell

  1070. 37:18

    you were loved as a child." And I was

  1071. 37:20

    like, "Oh,

  1072. 37:22

    clocked

  1073. 37:24

    >> clocked.

  1074. 37:24

    >> Clocked." He has very Oh, yeah.

  1075. 37:29

    >> I I remember being like Oh yeah.

  1076. 37:32

    >> Yeah. He he he as the kids would say he

  1077. 37:35

    can read you really fast

  1078. 37:36

    >> for Phil.

  1079. 37:47

    >> Okay. So you have this this way of

  1080. 37:49

    performing and then you audition for SNL

  1081. 37:52

    first when you're really young.

  1082. 37:54

    >> Mhm.

  1083. 37:55

    >> Don't get in.

  1084. 37:56

    >> Mhm.

  1085. 37:56

    >> What was that like? Well,

  1086. 37:59

    >> like was it a real audition? Did like

  1087. 38:00

    did you go into the studio? Okay,

  1088. 38:02

    >> it was um Sha Halpern from IO. Shout out

  1089. 38:05

    girl.

  1090. 38:05

    >> Shout out. Let's talk about Sha for one

  1091. 38:07

    second. Sha Halpern ran Improv Olympic a

  1092. 38:10

    theater in Chicago now called IO cuz the

  1093. 38:12

    Olympics sued and made them change their

  1094. 38:14

    name.

  1095. 38:15

    >> The Olympics.

  1096. 38:16

    >> The Olympics. That's right. And um Sha

  1097. 38:19

    was the was the the director who in in

  1098. 38:22

    my case just like put me on an improv

  1099. 38:25

    team. Said, "Hey, there's a woman named

  1100. 38:27

    Tina. you're going to really like her.

  1101. 38:29

    You guys, Sha Sha arranged that marriage

  1102. 38:32

    and Sha was in charge of so many of us

  1103. 38:35

    and like launched so many careers.

  1104. 38:36

    >> Oh my god, I didn't know that.

  1105. 38:37

    >> So, Hal Burn Sha got you in front of the

  1106. 38:40

    Sha Sha's she's always had an eye.

  1107. 38:43

    >> She knows. That's great because I would

  1108. 38:46

    I just wanted to do comedy. I couldn't

  1109. 38:47

    get into the [ __ ] college thing and

  1110. 38:49

    so I was like, "Oh, I'll go do it in

  1111. 38:51

    Chicago stuff in Chicago." And I was

  1112. 38:54

    like kind of a bad fit. And I'm like not

  1113. 38:56

    again how I feel self-conscious about my

  1114. 38:58

    limited range. It's like you kind of

  1115. 39:00

    need a little bit of range for improv

  1116. 39:02

    and I was kind of not a good fit there.

  1117. 39:04

    And I would also wear like they would be

  1118. 39:06

    like I'd have to get talking. It's like

  1119. 39:08

    hey you're wearing a big shirt with the

  1120. 39:09

    brain on it. A little distracting. I'm

  1121. 39:11

    like

  1122. 39:13

    um I was like I'm kind of a bad fit

  1123. 39:15

    there. But she was like you're going to

  1124. 39:18

    do the SNL audition. And at that time I

  1125. 39:20

    was like I was 22 and I was like uh

  1126. 39:23

    that's a bad idea cuz I was doing these

  1127. 39:25

    shows with the penis whatever

  1128. 39:28

    >> and I was like I just didn't and and she

  1129. 39:31

    she was like you're going to do that.

  1130. 39:32

    She's like you're going to be great like

  1131. 39:33

    if you need help with it. And I was like

  1132. 39:35

    well everyone tells you

  1133. 39:37

    >> I didn't know anything and there you

  1134. 39:38

    know everyone's like oh your your five

  1135. 39:40

    minutes it has to be like characters and

  1136. 39:41

    impressions or whatever.

  1137. 39:42

    >> So I did that and it was obviously

  1138. 39:45

    terrible. Like it was just like I was

  1139. 39:47

    trying to do what I thought the

  1140. 39:49

    assignment was. Sure. And I bombed

  1141. 39:51

    really badly.

  1142. 39:53

    >> Um I wore like my I remember what I

  1143. 39:56

    wore. I wore I know this is we're

  1144. 39:59

    actually finding out I'm a clothes

  1145. 40:00

    addict. I all my memories are marked by

  1146. 40:03

    like my outfit.

  1147. 40:04

    >> Well, I would say that you're you like

  1148. 40:06

    work from the outside in.

  1149. 40:07

    >> Yeah, I do. Actually, this is a problem

  1150. 40:10

    at SNL.

  1151. 40:11

    >> All right. Well, now it's time now for

  1152. 40:12

    season six. Inside out. work from the

  1153. 40:16

    inside. It's really hard.

  1154. 40:17

    >> Would love to see you just in a I would

  1155. 40:19

    love to see you in a neutral dress, a

  1156. 40:21

    slip dress. Hair natural, no makeup.

  1157. 40:25

    >> Yes.

  1158. 40:25

    >> Leaves flowing.

  1159. 40:28

    >> Hello, children. Your homework's late.

  1160. 40:32

    Big recurring character. Your homework's

  1161. 40:35

    late. Okay, I think can somebody write

  1162. 40:37

    that down? It's amazing. But this is

  1163. 40:39

    Lauren's big thing with me. He's like,

  1164. 40:41

    "Just let's just

  1165. 40:42

    >> yeah,

  1166. 40:42

    >> get it to and I'm like for Sai."

  1167. 40:45

    >> Okay, it's okay. It's okay. Don't don't

  1168. 40:47

    beat yourself up. I mean, it's a lot to

  1169. 40:49

    ask.

  1170. 40:49

    >> It's a lot. It's hard.

  1171. 40:51

    >> It's hard. It's hard to show any

  1172. 40:54

    especially when you're

  1173. 40:56

    It's like playing with it's like

  1174. 40:58

    practicing with your backhand. Like

  1175. 40:59

    you're really your forehand's really

  1176. 41:01

    strong and you're like I can score. And

  1177. 41:03

    someone's like now hit it with your

  1178. 41:04

    backhand. You're like now? Like season

  1179. 41:06

    3?

  1180. 41:08

    >> You think I'm trying? I I try like you

  1181. 41:11

    know Ashley Padilla started 2 years ago

  1182. 41:13

    and I'm like oh my god the character and

  1183. 41:16

    like everyone every character she has is

  1184. 41:19

    like a internal world and like the jokes

  1185. 41:22

    come kind of easy to her because she has

  1186. 41:24

    like inside she like knows what the

  1187. 41:26

    character wants and there's like

  1188. 41:28

    >> there's a motivation there and I feel

  1189. 41:30

    like I've been doing it all wrong for

  1190. 41:32

    like six [ __ ] years cuz I'm like what

  1191. 41:34

    if the wig is weird and then you have to

  1192. 41:36

    come like writing the joke cuz it's so

  1193. 41:38

    much harder cuz You're like forcing it

  1194. 41:40

    from the other way around. It's It's

  1195. 41:42

    outside in. So, it's a little harder.

  1196. 41:44

    >> I'm going to say something right now. I

  1197. 41:46

    think you're not afraid of the failure.

  1198. 41:48

    I think you're afraid of the success cuz

  1199. 41:49

    I actually think you can do it. I

  1200. 41:51

    actually think you are a good actor and

  1201. 41:53

    you do it. You're afraid of being

  1202. 41:55

    successful at it. So, like

  1203. 41:59

    >> cast me. I'm not afraid of being an

  1204. 42:01

    actor. I am free. People say that thing

  1205. 42:05

    where they're like, "Oh my god, you're

  1206. 42:06

    standup. That's so brave." I'm like,

  1207. 42:08

    it's it's cowardice. It is true. Yes, it

  1208. 42:11

    is true cowardice. Like I, you know, so

  1209. 42:14

    many things even in my special are like

  1210. 42:16

    people are like, "Oh my god, you're like

  1211. 42:17

    loose and riffing." Uh, that's all

  1212. 42:19

    written down.

  1213. 42:22

    You think I would riff during my HBO

  1214. 42:25

    comedy?

  1215. 42:26

    No. I have a pre-planned bit. I'm like,

  1216. 42:29

    I'm going to find someone in the crowd

  1217. 42:30

    wearing glasses. And I go, why' you wear

  1218. 42:32

    glasses to the show? So you can wear

  1219. 42:34

    your pre pubescent.

  1220. 42:36

    Sorry, wrong.

  1221. 42:37

    >> It's okay. We We'll edit it. Here we go.

  1222. 42:38

    And show my failure.

  1223. 42:42

    >> I'm actually a vulnerable Santa.

  1224. 42:48

    My god. You should make your own

  1225. 42:50

    blooper. Vulnerable blooper reel.

  1226. 42:54

    Showing my armpits. Hey guys, why did

  1227. 42:57

    you wear your glasses to the show? So

  1228. 42:58

    you could see my preubescent body

  1229. 43:00

    better. You pervert. Everyone goes, "Oh,

  1230. 43:02

    you think I thought of that on THE SPOT?

  1231. 43:06

    NO, I WROTE it down eight years ago and

  1232. 43:09

    I've been saying it every day since.

  1233. 43:12

    Sucks.

  1234. 43:12

    >> I feel like once you get the confidence

  1235. 43:15

    of um

  1236. 43:17

    knowing that you're not getting fired

  1237. 43:18

    from the show, basically like which is

  1238. 43:20

    true. Like you're at that point.

  1239. 43:22

    >> Congrats, babe. You're at that point.

  1240. 43:24

    >> I was crazy this season a little bit.

  1241. 43:26

    >> Well, you might get fired from something

  1242. 43:27

    you say for sure, but not for lack of

  1243. 43:30

    like we don't need you.

  1244. 43:31

    >> But yes, you might get fired. Yeah.

  1245. 43:33

    Yeah. Yeah. HR did want me to talk to

  1246. 43:36

    you. Yeah.

  1247. 43:37

    >> And I'm sorry for what I did and who I

  1248. 43:39

    touched.

  1249. 43:40

    >> Yeah.

  1250. 43:40

    >> Yeah. Yeah. I have to say like what I

  1251. 43:43

    find so impressive about you is you have

  1252. 43:45

    managed to maintain yourself, your POV

  1253. 43:49

    and your sense of what you think is

  1254. 43:51

    funny and you've worked within the

  1255. 43:53

    system. I.e. like

  1256. 43:55

    >> you coming at Colin and update is a

  1257. 43:57

    perfect example where you're like okay

  1258. 43:59

    I'm going to use this structure. I'm

  1259. 44:03

    going to hit Colin who's like the

  1260. 44:05

    ultimate like alpha straight white

  1261. 44:08

    punching bag successful punching bag and

  1262. 44:10

    he can handle it and why it's so

  1263. 44:12

    satisfying to watch because to me it

  1264. 44:14

    also and you do this a lot in your

  1265. 44:16

    comedy especially in your in your in

  1266. 44:18

    your special

  1267. 44:19

    >> where you like play around with what I

  1268. 44:21

    like to call like the millennial threat

  1269. 44:23

    like this this idea that like someone's

  1270. 44:26

    going to get something wrong.

  1271. 44:27

    >> Yes.

  1272. 44:28

    >> But people are very scared to screw up.

  1273. 44:30

    >> Yes. And and I I have

  1274. 44:32

    >> of course we all have

  1275. 44:33

    >> but you are like pressuring the powers

  1276. 44:36

    that be that they might [ __ ] up. It's

  1277. 44:39

    very exhilarating to watch cuz obviously

  1278. 44:40

    it's also talking about like cancer

  1279. 44:42

    girls are like misogyny and like

  1280. 44:44

    patriarchy and all that stuff but it's

  1281. 44:45

    not it's just funny

  1282. 44:47

    >> right

  1283. 44:47

    >> and it's like as mean as I'd be to Colin

  1284. 44:50

    calling him a pedophile whatever

  1285. 44:52

    whatever I'm really mean to myself.

  1286. 44:54

    >> Yeah. So it's, you know, but even that

  1287. 44:58

    it's like I got lucky on the show

  1288. 45:00

    because he he I had joined the show as a

  1289. 45:04

    complete act. I was shocked that I was

  1290. 45:06

    there. All my friends like the inside

  1291. 45:07

    joke was like okay Sarah's going to show

  1292. 45:09

    up as a waiter and see go want some

  1293. 45:10

    water ma'am and they got fired. You know

  1294. 45:12

    that was the big joke with all my

  1295. 45:14

    friends who are apparently like love me

  1296. 45:15

    and are nice to me or whatever.

  1297. 45:17

    >> But so it was like so I was just happy

  1298. 45:19

    to be there and I wasn't expecting

  1299. 45:21

    anything to happen. like I was writing

  1300. 45:23

    sketches but I didn't really know I

  1301. 45:24

    didn't even have final draft until

  1302. 45:26

    midnight on writing night like I didn't

  1303. 45:27

    know about any of this

  1304. 45:29

    >> and then um so I wasn't getting any

  1305. 45:31

    sketches on the show but I didn't really

  1306. 45:32

    care but then Colin was like why don't

  1307. 45:35

    you come on update and do like your

  1308. 45:37

    yourself and I didn't even know that you

  1309. 45:39

    could do that

  1310. 45:41

    >> there is some version of getting known

  1311. 45:44

    on the show and it doesn't stamp you

  1312. 45:46

    forever but like where people see you as

  1313. 45:48

    a person with a face

  1314. 45:50

    >> but I wouldn't have done that if he

  1315. 45:52

    didn't say so cuz it felt like

  1316. 45:53

    presumptuous or something like I really

  1317. 45:55

    was there to be like a good sport and

  1318. 45:57

    just do whatever the job was.

  1319. 45:58

    >> Okay. But I just want to gently say to

  1320. 46:00

    you that you should just take credit for

  1321. 46:02

    that success because even though it

  1322. 46:04

    wasn't your original idea perhaps we all

  1323. 46:07

    know that we're collaborating.

  1324. 46:10

    >> We're all collaborating working together

  1325. 46:12

    but you have to deliver. One other thing

  1326. 46:14

    I want to ask you about and then we'll

  1327. 46:16

    jump off SNL but

  1328. 46:18

    >> question.

  1329. 46:20

    Let's talk about Louis Zakarion.

  1330. 46:21

    >> What is there to say?

  1331. 46:22

    >> Louie runs the makeup department and he

  1332. 46:26

    is incredible.

  1333. 46:28

    >> It's crazy.

  1334. 46:29

    >> Like, let's talk about him for a second

  1335. 46:31

    and what he's made for you.

  1336. 46:32

    >> Uh, what hasn't he? He does it.

  1337. 46:36

    Prosthetics and makeup takes time. Yeah.

  1338. 46:39

    And like I think I've seen people

  1339. 46:40

    describe the SNL makeup experience as a

  1340. 46:42

    pit crew. There's like eight people

  1341. 46:44

    putting on a bald cap at once. I've

  1342. 46:45

    moderated um uh ComicCon panels for him

  1343. 46:49

    where it's like it'll be a guy in a grou

  1344. 46:51

    grou suit or whatever being like sir

  1345. 46:53

    what's your fastest bald cap application

  1346. 46:55

    and he goes 2 minutes and everyone you

  1347. 46:57

    hear the crowd go

  1348. 47:00

    >> you see like every X-Men character in

  1349. 47:02

    like a blue man

  1350. 47:03

    >> they should make them they should make a

  1351. 47:05

    TV show like the pit

  1352. 47:06

    >> and they should make it in the makeup

  1353. 47:08

    room of Louis room because the way that

  1354. 47:11

    they like in like in the pit the way

  1355. 47:12

    they like save people by like stabing

  1356. 47:15

    putting them in the heart and like you

  1357. 47:16

    like that's how Louis has to do makeup.

  1358. 47:18

    >> Yeah. He's ripping a bird beak off and

  1359. 47:20

    putting googly eyes on my eyes. He's get

  1360. 47:22

    out there. But by the way, he he's

  1361. 47:24

    having so much fun. Like he never says

  1362. 47:27

    no. He's having so much fun. He films

  1363. 47:29

    the whole thing. And it's like we could

  1364. 47:31

    have like 45 seconds to get me looking

  1365. 47:33

    from Jessica Rabbit into like Miss

  1366. 47:35

    Grinch or whatever. And he still has

  1367. 47:37

    like one selfie and it's like hilarious.

  1368. 47:40

    He like gets off on the thrill of it. He

  1369. 47:42

    he like my favorite we did a thing where

  1370. 47:46

    it was like it was supposed to look like

  1371. 47:47

    me and Michael B. Jordan got stuck on a

  1372. 47:49

    roller coaster and it like our it blew

  1373. 47:51

    our like hair and mouth open and I was

  1374. 47:53

    like I was like can you make it look

  1375. 47:56

    like I have a speculum in my mouth like

  1376. 47:59

    blowing my mouth out but you don't see

  1377. 48:00

    any pla like it just has to look like

  1378. 48:02

    it's naturally like that

  1379. 48:04

    >> and he doesn't say no

  1380. 48:06

    >> right

  1381. 48:07

    >> well that's what an emergency room

  1382. 48:09

    doctor is like we'll see what we can do.

  1383. 48:11

    Yeah. Oh my god. Let the baby die. I

  1384. 48:13

    don't think so. And it's the same stakes

  1385. 48:15

    for a comedy show.

  1386. 48:16

    >> It's the same stakes.

  1387. 48:17

    >> It's the same stakes.

  1388. 48:18

    >> And that's if there's any takeaway, it's

  1389. 48:20

    that what you do is as important as

  1390. 48:22

    people that work in the

  1391. 48:22

    >> No one banged their pots and pans for

  1392. 48:24

    me.

  1393. 48:26

    >> Exactly.

  1394. 48:27

    >> Um, this is another Metra question. If

  1395. 48:29

    you had unlimited funds

  1396. 48:32

    >> and you could make any disgusting

  1397. 48:34

    creation, what would it be? I don't know

  1398. 48:35

    if I want to ask you this question.

  1399. 48:37

    >> Yeah. Maybe let's say on SNL. So we have

  1400. 48:39

    to say that it passes like you have like

  1401. 48:42

    >> cuz cuz there have been

  1402. 48:45

    >> that is a this is another reason why I

  1403. 48:48

    working outside in

  1404. 48:50

    >> I love that taking that and I'm going to

  1405. 48:52

    write my book about that. Um so you have

  1406. 48:54

    fun with your book. I'm taking outside

  1407. 48:56

    in. It's like it it's such it can be

  1408. 49:00

    such a hindrance because like me and Dan

  1409. 49:02

    Bulla had like this idea for like maybe

  1410. 49:04

    a sketch that's like at um like a facial

  1411. 49:07

    spa or something and when they take our

  1412. 49:11

    sheet masks off it just pulls the whole

  1413. 49:13

    front of our face off.

  1414. 49:15

    >> And for years I me and Louis have been

  1415. 49:18

    like how are we going to do that? Cuz

  1416. 49:20

    like when I first started the show I was

  1417. 49:22

    in like one sketch every six and a half

  1418. 49:24

    months. So like was it? But now it's

  1419. 49:26

    like maybe I'll be maybe I'll be playing

  1420. 49:28

    Trump right beforehands. Who knows?

  1421. 49:29

    James, I'm coming for your breakfast

  1422. 49:31

    nachos. You put

  1423. 49:33

    >> So it's like if I had unlimited funds,

  1424. 49:36

    it would be like I would be able to do

  1425. 49:39

    something like that really fast with L.

  1426. 49:41

    Like I just want to take my whole face

  1427. 49:43

    off.

  1428. 49:44

    >> Why do you want to

  1429. 49:45

    >> I don't know. It's really weird and it's

  1430. 49:48

    not normal.

  1431. 49:49

    >> I It is. It like when you say that my

  1432. 49:53

    brain pictures it and I'm like

  1433. 49:55

    >> Sarah Sarah you just made your life so

  1434. 49:57

    much harder.

  1435. 49:58

    >> But I know I'm but that is just it also

  1436. 50:01

    is like there is a there is such a

  1437. 50:04

    incredible performance art artist like

  1438. 50:08

    like you have a Cindy Sherman vibe. You

  1439. 50:11

    have a like you have a you have a like a

  1440. 50:14

    a dance with the grotesque that's super

  1441. 50:17

    interesting and it's always like what

  1442. 50:19

    level is like gross like what does what

  1443. 50:21

    grosses you does anything gross you out

  1444. 50:23

    >> the other day

  1445. 50:25

    literally I like you know how people

  1446. 50:28

    like chew on their like sleeves or like

  1447. 50:31

    >> oh yeah like wet

  1448. 50:32

    >> wet fabric on my teeth like I got grazed

  1449. 50:35

    on on the train on the tooth with my own

  1450. 50:38

    sleeve and it like

  1451. 50:40

    >> gave you You're chill.

  1452. 50:41

    >> I That's like my nails on a chalkboard

  1453. 50:42

    is like stuff like that.

  1454. 50:44

    >> Okay. But any kind of like your face

  1455. 50:46

    peeling off, you're down.

  1456. 50:47

    >> All good. All good.

  1457. 50:50

    All good.

  1458. 50:51

    >> And and then my last question in the SNL

  1459. 50:54

    space is cuz we all have them. What does

  1460. 50:55

    your SNL stress dreams look like?

  1461. 50:57

    >> Oh, I actually wrote a sketch about

  1462. 50:59

    this.

  1463. 51:00

    >> Okay. Incredible.

  1464. 51:01

    >> Um it is Oh my god, I wish I could

  1465. 51:04

    remember the sketch cuz it was like, you

  1466. 51:05

    know, when you stay up all night, you're

  1467. 51:06

    like, I'm getting a Nobel Peace Prize

  1468. 51:09

    for what I just wrote. Classic sketch.

  1469. 51:11

    >> Classic sketch.

  1470. 51:12

    >> They always win the Nobel Peace Prize.

  1471. 51:14

    >> I'm like, if I read I read it wrote it

  1472. 51:16

    two years ago. I'm sure if I read it

  1473. 51:17

    today, I'd be like, "What?"

  1474. 51:19

    >> You know what I mean? When you're like,

  1475. 51:20

    >> "Yes."

  1476. 51:20

    >> My stress dream is always writing night.

  1477. 51:23

    >> Okay.

  1478. 51:23

    >> And it's always I get to I'm at writing

  1479. 51:27

    night and I'm the clock says it's like

  1480. 51:30

    midnight or 1:00 in the morning and I

  1481. 51:32

    don't have anything yet and I'm going

  1482. 51:33

    from room to room with like my tin can

  1483. 51:36

    being like, "Will you wait with me?" And

  1484. 51:38

    everyone's like, "No, I'm already busy.

  1485. 51:40

    I already have my thing for the week."

  1486. 51:41

    And I'm going door to door down the

  1487. 51:43

    hallway. And the hallway gets longer.

  1488. 51:46

    Very, okay, Christopher Nolan, don't

  1489. 51:48

    steal this. We're running a little

  1490. 51:49

    project.

  1491. 51:52

    >> Odyssey 2. Um, the human centipede.

  1492. 51:56

    >> Don't temp me with a good time. Maybe

  1493. 51:58

    polar. And the hallway just gets longer

  1494. 51:59

    and longer, and I'm like, does anyone

  1495. 52:01

    want to write with me? And that's like

  1496. 52:02

    that's the what I'm the most anxious

  1497. 52:04

    about all the time. It's like bombing on

  1498. 52:06

    live TV is one thing. Bombing trying to

  1499. 52:09

    get someone to write a sketch with you

  1500. 52:10

    is a fate worse than death. I have one

  1501. 52:13

    more stress dream that was my first

  1502. 52:15

    year.

  1503. 52:15

    >> Okay,

  1504. 52:16

    >> which was there's a prop toilet on the

  1505. 52:19

    floor of 8H. This I have this dream two

  1506. 52:21

    times. There's a prop toilet on the

  1507. 52:24

    floor of 8H.

  1508. 52:25

    >> I know it's not hooked up to any pipes.

  1509. 52:28

    I know it's a prop and I [ __ ] in it

  1510. 52:30

    anyway. And everybody's looking at me

  1511. 52:32

    like the last shot and Murder on the

  1512. 52:34

    Orient Express. There's like a shot

  1513. 52:35

    where they're like all looking down at

  1514. 52:36

    this dead body and you see the POV of

  1515. 52:38

    the dead body looking back at everyone.

  1516. 52:40

    And I see everyone looking at me going,

  1517. 52:42

    "The toilet's not hooked on anything.

  1518. 52:44

    Why'd you do that?" And I'm going, "I

  1519. 52:46

    know. I have no idea what happened." And

  1520. 52:49

    my young and dream analyst at the time

  1521. 52:50

    said that when you poop in a dream

  1522. 52:54

    gross,

  1523. 52:56

    it's it's like you're putting work out

  1524. 52:58

    there and you're embarrassed.

  1525. 53:00

    I worked hard. Yeah. Oh, and also do you

  1526. 53:04

    have a Yungian um dream analysis? Do you

  1527. 53:07

    do a lot of therapy?

  1528. 53:08

    >> I do many times a week.

  1529. 53:10

    >> Fun.

  1530. 53:11

    >> Doesn't seem to be working.

  1531. 53:13

    >> Online or in person?

  1532. 53:15

    >> I'm on the

  1533. 53:17

    >> You're on the couch.

  1534. 53:19

    >> Yep.

  1535. 53:21

    I'm lying down on the couch and

  1536. 53:24

    >> the whole time.

  1537. 53:25

    >> Yep.

  1538. 53:26

    >> Whoa.

  1539. 53:26

    >> I'm doing like analysis. I'm call I'm

  1540. 53:29

    doing analysis.

  1541. 53:30

    >> That's old school. Yeah. And um just I

  1542. 53:34

    just noticed recently because I don't

  1543. 53:36

    look at my therapist and sometimes I'll

  1544. 53:38

    be like this.

  1545. 53:39

    >> Male or female therapist? Of

  1546. 53:41

    >> course it's a man.

  1547. 53:44

    IT'S NOT FIXED. IT'S A MAN. It's not

  1548. 53:48

    working. A woman would fix it

  1549. 53:52

    like this. And I said something and I

  1550. 53:55

    heard his laugh behind me and I went

  1551. 53:59

    like he was he forgot he was there.

  1552. 54:01

    Yeah. And I was like, "Stop."

  1553. 54:04

    I don't know why that was. So I

  1554. 54:06

    immediately I was like I never looked at

  1555. 54:09

    him and I was like oh my

  1556. 54:10

    >> get it together.

  1557. 54:12

    You're making me think about like my

  1558. 54:14

    stress dreams for SNL were less about

  1559. 54:17

    like

  1560. 54:18

    will you guys, you know, uh like where

  1561. 54:21

    where can I uh get in here and write

  1562. 54:24

    with people or like oh no my my my the

  1563. 54:27

    [ __ ] in my toilet you guys don't like

  1564. 54:28

    which is

  1565. 54:29

    >> your work your work.

  1566. 54:30

    >> Um but mine was disappointing.

  1567. 54:34

    >> Mine was about disappointing like

  1568. 54:36

    powerful figures. It's a very Gen Xy

  1569. 54:39

    stress dream. So mine was

  1570. 54:41

    >> always mine was always about

  1571. 54:43

    >> uh I would often have it which is I'd

  1572. 54:45

    hear Jenna Rosatano as we talked about

  1573. 54:47

    the great ad calling me and I would

  1574. 54:49

    realize oh my god I'm not on stage like

  1575. 54:52

    I I'm missing my my um queue

  1576. 54:56

    >> and I had it more than once where I'd be

  1577. 54:57

    running down from 9 to 8

  1578. 55:00

    >> and I'd pass everybody whose opinion I

  1579. 55:02

    cared about it

  1580. 55:03

    >> and they look at you

  1581. 55:04

    >> and they would go like this

  1582. 55:07

    >> like and it was everyone You could

  1583. 55:09

    imagine it was people from my past. It

  1584. 55:12

    was people working on the show. It was

  1585. 55:14

    always of course Lauren and like and

  1586. 55:15

    everyone was just like wow like you

  1587. 55:18

    really let us down.

  1588. 55:25

    >> It's like Amy Polar you ARE LATE FOR HOT

  1589. 55:27

    DOG BAR MITZVAH.

  1590. 55:30

    WHERE IS YOUR PROSTHETIC BUTT? YOUR

  1591. 55:32

    FUNNY WIG.

  1592. 55:36

    It's so crazy. What gives us literal

  1593. 55:38

    anxiety trauma is like you running to go

  1594. 55:41

    do like Mr. Butt in the hot dog hospital

  1595. 55:46

    >> and Lauren going you're a disappointment

  1596. 55:49

    to your father like wait

  1597. 55:52

    I have to go be Captain Crunch the

  1598. 55:54

    musical.

  1599. 55:59

    >> It's so stupid.

  1600. 56:01

    >> So stupid.

  1601. 56:02

    >> It's so stupid.

  1602. 56:03

    >> Okay. And the last question that that

  1603. 56:06

    Mitra wanted me to ask you, she had so

  1604. 56:09

    many good ones, was like the and you're

  1605. 56:11

    talking, you've talked about it a little

  1606. 56:12

    bit, but like the biggest bomb and the

  1607. 56:14

    best and the favorite show you've ever

  1608. 56:16

    done cuz we talk about you must have

  1609. 56:19

    >> bombed big time. And I'm kind of

  1610. 56:20

    fascinated about your time opening with

  1611. 56:22

    Adam Sandler, who talk about what a like

  1612. 56:25

    terrific, lovely person and like nicest

  1613. 56:30

    person probably to be around and open

  1614. 56:33

    for, but the audience might not have

  1615. 56:35

    been that ready for you.

  1616. 56:38

    >> He is. So,

  1617. 56:38

    >> is that a good way to say it?

  1618. 56:41

    >> Thank and thank you. I'll take it away

  1619. 56:43

    from here.

  1620. 56:43

    >> Okay. Exactly. It is. Okay. Butt sucking

  1621. 56:47

    initiation.

  1622. 56:49

    a computeren enhanced butt sucking right

  1623. 56:51

    now. You and Adam

  1624. 56:54

    and there have been other cat like Fred,

  1625. 56:57

    >> you guys are so mchy that it's like

  1626. 57:02

    I'm thinking of people who have like how

  1627. 57:05

    could anyone do SNL without the menches.

  1628. 57:08

    Like I have Adam being like, "You're

  1629. 57:09

    doing great kid." Like I would have

  1630. 57:12

    blown my brains out from here to the

  1631. 57:14

    western seabboard if I didn't have him

  1632. 57:16

    being like, "You got it, dude."

  1633. 57:17

    >> Yeah. He's so every time you see him,

  1634. 57:20

    how's your mother? How's your father?

  1635. 57:21

    How's Hanukkah? What's going on? I love

  1636. 57:23

    you. Mwah. How are you? So menchy and

  1637. 57:26

    like opening for him, I have bombed a

  1638. 57:28

    lot because people have paid good money

  1639. 57:31

    to be there. They have hired

  1640. 57:32

    babysitters. They drove all the way from

  1641. 57:34

    Hackinack. They are six drinks in. They

  1642. 57:37

    are there to see Adam Sandler, not Long

  1643. 57:41

    Island Presents, Sarah Sherman, someone

  1644. 57:43

    they don't know who's sweating up there.

  1645. 57:44

    They have paid good money to see the

  1646. 57:46

    wedding singer. Well, honestly, when I

  1647. 57:48

    was watching your special, I was

  1648. 57:49

    fascinated by the audience because I was

  1649. 57:51

    like, this audience. So, your special um

  1650. 57:55

    Sarah Squirm live in the flesh.

  1651. 57:57

    >> Live and in the flesh. Live plus in the

  1652. 57:59

    flesh.

  1653. 58:00

    >> Thank you. That was a big That was a big

  1654. 58:02

    thing.

  1655. 58:02

    >> Live plus in the flesh. Um and I and

  1656. 58:06

    first of all, why is it squirm?

  1657. 58:08

    >> That was how I like when I was doing

  1658. 58:10

    these ba basement shows with the stuff.

  1659. 58:13

    It was just like the poster was like,

  1660. 58:15

    you know, I wrote written in guts. It

  1661. 58:17

    was like a also I was like performing

  1662. 58:19

    with bands like piss piss piss moan moan

  1663. 58:21

    moan rest in peace Alejandro he has

  1664. 58:22

    passed. Um that's a crazy thing to say

  1665. 58:27

    >> but like I was like so I was like I

  1666. 58:28

    don't want to just be like and Sarah and

  1667. 58:30

    then there's Sarah. So like I was kind

  1668. 58:32

    of like

  1669. 58:33

    >> it was like it was like your punk

  1670. 58:34

    persona. It was like it was like x-ray

  1671. 58:37

    specs or like Alice Cooper or something

  1672. 58:39

    like it's very music. It's very music,

  1673. 58:42

    but that's like the show that's like it

  1674. 58:43

    was the shows that I was doing cuz I was

  1675. 58:46

    like I just, you know, it was it was the

  1676. 58:47

    vibe.

  1677. 58:48

    >> Yeah.

  1678. 58:48

    >> And um

  1679. 58:50

    >> did you get pressure to or like did

  1680. 58:52

    people say it should be Sarah Sherman?

  1681. 58:54

    So then when I got so so like I

  1682. 58:56

    auditioned for when I auditioned for SNL

  1683. 58:58

    do you know they or no I was doing I was

  1684. 59:01

    just performing as Sarah Squirm at the

  1685. 59:02

    time and I wasn't really like thinking

  1686. 59:04

    about it and then when I got so that

  1687. 59:06

    that's on all of my SNL paperwork is

  1688. 59:09

    just they found me at a show as Sarah

  1689. 59:11

    Squirm. So that's still on my paper.

  1690. 59:13

    >> You've never been paid.

  1691. 59:14

    >> I've never been paid. I don't work

  1692. 59:15

    there.

  1693. 59:16

    >> Yeah.

  1694. 59:16

    >> My alter ego works there.

  1695. 59:19

    Point to another ghost over here. My

  1696. 59:21

    alter ego works there. And Lauren, when

  1697. 59:24

    I got the job, Lauren called me and was

  1698. 59:26

    like, you know, they're like, "Oh,

  1699. 59:27

    Sarah, like Lauren's calling you." And I

  1700. 59:29

    was like, "Hello." And he's like, "We

  1701. 59:32

    think squirm is a little distracting."

  1702. 59:34

    And I go, "Say no more. You can have

  1703. 59:38

    more."

  1704. 59:38

    >> And you know who like that? Your

  1705. 59:40

    parents.

  1706. 59:40

    >> Yeah. Oh, my mom is still this day. It's

  1707. 59:43

    like people will be like, "Hi, I'm Mrs.

  1708. 59:44

    Squirm." And she's like, "No, that don't

  1709. 59:47

    call me that."

  1710. 59:48

    >> Yeah. They want to hear Sherman up

  1711. 59:49

    there.

  1712. 59:49

    >> They want to hear Sherman. Yeah. And so

  1713. 59:51

    it was when I was doing the special like

  1714. 59:52

    not you know people don't know me from

  1715. 59:54

    standup really cuz I know the ticket

  1716. 59:56

    sales show

  1717. 59:58

    Pittsburgh

  1718. 1:00:01

    they like you know everyone's like it

  1719. 1:00:03

    should be like Sarah Sherman live in the

  1720. 1:00:05

    flesh but I'm like but that's not the

  1721. 1:00:06

    character.

  1722. 1:00:07

    >> Yeah I get it and it it really helps set

  1723. 1:00:09

    like the table like you said like you

  1724. 1:00:11

    set the table really fast. In fact, the

  1725. 1:00:13

    table is set.

  1726. 1:00:14

    >> It's set

  1727. 1:00:15

    >> because

  1728. 1:00:17

    that the special starts with something

  1729. 1:00:19

    I've never seen in a comedy special,

  1730. 1:00:20

    which is like it's like there's like a

  1731. 1:00:22

    warning of graphic violence.

  1732. 1:00:24

    >> There is.

  1733. 1:00:26

    >> It's like there's a warning of graphic

  1734. 1:00:27

    like there's so many warnings.

  1735. 1:00:29

    >> There is. Yeah.

  1736. 1:00:30

    >> And

  1737. 1:00:32

    >> you also start with John Waters.

  1738. 1:00:33

    >> I know. Which is the ultimate trigger

  1739. 1:00:36

    warning.

  1740. 1:00:37

    >> Yes. You're you're so right. if he's

  1741. 1:00:39

    like put a got to put a stamp on

  1742. 1:00:40

    something, you know that like there's

  1743. 1:00:43

    going to be so much poop

  1744. 1:00:45

    >> talked about for sure. And also just

  1745. 1:00:48

    like he's like this I mean he's

  1746. 1:00:53

    What does he mean to you? John Waters

  1747. 1:00:54

    like

  1748. 1:00:57

    >> how did you get him? How do you wrote

  1749. 1:00:59

    him a letter? I wrote him a letter that

  1750. 1:01:02

    was like I drew like everything what

  1751. 1:01:06

    what's so helpful with visual art

  1752. 1:01:09

    >> or like all this. It's like you can

  1753. 1:01:11

    provide your own trigger warning always.

  1754. 1:01:14

    So I wrote a like for the posters for

  1755. 1:01:16

    Hell Trap. It's like there's a butthole

  1756. 1:01:18

    that's bleeding with an eyeball. Like

  1757. 1:01:20

    you know what you're getting into.

  1758. 1:01:21

    >> Oh my god.

  1759. 1:01:22

    >> Sarah, enough. Enough.

  1760. 1:01:25

    >> Okay. So I wrote him a letter and there

  1761. 1:01:27

    was like intestines all over it and I

  1762. 1:01:28

    was like do you want to like you know

  1763. 1:01:30

    there's this do you want to play the

  1764. 1:01:32

    stage manager in my stand up special and

  1765. 1:01:34

    I was like your scene partner will be

  1766. 1:01:35

    this and then I drew a little picture of

  1767. 1:01:37

    me as like the bones and guts on the

  1768. 1:01:38

    floor and I'm like this is who you're

  1769. 1:01:40

    going to be talking to. And then I put

  1770. 1:01:41

    my number at the bottom of the letter

  1771. 1:01:43

    and I was like if you're interested call

  1772. 1:01:44

    me or whatever. And then I was getting

  1773. 1:01:46

    into therapy on a particularly

  1774. 1:01:48

    devastating read of a day. I had just

  1775. 1:01:51

    bought a loaf of sourdough bread and I

  1776. 1:01:53

    was literally walking down my block

  1777. 1:01:54

    ripping off pieces of bread and eating

  1778. 1:01:56

    it like an animal or a raccoon. Good

  1779. 1:01:58

    job, Lauren. You knew. Um, and I got a

  1780. 1:02:03

    call from an unknown number Baltimore

  1781. 1:02:04

    area code. Hey Sarah, it's John Waters.

  1782. 1:02:07

    I'll see you on set.

  1783. 1:02:09

    >> What?

  1784. 1:02:10

    >> Yeah. And I said to my producers, cuz I

  1785. 1:02:13

    had written the stage manager character.

  1786. 1:02:14

    >> What a cool way to say it. I'll see you

  1787. 1:02:16

    on set.

  1788. 1:02:16

    >> I was like,

  1789. 1:02:18

    >> that's an old school fun way to say it.

  1790. 1:02:20

    I see you on set.

  1791. 1:02:21

    >> See you on set. And I was like, "Do you

  1792. 1:02:22

    want me to Is there anything you want to

  1793. 1:02:23

    say?" Like, and he's like, "I'm not

  1794. 1:02:25

    writing it. You wrote it. I'm saying

  1795. 1:02:27

    what you wrote." And I go, "That's

  1796. 1:02:28

    professional."

  1797. 1:02:29

    >> Yeah. Yeah.

  1798. 1:02:30

    >> He doesn't have punchup. He's like,

  1799. 1:02:31

    "I'll be

  1800. 1:02:32

    >> I bet he had about like a 2hour door to

  1801. 1:02:34

    door, right? Like he was like, "We got a

  1802. 1:02:35

    heart out. We got to be out here in an

  1803. 1:02:37

    hour and a half."

  1804. 1:02:38

    >> He was being hilarious and he was

  1805. 1:02:40

    pitching jokes cuz he could he couldn't.

  1806. 1:02:42

    And guess what? They made it in.

  1807. 1:02:44

    >> Yeah.

  1808. 1:02:45

    >> Okay. Do you want some Visine? Cuz my

  1809. 1:02:47

    eyeballs out. That was a John Waters

  1810. 1:02:49

    original riff. Yeah.

  1811. 1:02:52

    It's like I'm the luckiest girl in the

  1812. 1:02:53

    world. That crazy thing. I keep going

  1813. 1:02:56

    back to SNL, but you're bringing it out

  1814. 1:02:57

    of me, girl.

  1815. 1:02:59

    >> I If I didn't have SNL, I would be a

  1816. 1:03:03

    random crazy person.

  1817. 1:03:04

    >> But I want to say something. I don't

  1818. 1:03:06

    find you crazy. I don't think you're

  1819. 1:03:09

    crazy. That's why you're interesting.

  1820. 1:03:12

    Because if you were truly detached in

  1821. 1:03:15

    like in a way not to name names but like

  1822. 1:03:17

    other sometimes like performers who are

  1823. 1:03:20

    kind of in your millia or vibe are then

  1824. 1:03:23

    it's hard

  1825. 1:03:25

    then it's kind of hard to attach.

  1826. 1:03:27

    >> Sure.

  1827. 1:03:28

    >> It is hard like it's like okay they're

  1828. 1:03:30

    in their own like creative world but

  1829. 1:03:32

    like I don't know we're just going to

  1830. 1:03:33

    kind of watch it from afar but you you

  1831. 1:03:35

    aren't.

  1832. 1:03:36

    >> So it's that's very interesting because

  1833. 1:03:38

    you're command of what you're doing in a

  1834. 1:03:40

    way that's

  1835. 1:03:40

    >> right. There is some but I'm like

  1836. 1:03:42

    without SNL would I have been able to do

  1837. 1:03:44

    this crazy comedy special where there's

  1838. 1:03:46

    like a clay butt that farts out a ghost

  1839. 1:03:49

    would John Waters have agreed like I

  1840. 1:03:51

    don't know probably not thank god

  1841. 1:03:54

    >> and for people that have listened all

  1842. 1:03:55

    the way to the end I mean there is a

  1843. 1:03:57

    clay butt that

  1844. 1:03:58

    >> happens right in the beginning if you

  1845. 1:03:59

    don't like it turn it off

  1846. 1:04:01

    >> turn it off

  1847. 1:04:02

    >> um speaking of comedy as we end what are

  1848. 1:04:05

    you who are you listening to laughing

  1849. 1:04:07

    because you know you do comedy all day

  1850. 1:04:08

    for a job who what Do you watch

  1851. 1:04:12

    >> Yes.

  1852. 1:04:13

    >> to laugh? Like what is your check out?

  1853. 1:04:15

    Like is it a video? Is it a Are you

  1854. 1:04:18

    watching old movies? Are you like what

  1855. 1:04:20

    what's making you laugh?

  1856. 1:04:21

    >> Most recently, always Real Housewives.

  1857. 1:04:25

    >> The The last question um Me had for you

  1858. 1:04:27

    is, are you enjoying Real Housewives

  1859. 1:04:29

    Rhode Island?

  1860. 1:04:31

    Listeners, Sarah's just like

  1861. 1:04:33

    >> she's just she's a ghast at the obvious

  1862. 1:04:36

    yes.

  1863. 1:04:37

    >> Did you grow up watching soaps? Yeah, I

  1864. 1:04:40

    watched General Hospital, which was

  1865. 1:04:43

    >> my favorite show of all time.

  1866. 1:04:45

    >> Weren't you on a soap?

  1867. 1:04:47

    >> I begged to be on General Hospital so I

  1868. 1:04:49

    could bring my mom and we met Sunonny

  1869. 1:04:51

    Krenth those and stopped for days.

  1870. 1:04:53

    >> Yeah.

  1871. 1:04:53

    >> Okay. I just talked to Paula Pel who

  1872. 1:04:55

    also loves soaps and has not been on one

  1873. 1:04:57

    and I feel like Paul should definitely

  1874. 1:04:58

    be

  1875. 1:05:00

    >> Oh yes. I think they were like, "Are you

  1876. 1:05:02

    kidding?" And I was like, "Uh, no.

  1877. 1:05:04

    >> No. Who did you play on the soap?"

  1878. 1:05:06

    >> A woman.

  1879. 1:05:10

    A Russian uh

  1880. 1:05:11

    >> Yeah, the Russians aren't.

  1881. 1:05:12

    >> The Russians areno.

  1882. 1:05:13

    >> Yep.

  1883. 1:05:14

    >> Um I w I love talking about what makes

  1884. 1:05:16

    me laugh. I was watching home movies the

  1885. 1:05:18

    other day.

  1886. 1:05:19

    >> Hysterical laughing like

  1887. 1:05:22

    of your family.

  1888. 1:05:24

    >> No, I wish actually that would be nicer.

  1889. 1:05:26

    The cartoon.

  1890. 1:05:27

    >> Oh, home movies.

  1891. 1:05:29

    >> Oh, home. Okay. I don't know home

  1892. 1:05:31

    movies.

  1893. 1:05:31

    >> It's [ __ ] funny and it's very crude

  1894. 1:05:34

    animation.

  1895. 1:05:36

    >> My kids love it. I have. Yeah,

  1896. 1:05:37

    >> it's so funny. Dying laughing.

  1897. 1:05:41

    >> Oh, we've got our We've got some friends

  1898. 1:05:42

    in there like um Han Benjamin. Okay, got

  1899. 1:05:46

    it. So, it's

  1900. 1:05:47

    >> laughing.

  1901. 1:05:48

    >> And it's animated to come created by

  1902. 1:05:51

    Brendan Small and Laura Bashard who made

  1903. 1:05:53

    Bob's Burgers. Got it. Got it. Got it

  1904. 1:05:55

    home.

  1905. 1:05:56

    >> Laughing.

  1906. 1:05:56

    >> So, are you a big animation girl?

  1907. 1:05:58

    >> No,

  1908. 1:05:59

    >> you're not.

  1909. 1:06:00

    >> No.

  1910. 1:06:00

    >> Cuz I bet people are like you're like

  1911. 1:06:02

    animation. Um, like you look like a

  1912. 1:06:04

    cartoon, you [ __ ] bugeyed [ __ ]

  1913. 1:06:06

    Jesus.

  1914. 1:06:10

    Sarah, apologize.

  1915. 1:06:12

    >> Sarah, you said that to yourself.

  1916. 1:06:13

    >> I know. Apologize to my friend Sarah.

  1917. 1:06:16

    Bad.

  1918. 1:06:17

    >> I patted myself.

  1919. 1:06:18

    >> But you're not a But you're not a

  1920. 1:06:20

    cartoon person.

  1921. 1:06:21

    >> No, I cuz they like they can't emote or

  1922. 1:06:24

    anything. Like I love Red and Stimpy.

  1923. 1:06:26

    I'm not like laughing out loud. Yes. So

  1924. 1:06:28

    I don't know why they're getting in my

  1925. 1:06:30

    ass.

  1926. 1:06:31

    >> Yeah, that's good. get in my ass. And

  1927. 1:06:33

    then

  1928. 1:06:33

    >> that's really funny.

  1929. 1:06:34

    >> I just did. Do you know Hollywood

  1930. 1:06:36

    Handbook the podcast?

  1931. 1:06:37

    >> I love Hollywood Handbook.

  1932. 1:06:38

    >> I was

  1933. 1:06:39

    >> Okay, I shout out to Hollywood Handbook.

  1934. 1:06:42

    Those guys are hysterical. I saw them

  1935. 1:06:44

    recently in a restaurant and asked if I

  1936. 1:06:46

    could be on their pod.

  1937. 1:06:47

    >> And I watched you and they were like,

  1938. 1:06:49

    "No." They were like, "We're booked."

  1939. 1:06:52

    And also I watched you on Hollywood

  1940. 1:06:54

    Handbook and that bit went on forever.

  1941. 1:06:56

    >> So it was 45 minutes.

  1942. 1:06:58

    >> Yeah. It's just one long bit. just one

  1943. 1:07:00

    long fat joke

  1944. 1:07:02

    >> and it

  1945. 1:07:03

    >> sorry

  1946. 1:07:04

    >> it was so I love a bit that goes on that

  1947. 1:07:07

    long.

  1948. 1:07:07

    >> I love it. And they were like acting

  1949. 1:07:09

    like they hated it. I love it. They say

  1950. 1:07:11

    like Sean won't say one word. I can't

  1951. 1:07:14

    like I was laughing like a baby last

  1952. 1:07:17

    like I was going like

  1953. 1:07:20

    sweat laughing so hard sweating through

  1954. 1:07:22

    my pants. Sweating through my hat and my

  1955. 1:07:25

    pants.

  1956. 1:07:25

    >> I know. I I think there's some delight

  1957. 1:07:28

    and it's kind of it's I'm going to I'm

  1958. 1:07:30

    going to I'm going to bring us back.

  1959. 1:07:32

    >> There is some kind of delight that you

  1960. 1:07:34

    have that I share

  1961. 1:07:37

    >> which is if you get to be around like

  1962. 1:07:40

    likeminded and safe people and you guys

  1963. 1:07:42

    are like playing like and going like

  1964. 1:07:45

    just on the corner and edges of things

  1965. 1:07:47

    but it's with people that are like not

  1966. 1:07:49

    just like nice people that you like

  1967. 1:07:51

    basically. There's no greater joy

  1968. 1:07:54

    because it feels like you're actually

  1969. 1:07:55

    like I guess I imagine it would be like

  1970. 1:07:59

    entering dangerous terrain with people

  1971. 1:08:01

    who are really skilled that will take

  1972. 1:08:02

    care of you. That's the closest I mean

  1973. 1:08:04

    we're not athletes.

  1974. 1:08:05

    >> My body is relaxed

  1975. 1:08:08

    >> that the

  1976. 1:08:09

    >> I love that too. I love I love a family

  1977. 1:08:11

    that teases each other.

  1978. 1:08:13

    >> I that to me is a sign of intimacy

  1979. 1:08:16

    >> and it's a sign of safety if you're with

  1980. 1:08:18

    it obviously has to be the right people

  1981. 1:08:20

    the right way. Like when that happens,

  1982. 1:08:22

    it feels like like a special kind of

  1983. 1:08:24

    magic.

  1984. 1:08:24

    >> Yeah. And like Yeah. We making fat

  1985. 1:08:27

    jokes. Is that amazing? No. But it's sa

  1986. 1:08:29

    it's safe. You can like be a little

  1987. 1:08:31

    scary when it's like safe.

  1988. 1:08:33

    >> Yes.

  1989. 1:08:35

    >> You're so right.

  1990. 1:08:36

    >> Well, congratulations on being a vet.

  1991. 1:08:41

    >> Was that an abrupt goodbye? What should

  1992. 1:08:43

    we do? I'm going to put my shoe back on.

  1993. 1:08:45

    >> Oh. Oh, I forgot.

  1994. 1:08:47

    >> Can you believe that? that I've had my

  1995. 1:08:49

    shoes off the entire time.

  1996. 1:08:50

    >> Did How did it feel? Did you feel

  1997. 1:08:52

    grounded?

  1998. 1:08:52

    >> It didn't feel bad. I don't mind it.

  1999. 1:08:55

    >> It didn't feel I didn't Yeah, I know

  2000. 1:08:57

    what you mean. Like, was I grounding

  2001. 1:08:58

    during that time?

  2002. 1:08:59

    >> Like, did you or were the whole time you

  2003. 1:09:01

    were talking to me, were you like

  2004. 1:09:02

    >> Are you a shoes off person in your

  2005. 1:09:04

    house? Did people have to take their

  2006. 1:09:05

    shoes off?

  2007. 1:09:05

    >> I like my shoes on and I like

  2008. 1:09:07

    Frankenstein boots all day.

  2009. 1:09:10

    >> Yeah.

  2010. 1:09:10

    >> I'm not even wearing them right now. So,

  2011. 1:09:12

    you think I'm a [ __ ] liar. I'm

  2012. 1:09:13

    wearing little cuties, though. But let's

  2013. 1:09:15

    not show them for free. Let's not show

  2014. 1:09:17

    them for free.

  2015. 1:09:17

    >> Oh, man. No, no, you got to pay for

  2016. 1:09:19

    that.

  2017. 1:09:19

    >> Yeah, that's correct. A lot. Cuz we're

  2018. 1:09:22

    on TV. So,

  2019. 1:09:23

    >> and AI is going to take everybody's job.

  2020. 1:09:25

    So, we're going to The only thing robots

  2021. 1:09:26

    don't have human feet.

  2022. 1:09:28

    >> And when they show them, they have an

  2023. 1:09:30

    extra toe. And that's kind of

  2024. 1:09:32

    interesting.

  2025. 1:09:32

    >> And if you were listening at the very

  2026. 1:09:34

    beginning, Sarah has a weird condition

  2027. 1:09:36

    where her big toe is just a sack of

  2028. 1:09:37

    bones. So, if that's your kink,

  2029. 1:09:40

    >> then you got to go to her toe channel,

  2030. 1:09:42

    >> right? And if you are only listening to

  2031. 1:09:46

    the end of this podcast, weird. Why

  2032. 1:09:47

    didn't you listen to the beginning? Did

  2033. 1:09:48

    you just like scrub through?

  2034. 1:09:50

    >> And if that's your kink, then we're not

  2035. 1:09:52

    kink shaming you. But you might want to

  2036. 1:09:54

    think about listening a podcast entire

  2037. 1:09:55

    way through because it also might be

  2038. 1:09:56

    satisfying,

  2039. 1:09:57

    >> right? Or I like to kink shame. I think

  2040. 1:09:59

    it's weird when people like stuff that's

  2041. 1:10:00

    weird.

  2042. 1:10:04

    >> Sarah, thank you for doing this. Thank

  2043. 1:10:06

    you for having me.

  2044. 1:10:07

    >> Thank you for coming.

  2045. 1:10:11

    >> Thank you so much, Sarah Squirm. Sarah

  2046. 1:10:14

    Sherman. Um it was so fun to um talk to

  2047. 1:10:19

    you and you're so fast and funny and um

  2048. 1:10:22

    yeah, what a delight. And um you know,

  2049. 1:10:26

    Sarah and I talked about a lot of people

  2050. 1:10:28

    that we've had the pleasure to work

  2051. 1:10:29

    with, but I just want to give a little

  2052. 1:10:31

    shout out again to a woman in my life

  2053. 1:10:34

    who really shaped my career, and I know

  2054. 1:10:36

    a lot of people in Chicago could say the

  2055. 1:10:38

    same, and that is Shaa Halpern. Chara um

  2056. 1:10:42

    was the uh creator and the uh person who

  2057. 1:10:46

    started a theater uh called IO in

  2058. 1:10:49

    Chicago with Dell Close. Um and um Chara

  2059. 1:10:53

    was just one of those people that if she

  2060. 1:10:56

    saw something in you, she put you in

  2061. 1:10:58

    front of important people and she put

  2062. 1:10:59

    you on stage and uh in my case she

  2063. 1:11:01

    changed my life. So thank you Shaa for

  2064. 1:11:04

    helping me meet most of the people who I

  2065. 1:11:06

    still work with today. And um for those

  2066. 1:11:10

    of you that um are in Chicago, go see

  2067. 1:11:12

    improv and go see it in any city,

  2068. 1:11:15

    support it today and every day and

  2069. 1:11:18

    support the arts. Okay, thanks. Bye.

  2070. 1:11:22

    You've been listening to Good Hang. The

  2071. 1:11:24

    executive producers for this show are

  2072. 1:11:25

    Bill Simmons, Jenna Weiss Berman, and

  2073. 1:11:27

    me, Amy Polar. The show is produced by

  2074. 1:11:30

    The Ringer and Paperkite. For The

  2075. 1:11:31

    Ringer, production by Jack Wilson, Cat

  2076. 1:11:33

    Spalain, Kaia McMullen, and Aia Xenerys.

  2077. 1:11:36

    for Paperkite. Production by Sam Green,

  2078. 1:11:39

    Joel Levelvel, and Jenna Weiss Berman.

  2079. 1:11:41

    Original music by Amy Miles.

  2080. 1:11:44

    >> Want a really good

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