Transcript: Will Ferrell on Good Hang with Amy Poehler
Full Transcript
Click any timestamp to jump to that moment in the video.- 0:05
Hello everyone. Welcome to another
- 0:06
episode of Good Hangs. So excited about
- 0:08
our guest today. It is the one, the
- 0:09
only, Will Ferrell.
- 0:11
A comedic giant on the Mount Rushmore of
- 0:15
comedy. The captain, oh captain, my
- 0:17
captain, Will Ferrell. And we are going
- 0:19
to get into so many things today. We're
- 0:21
going to talk about
- 0:23
SNL and all the great movies he was in.
- 0:25
We're going to talk about how important
- 0:27
makeup is in building a character. We're
- 0:29
going to talk about the mutual flop that
- 0:32
we made together and how fun it was.
- 0:34
We're going to talk about Swedish
- 0:35
stereotypes and how some of them are
- 0:37
true. We're going to talk about his new
- 0:38
show, The Hawk, coming out this week on
- 0:41
Netflix. Before we do that, we are going
- 0:43
to talk to somebody who is also in The
- 0:45
Hawk with him and also knows him from
- 0:46
SNL and who is a comedy legend and that
- 0:49
is Chris Parnell. Chris, who you can
- 0:51
also catch in Stop That Train, a movie
- 0:54
that's out. We're going to check in with
- 0:55
Chris. Chris is going to speak well
- 0:57
behind Will's back. Give me a question
- 0:59
ask. You know how this works. Okay,
- 1:01
Parns, are you there?
- 1:09
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>> [music]
- 1:46
[music]
- 1:49
>> Parns?
- 1:50
>> Hey Amy, how are you?
- 1:52
>> Hi!
- 1:54
>> Hi, I haven't seen you in so long.
- 1:55
>> I know. I was just trying to think about
- 1:57
the last time and it must have been at
- 1:59
the 50th, but even then I feel like we
- 2:01
didn't get some
- 2:03
good enough hang time there.
- 2:04
>> No, no. I I saw Tina and waved at her,
- 2:07
but that was kind of like the extent of
- 2:08
it, too. That was the case for
- 2:10
>> Well,
- 2:10
>> a lot of people.
- 2:11
>> Tina has that restraining order against
- 2:13
you, so you're not allowed to get close
- 2:14
to her.
- 2:15
>> Yeah, I mean, I I felt like she would
- 2:17
have let me if I had made an effort, but
- 2:19
yeah no.
- 2:19
>> not get into this again.
- 2:21
>> I I I need to talk about it, okay?
- 2:24
>> [laughter]
- 2:25
>> Thanks for doing this. I'm I'm talking
- 2:26
to Will today, and I feel like
- 2:30
I don't think enough people know how
- 2:32
long you and Will have been friends.
- 2:34
>> We met at the Groundlings, um gosh, uh
- 2:39
'96,
- 2:41
but it really we really didn't connect
- 2:44
um until I started on SNL, and then we
- 2:46
shared an office, he and I and Jerry
- 2:48
Collins.
- 2:49
>> Yeah.
- 2:49
>> Um had an office, the gentleman's
- 2:51
quarters.
- 2:52
>> That's right. That was the name of the
- 2:53
office.
- 2:54
Um So, you did not perform together at
- 2:57
the Groundlings? Like you were in
- 2:57
different time periods there?
- 2:59
>> Yeah, he was he was a he was ahead of
- 3:02
me, and I saw him perform, uh and I
- 3:04
think he actually saw me perform in one
- 3:06
of my shows, but no, he was
- 3:08
he was a couple of years ahead of me, I
- 3:10
think um
- 3:12
and then, you know, got onto SNL, I
- 3:13
think, 3 years before I got on, I think.
- 3:18
>> What was it like to share an office
- 3:19
together? What do you remember of those
- 3:20
times in the late '90s being at the
- 3:22
show?
- 3:23
>> It was just so cool. It was so fun. You
- 3:24
know, and after read-throughs on
- 3:26
Wednesday, we'd go back and
- 3:28
we'd all have a little scotch. Um we
- 3:30
kept a bottle in the office, and uh
- 3:33
that was a that was a fun ritual. And
- 3:34
sometimes we would kind of dress up
- 3:36
um a little bit in similar outfits.
- 3:40
>> [laughter]
- 3:42
>> But it was a it was a great such a great
- 3:44
welcome to the show.
- 3:46
Um and Will, you know, obviously in so
- 3:48
many ways is so impressive, but I I
- 3:49
remember feeling,
- 3:51
you know, insecure about
- 3:54
being on the show and trying to get
- 3:55
material on and
- 3:57
I I remember asking us I was looking for
- 4:00
for comfort
- 4:02
assurance and I said, "Do you when you
- 4:05
first started, you know, did it take you
- 4:07
a while to to get rolling and get up to
- 4:09
speed?" He's like, "No, I just started
- 4:11
right away."
- 4:12
And I was like and I
- 4:14
I was like, "Okay, all right, well,
- 4:15
that's that's cold comfort for me, but I
- 4:18
knew it was I knew it was true cuz I'd
- 4:20
seen his first show, you know.
- 4:21
>> I mean, SNL was like the perfect job for
- 4:23
Will. He's really built for that show
- 4:25
cuz he had the constitution. So much of
- 4:28
it is
- 4:30
handling
- 4:31
the big feelings that come along with
- 4:33
trying to get stuff on and and just kind
- 4:36
of competing with your friends in a
- 4:37
weird way, but then also collaborating
- 4:38
with them and all that stuff and he just
- 4:40
seemed to not let that get in his head.
- 4:42
>> It's true. I know. He also he just, you
- 4:46
know, has always come across as pretty
- 4:48
fearless to me and uh
- 4:51
just so confident, but you know, never
- 4:54
arrogant about it, you know, just like
- 4:56
this is this is who I am. I got it. I'm
- 4:58
confident, you know, I can do this.
- 4:59
>> Yeah. What film and television have you
- 5:01
guys done outside of SNL together?
- 5:03
>> Um well, Anchorman was the main thing.
- 5:06
Um I think The Hawk this this upcoming
- 5:09
series
- 5:09
>> Who do you play in that show, Parns?
- 5:11
>> I'm on the PGA tour board. I'm a PGA
- 5:14
tour board member
- 5:16
and I'm kind of
- 5:18
I don't care for Will's character. I
- 5:21
don't care for The Hawk.
- 5:22
>> Excellent.
- 5:22
>> Um I I have quite a bit of animosity
- 5:26
>> [laughter]
- 5:26
>> towards
- 5:27
Will's character.
- 5:28
>> Is your character the kind of guy that's
- 5:31
that that's like upset at how Hawk
- 5:33
doesn't take the sport seriously?
- 5:35
>> Well, that's part of it for sure. That
- 5:37
is part of it, but it also has to do
- 5:40
without giving anything away, it has to
- 5:41
do with personal matter
- 5:45
that happened between us
- 5:48
uh, many years ago.
- 5:49
>> Great.
- 5:49
>> And it sort of comes back to the surface
- 5:51
again and yeah, so we've I've got a
- 5:53
personal grudge against him. And I'm
- 5:55
also just really an uptight
- 5:57
kind of, [laughter] you know.
- 5:59
Which just comes so naturally to me, you
- 6:01
know.
- 6:02
>> [laughter]
- 6:03
>> Before we go, I I just, you know, we do
- 6:06
this to kind of talk well behind
- 6:07
people's backs.
- 6:09
And I think everybody knows that Will is
- 6:12
like a uniquely confident performer and
- 6:15
obviously kind of like for many on the
- 6:17
Mount Rushmore of comedy, um, frankly.
- 6:20
But, um, what what what what is so great
- 6:23
about him as a person cuz I find him to
- 6:24
be a really wonderful person as well.
- 6:26
What would you say?
- 6:27
>> He's a good laugher, you know, I think
- 6:29
that says a lot about a person, too.
- 6:30
When when you can make people laugh as
- 6:33
well as he does, but also be willing and
- 6:36
free to laugh at other people really
- 6:38
openly. And yeah, I just think he's he's
- 6:40
a he's a sweet guy. I just think he's a
- 6:42
sweet guy by nature.
- 6:43
>> Yeah.
- 6:44
>> You know.
- 6:44
>> Is there a question, um, you have for me
- 6:47
today to ask him anything you're
- 6:50
thinking of?
- 6:51
>> Oh, look at Parns, he's so prepared.
- 6:53
>> I
- 6:54
>> Always.
- 6:54
>> Will has been for 4 hours thinking about
- 6:56
this since last [laughter] night. Um,
- 6:59
I wrote a list of 50 questions and I
- 7:00
narrowed it down to 25
- 7:02
and then to 10 and then final five.
- 7:06
Um, I guess one question would be, um,
- 7:09
who were were your comedy idols, your
- 7:12
heroes growing up? Who who did you look
- 7:15
up to comedy-wise?
- 7:17
>> Mhm.
- 7:17
>> Um, that would be one and then the other
- 7:19
one might be have you always been so
- 7:22
confident?
- 7:23
>> Yeah, I I think that's a good one. I It
- 7:25
feels like if stuff is going down, you
- 7:27
would kind of turn to Will. Like, "What
- 7:28
are we going to do?"
- 7:30
>> Right. Right. No.
- 7:31
>> Well, the last thing I'll say, Parns, is
- 7:33
I'll never forget. I've had so many
- 7:34
moments with you like where I've been
- 7:36
next to you where fun and weird things
- 7:39
have happened and
- 7:40
a lot of people don't know that
- 7:42
Parns used to do a great sketch.
- 7:44
Probably not Probably
- 7:46
a a sketch that probably wouldn't be
- 7:49
able to happen today.
- 7:51
Many like many things.
- 7:53
>> Oh well, it was a very gentle nice guy
- 7:55
called Merv the Perv. And he was
- 7:58
he I I loved him.
- 8:00
And but Merv would just kind of show up
- 8:02
to parties. How would you describe Merv?
- 8:05
>> Well, you know what the name came from
- 8:07
Will actually cuz I was kind of doing a
- 8:09
version of Merv at a some some party.
- 8:12
He's like, "Oh, Merv the Perv."
- 8:16
And I was like coming on to him or being
- 8:17
something weird and [laughter]
- 8:20
and that's where the title came That's
- 8:21
where the name came from.
- 8:22
>> would just come up to ladies and you
- 8:24
know, just gently ask them if they'd
- 8:26
like to party in his pants. And he'd
- 8:28
have rip-away tear-away pants.
- 8:30
Like a nice perv. Well, I know Parns
- 8:32
that Will's going to be so happy that we
- 8:34
talked.
- 8:35
>> I'm so happy to get to contribute a
- 8:36
little bit. So, yeah. Thanks for asking.
- 8:39
>> Of course. It's great to see you.
- 8:40
Congrats on the new show and great to
- 8:42
see you and
- 8:44
and hope you're doing great and
- 8:46
and I hope I see you soon. Bye.
- 8:48
>> Okay, take care.
- 8:51
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- 10:08
>> Hi.
- 10:09
>> Hi.
- 10:09
>> [laughter]
- 10:11
>> How I
- 10:12
>> very excited about you coming today.
- 10:14
>> so excited to be here, to come here.
- 10:16
>> How are you?
- 10:17
>> But wait, I'm trying to remember
- 10:18
>> Is today a big press day for you? Like
- 10:20
do you have to go do a bunch of things
- 10:21
now?
- 10:21
>> We're We rolled this into We're going up
- 10:24
to Connecticut tomorrow.
- 10:25
>> Nice. ESPN?
- 10:27
>> No.
- 10:28
>> What's up there?
- 10:29
>> Travelers Insurance golf tournament.
- 10:31
Don't [laughter] you know? Amy, come on.
- 10:34
>> Well, we are going to talk about your
- 10:35
new show, The Hawk, in which you play a
- 10:38
golfer.
- 10:39
>> and then we've been We've been grabbing
- 10:41
stuff for Lonnie's Instagram in
- 10:44
character. So Lonnie
- 10:46
Lonnie walks around a lot and talks to
- 10:49
people.
- 10:50
>> Well, I was wondering if I was going to
- 10:51
be
- 10:52
>> No.
- 10:52
>> interviewing Lonnie today.
- 10:54
>> laugh too much. [laughter]
- 10:56
>> But you love to be in character.
- 10:58
>> but then sometimes as you as you know
- 11:00
>> Sure.
- 11:01
>> with our comedy lives, you sometimes
- 11:03
think of a really good idea, and then
- 11:04
you just makes you tired.
- 11:06
>> But I got to say, of all the idea of all
- 11:08
the people that have to do ideas, you
- 11:09
are probably and still remain one of the
- 11:11
least tired.
- 11:13
>> [laughter]
- 11:15
>> I'm hanging in there.
- 11:15
>> You are the least tired.
- 11:17
>> Yeah.
- 11:18
>> Because you love to work.
- 11:20
You love You're Well, you have worked
- 11:22
really hard since I've known you.
- 11:24
>> Yes.
- 11:25
I have.
- 11:26
>> You have.
- 11:27
>> But some of it
- 11:29
is smoke and mirrors.
- 11:30
>> Sure. But like you're also out there
- 11:32
plugging and you you get a kind of a
- 11:35
pleasure. We've talked about this about
- 11:38
doing kind of stupid stuff to promote
- 11:40
like you don't mind that. You kind of
- 11:42
like it. Kind of relaxes you.
- 11:44
>> You like to be embarrassed.
- 11:46
>> than
- 11:47
And I always remember what you said. You
- 11:49
were like what we do is embarrassing.
- 11:51
>> Yes.
- 11:51
>> [laughter]
- 11:52
>> But you don't seem ever seem
- 11:53
embarrassed.
- 11:54
>> Remember saying that? You're like comedy
- 11:55
is embarrassing.
- 11:56
>> Well, I think I I hopefully quoted
- 12:00
Ted Danson cuz that was his quote.
- 12:02
>> Okay.
- 12:03
>> gave him that pro- those props.
- 12:05
>> you said I remember you said
- 12:07
before I'm about to say something
- 12:09
and this is my quote and my quote only.
- 12:12
And I remember thinking, "Okay, what's
- 12:13
the big deal?"
- 12:14
>> [laughter]
- 12:16
>> But I want you to know when you hear it,
- 12:18
remember I came up with it. I was like,
- 12:21
"Fine. Tell me what it is."
- 12:23
Comedy is embarrassing. What we do is
- 12:25
embarrassing.
- 12:27
I [laughter] was like I was like, "Okay,
- 12:28
great."
- 12:28
>> It's kind of interesting.
- 12:29
>> Yep.
- 12:30
>> Yep.
- 12:31
But Ted Danson
- 12:32
He said it in terms of acting cuz we
- 12:34
were him and I were in a we're doing a
- 12:36
scene one time and somebody was acting
- 12:39
and he in a such a sweet way. He's such
- 12:41
a nice guy. He said, "Oh god, acting is
- 12:43
embarrassing." And I said, "It is." But
- 12:46
you you have a captain energy that I
- 12:50
love. And you know, for me when I
- 12:52
started SNL like you were the captain I
- 12:54
watched and you still are in many ways.
- 12:56
I watch how you navigate your life and
- 12:58
this work and everything.
- 12:59
>> Mhm.
- 13:00
>> And you have a captain energy. I mean, I
- 13:02
think some of it might just be because
- 13:03
you're tall.
- 13:04
>> I think a lot of it is.
- 13:06
>> [laughter]
- 13:09
>> You're just like tallest guy in the
- 13:10
room.
- 13:11
>> Yeah, and they're like, "What are you
- 13:12
going to do, Will?"
- 13:14
>> [laughter]
- 13:14
>> Why is everyone looking at me? Don't
- 13:15
look at me.
- 13:16
>> Yeah, and I also think that you know,
- 13:19
being a good captain like I feel like
- 13:22
you have this thing where you know, I've
- 13:24
worked with you I've got to work with
- 13:26
you a lot, where I watch you kind of be
- 13:29
the number one on the set, and you
- 13:32
you're
- 13:33
always professional, always working
- 13:34
hard, but you're not taking things too
- 13:36
seriously or yourself too seriously,
- 13:38
ever.
- 13:39
>> No.
- 13:40
No. I look back
- 13:42
uh and that was not intentional.
- 13:44
>> Yeah.
- 13:44
>> But I rem- I just remember that what was
- 13:47
intentional was reminding everyone, and
- 13:49
I'm referring to working on Saturday
- 13:51
Night Live in that environment,
- 13:53
reminding everyone that this is supposed
- 13:56
to be fun.
- 13:56
>> Yeah.
- 13:58
Totally. [laughter]
- 13:59
That we've won the jackpot.
- 14:01
>> We've won the jackpot. It's a comedy
- 14:03
show.
- 14:04
>> That's right.
- 14:05
>> Let's have fun while we do it.
- 14:07
>> That's right.
- 14:07
>> And let's make each other laugh.
- 14:09
>> Yes.
- 14:10
>> And let's have moments where like
- 14:12
no one's ever going to see. It's just
- 14:14
for us.
- 14:15
>> Yes. It makes everybody feel so relaxed.
- 14:18
And that was the thing that I watched
- 14:19
when I
- 14:20
>> But you always seemed 100% relaxed.
- 14:24
>> really did I really did I've told you
- 14:26
this, but I really did watch, you know,
- 14:28
in our our year overlapped we only had
- 14:31
one year together on the show, which is
- 14:33
so weird, isn't
- 14:33
>> It's so weird.
- 14:34
>> Um
- 14:35
uh but
- 14:36
>> And was it the
- 14:37
Was it
- 14:38
>> It was 2001.
- 14:41
>> One.
- 14:42
>> A great year for comedy.
- 14:44
>> Great year.
- 14:46
>> [laughter]
- 14:47
>> People were ready to laugh. A great time
- 14:49
to start a job in comedy.
- 14:51
>> That's right.
- 14:51
>> And it was like kind of coming into kind
- 14:53
of coming into a school and seeing the
- 14:55
cool senior and being like, oh, that
- 14:58
senior is cool not only cuz they're
- 14:59
talented, but they know how to like make
- 15:02
people feel relaxed, keep people like
- 15:04
doing bits, like reminding everybody
- 15:07
that this is like life is a dream and
- 15:09
like what are we doing? Like all that
- 15:11
stuff. Like it was it was really
- 15:13
important. So okay, I'm going to go back
- 15:15
in time.
- 15:16
>> Okay.
- 15:17
>> Get ready.
- 15:18
>> [laughter]
- 15:19
>> So grab something just in case you
- 15:21
faint.
- 15:22
Um
- 15:23
>> A little fake hamburger.
- 15:25
>> You Are you a Are you like You were like
- 15:28
a popular kid. Best personality you got.
- 15:32
>> Uh I did.
- 15:33
>> Congrats.
- 15:34
>> Yes,
- 15:35
I got best personality.
- 15:38
>> I mean, that could be a real curse.
- 15:40
>> to
- 15:41
>> It can be a curse.
- 15:42
>> did not lead to dating prowess.
- 15:46
>> Okay, got it.
- 15:46
>> or
- 15:47
>> That's good.
- 15:48
>> girlfriends or anything like that.
- 15:49
>> Okay, girls were like, "Will
- 15:50
>> Yeah, oh that was so funny.
- 15:52
But I don't like you."
- 15:53
>> They were like, "Oh my god, Will is so
- 15:55
funny."
- 15:55
>> so funny.
- 15:56
>> to him all day about my boyfriend.
- 15:58
>> What?
- 15:59
>> What a funny joke.
- 16:00
>> [laughter]
- 16:01
>> No.
- 16:02
>> Okay, that makes me feel better. So you
- 16:04
were God is fair, so you were like cra-
- 16:06
crushing it on the personality, not on
- 16:08
the ladies.
- 16:09
>> Nope.
- 16:09
>> What were sports did you play in high
- 16:10
school?
- 16:11
>> You name it, I played it.
- 16:12
What was your best sport? What
- 16:14
were you best at?
- 16:15
>> Well, I was captain of the basketball
- 16:16
team.
- 16:17
>> Dang.
- 16:18
Captain.
- 16:19
>> averaged 1.2 points a game.
- 16:21
>> [snorts and laughter]
- 16:23
>> Once again, not a joke.
- 16:24
>> Okay, so you don't have a good shot or
- 16:27
>> No, I just I learned
- 16:29
>> [laughter]
- 16:31
>> I had a pretty good shot, but I learned
- 16:33
I stayed in the game longer by playing
- 16:34
defense,
- 16:35
>> [laughter]
- 16:36
>> rebounding,
- 16:37
>> Yeah.
- 16:37
>> setting screen, doing all the things
- 16:38
that no one else wants to do.
- 16:40
>> Fundamentals.
- 16:40
>> Fundamentals. [laughter]
- 16:42
Team player.
- 16:43
>> Very sexy.
- 16:44
>> Captain.
- 16:45
>> Very sexy.
- 16:46
>> fundamentals, yes. Yeah.
- 16:48
>> Uh
- 16:48
>> Right, captain.
- 16:49
>> was You know, I played baseball. I was I
- 16:51
was
- 16:52
>> What ball did you play for how long?
- 16:53
>> kicker on the football team. Cuz I
- 16:55
played a lot of soccer, so
- 16:56
>> Yeah, yeah, yeah.
- 16:57
>> Uh but I loved I loved team sports.
- 17:00
>> Yeah, and you you know, your dad was
- 17:02
working with the Righteous Brothers.
- 17:04
>> Mhm.
- 17:05
>> And I
- 17:07
The best thing about SNL is I get to
- 17:08
know you get to know everybody's
- 17:09
parents. I've met
- 17:10
>> Right. Right.
- 17:10
>> your parents so so many times. They're
- 17:12
so lovely.
- 17:13
>> Yeah.
- 17:13
>> And
- 17:14
but you like kind of I read somewhere
- 17:17
that like you were like I don't really
- 17:18
know about this this like idea of show
- 17:20
business cuz it's just very
- 17:22
>> very scary.
- 17:23
>> Scary. What
- 17:24
Why did it seem scary at the time?
- 17:26
>> Because I I just saw the
- 17:30
there was no stability in the life of a
- 17:32
musician.
- 17:33
>> Yeah.
- 17:34
>> And I would watch how
- 17:37
um
- 17:38
and I would sit and watch my dad play
- 17:40
going this is the most talented he was
- 17:43
like
- 17:44
like
- 17:45
my hero like so
- 17:47
funny and
- 17:48
>> Mhm.
- 17:48
>> and great piano player and like who
- 17:51
could be better than that?
- 17:52
>> Mhm.
- 17:52
>> And
- 17:53
so I never understood when he would have
- 17:55
a nightclub gig that would he he'd come
- 17:58
home and be like, well, I'm not going to
- 18:00
be playing there. I'm like, oh, what
- 18:01
He's like, nothing. They just decided
- 18:04
going to make a change. So, I've got to
- 18:06
go out and I've got to look for the next
- 18:07
gig. And it was very impressionable to
- 18:09
me that that was oh, that was rough.
- 18:14
So, I I I I was
- 18:17
I was
- 18:18
I was committed to having what I thought
- 18:20
in my little kid brain was a real job.
- 18:23
>> Which do you remember what you thought
- 18:25
it was going to be?
- 18:26
>> But this is what I knew. These are the
- 18:27
elements. You carry a briefcase.
- 18:29
>> Absolutely.
- 18:31
>> [laughter]
- 18:32
>> You carry a briefcase.
- 18:33
>> Of course.
- 18:35
>> You go into a building.
- 18:36
>> Yes, it has to be inside a building.
- 18:38
>> You go into building and you have either
- 18:40
a
- 18:41
a cubicle
- 18:42
>> Yeah.
- 18:43
>> or you have an office.
- 18:44
>> Yeah.
- 18:44
>> And um and you go
- 18:47
>> Yeah.
- 18:47
>> You go for a period of time.
- 18:49
>> Yep.
- 18:49
>> You talk to people. Then you walk home
- 18:52
with your briefcase. I didn't have a car
- 18:54
>> in in the city
- 18:54
>> in my little kid [laughter] brain.
- 18:56
>> have Do you remember there used to be
- 18:57
like punch cards? That was a big like I
- 18:59
used to play secretary when I was a kid.
- 19:01
>> Clock in, clock out.
- 19:02
>> Clock in and I used to go down to my
- 19:03
dad's.
- 19:04
>> I I didn't I think I was still I think I
- 19:05
was executive level.
- 19:07
>> [laughter]
- 19:07
>> In my little kid brain, yeah.
- 19:09
>> You opened up a leather binder of some
- 19:11
sort, signed something.
- 19:12
>> Yeah.
- 19:13
>> So, yeah. So, so that was that was the
- 19:15
that was the game plan even though I
- 19:17
don't know what that meant.
- 19:18
>> So, how do you then jump from like I'm
- 19:21
going to have a safe job with a
- 19:22
briefcase? Cuz you're you are you're
- 19:24
playing sports, you're tall, you're a
- 19:27
white straight guy. Like those guys go
- 19:29
into briefcase jobs.
- 19:31
>> jobs, yeah.
- 19:32
>> Then you're going to Then how do you get
- 19:33
to the Groundlings? How do you decide to
- 19:35
take classes? What do you think it was?
- 19:39
>> death by a thousand cuts. I mean, it was
- 19:41
literally just a little bit here, a
- 19:43
little bit cuz I wasn't
- 19:44
>> [gasps]
- 19:45
>> I didn't entertain any sort of
- 19:47
performance
- 19:49
uh
- 19:49
>> No plays in high school?
- 19:51
>> in high school. And yet I would I
- 19:53
remember remember our high school
- 19:55
had a really good drama department.
- 19:57
Yeah. And I went with friends to go
- 19:59
watch the show they were doing and I
- 20:01
forget what it was.
- 20:02
But but I remember watching going, "This
- 20:05
is good and these kids are good and that
- 20:06
would be fun." But
- 20:07
>> Any comedy sneak out at all cuz I think
- 20:10
sometimes it just like squirts out and
- 20:11
you can't help it. Like did you get up
- 20:13
in front of the class? Were you funny?
- 20:16
>> I did um
- 20:18
what the the kind of thing that kind of
- 20:22
opened
- 20:24
began the crack in the door.
- 20:26
>> Open the comedy briefcase.
- 20:28
>> open the comedy briefcase.
- 20:30
>> [laughter]
- 20:31
>> And you know what's inside of the comedy
- 20:32
one of those uh snakes that pops out at
- 20:35
you.
- 20:35
>> [laughter]
- 20:36
>> Right?
- 20:37
>> Yeah. Hilarious.
- 20:38
>> Yes. Hilarious.
- 20:40
Um
- 20:41
were
- 20:42
uh assemblies, school assemblies.
- 20:45
>> Yes.
- 20:47
>> And uh a good buddy of mine, Bart, and I
- 20:50
would write Basically, when I look back,
- 20:53
they were sketches.
- 20:53
>> Yeah.
- 20:54
>> And we wrote uh these performance pieces
- 20:57
for the assemblies.
- 20:59
>> Oh, yeah.
- 21:00
>> And [clears throat] we would we would
- 21:01
imitate the teachers. We would do
- 21:05
We performed as the Schmenge Brothers
- 21:08
from SCTV.
- 21:10
No other kids knew who the Schmengies
- 21:12
were.
- 21:14
But thought
- 21:15
Oh, I love when you guys do the Schmiga
- 21:17
Schmiga Doogles. [laughter]
- 21:19
How'd you make that up? I'm like, "No,
- 21:20
we're copying it from SCTV."
- 21:23
That was my first kind of and we were
- 21:25
also writing these morning
- 21:26
announcements.
- 21:28
To sell senior class t-shirts. That was
- 21:31
our big fundraiser.
- 21:32
So these were like little radio skits.
- 21:35
And
- 21:36
um
- 21:38
And the defining moment for me when I
- 21:40
look back was sitting at home. I knew we
- 21:43
had
- 21:44
We'd do it like every other Tuesday or
- 21:46
something.
- 21:47
And one was due the next day and I'm I
- 21:51
have a mountain of homework and I'm
- 21:53
sitting there.
- 21:54
I spent 3 hours
- 21:58
crafting this little dumb paragraph.
- 22:02
And I It was 11:00 and I'd started at
- 22:05
8:00 and it felt like
- 22:07
it felt like 10 minutes.
- 22:09
And even then as like a senior in high
- 22:11
school I thought, "Hold on Hold on to
- 22:14
this memory. Remember what this feels
- 22:16
like. This does not feel like work."
- 22:17
>> Did you have like job like fun dumb jobs
- 22:22
that you were like
- 22:23
doing while you were trying to figure
- 22:25
out you were at USC, right? Like Were
- 22:27
you
- 22:28
>> I was uh
- 22:30
I parked cars.
- 22:32
I worked one day at Disneyland.
- 22:34
>> [laughter]
- 22:36
>> Did you get fired?
- 22:37
>> No.
- 22:38
>> Quietly not asked back?
- 22:40
>> I [laughter]
- 22:41
No.
- 22:42
No. I had I was too afraid. I had my
- 22:45
friend John call and quit on my behalf.
- 22:48
>> [laughter]
- 22:50
>> Which was really funny cuz
- 22:51
>> Pretend to be you or
- 22:52
>> Yeah. I was I was For For some reason I
- 22:55
was so embarrassed to call. I went
- 22:58
So I got a job and you You paid for the
- 23:00
orientation day.
- 23:01
>> Oh, yeah.
- 23:02
>> Sure.
- 23:02
>> To work at Disneyland. And I thought
- 23:06
that I was going to be assigned
- 23:08
you know, to be one of the really fun
- 23:10
jobs like the Jungle Cruise operator or
- 23:15
And I I find out, "Oh, no, those guys
- 23:16
work there for 8 years before they get
- 23:19
So, they assign me uh one of the front
- 23:22
uh
- 23:23
kiosk for selling tickets.
- 23:25
>> Yeah.
- 23:25
>> At the same time I had a rival offer
- 23:28
>> [laughter]
- 23:29
>> to work at a friend's surf shop.
- 23:30
>> Oh.
- 23:31
>> A friend who was managing a surf shop
- 23:32
right down at Newport Beach. Exactly
- 23:34
same pay.
- 23:35
>> Yeah.
- 23:35
>> $5.50 an hour.
- 23:36
>> Yeah.
- 23:37
>> But I was too embarrassed to call up
- 23:39
Disney Disneyland. So, my friend John
- 23:42
called on my behalf
- 23:43
and said, uh I will I will be
- 23:46
quitting after 1 day.
- 23:48
And that uh And they asked, "Okay,
- 23:51
reason for leaving?" And he said, I He
- 23:53
said, "I have a tryout with the Dallas
- 23:55
Cowboys."
- 23:56
>> [laughter]
- 23:57
>> And they went, "Thank you very much."
- 23:59
So, somewhere there's a file at Disney
- 24:01
corporate that says, "Will Ferrell
- 24:03
worked for 1 day.
- 24:05
Reason for leaving, tryout with the
- 24:07
Dallas Cowboys football team."
- 24:08
>> [laughter]
- 24:09
>> And they probably were like they
- 24:11
probably thought for a second they
- 24:12
remembered you and they were like, "Huh,
- 24:14
what position?" And someone was like,
- 24:16
"He's a kicker." And they were like,
- 24:17
"Oh, that makes sense. Maybe a kicker."
- 24:19
>> [laughter]
- 24:19
>> Did he make the Cowboys?
- 24:21
You want to hear an interesting story?
- 24:22
We just had someone call and cancel.
- 24:25
They're not going to work. They're going
- 24:26
to try [laughter] out for the Dallas
- 24:27
Cowboys. How good is that? Anyway, I
- 24:29
wish them the best.
- 24:30
>> Waiter ever?
- 24:30
>> No.
- 24:31
>> Never waiter.
- 24:32
>> I knew I would
- 24:33
>> I knew. [laughter]
- 24:34
>> Um when you started Groundlings, what
- 24:36
year was that? Do you remember what year
- 24:38
it was?
- 24:38
>> That was right after um
- 24:40
I'd graduated from USC.
- 24:42
And I
- 24:42
>> What was your degree?
- 24:43
>> In sports information. So, that was the
- 24:46
trying to bridge the gap between
- 24:49
real job and entertainment.
- 24:51
>> Yeah.
- 24:51
>> So, as I'm
- 24:53
as I'm coming kind of in college, like
- 24:56
you said, it's it's oozing out of me in
- 24:59
places. And I still wasn't like
- 25:01
I still didn't join a college improv
- 25:03
team. I still didn't
- 25:06
>> audition for anything. It was more uh it
- 25:08
was more
- 25:10
kind of what we're talking about
- 25:12
getting out, doing bits,
- 25:14
>> Yeah.
- 25:15
>> trying to make my friends laugh,
- 25:17
pretending to be other people that
- 25:20
I wasn't in order to make So, I would
- 25:23
show up to a friend's class as um
- 25:27
I found like some overalls
- 25:30
>> Mhm.
- 25:30
>> and I would interrupt this friend's
- 25:32
class
- 25:34
as a maintenance worker
- 25:35
>> [laughter]
- 25:35
>> and
- 25:37
pretend to fix things or just come up
- 25:39
come in
- 25:41
with like a lit cigarette out of my
- 25:43
mouth and like a puke bucket
- 25:46
and the teacher be like, "Can I help
- 25:47
you?"
- 25:50
And I'd [laughter] look at him
- 25:52
and I'd just go, "No one threw up in
- 25:53
here."
- 25:55
And he would say, "No."
- 25:57
I'm sorry.
- 25:58
They called me from physical plant and
- 25:59
they said
- 26:00
"This is This is classroom B302, right?"
- 26:03
Yeah.
- 26:05
I'm sorry about that, but like
- 26:07
blowing smoke in his classroom
- 26:09
but [laughter] like
- 26:11
My heart is pounding in my chest, but
- 26:13
it's finding it I'm it's thrilling and
- 26:15
I'm only making three people laugh.
- 26:17
>> That to me is like
- 26:19
free solo of comedy. It's like rock
- 26:23
climbing where you're like doing it just
- 26:26
kind of for yourself. No one's watching.
- 26:29
It's pretty It feels quite dangerous cuz
- 26:31
everyone's like, "What are you doing in
- 26:32
here?"
- 26:33
>> And I would have [laughter] I would have
- 26:35
I worked my work study job was at the
- 26:37
humanities audio-visual department.
- 26:40
>> Mhm.
- 26:40
>> So, occasionally I may have to push an
- 26:43
over overhead projector across campus.
- 26:47
And I would tell my buddy like, "Hey,
- 26:49
when are you Are you guys all going to
- 26:50
sit in the commons area? I may
- 26:53
I may be pushing an overhead projector
- 26:55
>> [laughter]
- 26:56
>> at around 12:30. He's like, "Okay,
- 26:58
good." And he my friend Emo became my
- 27:00
shill.
- 27:01
>> Mhm.
- 27:02
>> And I would
- 27:03
time it. I'd do a circuitous route
- 27:05
nowhere near where I needed to go. And I
- 27:07
would just pull my just enough to have
- 27:10
my butt crack show and just slowly push
- 27:13
and my friend Emo would be like, "Look
- 27:15
at that guy. What an idiot."
- 27:17
And people would be like [laughter] they
- 27:19
would gang on. Like he would he would
- 27:21
get the crowd to go, "Yeah."
- 27:23
>> [laughter]
- 27:23
>> And and people who didn't know me would
- 27:26
would laugh in a mean way.
- 27:28
>> Yeah.
- 27:29
>> Once again, I found it thrilling.
- 27:31
>> Thrilling.
- 27:32
>> That these people had no idea that it
- 27:34
was all
- 27:36
it was all actually jokes on them.
- 27:37
>> It makes sense to me because jokes on
- 27:39
them.
- 27:39
>> Jokes [laughter] on them.
- 27:40
>> You're the idiot.
- 27:41
>> Oh, I walked around campus with my pants
- 27:43
down. I knew my pants were down.
- 27:45
>> [laughter]
- 27:46
>> I knew it.
- 27:47
>> I knew it. I pulled them down myself.
- 27:50
>> [gasps]
- 27:51
>> But it but it it makes more sense
- 27:52
because people when people what people
- 27:54
love about you, Will, is it does feel
- 27:56
like you're trying to make your friends
- 27:58
laugh. Like that's really what it feels
- 27:59
like. It feels like and they feel
- 28:01
parasocially like your friends. Like
- 28:03
they're like, "Will is my friend
- 28:05
>> [laughter]
- 28:06
>> and he makes me laugh." Like I've been
- 28:07
with you when people come up to you and
- 28:08
people you invoke this like
- 28:11
feeling of people where they're like
- 28:13
it's almost like, "Will, I knew I was
- 28:15
going to see you. You're my friend." You
- 28:17
know, they people feel really connected
- 28:19
[laughter]
- 28:19
and
- 28:20
>> And then they're
- 28:21
>> let down when I'm not doing the bits.
- 28:23
>> Well, I mean, there's nothing but a let
- 28:25
down. Oh, yeah.
- 28:26
>> You've experienced many of
- 28:28
>> are like, "Oh, wow, you're quiet. You're
- 28:30
not telling jokes."
- 28:33
>> Oh.
- 28:35
What am I going to do with that?
- 28:36
>> Yeah. Like, "Oh, you are you are you sad
- 28:40
today?" It's like, "No, I'm just this is
- 28:42
my normal. I'm not screaming. My shirt
- 28:45
is on."
- 28:45
>> Yeah.
- 28:46
>> Yeah. Yeah.
- 28:47
>> Yeah.
- 28:47
>> Um when you got to Groundlings, who were
- 28:49
your peeps there? What was your class?
- 28:51
Who were Who were Who was studying when
- 28:52
you were there?
- 28:54
>> Who Let's see.
- 28:56
Um
- 28:57
my direct peeps kind of coming up in the
- 29:01
same at the same time through the school
- 29:03
were
- 29:05
uh
- 29:06
Kattan
- 29:07
>> Yeah.
- 29:07
>> and Sherry
- 29:09
>> Mhm.
- 29:10
>> and
- 29:11
uh
- 29:12
I believe a little overlap with Chris
- 29:14
Parnell.
- 29:15
>> Mhm.
- 29:16
>> Um
- 29:19
Uh oh, Jennifer Coolidge
- 29:20
>> Uh-huh.
- 29:21
>> was kind of she
- 29:23
She was actually ahead of us, but and
- 29:25
did some shows with us as well.
- 29:27
Uh
- 29:28
>> And and then
- 29:29
so many of you started at SNL around the
- 29:33
same time or at the same time. You
- 29:34
Sherry came in together?
- 29:35
>> Yeah.
- 29:36
>> And
- 29:36
>> And then I'd known Molly
- 29:38
>> Right.
- 29:39
>> from
- 29:40
uh
- 29:41
>> [laughter]
- 29:43
>> Molly sweetly
- 29:45
Uh I was just I saw it I was with Molly
- 29:47
yesterday.
- 29:48
>> saw her. She got this Hollywood Walk of
- 29:50
Fame star. [clears throat]
- 29:52
>> And
- 29:53
of course Molly gave the greatest speech
- 29:56
of all time.
- 29:57
>> Yeah.
- 29:58
>> of just stream of consciousness, you
- 30:00
know, but told the story of how
- 30:03
and I met Will. I was working at the
- 30:05
Melrose Baking Company.
- 30:08
And Will I met I was with my my friend
- 30:11
Patricia brought Will in and said, "This
- 30:14
is Will." And you said, "Hi, and like
- 30:16
you can I get you?" And you said, "I
- 30:17
will have a scone."
- 30:19
>> [laughter]
- 30:20
>> Molly delivering that story it like
- 30:22
thunderous lap.
- 30:23
>> Yes.
- 30:24
>> Like Like that written down on a piece
- 30:27
of paper is not funny, but [laughter]
- 30:28
Molly delivering it
- 30:30
>> I love what you said about her. What
- 30:32
What did you say about her and like how
- 30:34
her character felt like it was the
- 30:36
beginning of a new chapter for the show.
- 30:39
>> uh I I just remember it was it was
- 30:42
this moment when she first did Mary
- 30:45
Katherine Gallagher. It was our fourth
- 30:47
show that we'd ever done
- 30:50
uh for that new cast of the '95-'96
- 30:54
season and
- 30:56
you know, very much finding our sea
- 30:58
legs, very much
- 31:00
we're all pretty brand new. It was eight
- 31:02
new cast members and an entire new
- 31:04
writing staff. Um
- 31:07
And so
- 31:08
the audience is
- 31:10
very leery
- 31:12
and
- 31:14
and it was it was that first moment
- 31:17
she starts doing the character and I'm
- 31:19
at the beginning of the sketch, but I
- 31:21
have to run. This is during dress
- 31:23
rehearsal. I have to run to go
- 31:25
underneath the paint cans there, which
- 31:27
is a a section of
- 31:29
the [clears throat] studio where you're
- 31:30
underneath the bleachers there.
- 31:32
And I'm doing a quick change for the
- 31:33
next thing and she starts doing Mary
- 31:36
Katherine for the first time and I can
- 31:38
feel
- 31:40
the stands shake. The audience is
- 31:43
howling
- 31:44
and and screaming with laughter to the
- 31:48
point where
- 31:50
it almost it felt emotional. It felt
- 31:52
like
- 31:53
>> [sighs]
- 31:54
>> Wait.
- 31:54
>> A somatic thing was happening like there
- 31:56
was a rumble in your stomach.
- 31:59
>> 100% [laughter]
- 32:00
and I literally as I thought about
- 32:03
things to talk about
- 32:05
Molly in terms of knowing I thought, oh
- 32:07
that
- 32:08
she kind of saved the show in a way. It
- 32:10
was that first thing for this new group
- 32:13
where people were like
- 32:15
oh my god, that character is
- 32:19
very real and funny and an outsider and
- 32:22
dark.
- 32:23
>> Yeah. Yes and
- 32:25
>> [clears throat]
- 32:25
>> super physical.
- 32:27
>> And she throws herself into a stack of
- 32:29
metal folding chairs with no visible
- 32:31
padding on her at all like
- 32:34
it was like punk rock version of Lucille
- 32:37
>> Yeah. And
- 32:39
for a woman
- 32:40
>> Yeah.
- 32:41
>> you know, in comedy stru- like like
- 32:43
>> Yeah.
- 32:44
>> like oh
- 32:45
busting through the door I think in a
- 32:47
way and I I just remember thinking
- 32:49
okay, they they like
- 32:51
I
- 32:52
and it just created this momentum from
- 32:54
that point on.
- 32:55
>> Mhm. You know, if anything the show is
- 32:57
like so cyclical. We've learned that
- 32:59
like it's been said a million times like
- 33:01
when somebody leaves the show it'll
- 33:03
never be the same. It's been on for 50
- 33:05
years. It's like this cast is better
- 33:06
than that cast or whatever. And I you
- 33:09
guys got bad review like the show was
- 33:12
like Saturday night dead.
- 33:13
>> Yeah.
- 33:14
>> Um do you remember any of the bad
- 33:16
reviews?
- 33:17
>> one who got good reviews.
- 33:19
>> yeah. Do you remember cuz
- 33:20
>> Cheri had a great first show. Cheri was
- 33:22
I mean Cheri was
- 33:24
amazing performer as well.
- 33:26
Um
- 33:27
yeah, I I I was
- 33:30
my first show I mean I got you know, it
- 33:32
was it once again I think it it's part
- 33:35
of another piece that informed the way I
- 33:38
approach all of this because
- 33:41
it was
- 33:42
there was like good news and bad news.
- 33:44
>> [laughter]
- 33:45
>> You're one of the only cast members
- 33:47
mentioned by name, Will.
- 33:49
>> [laughter]
- 33:49
>> Oh, that's pretty it's got to be good.
- 33:51
Here's the bad news.
- 33:52
Most annoying newcomer. Right out of the
- 33:55
gate from the first show.
- 33:57
>> you you don't have to say their name but
- 33:58
do you remember the writer's name?
- 33:59
>> No.
- 34:00
>> Okay, that's where you and I are
- 34:01
different
- 34:02
>> [laughter]
- 34:03
>> because I would like
- 34:04
>> No, I don't remember that but I remember
- 34:06
it was one of those
- 34:08
one of those entertainment magazines
- 34:09
that doesn't exist anymore.
- 34:11
>> Yeah.
- 34:11
>> It was like Entertainment Weekly but not
- 34:13
Entertain- Maybe it was Entertainment
- 34:15
Mag. Remember there used to be
- 34:16
>> Premiere or like something like
- 34:18
>> like that and they were like
- 34:19
>> They were coming for you.
- 34:20
>> They were really not happy. And so
- 34:24
as we all know, we've all been hit with
- 34:26
these moments where you're like you're
- 34:28
you're thinking
- 34:30
what do I Okay, do I just sit and wallow
- 34:33
in this?
- 34:34
And I don't know what it is about my
- 34:36
DNA, but I just started cracking up
- 34:38
going,
- 34:38
>> [snorts]
- 34:39
>> "You asked for it, buddy."
- 34:40
>> Yeah.
- 34:40
>> Here
- 34:42
So then I just back to sports, I just
- 34:44
made it bull I literally taped it to my
- 34:46
wall.
- 34:47
>> Yes.
- 34:48
>> Most annoying newcomer.
- 34:50
>> But this is what a captain does.
- 34:52
>> I was I I And then the only thing I know
- 34:53
how to do is I'm like I I'm just going
- 34:57
to lean in it into it anymore even more
- 34:59
like if you think I'm annoying now, just
- 35:01
wait.
- 35:03
I'm going to push that overhead
- 35:04
projector across your face, you know.
- 35:06
>> Right.
- 35:07
>> And so it just kind of fired me up.
- 35:10
>> Yes.
- 35:10
>> But I there was no part of me that was
- 35:11
like, "What am I doing wrong? Oh, I
- 35:13
better change things up."
- 35:15
I don't have that move.
- 35:17
>> People have very very strong opinions
- 35:19
about comedy.
- 35:20
Same with music. They're very similar
- 35:22
which is like, "I love that song. I hate
- 35:24
that song. I love that singer. I hate
- 35:25
their voice." Like everyone feels really
- 35:28
um
- 35:28
like they own their their
- 35:31
feelings about things.
- 35:33
>> I'm just envisioning you [laughter]
- 35:36
really pouring over and circling
- 35:39
someone's name.
- 35:40
>> There is a couple reviews. There I got
- 35:42
two reviews that I like I
- 35:45
I think like I whispered their names
- 35:48
into my pillow every night like Arya
- 35:50
Stark. Like I think about these two
- 35:51
people and I'm just like, "Someday we're
- 35:54
going to see each other again."
- 35:55
>> to be a writer for the
- 35:56
>> [laughter]
- 35:57
>> There used to be a writer for the LA
- 35:58
Times. Um Kay Farrell would remember her
- 36:01
name.
- 36:01
>> Okay, Kay's got it Kay's got it written
- 36:03
down. Wells mom.
- 36:05
>> She had it so out for me
- 36:08
that
- 36:09
I
- 36:10
>> [laughter]
- 36:12
>> I saw
- 36:13
I opened up the LA Times to see a review
- 36:15
of 40-Year-Old Virgin.
- 36:17
>> Sure.
- 36:17
>> And I remember
- 36:18
on Apatow and
- 36:21
Carell talking about that premise and
- 36:23
we're all going,
- 36:24
"Buddy, that is hilarious." He's like,
- 36:26
"Yeah, I may I may
- 36:28
you know, try to see if I can get this
- 36:29
going." Anyway,
- 36:32
I
- 36:32
>> [laughter]
- 36:33
>> I see this I'm like, "Oh, I want to see
- 36:34
what they think of Steve
- 36:36
The first two paragraphs
- 36:40
are how this woman hates me.
- 36:43
Hates There's no Yes, goes off on Will
- 36:46
Ferrell. Two solid paragraphs.
- 36:49
Uh
- 36:50
>> Oh, delicious.
- 36:52
>> there's no one worse than him.
- 36:53
>> [laughter]
- 36:55
>> He is unfunny. There's no There's
- 36:58
nothing redeemable about anything he
- 37:00
does.
- 37:01
>> [laughter]
- 37:02
>> That was That's the top of the article.
- 37:04
That's why when I
- 37:06
watched Steve Carell in 40-Year-Old I
- 37:10
was so pleasantly surprised.
- 37:13
It's like, "What do I have to do WITH
- 37:16
>> YOU'RE NOT EVEN
- 37:16
>> I guess because he was in Anchorman or
- 37:19
>> Oh, sure. She was like She was like,
- 37:20
"No, this is the kind of guy that I
- 37:23
laugh at, not this stupid idiot."
- 37:25
>> [laughter]
- 37:25
>> I It was like a hot It was like opening
- 37:30
Like It was like being in Las Vegas and
- 37:32
you're in your air-conditioning room and
- 37:33
you open up to a blast furnace of 110°
- 37:36
heat. [laughter]
- 37:37
It's like, "That serves you
- 37:39
>> for going looking
- 37:40
>> for going Don't even read other people's
- 37:42
movie reviews cuz they'll get you."
- 37:45
>> [laughter]
- 37:46
>> I mean
- 37:47
>> But it wanted me to get
- 37:49
I don't I don't
- 37:50
I wanted to wear a T-shirt of her name
- 37:53
and just be photographed walking around
- 37:55
town.
- 37:55
>> Yeah, I love that. That is the That is
- 37:57
the I think something that you and I
- 37:58
share, which is just like if there's a
- 38:00
little bit of a tingle of like It must
- 38:03
be the challenger in us, but like some
- 38:05
kind of like where it's like
- 38:07
because it's kind of it's this thrilling
- 38:09
thing where you realize like I'm going
- 38:11
to survive this. I can't explain it
- 38:14
other than like the worst has happened.
- 38:16
Somebody doesn't like me and somebody
- 38:18
and it's like going to be like I I know,
- 38:20
there's something there's I there's a
- 38:22
mischievous quality about it that's fun.
- 38:24
Yeah.
- 38:25
>> Um
- 38:26
and
- 38:27
>> It's
- 38:27
>> and you don't internalize you just can't
- 38:28
internalize it. Like what are you going
- 38:29
to do? Like
- 38:30
>> It's it's like the our most favorite
- 38:33
review of Step Brothers was Roger Ebert
- 38:36
who said this is the end of Western
- 38:38
civilization.
- 38:39
>> [laughter]
- 38:40
>> And he went as far as to say do not buy
- 38:42
this on DVD when it comes out. Do not
- 38:44
support [laughter] movies like this
- 38:46
because it it will make other people
- 38:48
think they should make movies similar to
- 38:51
this. [laughter]
- 38:52
So please. It was a it was like a call
- 38:55
to action.
- 38:56
>> Yeah.
- 38:57
>> And
- 38:57
>> [laughter]
- 38:58
>> Incredible. Oh God, you and McKay.
- 39:01
>> McKay.
- 39:02
That is so delicious. Only because we'd
- 39:05
gotten enough filled up on the love side
- 39:07
that we could handle
- 39:08
>> Yeah.
- 39:09
>> the hate.
- 39:10
>> Yeah.
- 39:12
>> [applause]
- 39:18
>> When you speak about Molly saving the
- 39:20
show,
- 39:22
I felt the same way about you in 2001.
- 39:24
Like I felt like we were
- 39:26
I I was starting
- 39:28
>> Yeah.
- 39:28
>> You know, we joked about it earlier, but
- 39:29
I was starting in a time when it was
- 39:30
like New York was hurting, comedy was
- 39:33
over. People were like we can't joke
- 39:34
anymore. We can't do we can't do yeah.
- 39:36
It was post your book. Like you had done
- 39:38
Bush. We couldn't do any jokes. You
- 39:41
know, poor Forte had to play Bush during
- 39:42
those years and it was like what are we
- 39:44
doing?
- 39:45
>> Um
- 39:46
>> No one could kid about anything other
- 39:48
than maybe pop culture and then not
- 39:50
everyone was like not now.
- 39:52
>> Right.
- 39:52
>> We're too sad. And so
- 39:54
>> Understandable.
- 39:55
>> I remember when you came out in
- 39:57
patriotic
- 39:59
>> [snorts]
- 39:59
>> underwear, Speedo? Speedo underwear.
- 40:02
>> dolphin shorts. Dolphin running shorts.
- 40:05
>> Okay.
- 40:06
Tight shorts.
- 40:06
>> Pulled way up.
- 40:07
>> And you had just
- 40:08
>> For air, not for dress. Dress I kept
- 40:11
them low.
- 40:12
Live show.
- 40:13
>> Don't peek at dress.
- 40:14
>> Don't peek.
- 40:15
>> Morgan likes to say, don't peek at
- 40:16
dress. So you you hiked them for air.
- 40:19
>> for air.
- 40:20
>> And I also remember that you had just
- 40:21
run cuz you're a runner.
- 40:23
You had just run like a half marathon or
- 40:25
something.
- 40:26
>> uh the the New York Marathon.
- 40:27
>> Oh, okay. So you'd run the New York
- 40:28
Marathon. So you also were very chafed.
- 40:31
>> Yes.
- 40:32
>> You were really chafed.
- 40:33
>> that part.
- 40:34
>> Yeah. And you were like, I'm very
- 40:35
chafed. [laughter]
- 40:38
>> Super chafed.
- 40:39
>> And you did a patriot is he a guy who's
- 40:41
trying to be patriotic in his office his
- 40:43
office and same thing well, I remember
- 40:45
the audience laughing and being like
- 40:48
oh, we're going to be okay. Okay,
- 40:49
comedy's going to be okay. This show's
- 40:51
going to survive. I'm going to still
- 40:52
have a job.
- 40:53
>> about the chafing.
- 40:54
>> You were chafed from a
- 40:56
>> from running.
- 40:57
>> Okay, I want to talk about
- 40:59
>> [clears throat]
- 41:00
>> some
- 41:01
stuff that you've done. I'm so bad at
- 41:03
transitions.
- 41:04
>> By the way,
- 41:05
>> did you see how clunky that was?
- 41:07
>> was rough. I was [laughter] like, thank
- 41:09
god that's
- 41:09
>> I said, okay, STOP. OKAY, STOP.
- 41:14
>> YOU KNOW WHAT? I THINK THAT is
- 41:17
a great transition. It's super
- 41:19
[laughter] clear.
- 41:20
>> I said, okay, stop.
- 41:21
>> Okay, stop.
- 41:22
>> Okay, I want to talk about something
- 41:23
else.
- 41:23
>> I'll turn this page.
- 41:24
>> to turn [laughter] my page?
- 41:26
Should we turn my page?
- 41:26
>> what I thought about?
- 41:28
Amy, let me I'm going to help model this
- 41:30
transition too.
- 41:31
>> Please.
- 41:33
>> I was thinking about
- 41:35
your time and how
- 41:37
then you were you became such a star
- 41:39
yourself. But I'm not I'm not trying to
- 41:42
I'm not trying to kiss butt.
- 41:43
>> [laughter]
- 41:44
>> This is a scientific analysis.
- 41:46
>> Okay.
- 41:47
>> But
- 41:48
then you and Tina go on to to do update
- 41:52
and to bring that like so far forward
- 41:55
and and but I was thinking, god, Amy had
- 41:58
to run around and do sketches and then
- 42:00
do update.
- 42:03
>> Yeah. And you know what? It felt it was
- 42:05
so um
- 42:06
>> But you and Tina
- 42:07
>> loose because I was always you know,
- 42:09
like nothing worse than having one line.
- 42:10
>> to yep. You didn't have to think about
- 42:13
up because you're like
- 42:14
>> Totally. I would just be Oh, here comes
- 42:16
this fun this is fun break.
- 42:17
>> Right here in a world away. Wow, okay.
- 42:19
>> And I wasn't as stressed about getting
- 42:21
sketches on because I knew I always knew
- 42:23
I had update. And so I felt like very,
- 42:25
very like getting eventually to the
- 42:28
looseness that I wanted. Maya and I talk
- 42:29
about it like we we wanted like
- 42:31
senioritis, that feeling of like half in
- 42:33
half out, like this is a dumb thing,
- 42:35
this is a fun thing, but so hard to get
- 42:37
there.
- 42:38
And then you go you leave SNL and then
- 42:40
Will
- 42:41
you have the biggest string of comedy
- 42:44
hits. Like hit [laughter] after hit,
- 42:46
like Zoolander, like Elf, Old School,
- 42:49
Anchorman, Step Brothers, Holiday Inn,
- 42:51
it's like like
- 42:53
First of all, I can't even I should have
- 42:54
done the research.
- 42:56
>> Yeah.
- 42:57
>> Like how how many years did you do like
- 42:59
it seems like it that that was all done
- 43:00
in like 10 or 15 years, a movie a year
- 43:03
at least.
- 43:04
>> Right.
- 43:05
>> So many hits.
- 43:06
>> pauses in between.
- 43:08
>> Sure.
- 43:08
>> Yep.
- 43:09
>> But just you are you are the for so many
- 43:13
people, especially millennials I would
- 43:15
say, and maybe some Gen X, you are the
- 43:18
face of their like five favorite comedy
- 43:21
movies. And you've been in some good
- 43:23
comedy movies, and we know that's hard.
- 43:25
Movies are hard. Good movies are hard.
- 43:28
Good comedies are hard.
- 43:30
Way harder than a drama, which is easy.
- 43:33
>> Yeah, let's
- 43:34
>> Dramas are easy. I mean, what are you
- 43:35
going to do?
- 43:36
>> [laughter]
- 43:37
>> I'm like you
- 43:38
>> at all three all five cameras.
- 43:40
>> Like drama is so easy, like
- 43:42
>> one up here?
- 43:43
>> Like you yell, they cry, like whatever.
- 43:46
But
- 43:48
I'm I I want to ask you about the end
- 43:51
>> way, I I don't know what your question
- 43:52
is, and I don't know half the answer.
- 43:55
>> [laughter]
- 43:55
>> I don't know.
- 43:56
>> Yeah, it's such a such a run.
- 43:59
>> Because
- 43:59
>> Such a run.
- 44:01
>> I leave the show
- 44:03
with
- 44:05
>> No job?
- 44:06
>> No job.
- 44:07
The only thing
- 44:09
>> Zoolander maybe?
- 44:11
>> It already came out.
- 44:12
>> Oh right, it had come out while you were
- 44:13
there. That's right.
- 44:14
>> And if you recall, that came out during
- 44:16
>> [laughter]
- 44:16
>> Came out during 2001.
- 44:18
>> 2001.
- 44:19
>> Yeah, tough time for comedy.
- 44:20
>> And And didn't find its audience till
- 44:23
much later.
- 44:24
>> Yeah. Yeah.
- 44:25
>> Um
- 44:27
I had been in
- 44:29
uh that last year second I'd filmed No,
- 44:33
that last year
- 44:33
>> I was leaving cuz I was filming Old
- 44:35
School.
- 44:36
>> right. You were going back and forth.
- 44:37
>> So Old School, but Old School had been
- 44:39
held on to, which is not
- 44:42
usually a positive endorsement from the
- 44:44
studio.
- 44:45
>> They're like They're like this is great,
- 44:46
hold on.
- 44:47
>> Oh, this is so good.
- 44:49
Let's keep it on the back burner.
- 44:52
It's too good.
- 44:53
>> [laughter]
- 44:56
[gasps]
- 44:56
>> No, it went from like a November release
- 44:58
to like February of the next year.
- 45:00
>> Mhm.
- 45:02
>> [laughter]
- 45:03
>> And the only thing that was to
- 45:05
big time development was Elf.
- 45:09
>> I mean Elf is such a good
- 45:15
>> And then
- 45:16
>> Yeah. Well, talk Let's talk about Elf
- 45:17
for 1 second.
- 45:18
>> Okay.
- 45:19
>> It is the I mean, it is a lot of
- 45:21
people's comfort movie. It is definitely
- 45:23
their favorite Christmas movie. It's so
- 45:25
funny. It's It holds up so well.
- 45:28
>> you.
- 45:29
>> Directed by Jon Favreau, who was like a
- 45:30
Chicago improv guy that you know, I came
- 45:34
up with in Um It's so What do you think
- 45:38
>> interesting cuz John really wanted to
- 45:41
make sure it had a timeless feel to it.
- 45:44
And John really wanted to and was 100%
- 45:48
right. But I'm coming off of SNL. I'm no
- 45:51
I'm known Yes, there was like
- 45:54
the cheerleaders and sketches like that,
- 45:56
but I'm also known for
- 45:58
a PG-13
- 46:00
pushing R brand of humor.
- 46:03
Uh
- 46:04
and
- 46:06
I'm sitting in my
- 46:09
trailer
- 46:10
in my elf tights
- 46:11
>> [laughter]
- 46:13
>> looking in the mirror
- 46:15
going
- 46:17
what have you done?
- 46:17
>> [laughter]
- 46:19
>> I'm dressed as Buddy.
- 46:21
And I'm in
- 46:23
This is
- 46:24
early movie deals. I'm in the double I'm
- 46:26
in the double banger.
- 46:27
>> picture you really crowding this
- 46:28
trailer.
- 46:28
>> the with the space heater that's still
- 46:30
built into the wall.
- 46:31
>> Mhm.
- 46:32
>> And [clears throat] it's we shoot the
- 46:33
New York stuff first. So, I don't even
- 46:35
know if I know who this character is
- 46:37
yet.
- 46:38
>> [laughter]
- 46:38
>> Just walking around in the
- 46:39
>> I'm walking around in yellow tights and
- 46:43
Oh my god.
- 46:45
>> [laughter]
- 46:45
>> What?
- 46:46
>> Yeah.
- 46:46
>> This could be it.
- 46:47
>> This could be it.
- 46:47
>> This could be like, "What?
- 46:49
That guy was so funny and then he made
- 46:51
this movie
- 46:53
where he played a giant elf.
- 46:55
Oh, poor Oh.
- 46:56
>> why That's why it's so embarrassing.
- 46:58
It's like, it could be like he's a
- 46:59
genius, classic Christmas movie forever,
- 47:02
or
- 47:03
>> And so I just I just
- 47:05
I just remember but I remember going
- 47:06
this is either going to be a home run or
- 47:08
it's going to be a complete strikeout.
- 47:10
>> Yeah. It's a very good example, too, of
- 47:12
what you do so well, which is like the
- 47:14
big and little of it all. Like you play
- 47:16
big, but you're little or you're like
- 47:18
you've got no power, but you're cockier
- 47:20
than you should be. Like playing around
- 47:22
with status, which you do in all your
- 47:23
movies. Like Anchorman is a perfect
- 47:25
example of that. Like one of many things
- 47:26
you made with McKay, which is just like
- 47:28
this
- 47:30
deeply stupid, hilarious person who is
- 47:34
disconnected to the world
- 47:35
>> Right.
- 47:35
>> but yet in charge
- 47:38
>> [laughter]
- 47:38
>> Who is why?
- 47:40
>> really really mentally mentally
- 47:43
challenged.
- 47:45
>> Really has a hard time with life.
- 47:47
And just it just gets worse, not better.
- 47:50
Never changes. And
- 47:52
and all you guys did was just go for all
- 47:55
of the funny and have the funniest
- 47:57
people in it like Steve was here we were
- 47:59
talking about him in that movie and how
- 48:02
he was just
- 48:04
blown away by watching you work and
- 48:07
being around all you guys and like
- 48:09
and every single character in that movie
- 48:12
is Keckner and Rudd are so funny.
- 48:15
>> Yeah.
- 48:16
>> You love playing Ron like you you you
- 48:18
love doing him, right? What's fun about
- 48:20
him?
- 48:21
>> will trot him well we did a podcast with
- 48:24
him which was so fun. Um
- 48:26
just because I Ron can say whatever he
- 48:28
wants
- 48:29
>> Yeah.
- 48:30
>> and he doesn't have to have the right
- 48:32
facts.
- 48:33
>> [laughter]
- 48:34
>> He doesn't have to In fact I just did
- 48:37
Ron recently
- 48:39
uh down in San Diego
- 48:42
because Bill Curtis
- 48:43
>> Mhm.
- 48:44
>> long time Chicago and I
- 48:46
narrates the movie.
- 48:47
>> Yeah.
- 48:48
>> Uh it was retiring from Wait Wait Don't
- 48:50
Tell Me.
- 48:51
>> Yeah.
- 48:52
>> And I had gotten a uh email just asking
- 48:56
would I send a video
- 48:57
>> Mhm.
- 48:58
>> and
- 48:59
to congratulate Bill and and and he's so
- 49:02
proud of his connection to that movie
- 49:04
and he still has a standee in his house
- 49:06
of Ron.
- 49:08
>> [laughter]
- 49:09
>> And
- 49:10
and he's the sweetest guy and and I said
- 49:12
well hold on where when do you where are
- 49:13
you doing the show? He's like well we're
- 49:14
doing it live down in San Diego. I'm
- 49:15
like what if I come and surprise him and
- 49:18
so
- 49:19
>> I they were like would you actually? I'm
- 49:20
like yeah that I we owe him so much and
- 49:24
so we surprised the audience
- 49:26
>> Oh that's huge.
- 49:27
>> It's also such a good name Ron Burgundy
- 49:30
and and also great that his suit was
- 49:32
burgundy.
- 49:33
>> Yes.
- 49:34
>> You know
- 49:35
costumes are so fun. You love them.
- 49:37
>> love a good costume.
- 49:38
>> Yeah.
- 49:38
>> Yeah. Yeah you do.
- 49:40
>> Ron had other costumes too.
- 49:41
>> had other suits. [laughter]
- 49:43
>> He didn't just have the one. He wasn't
- 49:44
that crazy.
- 49:45
>> No.
- 49:46
But when you think about Ron you think
- 49:47
about him in his burgundy suit.
- 49:49
>> some delightful tans.
- 49:51
>> I mean he was a he was ahead like a
- 49:53
fisherman turtleneck at the time.
- 49:55
>> He had a baby blue
- 49:56
>> Yeah. He had a He had a gorgeous blue
- 49:57
suit, though. Bring out his eyes. He was
- 49:59
He was a very handsome man.
- 50:02
>> He was very handsome.
- 50:03
>> was very handsome.
- 50:04
Um
- 50:05
>> [laughter]
- 50:05
>> and um then you and I did a movie We did
- 50:08
two movies together. We did Blades of
- 50:10
Glory,
- 50:10
>> Yes.
- 50:11
>> which was so fun. And you had to learn
- 50:13
how to ice skate.
- 50:14
>> I had to learn
- 50:16
>> Or did you know a little bit? I had to
- 50:17
learn.
- 50:18
>> But you you didn't love it,
- 50:20
>> [laughter]
- 50:20
>> if I recall.
- 50:21
>> I talked about it with Greta Lee on this
- 50:23
pod a few weeks ago.
- 50:25
>> love it.
- 50:25
>> I didn't love it.
- 50:28
Um [laughter]
- 50:28
I wasn't I I I I I think I saw it. You
- 50:32
know, like you sit down at the piano and
- 50:34
you think you're going to be able to
- 50:35
play the piano. Like I thought I'd be
- 50:36
better at it. And I was like, I'm
- 50:38
not. But I remember us meeting the real,
- 50:41
you know, performers and just being
- 50:43
like,
- 50:44
we're never ever going to look like we
- 50:46
can do this.
- 50:46
>> Exactly.
- 50:47
>> And you look, of all your movies, you
- 50:49
look the tallest in Blades of Glory.
- 50:52
>> [laughter]
- 50:53
>> You look so tall. Do you ice skate
- 50:55
still?
- 50:56
>> No.
- 50:57
>> No.
- 50:57
>> I need to.
- 50:58
>> Yeah. I'm too nervous now.
- 50:59
>> I let it I let it I have the skates
- 51:02
packed away somewhere.
- 51:03
They were custom-made skates.
- 51:05
>> Yeah.
- 51:06
You insisted on it.
- 51:07
>> my costume
- 51:08
>> You do?
- 51:08
>> framed.
- 51:10
>> You do?
- 51:10
>> Yeah. But Viv
- 51:12
>> Will's wife.
- 51:13
>> Yeah, sorry.
- 51:14
It It's hanging in the garage. She won't
- 51:16
let [laughter] it come in the house.
- 51:19
>> She's like, I don't want to I don't need
- 51:21
it. I don't need it in the house.
- 51:23
>> [laughter]
- 51:23
>> I don't not like it, but it's going to
- 51:25
hang in the garage.
- 51:28
>> Um and then we did The House together,
- 51:31
>> Yes.
- 51:31
>> which was so fun to do with you. Was a
- 51:33
dream come true to make a movie with
- 51:34
you.
- 51:35
Did not really resonate.
- 51:37
>> resonate at all. But yet
- 51:41
I still argue that movie's funny.
- 51:44
>> My kids often
- 51:47
tell me that that like they're like,
- 51:48
"Mom, that was 7% on Rotten Tomatoes."
- 51:52
>> Oh, I didn't realize it was that.
- 51:53
>> And I was like, "No way, 7%?"
- 51:56
>> Have they seen
- 51:57
>> It's gone up. I just want you to know. I
- 52:00
just checked today.
- 52:01
>> 14? Did it double?
- 52:02
>> 20%.
- 52:03
>> [laughter]
- 52:03
>> Triple.
- 52:05
WE DID IT. WE DID IT.
- 52:08
>> BUT THAT WAS A really fun movie.
- 52:10
>> premise and a fun movie. How did that
- 52:12
come on?
- 52:13
>> I don't know, but I'm sorry.
- 52:16
>> I know. I just
- 52:17
>> I flopped you. You spoke about Vivica,
- 52:19
Vivica, your wife of now 25 years,
- 52:22
probably.
- 52:23
>> 25 going on 26.
- 52:25
>> Damn. Such a formidable, cool, smart,
- 52:29
interesting person. So a such a perfect
- 52:32
match for you, Will.
- 52:33
>> Oh, yeah.
- 52:33
>> And Swedish.
- 52:35
>> Swedish?
- 52:36
>> And that's what we have in common. My
- 52:38
brother lives in Sweden. What are the
- 52:41
stereotypes of Swedish people that are
- 52:43
correct?
- 52:44
>> I think the stereotype that Swedes
- 52:46
aren't funny is not true.
- 52:48
>> Agree.
- 52:48
>> They're very sly, dry sense of humor.
- 52:51
>> Yes. [laughter]
- 52:53
>> Uh and as you know very well and your
- 52:56
brother knows, can be also be though
- 52:59
uh
- 53:00
unintentionally direct.
- 53:02
>> Yeah.
- 53:04
Very direct. I think intentionally
- 53:05
direct.
- 53:05
>> Intentionally.
- 53:06
>> Yeah.
- 53:06
>> But they don't but it's just um
- 53:10
it's just a matter of fact. No, I'm just
- 53:11
telling you.
- 53:12
>> No, you you look you got fat.
- 53:14
>> Yeah. You
- 53:15
>> No, you were skinny and now you're fat.
- 53:18
>> Someone is very tired. You look tired.
- 53:20
>> Well, she Well, I don't think he would
- 53:23
be do well because he's ugly.
- 53:26
>> [laughter]
- 53:27
>> Wait, what? He's ugly?
- 53:29
You Or the polite version is like, "It's
- 53:32
They are a little bit ugly."
- 53:34
>> They're a little
- 53:35
You're [laughter] right.
- 53:35
>> That's the polite version.
- 53:36
>> He's a little bit ugly.
- 53:37
>> My best story, we This was
- 53:41
when we were first
- 53:43
taking trips there.
- 53:46
I didn't have an I didn't have a lot of
- 53:47
Swedish under my belt, but I had I had
- 53:50
some nouns, you know.
- 53:52
And [laughter] we were on one of these
- 53:54
little tour but buses or it was a boat.
- 53:57
It was a boat out to
- 53:59
the archipelago and they they had like a
- 54:02
you know, one of those outside decks and
- 54:06
I saw this group of tourists and they
- 54:08
were
- 54:09
looking and pointing
- 54:11
and
- 54:12
then they sent a scout. You could tell
- 54:14
they sent a scout to go check to see if
- 54:17
if it was really me.
- 54:19
And so I say to Viv and we're with her
- 54:21
cousin
- 54:23
Ava and I was like
- 54:24
let's start we should start speaking
- 54:25
Swedish. I want to see.
- 54:27
And so they started speaking and I just
- 54:29
started going yeah, yeah.
- 54:31
Uh-huh.
- 54:33
Yeah,
- 54:34
chickling.
- 54:36
Which is just chicken.
- 54:38
Yeah.
- 54:40
Oh score.
- 54:42
Which is shoes.
- 54:44
>> [laughter]
- 54:44
>> I'm just saying nouns.
- 54:46
I'm just saying yeah, chickling. Yeah,
- 54:48
chicken. Yeah, shoes. Yeah.
- 54:51
Hat.
- 54:54
Oh, bra, which is good.
- 54:57
And I just would say these words
- 54:59
and he did this lap and he
- 55:02
it was kind of it was really fantastic
- 55:06
bad movie acting.
- 55:07
Did this lap where he did a slow
- 55:10
look at me and then he looked away.
- 55:13
>> [laughter]
- 55:13
>> Then he looked back at the group and he
- 55:14
just went
- 55:18
Not him. Not him.
- 55:20
>> [laughter]
- 55:21
>> So I was like
- 55:22
>> So sad.
- 55:23
>> So good.
- 55:24
>> I mean, you could be sweet. You look
- 55:26
Swedish Will.
- 55:27
>> Which the the B side of that is Swedes
- 55:30
listening to someone just go chicken.
- 55:33
>> [laughter]
- 55:33
>> Shoe.
- 55:34
Shirt.
- 55:36
Good.
- 55:38
>> And they'd be like, "He's stupid." So
- 55:40
he's he's obviously stupid.
- 55:42
>> took him out for the boat ride.
- 55:44
>> He's a little stupid.
- 55:45
>> The other thing that's really annoying
- 55:46
about the Swedes
- 55:47
>> Yeah.
- 55:48
>> and I'm sure Greg has encountered this,
- 55:50
but
- 55:51
the men
- 55:52
all can either are gourmet cooks, can
- 55:56
build a table,
- 55:56
>> They're insane.
- 55:57
>> can repair the tire on your car,
- 55:59
>> Yeah. Yeah.
- 56:01
>> Look, oh, the dishwasher's broken. Let
- 56:02
us take a look.
- 56:04
Well, the the flumen valve is not
- 56:06
working.
- 56:07
>> Yes.
- 56:07
>> And take it apart,
- 56:08
>> Yes.
- 56:09
>> put it like
- 56:10
>> You You run can't fix it.
- 56:11
>> Yeah, they can do everything.
- 56:13
>> Yes.
- 56:14
>> They can do everything.
- 56:15
>> and they're so tall and buff, and
- 56:18
they're very and also home a lot.
- 56:21
>> Yeah.
- 56:22
>> They're just like They're They're Yeah,
- 56:24
they're pretty Yeah.
- 56:25
>> And like
- 56:26
I sewed the button back on my shirt. I'm
- 56:28
like, "I can't sew a button.
- 56:30
I should I should be able to
- 56:32
I'm 58. I should know how to sew a
- 56:34
button. You would think?
- 56:36
>> Yeah. No.
- 56:36
>> Right?
- 56:37
>> Yeah.
- 56:38
But they're like, "Matthias, we'll do it
- 56:39
for you."
- 56:40
>> [laughter]
- 56:42
>> Let us do it.
- 56:42
>> Let us do it.
- 56:43
>> If you start to do it,
- 56:45
they're also very precise. So, if you
- 56:47
start to Oh, I'll do like, "Let me do
- 56:50
it.
- 56:51
I don't want you to wreck it."
- 56:53
"That's okay. I'll do it." Code for,
- 56:56
"You're going to break it.
- 56:57
Let me [laughter] do it."
- 56:58
>> And then the last thing Well, would last
- 57:00
two things before I get to the hawk. I
- 57:02
just also I love I the um
- 57:06
film you made with Harper last year.
- 57:08
That was such a beautiful beautiful
- 57:10
film, well. Like
- 57:12
>> Thanks.
- 57:12
>> Congrats on its success, on how it was
- 57:14
received. Do you have people coming up
- 57:15
to you still talking to you about it?
- 57:17
>> Still to this day.
- 57:17
>> What do they say when they
- 57:19
>> Just
- 57:20
the gift that keeps on giving. Just
- 57:23
uh
- 57:25
just
- 57:26
thank you. And what a you know
- 57:29
I love it. What a beautiful We've We've
- 57:31
gotten
- 57:33
stories that have ranged from we watched
- 57:36
with our trans child and it was the
- 57:39
first time we talked about it as a
- 57:40
family. We
- 57:42
um
- 57:44
It It It's just run the gamut and
- 57:47
uh
- 57:49
and it might have been the most
- 57:52
once again like
- 57:54
surprising in the sense that we didn't
- 57:57
know what we were going to make or have.
- 58:00
I mean, it's a documentary.
- 58:02
>> Yeah.
- 58:03
>> Uh
- 58:04
but to have this thing where we
- 58:06
literally got to the beach at Santa
- 58:09
Monica
- 58:10
and
- 58:12
Josh yelled cut and we were like
- 58:15
oh my god, that was so much fun, but I
- 58:16
don't think there's a movie there. We
- 58:17
both said that. [laughter]
- 58:19
And then the first time we watched it
- 58:21
and we're like, how did you do that?
- 58:22
>> Mhm.
- 58:23
>> This is
- 58:24
how did you build a narrative structure
- 58:26
out of this whole thing? It's to then
- 58:28
from the festivals and the pri- It was
- 58:31
everything was just like the most fun
- 58:33
year.
- 58:34
>> Yeah.
- 58:35
>> uh yeah and like
- 58:36
>> that. That's awesome.
- 58:38
>> the coolest thing ever.
- 58:39
>> And you know, Harper and I worked
- 58:40
together at SNL and
- 58:43
you know, not only was it exact like was
- 58:46
it exactly about that about like
- 58:47
somebody's journey and but it's just the
- 58:51
journey of friendship. Like how how do
- 58:53
we allow people to change? How do we
- 58:54
allow them to get more of themselves?
- 58:57
What is so beautiful about the film is
- 59:00
it like doesn't shy away from that
- 59:02
middle
- 59:04
um
- 59:06
middle space
- 59:07
>> Yeah.
- 59:08
>> that allows not only Harper to talk
- 59:10
about how she's feeling, but for you.
- 59:12
Like that middle space is all is kind of
- 59:14
like treacherous.
- 59:15
>> For sure.
- 59:16
>> People get very afraid to stay there.
- 59:18
They want to get on one side of the pool
- 59:19
and they don't want to get it wrong.
- 59:20
>> Right.
- 59:21
>> And also same with Harper like Harper's
- 59:23
like figuring out like where is she in
- 59:26
this world in this space and the fact
- 59:27
that you guys just kind of settled in
- 59:29
there it's such good storytelling.
- 59:31
>> gave permission. She was like, let's
- 59:35
we
- 59:36
you're you're going to make me ask me
- 59:37
whatever. I'm going to make mistakes.
- 59:39
You're going to make like and I'm like,
- 59:40
okay. Okay, are you sure?
- 59:42
Okay, what about this, you know? And um
- 59:44
what a kind of wonderful piece about
- 59:46
just friendship and just being an
- 59:48
advocate for for anyone who's going
- 59:50
through anything.
- 59:51
>> Totally.
- 59:51
>> And that was kind of the the universal
- 59:54
takeaway as well.
- 59:55
>> And you team up with Harper again on
- 59:59
>> The Hawk.
- 1:00:00
>> The Hawk.
- 1:00:01
Which is the name of your character,
- 1:00:03
Lonnie Hawk.
- 1:00:04
>> Lonnie Hawkins, Lonnie the Hawk Hawkins.
- 1:00:06
>> Okay, Hawkins. Okay. Incredible, you
- 1:00:09
have an incredible look in this show.
- 1:00:11
>> Yeah.
- 1:00:11
>> Incredible. Always a little sunburned?
- 1:00:14
>> Always.
- 1:00:15
>> Got a little golf golf tan?
- 1:00:17
>> Golf tan.
- 1:00:18
>> Mhm. The great Autumn Butler doing your
- 1:00:20
makeup for that.
- 1:00:22
>> craft Autumn pitched like, what if
- 1:00:25
Lonnie
- 1:00:26
What if Lonnie had a little tan line?
- 1:00:28
>> [laughter]
- 1:00:28
>> Like like and we carry it the whole
- 1:00:32
series.
- 1:00:32
>> Perfect.
- 1:00:34
>> And I said, done and done.
- 1:00:37
>> [laughter]
- 1:00:37
>> And Parnes is in the show, right?
- 1:00:40
>> Well, we talked to Parnel.
- 1:00:42
>> Okay.
- 1:00:43
>> Yeah, we did. We talked to him before
- 1:00:44
this um before we started because we
- 1:00:47
always try to talk well behind someone's
- 1:00:48
back and we try to get in a question.
- 1:00:50
And before we get to his question, let's
- 1:00:53
talk about Parnel for a second. What a
- 1:00:56
like what a laser-focused
- 1:00:59
performer.
- 1:01:00
>> Right.
- 1:01:01
Yes.
- 1:01:01
>> So funny. What was fun about working
- 1:01:03
with him? And you guys have worked
- 1:01:05
together on many things for a long time
- 1:01:06
and shared an office at SNL.
- 1:01:08
>> Yeah, Chris Parnell comedically, yeah,
- 1:01:10
he's so precise. He nails
- 1:01:13
every performance, every nuance,
- 1:01:16
everything.
- 1:01:17
You give him a note um
- 1:01:20
and he ex he just executes everything in
- 1:01:23
such a funny way.
- 1:01:24
>> And he's a really good actor.
- 1:01:26
>> Yes, really good actor.
- 1:01:27
And is so funny in this because he just
- 1:01:30
plays wonderfully uptight.
- 1:01:32
>> Yeah.
- 1:01:33
>> Uh and gets so mad
- 1:01:36
throughout.
- 1:01:37
We have him screeching at times.
- 1:01:39
>> [laughter]
- 1:01:40
>> Literally screeching.
- 1:01:41
>> Jerry Collins is writing on the show,
- 1:01:42
too.
- 1:01:43
>> Your third roommate.
- 1:01:45
>> we
- 1:01:46
were reminiscing how we had we shared
- 1:01:48
the three of us shared an office at SNL
- 1:01:50
and for a good half of the season
- 1:01:52
committed I don't know if you remember
- 1:01:52
this committed to wearing
- 1:01:54
short-sleeve button-down white shirts
- 1:01:56
and dark tie we dressed as NASA
- 1:02:00
uh
- 1:02:01
mission control guys. Do you remember
- 1:02:02
that? Every writing Tuesday we would
- 1:02:04
wear
- 1:02:04
>> ahead of my time, I think.
- 1:02:05
>> Oh, you weren't there yet.
- 1:02:06
>> don't think I was there yet.
- 1:02:08
>> That's right.
- 1:02:09
>> Yeah, I missed the fun.
- 1:02:10
>> It was Jerry's idea, should we every
- 1:02:11
Tuesday night on the writing night
- 1:02:13
should we wear short-sleeve button-down
- 1:02:15
shirts with black ties
- 1:02:17
like we work for NASA?
- 1:02:19
>> Yes.
- 1:02:20
>> Let's do that. [laughter]
- 1:02:21
>> Um okay, but um his question to you was
- 1:02:25
um who were your comedy idols growing
- 1:02:28
up?
- 1:02:29
>> I loved staying up and watching The
- 1:02:30
Tonight Show and I would
- 1:02:33
if there was a comedian on I would stay
- 1:02:35
and watch the if there wasn't I
- 1:02:37
so I that's where I would see
- 1:02:39
Jerry Seinfeld for the first time. Uh
- 1:02:42
that's where you know
- 1:02:44
Richard Pryor
- 1:02:46
>> Mhm.
- 1:02:46
>> uh
- 1:02:48
uh you name it. That was you know before
- 1:02:50
cable that's the that was one of the few
- 1:02:52
outlets to get to see
- 1:02:54
comedy. So I just kind of and then I
- 1:02:56
loved
- 1:02:57
I loved those late '70s early '80s
- 1:03:00
sitcoms like
- 1:03:01
>> Yes, all of
- 1:03:02
>> Happy Days, Laverne & Shirley
- 1:03:05
all of that stuff and watching these
- 1:03:07
actors be so funny but then it felt real
- 1:03:12
and how are they doing that and
- 1:03:13
>> Mhm.
- 1:03:15
>> like
- 1:03:16
Andy Kaufman in Taxi.
- 1:03:18
>> Mhm.
- 1:03:18
>> Uh
- 1:03:20
So,
- 1:03:21
it's I didn't have that one person that
- 1:03:26
I could put on a poster in my room.
- 1:03:28
>> Uh Bob Newhart.
- 1:03:29
>> Yeah, who you worked with in Elf.
- 1:03:31
>> Yeah.
- 1:03:31
>> Well, you bring up the fact that when we
- 1:03:33
grew up TV was kind of the only place.
- 1:03:35
Like I we didn't I didn't go to the
- 1:03:36
theater. It was the only place to kind
- 1:03:39
of find out or some like comedy records.
- 1:03:41
And now, I mean, you have been like
- 1:03:43
you've been on the front line of a lot
- 1:03:45
of like new media, you know, you're like
- 1:03:47
Funny or Die and you like have um
- 1:03:50
you know, Big Money Players, which is a
- 1:03:52
huge
- 1:03:54
um network of great podcasts including
- 1:03:57
Let's Go to
- 1:03:58
Call Your Sister's which we love here.
- 1:04:00
Like you you've kind of like in our
- 1:04:03
lifetime, the way people
- 1:04:06
>> Yeah.
- 1:04:07
>> watch things and find people is so
- 1:04:09
different
- 1:04:10
>> So different.
- 1:04:11
>> for the one TV show at 11:30 at night.
- 1:04:13
>> Yeah.
- 1:04:13
>> It's Do you What do you get out of
- 1:04:15
producing? I mean, you're always you're
- 1:04:17
always trying to encourage like young
- 1:04:19
fresh voices, new POVs. You're always
- 1:04:22
doing that. What do you like?
- 1:04:23
>> the same
- 1:04:25
thing that you've probably gotten out of
- 1:04:26
it. Just being able to lend some
- 1:04:28
currency to someone who,
- 1:04:30
you know, has a fresh voice or you just
- 1:04:33
like
- 1:04:35
Yeah, give them a shot.
- 1:04:36
>> Yeah.
- 1:04:37
>> Why not?
- 1:04:38
>> You just cuz I think you like
- 1:04:40
I mean, it was it's been said about you,
- 1:04:41
but you love to laugh. Like you're a
- 1:04:44
really you really want to laugh.
- 1:04:45
>> And I remember that when
- 1:04:48
um
- 1:04:49
Jerry Seinfeld came to host SNL, he
- 1:04:52
laughed so hard at every sketch. I was
- 1:04:56
like, "Jerry, do you really You're like
- 1:04:59
the most generous host I've ever seen."
- 1:05:01
He's like
- 1:05:02
He's like "I just love comedy."
- 1:05:05
And uh
- 1:05:06
>> [laughter]
- 1:05:06
>> I was like, "No, it was slight, Jerry."
- 1:05:08
So, I thought
- 1:05:09
I don't want to It was a It was a light
- 1:05:11
dusting.
- 1:05:11
>> Yeah, if if you want more you got to you
- 1:05:13
got to pay through the paywall.
- 1:05:15
>> the paywall.
- 1:05:16
>> good hang paywall and you'll hear.
- 1:05:18
>> full
- 1:05:18
>> full Seinfeld
- 1:05:19
>> hair, makeup, everything.
- 1:05:21
>> not you can't you don't get the
- 1:05:21
Seinfeld.
- 1:05:22
>> to go away.
- 1:05:22
>> Yeah.
- 1:05:23
>> That was just a little dash.
- 1:05:25
I do regret.
- 1:05:27
I regret that little dash of Jerry
- 1:05:28
Seinfeld. [laughter]
- 1:05:29
But keep it in. Keep it in.
- 1:05:31
>> It was just a tiny
- 1:05:33
>> dash. It was so slight. It was so
- 1:05:35
slight. It was so slight.
- 1:05:36
>> Because you can't help it.
- 1:05:37
>> [laughter]
- 1:05:38
>> Because how do you talk to him when he
- 1:05:39
looks like this?
- 1:05:41
>> But but I do remember
- 1:05:43
going yeah what?
- 1:05:45
We should all laugh at each other. I
- 1:05:47
mean, if we think it's funny.
- 1:05:48
>> Yeah.
- 1:05:49
>> We should all laugh.
- 1:05:49
>> Or if it's not. Also, sometimes if it's
- 1:05:51
not funny, it's the best thing in the
- 1:05:53
world and I'll finish with this which is
- 1:05:55
one of my favorite things ever was at
- 1:05:57
SNL. We would look at sketches that
- 1:05:59
bombed and the my most favorite sketch
- 1:06:02
I've ever watched that bombed is your
- 1:06:04
Gabe Kaplan sketch which we've talked
- 1:06:05
about. And for people under the age of
- 1:06:08
50, there was a gentleman named Gabe
- 1:06:10
Kaplan on a show called Welcome Back
- 1:06:12
Kotter.
- 1:06:12
>> Another 70s sitcom that I loved.
- 1:06:15
>> and he was he was huge. He would be like
- 1:06:17
who would he be like now? It would be
- 1:06:19
like
- 1:06:19
>> He was kind of like a
- 1:06:20
it was almost like equivalent of like a
- 1:06:22
Larry David maybe in a way.
- 1:06:24
>> Yeah, sure.
- 1:06:25
>> If if he was the teacher in a classroom
- 1:06:27
with all these and a
- 1:06:28
a young John Travolta.
- 1:06:30
>> Yes, young John Travolta. Incredible.
- 1:06:33
Anyway, Will does a sketch where he
- 1:06:36
plays a guy
- 1:06:38
>> Oh, and he has a very distinct look.
- 1:06:39
>> Right, his look is like a very 70s.
- 1:06:42
>> 70s, big mustache,
- 1:06:44
>> curly hair.
- 1:06:45
>> hair, sideburns.
- 1:06:46
>> And Will did a sketch that went into the
- 1:06:49
SNL archives that we used to pull up not
- 1:06:51
only because and this is going right
- 1:06:52
back to the beginning Will, because
- 1:06:54
watching the captain fail is
- 1:06:57
>> [laughter]
- 1:06:58
>> makes you feel a lot better
- 1:06:59
>> Right.
- 1:07:00
>> about yourself.
- 1:07:01
>> Okay.
- 1:07:01
>> But also, the way in which everyone dug
- 1:07:04
in deeper the worse the sketch was going
- 1:07:07
to me is like that's true love. But Will
- 1:07:09
plays a guy who What's the premise?
- 1:07:13
>> The premise is that I am a guy who works
- 1:07:17
at an office. I think we made it an
- 1:07:19
insurance company.
- 1:07:21
That
- 1:07:21
Gabe Kaplan, the actor, is a client of.
- 1:07:26
Okay.
- 1:07:27
I look just like Gabe I've cultivated
- 1:07:30
I'm such a fan of Gabe Kaplan. I've
- 1:07:32
cultivated my look to look just like
- 1:07:34
him.
- 1:07:35
>> Right.
- 1:07:35
>> And the sketch is that it's in the break
- 1:07:37
room and it's the day that Gabe Kaplan
- 1:07:40
actually came into the office to sign
- 1:07:42
some paperwork.
- 1:07:43
And they're talking about how nice It's
- 1:07:46
John Goodman, it's Molly, it's Tim
- 1:07:47
Meadows.
- 1:07:48
>> John Goodman, Tim Meadows, and Molly.
- 1:07:49
>> talking about what a nice guy. He was so
- 1:07:51
cool. He was so funny. I'm like I'm I'm
- 1:07:54
like, "Who are you guys talking about?"
- 1:07:55
"Oh, Gabe Kaplan was here."
- 1:07:57
I was like, "What?"
- 1:07:59
Yeah.
- 1:08:00
You
- 1:08:01
"Why didn't you guys come and get me?"
- 1:08:03
Like, "What do you mean?" Like, "You
- 1:08:04
guys I
- 1:08:06
That's the reason why I'm working at
- 1:08:07
this company." [laughter]
- 1:08:08
And I lose it and I'm like
- 1:08:10
>> starts to lose it and there is not
- 1:08:12
>> one
- 1:08:13
>> one laugh. I mean, there's not even a
- 1:08:15
cough.
- 1:08:15
>> No, there's the smallest laugh in the
- 1:08:17
world though, way up in the corner here.
- 1:08:19
>> [laughter]
- 1:08:20
>> At one point.
- 1:08:21
>> So the audience never mind you're all
- 1:08:22
you're screwed. They don't know who Gabe
- 1:08:24
Kaplan is.
- 1:08:24
>> Kaplan is.
- 1:08:25
>> They don't They don't appreciate that
- 1:08:27
you're dressed just like him.
- 1:08:29
And they don't understand why you're
- 1:08:30
mad.
- 1:08:30
>> They don't understand I'm mad. And I'm
- 1:08:32
the whole
- 1:08:34
the the thrust of the sketch is built
- 1:08:36
off my tirade of why why didn't anyone I
- 1:08:38
was in the bathroom. Why didn't anyone
- 1:08:40
check the bathroom?
- 1:08:41
>> [laughter]
- 1:08:42
>> Did you not then like They're like,
- 1:08:43
"Relax.
- 1:08:45
We didn't think to check the bathroom."
- 1:08:47
Like, "Why wouldn't you? You know how
- 1:08:49
much he means I wanted to meet him."
- 1:08:50
>> And what happens is Molly and you and
- 1:08:53
Tim Meadows play it like a drama. You're
- 1:08:55
in like Who's Afraid of Virginia Woolf
- 1:08:56
or something like that. You Who's Afraid
- 1:08:57
of Virginia and you're both and Molly's
- 1:08:59
going, "I'm sorry I didn't tell you."
- 1:09:01
And you're going, "How could you do this
- 1:09:03
to me?" And it is the funniest and a a
- 1:09:06
lesson in commitment, but it's such a
- 1:09:08
good example of how
- 1:09:11
everyone is one thing away from bombing
- 1:09:13
all the time. That's No matter who you
- 1:09:15
are, like the bombing is so delicious.
- 1:09:18
As I finish anything right now that
- 1:09:20
you're like
- 1:09:21
Do you watch comedy? Are you like Do you
- 1:09:25
Is there anything you're watching right
- 1:09:26
now that you love?
- 1:09:28
>> No.
- 1:09:29
>> I know.
- 1:09:30
>> [laughter]
- 1:09:33
>> I ask this because I'm always looking.
- 1:09:35
I'm always looking.
- 1:09:36
>> to come up with something clever.
- 1:09:39
I mean, right now I'm watching all the
- 1:09:42
World Cup. I'm really into It's very
- 1:09:45
exciting. We went to one of the games
- 1:09:46
out in LA.
- 1:09:48
>> So fun.
- 1:09:49
>> I also love when like the best players
- 1:09:52
play great. It's like Messi is just
- 1:09:54
playing so great.
- 1:09:55
>> Mbappe.
- 1:09:56
>> Mbappe.
- 1:09:56
>> That's just fun to say.
- 1:09:57
>> Yeah.
- 1:09:58
>> Mbappe.
- 1:09:58
>> Mbappe.
- 1:10:00
The M is not silent.
- 1:10:02
>> It's not silent. No, you lean into it.
- 1:10:05
Mbappe.
- 1:10:07
Mbappe. Luxuriate in the M.
- 1:10:10
>> Yeah. Um Will Ferrell
- 1:10:12
I
- 1:10:14
I think we did it.
- 1:10:15
>> We totally did it.
- 1:10:16
>> [laughter]
- 1:10:17
>> I really do think we did it. We talked
- 1:10:18
for a long time.
- 1:10:19
>> We really did. Yeah.
- 1:10:20
>> And um
- 1:10:22
I just
- 1:10:22
>> real plants?
- 1:10:24
>> These are fake fake plants, fake food.
- 1:10:26
>> Got you.
- 1:10:26
>> [clears throat]
- 1:10:27
>> Fake plants, fake food. I didn't want
- 1:10:29
the like codependent responsibility of
- 1:10:31
keeping these alive.
- 1:10:32
>> The compliment is it looked real out of
- 1:10:34
the side of my eye. That's the
- 1:10:35
compliment. And then I was like, "Oh,
- 1:10:37
that's not real."
- 1:10:38
So, that's a comp- that's a compliment.
- 1:10:41
>> You just want to be able to side eye it.
- 1:10:42
>> eye you. [snorts]
- 1:10:43
>> Is there any food over there that looks
- 1:10:44
real?
- 1:10:44
>> reality. That hamburger with the sesame
- 1:10:47
The sesame seed buns.
- 1:10:48
>> Okay, let's just let's take a look at
- 1:10:49
that before we go.
- 1:10:50
>> seed drew drew my eye.
- 1:10:53
>> So, this is a This is your typical
- 1:10:56
Take a look at that if you want to feel
- 1:10:57
it.
- 1:10:57
>> toy?
- 1:10:59
Oh, no. It's got a good weight to it.
- 1:11:00
>> And does it come apart? It's a Will's a
- 1:11:04
No.
- 1:11:05
>> No, it doesn't.
- 1:11:05
>> glued together. It's cheeseburger with
- 1:11:07
like a rubber cheeseburger, but it looks
- 1:11:09
good right?
- 1:11:10
>> of looks appetizing, yeah.
- 1:11:11
>> [laughter]
- 1:11:12
>> Now, be careful.
- 1:11:13
>> Oh, I want to bite into it.
- 1:11:15
>> Be careful. Don't do it.
- 1:11:17
Well, thank you for being here. Thanks
- 1:11:19
for doing this.
- 1:11:20
>> It's great to see you. I love I love
- 1:11:22
spending time with you.
- 1:11:24
>> that you're a power player in this space
- 1:11:25
now.
- 1:11:26
>> I mean, look at me.
- 1:11:27
>> Yeah.
- 1:11:28
>> [laughter]
- 1:11:28
>> Can you tell?
- 1:11:31
Like every power player.
- 1:11:33
>> Yep.
- 1:11:33
>> Yep.
- 1:11:34
>> That's That's [laughter] That's your
- 1:11:35
part,
- 1:11:36
right there.
- 1:11:37
>> Thanks, buddy. Thanks for doing this.
- 1:11:39
>> so fun.
- 1:11:40
>> [cheering]
- 1:11:41
>> Thank you, Will Ferrell, for coming.
- 1:11:43
You're the best. You're the king and the
- 1:11:45
goat and the captain, as far as I'm
- 1:11:47
concerned. And um it's so, so fun to
- 1:11:50
have you here. And and and I could have
- 1:11:52
talked about all of your comedic choices
- 1:11:55
for a very long time, but I just want to
- 1:11:57
end in this polar plunge by talking,
- 1:11:59
once again, about Bobby and Marty Culp,
- 1:12:02
um the um
- 1:12:04
very religious singers who um sing um
- 1:12:09
sing popular songs in their own special
- 1:12:12
way. Do yourself a favor and go down
- 1:12:14
memory lane and uh watch Ana Gasteyer
- 1:12:17
and Will Ferrell play those two weirdos.
- 1:12:20
And pay attention, please, to Will's
- 1:12:22
bald cap, um
- 1:12:25
his outfits, and his gentleness. Because
- 1:12:29
I think that people um know Will as
- 1:12:31
these characters that kind of yell and,
- 1:12:34
you know, have these like giant bursts
- 1:12:35
of energy, but um Marty Culp is um just
- 1:12:40
He's just very self-contained. And uh
- 1:12:43
it's such a funny, weird performance and
- 1:12:46
one of my favorite characters among the
- 1:12:48
many that Will have um have given us.
- 1:12:50
So, uh thank you for uh joining us.
- 1:12:53
Will, thank you for listening, whoever's
- 1:12:55
listening. And we'll see you soon on the
- 1:12:57
next one. Okay, bye.
- 1:12:59
>> [applause]
- 1:13:00
>> You've been listening to Good Hang. The
- 1:13:02
executive producers for this show are
- 1:13:03
Bill Simmons, Jenna Weiss-Berman, and
- 1:13:05
me, Amy Poehler. [music] The show is
- 1:13:07
produced by The Ringer and Paper Kite.
- 1:13:09
For The Ringer, production by Jack
- 1:13:11
Wilson, Kat Spellane, [music]
- 1:13:12
Kaya McMullen, and Elea Zinouris. For
- 1:13:14
Paper Kite, production by Sam Green,
- 1:13:17
Joel Lovell, and Jenna Weiss-Berman.
- 1:13:19
Original music by Amy Miles.
- 1:13:21
>> I had a one who was a really
- 1:13:24
good hang.