Transcript: Tom Holland on Good Hang with Amy Poehler
Full Transcript
Click any timestamp to jump to that moment in the video.- 0:05
Hello everyone. Welcome to another
- 0:06
episode of Good Hang. I am very excited.
- 0:08
We have a movie star with us today. We
- 0:11
have a superstar and that is Tom
- 0:14
Holland. Tom Holland who is in two of
- 0:17
the biggest movies to come out this
- 0:18
summer. The Odyssey and Spider-Man:
- 0:20
Brand New Day. I think they're coming
- 0:22
out in the same month. He's a legend.
- 0:24
He's the best. And we talk about so many
- 0:26
great things. We talk about your dad
- 0:28
roasting your friends. We talk about um
- 0:31
the joy of dancing. We talk about doing
- 0:33
American accents. And I tell him that I
- 0:37
believe that he is the type of man that
- 0:38
will save us from toxic masculinity. So
- 0:41
he he takes on uh that responsibility
- 0:44
like a good man does. So um cannot wait
- 0:47
to get started. But before we do, um we
- 0:50
always talk to somebody who knows our
- 0:52
guests and we speak to Jacob Batalone
- 0:55
today. Jacob, who plays Ned in
- 0:57
Spider-Man, is Tom's really good friend
- 0:59
in real life. I mean, they grew up
- 1:01
together on set, you guys. So, um, let's
- 1:04
get Jacob on the line here. And I'm
- 1:06
going to get my headphones
- 1:08
and we'll check in. Jacob, are you
- 1:10
there?
- 1:17
This episode of Good Hang is presented
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What do you say?
- 1:56
I wanted
- 2:00
>> Hey,
- 2:00
>> Jacob.
- 2:01
>> Hey. Hey, what's going on?
- 2:03
>> Mahalo.
- 2:04
>> Oh my god. Hey. Hi.
- 2:07
>> What's going on? I'm so sorry. My dog is
- 2:10
like not leaving me alone.
- 2:11
>> Not at all. Let's talk about this dog.
- 2:12
For people that can't see this dog, what
- 2:14
kind of dog we got here?
- 2:16
>> Uh, she's a multi poo. So, uh,
- 2:18
>> she's she's so cute. She's well groomed.
- 2:22
>> Yeah, she's pretty. She just got her
- 2:23
haircut and she's uh I swear to God she
- 2:25
was like not bothering me the whole day
- 2:27
and then as soon as she sees me on Zoom
- 2:28
she's like, "Oh, it's time to
- 2:30
get to get going." Like it's
- 2:31
>> We love dogs on Zoom. We love What's her
- 2:34
What's her name?
- 2:35
>> Uh her name is Vulpix, like the Pokemon.
- 2:38
Um yeah,
- 2:40
>> amazing.
- 2:42
>> Yeah. So, there's that.
- 2:44
>> Jacob, it is so nice to talk to you.
- 2:47
>> Oh, thank you so much for having me.
- 2:48
This is so awesome. I literally need to
- 2:50
get the gushing out of the way. Pause.
- 2:51
Um I I literally I love you so much.
- 2:54
This is so great. I I'm such a big fan
- 2:56
of you.
- 2:56
>> Thank you very very much for saying
- 2:58
that. Um my I have two teenage boys and
- 3:00
they're kind of blown away that I'm
- 3:02
talking to you today.
- 3:03
>> Amazing. Oh, that's really nice.
- 3:04
>> You're very very famous and um and they
- 3:07
love your work as do I. And I love I
- 3:10
love like I will just say and I feel it
- 3:12
already and the work that you do the
- 3:15
your spirit comes through.
- 3:16
>> Oh, thank you so much. shirt. That means
- 3:18
a lot, Amy. Thank you.
- 3:19
>> Of course. It's really kind and and and
- 3:21
and may I say like it's also just it's
- 3:24
very Hawaiian.
- 3:25
>> I appreciate it. Yeah. I mean, hopefully
- 3:27
people are still proud of me back home.
- 3:30
>> Well, there is this thing this like um
- 3:32
there's something very hard to pin down
- 3:35
or like explain it almost like
- 3:37
explaining it ruins it, but about
- 3:39
Hawaiian people and culture. But I mean,
- 3:42
I I I just have to say I thank you for
- 3:45
your energy and and Hawaii and their
- 3:48
energy because it means a lot. Um, we're
- 3:51
thrilled to talk to you today because
- 3:52
you and Tom Holland, our guests who I've
- 3:56
never had the pleasure to meet and can't
- 3:57
wait to meet
- 3:58
>> are are genuinely really good friends.
- 4:01
>> Yeah. Yeah. We I mean I I think it's
- 4:04
it's not hyperbole to say that we've
- 4:05
literally seen each other grow up. And
- 4:08
um I've I I'm obviously proud of who
- 4:11
he's become and like what he's done with
- 4:12
his life and where he's gone in his
- 4:14
career as well. Um but it's it's crazy.
- 4:16
We we you know, at the time we we
- 4:18
weren't even allowed to drink alcohol.
- 4:20
>> Yeah.
- 4:21
>> And and now we're uh 30.
- 4:24
>> I know. I mean, in in researching for
- 4:26
today, the fact that when you guys got
- 4:29
the parts, you were 18, 19.
- 4:31
>> Yeah. Yeah. we're we're about to do
- 4:33
>> and and and frankly signing, you know, a
- 4:36
contract that was like we're going to do
- 4:37
a lot of movies with you. Um and it's
- 4:39
going to be the next 10 years of your
- 4:40
life. I mean, that is a big decision to
- 4:42
make at that age. And boy,
- 4:45
>> you're gambling that the person you're
- 4:47
working with like
- 4:48
>> hopefully is not a dick, right?
- 4:51
>> Exactly. Did you guys read together,
- 4:54
audition together and read together?
- 4:56
>> Yeah. So, I I had done like the
- 4:58
traditional thing of Well, I think self
- 4:59
tapes at the time were still kind of
- 5:00
new. Um, so I did I did a couple of
- 5:02
those and then we did a screen test
- 5:04
together for the first time and I think
- 5:06
ever since like that time it back in
- 5:08
like 2016
- 5:11
it just I think that the chemistry was
- 5:13
pretty apparent and you know at that
- 5:15
time I remember I don't remember a lot.
- 5:17
I feel like for me that was like my
- 5:19
first ever job. And so that that like
- 5:21
that kind of big audition and uh coming
- 5:25
in it it was all like literally such a
- 5:28
blur that I barely remember what we said
- 5:30
to each other. I just remember thinking
- 5:32
like god I really hope I have a job
- 5:33
after school. Like but it was just like
- 5:37
such a great time with him cuz he was
- 5:38
such a
- 5:39
>> easygoing person and he made it so
- 5:41
light. Um,
- 5:43
>> and at that time, you know, John Watts,
- 5:45
our director at the time, um, really
- 5:47
really made it a point for us to really
- 5:49
bond, and it just it was like such a
- 5:52
beautiful sort of story of of like two
- 5:54
friends coming together out of nowhere.
- 5:56
>> Yes. I mean, you can just tell that you
- 5:58
two really love and enjoy each other.
- 6:00
And the movie hinges a lot on Peter and
- 6:02
Ned's like relationship that
- 6:04
>> Yeah. Yeah. Absolutely. I think, you
- 6:06
know, Tom is also very he's big on like
- 6:08
making those relationships uh feel real
- 6:11
and like that's kind of like the
- 6:12
backbone of of Peter Parker's story. So,
- 6:14
I think he was also a very big proponent
- 6:17
proponent of uh making sure those
- 6:19
relationships make make sense and and
- 6:20
that it works. So,
- 6:21
>> yeah, I mean it it goes deeper, you
- 6:23
know, to this just this idea of like
- 6:25
male friendships and how they're
- 6:27
important they are and how
- 6:29
>> men really need friends.
- 6:31
>> Yeah, absolutely. like the I don't want
- 6:33
to advocate like male loneliness or
- 6:34
anything, but like it's a real thing.
- 6:36
It's true. It's a real thing to have
- 6:38
somebody that you know has your back and
- 6:39
that also
- 6:41
>> can kind of um be with you through the
- 6:43
the tough times.
- 6:44
>> Absolutely.
- 6:46
>> Um in this new movie, I mean, there are
- 6:48
some tough times cuz you guys all forget
- 6:50
that you know each other and you have to
- 6:51
kind of you have to learn to figure out
- 6:54
what's great about each other again.
- 6:55
It's a cool metaphor.
- 6:57
>> Yeah, it's really cool and hopefully
- 6:58
hopefully it works out for him. Usually
- 7:00
usually Spider-Man's life is not great.
- 7:02
So
- 7:07
>> now are you did you grow up as a as a
- 7:10
big fan of Marvel and and comic books
- 7:12
and these characters?
- 7:14
>> You know, I got to say I was more of a
- 7:15
Power Ranger guy.
- 7:16
>> Um Power Rangers is definitely my thing.
- 7:18
>> Yes.
- 7:19
>> But I think
- 7:19
>> What did you like about Power Rangers? I
- 7:21
think it's just like the colored
- 7:23
leotards
- 7:26
and and just like their cool helmets
- 7:28
because I know that obviously it wasn't
- 7:30
them doing the fight scenes but it was
- 7:31
still super cool. Um I really I I really
- 7:35
got into uh superhero stuff like
- 7:37
actually when Toby Magguire was doing
- 7:39
Spider-Man and I think a lot of us for
- 7:41
people who were like millennials I think
- 7:42
that was like our that was like our guy.
- 7:45
>> Yeah. I remember when I first saw
- 7:46
Spider-Man, I I I thought like, how did
- 7:49
this guy do all of this stuff?
- 7:51
>> Yeah.
- 7:51
>> And then I see Tom doing all this stuff
- 7:54
by himself and it's like insane. Like
- 7:56
it's actually crazy to be, you know,
- 8:00
again, 30. Like like not that 30's old
- 8:02
or anything, but like when he was 19, he
- 8:05
would get knocked down and come right
- 8:06
back up. And now like you know, he needs
- 8:08
a couple days. You know,
- 8:09
>> Jacob, I want to talk about this with
- 8:10
him today cuz I'd like him to stop. It's
- 8:13
I'm telling like he's actually doing
- 8:15
something just too dangerous for his
- 8:16
body. Like you know dumb for a reason.
- 8:18
Yeah.
- 8:19
>> Okay. This isn't going to go over well.
- 8:20
But I don't even think should there
- 8:22
should be any stunts at all in any
- 8:23
movies.
- 8:24
>> He's just like doing like taxes. Yeah.
- 8:27
He just does his taxes all movie. Yeah.
- 8:29
>> Yeah. Exactly.
- 8:31
Yes. Peter learns to do his taxes and
- 8:33
Ned helps him and they go get ice cream
- 8:36
as a little treat
- 8:38
>> and then they watch a movie and they
- 8:40
That's That's what I want to see. And
- 8:41
then that's how the movie ends. That
- 8:42
That would actually be very beautiful. I
- 8:44
think that's very
- 8:46
>> And they just put ice on some of their
- 8:48
old injuries.
- 8:49
>> Yeah. Yeah. Like especially on their
- 8:50
knees. My knees are hurting. Oh my
- 8:52
goodness.
- 8:52
>> Yeah. They put some ice on their knees
- 8:54
and maybe I don't know, they call like,
- 8:55
you know, they they order they get food
- 8:57
delivered and they just chill.
- 8:59
>> Oh my god. You know, my Mrs. This is so
- 9:01
random, but she put me on to putting
- 9:02
like heat pads on my lower back.
- 9:04
>> It's not random, babe. Let's talk about
- 9:06
it.
- 9:07
>> Heat. Heat. I mean, I'm lying on a
- 9:10
heating pad all day.
- 9:10
>> I could I could sleep in all day now,
- 9:12
but
- 9:12
>> Okay. You want to You want want me to
- 9:14
blow your mind? Right behind me.
- 9:17
>> Yeah.
- 9:18
>> I'm going to show you this.
- 9:21
>> Right behind me, I have a good heating.
- 9:26
>> You put this in the microwave.
- 9:28
>> Oh, yes. When you're right,
- 9:30
>> you can wrap it on Oh, I don't know,
- 9:32
your shoulder or your lower back. It's
- 9:35
incredible.
- 9:36
I am literally this is how I know like
- 9:38
I'm so turned on by that. I genuinely
- 9:40
want to buy one now. Like
- 9:42
>> Oh, I'm gonna send you one.
- 9:43
>> Oh, thank you.
- 9:45
>> Before we get to your question for Tom,
- 9:47
just let's talk a little bit more about
- 9:48
what's so great about him. What's so
- 9:50
great about him?
- 9:50
>> Yeah. You know, I think again from the
- 9:52
first time I met him, he's just been so
- 9:55
he he's been so welcoming and so nice to
- 9:57
me. And obviously like he had done a few
- 9:59
things before I had and he was really
- 10:01
willing to to be there for me and
- 10:03
support me. And there was a lot of times
- 10:05
earlier in my career where I didn't
- 10:06
really know what I was doing. Um, just
- 10:08
in general, um, you know, I have like a
- 10:10
whole team of people to help me through
- 10:11
that stuff, but at the same time, I
- 10:14
think just dealing with like the sort of
- 10:15
uh actor part of it. I think he was
- 10:18
always there to be supportive of me. Um,
- 10:21
and I know him like as a person, like I
- 10:23
just know he would never talk dirty
- 10:24
behind my back.
- 10:25
>> Yeah.
- 10:26
>> Um, and he's just like a good he's just
- 10:28
an amazing like good person like that.
- 10:29
And um I don't want to flex too hard,
- 10:32
but he just bought me this little rolly.
- 10:34
Um I wanted I wanted to wear it for him,
- 10:37
you know, cuz he that's my boy for life.
- 10:39
Um
- 10:42
>> and I hope he doesn't mind that I that I
- 10:44
told everyone that. But uh
- 10:45
>> well, he's very British, so he'll
- 10:47
probably be a little embarrassed.
- 10:48
>> Super embarrassed.
- 10:49
>> But we're But we can flash it a little
- 10:51
bit. Wow. That's a real friend. You
- 10:53
know, not one of my friends has ever
- 10:55
bought me a Rolex.
- 10:56
>> I think I think this is your sign, Amy.
- 10:57
You got to re you got to reassemble, you
- 10:59
know, you got to like rebunch them up.
- 11:01
>> It's really making me feel like a do I
- 11:02
even have friends.
- 11:03
>> That's what I I That's what I said. I
- 11:05
was like, you know, I just uh this is
- 11:07
also like another side piece to my
- 11:09
story. I just uh had a I had a bachelor
- 11:11
party in Vegas and it was so fun. It was
- 11:13
the greatest time ever and um it just
- 11:17
like I showed everyone this watch and
- 11:19
they were all like, "Oh, that's a great
- 11:20
watch." And I'm like, "Yeah, one of my
- 11:21
closest friends got it for me." So, you
- 11:24
know,
- 11:29
but um
- 11:29
>> Oh, man. Jacob, that's so awesome.
- 11:32
>> But he's he's truly just an amazing
- 11:33
person. And like I can't tell you like
- 11:35
the the way he carries himself. I mean,
- 11:38
just professionally uh and and like you
- 11:41
know uh in in his personal life, he he
- 11:44
just makes sure that everyone around him
- 11:46
is like comfortable and but he also he
- 11:48
also doesn't take you know from
- 11:50
anybody. He's very he very stands on on
- 11:52
himself and for his people and I think I
- 11:55
try to carry that with myself in my own
- 11:57
personal life because he's he's really
- 11:58
been a great role model to me. Um and
- 12:01
this is probably the most I've talked
- 12:03
really great about him.
- 12:04
>> Yeah. Well, like I think a lot of you
- 12:06
probably give each other a lot of
- 12:07
You know, that's what I think we talk a
- 12:09
lot more to each other than we do
- 12:10
like I do love him to death though. Like
- 12:11
I I know that he only ever shows me
- 12:13
love. So
- 12:14
>> Oh, thank you so much for saying that.
- 12:15
And do you have a question uh do you
- 12:18
think I should ask him today? something
- 12:19
he would want to talk about, a story, or
- 12:21
something that you think would be good.
- 12:22
>> Oh my gosh.
- 12:25
Uh if if he's if he would want to, I
- 12:27
think you should ask him about the
- 12:28
Boiling Rock part one.
- 12:30
>> Fantastic.
- 12:31
>> I I think that'll that'll really that'll
- 12:34
put a smile on his face.
- 12:35
>> The Boiling Rock part one.
- 12:37
>> Part one. Yes, that is that is
- 12:38
definitely some Jacob and Tom inside
- 12:41
stuff.
- 12:43
>> Okay, perfect. And he maybe he'll say no
- 12:45
comment and that will be fine, too.
- 12:47
>> Yeah. See what it is. Yeah,
- 12:49
>> perfect. I mean, this is the kind of
- 12:51
this is the kind of scoop we need.
- 12:55
>> Well, congratulations on your impending
- 12:57
marriage.
- 12:57
>> Oh, thank you so much. I appreciate it.
- 13:00
>> You really are heading into your 30s
- 13:02
with um like a a tight lower back and a
- 13:06
fancy watch and a new bride.
- 13:09
>> It's pretty amazing. It's a pretty good
- 13:10
way to get in.
- 13:13
>> It's been so nice talking to you. It's
- 13:15
so great to meet you.
- 13:16
>> Thank you again for your work. I really
- 13:18
mean it that the relationship that you
- 13:19
guys have, you know, it's especially for
- 13:22
young men who are men and women who are
- 13:25
watching it. It's really important to
- 13:26
show those kind of relationships and so
- 13:28
thanks for your work and such a pleasure
- 13:30
talking to you.
- 13:31
>> Yeah. Thank you. Hope to see you soon.
- 13:32
>> I hope so, Jacob. I hope so. All right.
- 13:34
Okay. Take care.
- 13:35
>> All right. Speak to you soon. Okay.
- 13:37
Bye-bye.
- 13:40
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- 14:55
>> Tom, I just want to start by saying I
- 14:56
know you're British, so I will not
- 14:58
compliment you that much.
- 14:59
>> Okay, fantastic. Great stuff. We we'll
- 15:01
we'll get to teasing pretty fast, but
- 15:04
you are the probably the biggest movie
- 15:07
star that we've had on Good Hang. You
- 15:09
are my Tom Cruz. You are
- 15:10
>> Oh, fantastic. Wow. Thank you so much.
- 15:13
What a great start to
- 15:14
>> I think you are saving movies and I
- 15:16
think you are an incredible immense
- 15:18
talent.
- 15:19
>> Thank you very much.
- 15:20
>> And I love your work.
- 15:21
>> Oh, that's very sweet of you. Thank you.
- 15:23
>> And I'm so happy that you wanted to
- 15:25
Let's drink. Let's drink after that.
- 15:27
Mhm.
- 15:29
>> But I was so happy that you wanted to
- 15:31
come on because you're like a huge part
- 15:34
of our family's experience in movies. I
- 15:37
have two teenage boys. They are huge
- 15:40
fans of your work and as am I. And I
- 15:44
think the way you approach your work and
- 15:46
the way you approach who you work with
- 15:48
and how you work is really very very
- 15:51
special.
- 15:51
>> Thank you.
- 15:52
>> And then compliments. Done.
- 15:53
>> Done.
- 15:54
>> Yeah.
- 15:55
>> Now criticism.
- 15:56
>> Yes. So, you grew up in Southwest.
- 15:59
You're short as Thank you, Amy.
- 16:02
>> Well, you know, I'm a shorty, so I never
- 16:04
even know how tall anybody is. So, I
- 16:07
think everybody's tall. Um, you're a
- 16:09
Southwest London boy.
- 16:11
>> Yes.
- 16:11
>> And growing up with two art artist
- 16:14
parents, comedian dad.
- 16:16
>> Yeah. My dad is a standup. Yeah. My mom
- 16:18
is a photographer.
- 16:19
>> Okay. So, what is your house like? Like,
- 16:22
what are you guys laughing at? because
- 16:24
I'm kind of obsessed with the fact that
- 16:26
UK and US like there are big big um
- 16:30
things that we love that we don't know
- 16:32
about each other's comedy,
- 16:34
>> right? It's interesting. I mean, my dad
- 16:36
obviously being a standup,
- 16:39
>> what was so interesting as a kid is that
- 16:41
I always thought he was just unemployed
- 16:45
>> because he was always around.
- 16:47
>> Like he would put us to bed
- 16:48
>> and then he would go off and do his job.
- 16:50
He was either a comedian or Batman. Like
- 16:52
I had no idea what my dad did at night.
- 16:55
>> Yeah.
- 16:55
>> Um that's great.
- 16:56
>> So it was just a lot of fun. And my dad
- 16:57
was always really keen for us to all
- 17:01
contribute to the family dinner as much
- 17:03
as each other.
- 17:04
>> You know, there's telling stories. How
- 17:05
was your day at school? Like good was
- 17:08
never a good enough answer. It was
- 17:09
always like, well, tell me why your day
- 17:11
was good or tell me why your day was
- 17:12
bad. M
- 17:13
>> and I think his showmanship really
- 17:15
helped us as young kids to become, you
- 17:18
know, social and and I think it's really
- 17:21
helped me in my life and my career what
- 17:23
I ended up doing.
- 17:25
>> The tough thing about having a comedian
- 17:27
as a parent, as I'm sure your kids will
- 17:30
know,
- 17:30
>> is that no one that you bring to the
- 17:32
house is safe.
- 17:34
>> Like any of my mates that come over when
- 17:36
we were kids, my dad would just rinse
- 17:38
them. And it was like it was almost like
- 17:41
he was using dinner as like a warm-up to
- 17:44
go out and do a show that night.
- 17:46
>> Oh, this is gonna this is going to hit
- 17:47
home.
- 17:48
>> So, it was always we had an amazing
- 17:49
childhood and my parents are such
- 17:52
wonderful people. I really admire both
- 17:54
of them. You know, my mom in the way
- 17:56
that she continued working but was also
- 17:58
like the most hands-on
- 18:00
>> mom. And then my dad the same. My dad
- 18:02
was like I said,
- 18:03
>> he would only work when we were asleep.
- 18:05
So, he was always there. He took us to
- 18:07
school. He would take us out after
- 18:09
school.
- 18:09
>> Four. There's four boys in your family.
- 18:11
>> There's four of us. Yeah.
- 18:12
>> You're the oldest.
- 18:13
>> I'm the oldest. Probably not the most
- 18:16
>> intelligent of the four of us. My
- 18:18
brother Harry is pretty
- 18:19
>> okay.
- 18:20
>> Sharp.
- 18:20
>> Harry's sharp. Is there any of the four
- 18:22
that are introverted?
- 18:23
>> I'd say Paddyy is slightly introverted.
- 18:25
Yeah. Patty is the youngest.
- 18:27
>> He's a really talented painter.
- 18:29
>> Yeah.
- 18:29
>> So, he's really kind of got into this
- 18:33
world of like sitting up in his bedroom
- 18:34
and you're like, "What's Patty doing?"
- 18:35
And then he comes downstairs with this
- 18:37
canvas and it's it's amazing. He
- 18:39
actually worked on Spider-Man 4 in the
- 18:42
art department.
- 18:43
>> Oh, that's cool. I'm curious about Birth
- 18:45
Order because I'm the oldest as well and
- 18:47
being the oldest is like there is a
- 18:49
responsibility.
- 18:50
>> Yes,
- 18:52
>> it is.
- 18:52
>> To set an example,
- 18:53
>> one of your brothers was worked on like
- 18:55
was your assistant during one of the
- 18:57
films.
- 18:58
>> Yeah, Harry was my assistant for a long
- 19:00
time,
- 19:01
>> which was actually great. You know, when
- 19:03
I hired him, I was a little nervous
- 19:06
about
- 19:06
>> Yeah.
- 19:07
>> my asking my brother for a coffee and
- 19:08
him being like, "Fuck off.
- 19:10
>> You're chilling." Like, "What are you
- 19:12
doing?
- 19:14
>> I'm not getting you a coffee."
- 19:19
>> But he came around.
- 19:20
>> Yeah, he came around. He was great. He's
- 19:21
super professional. And him and I now
- 19:24
>> are running a production company
- 19:25
together.
- 19:26
>> Oh, that's great. and um trying to sort
- 19:27
of revitalize that mid-budget movie and
- 19:30
and and uh you know really try and put
- 19:34
those movies back on the map.
- 19:35
>> What is it like to be in a house with
- 19:37
four boys? It's wild.
- 19:38
>> I mean that's more a question for my
- 19:40
poor mom. Um, I think when Paddyy came
- 19:43
along,
- 19:45
there is a video somewhere of his birth
- 19:48
video and he comes out and his balls are
- 19:51
so red and I think you can hear my dad
- 19:54
go, "Oh, for God's sake."
- 19:59
Also, I mean, your mom probably would
- 20:01
would deny this to the, you know, to the
- 20:05
day she dies, but when you're having a
- 20:07
fourth child and you've had three boys,
- 20:10
maybe you're like, maybe this one would
- 20:12
be a girl.
- 20:13
>> Yeah, I think that was the intention.
- 20:15
And listen, I want to just say that I
- 20:17
love my brother to absolute death. He is
- 20:21
>> the best. I love him. He can take it.
- 20:24
And bless him as the youngest. He is the
- 20:25
butt of every joke. Um, I remember once
- 20:28
we had this huge argument when we were
- 20:30
kids, huge argument and we were outside
- 20:33
and sometimes our parents were like, "Go
- 20:34
outside and you figure it out, the three
- 20:36
of you. Don't fight,
- 20:38
>> but just get it off your chest."
- 20:39
>> And then like a week later, I said to my
- 20:42
dad, I'd like really got into air rifles
- 20:44
for some reason.
- 20:45
>> I was like, "Dad, I really want an air
- 20:47
rifle." And he was like,
- 20:48
>> "Did you see that argument you had the
- 20:50
other day?" I was like, "No, you can't
- 20:52
have an air rifle."
- 20:53
>> Yeah.
- 20:54
>> But yeah, our house was carnage. pure
- 20:56
carnage, but like in a good way.
- 20:58
>> Broken things like broken like there is
- 21:01
a feeling when you have a lot of boys
- 21:02
where you have to just kind of say
- 21:04
goodbye to nice things.
- 21:05
>> I think so.
- 21:06
>> Yeah.
- 21:06
>> What I have come to realize though now
- 21:09
that I have gotten older and moved out
- 21:11
and all of my brothers have moved out
- 21:13
that my parents were really keen for us
- 21:15
to be tidy.
- 21:17
>> Yeah.
- 21:17
>> But since I've all we've all moved out,
- 21:19
we have all realized that we were not
- 21:21
the problem. It is my parents that were
- 21:24
the problem. They were the ones. They
- 21:26
were the ones.
- 21:29
>> Are you still messy? Are you messy?
- 21:31
>> I ah this is a bit of a tough one
- 21:33
because
- 21:35
>> I live on two sides of the world. Yes.
- 21:37
>> We live in London and we live here in
- 21:39
LA.
- 21:40
>> And in London, I am really keen to keep
- 21:42
everything
- 21:44
>> really tidy.
- 21:45
>> But when you come to America, you just
- 21:46
let it all go.
- 21:47
>> I just I feel like I'm a guest when I'm
- 21:49
here, you know?
- 21:50
>> You know what? We don't appreciate that.
- 21:52
>> I know. I know. I should maybe change my
- 21:54
ways a little.
- 21:56
The thought of you guys working it out
- 21:58
in your house makes me feel like as
- 22:00
brothers makes me think about you as a
- 22:03
young person cuz we we started to get to
- 22:05
know you as a young person dancing in on
- 22:09
the West End in Billy Elliot and like
- 22:11
the way in which you had freedom to move
- 22:15
felt like that just came from your house
- 22:18
like right. My parents were always huge
- 22:21
fans of dancing. And all of us were sent
- 22:23
to this kind of Saturday school. It was
- 22:25
called Nifty Feet. It was this kind of
- 22:28
really fun little street dance kind of
- 22:31
class and we would do these shows every
- 22:32
summer at the ballet school down the
- 22:34
road.
- 22:35
>> And my parents loved it. Like it was
- 22:37
such a fun
- 22:39
>> time. And I remember it's so funny how
- 22:42
>> there are conversations that you have in
- 22:44
your life that really shape you as a
- 22:46
person. And I remember one
- 22:49
dance class or something my parents
- 22:51
would come and watch every single time.
- 22:52
They were always there watching. And I
- 22:55
guess maybe I was having a bad day or
- 22:57
something and and I was marking all the
- 22:59
routines. And on the way home, I thought
- 23:01
that I had been really cool in the way
- 23:03
that I had marked it. It was like, oh, I
- 23:04
don't care. I don't need to try that
- 23:06
hard.
- 23:06
>> Sure. Sure. Sure.
- 23:07
>> And I remember this conversation I had
- 23:08
with my dad where he was talking about
- 23:10
doing your best and even if you're not
- 23:12
feeling your best, you need to present
- 23:14
as your best. And it's such a it's so
- 23:16
interesting how,
- 23:18
>> you know, that simple little
- 23:19
conversation I had in the back of his
- 23:21
car has been so important to me as an
- 23:24
adult and a professional. And I think
- 23:25
about that conversation a lot.
- 23:27
>> It's so interesting you say that because
- 23:28
that is like a hard lesson for kids of a
- 23:32
certain age to learn that trying is
- 23:34
cool.
- 23:35
>> Totally.
- 23:35
>> But it's a it's it's so vulnerable.
- 23:38
>> Yeah.
- 23:38
>> And to look like you care.
- 23:40
>> Yeah. And it is our instinct to just I I
- 23:43
I've did it as an adult too. Like there
- 23:45
were times in my career where I would be
- 23:47
nervous. So I would just get kind of
- 23:49
like sleepy and ambivalent.
- 23:50
>> Yeah. Yeah. Yeah. Right. You're like I
- 23:51
don't really care about this.
- 23:52
>> Like you know auditioning for the Cohen
- 23:54
brothers just being like yawning in the
- 23:56
middle of it. Um because I was nervous
- 23:59
like and it is a hard lesson to learn.
- 24:01
But that is what is the difference
- 24:03
between I think like great performances
- 24:05
is people show that they care.
- 24:07
>> Totally. And it's that idea that
- 24:10
failing if you tried is better than
- 24:13
failing if you didn't try.
- 24:14
>> Yeah, for sure.
- 24:15
>> You know, because then you don't feel
- 24:16
bad about it. You're like, at least I
- 24:18
did my best.
- 24:19
>> Just wasn't meant to be.
- 24:21
>> Little Tom Holland dancing. Could watch
- 24:24
it all day.
- 24:27
>> Janet Jackson.
- 24:28
>> Yes.
- 24:29
>> You love
- 24:30
>> I love Janet Jackson so much.
- 24:32
>> Let's talk about Janet for a second.
- 24:34
>> Oh man,
- 24:35
>> she's just electric.
- 24:37
She's so talented. And then we grew up I
- 24:40
like Janx grew up with Janet. Janet was
- 24:43
first on TV as a little young actress on
- 24:45
um Good Times doing like very heavy
- 24:48
material and then Janet of course
- 24:50
Michael but Janet we were like okay
- 24:52
Michael's sister Janet
- 24:55
>> and then Janet was her own just
- 24:58
incredible artist
- 25:00
>> who had huge hits and was an incredible
- 25:04
dancer. I to be perfectly honest with
- 25:06
you, I really feel like if you asked me
- 25:08
to list five people that have been
- 25:10
integral in the success of my career,
- 25:12
she would be one of them because have
- 25:14
you ever met her?
- 25:14
>> I've never met her. No. But if I didn't,
- 25:16
>> she's here.
- 25:17
>> Yeah. Can you imagine? Like, oh my god,
- 25:20
>> Janet, come on out.
- 25:22
>> But if I didn't
- 25:24
>> show that I had an understanding of like
- 25:26
rhythm, my mom would have never got me
- 25:28
into dancing. And if I didn't get into
- 25:29
dancing, I would never have been spotted
- 25:32
to audition for this show. and if I
- 25:33
didn't do that show, I wouldn't have got
- 25:35
an agent. And you know, it was never
- 25:37
something that I sought out. I never
- 25:39
wanted to be an actor. It was never like
- 25:41
>> I sat down with my parents and was like,
- 25:42
I have this dream of being famous. So,
- 25:44
if it hadn't been for that song when I
- 25:47
was a kid, I probably wouldn't be sat
- 25:49
here today, which is kind of crazy,
- 25:50
>> isn't it crazy? I was talking to Billy
- 25:52
Eyish was here and we were talking about
- 25:53
how she was like, you know, getting
- 25:56
ready to compete in all of her dancing
- 25:58
competitions.
- 25:59
and then like got hurt and then her song
- 26:02
became but I do feel like I have a
- 26:05
strong love and passion for dancing. I
- 26:08
feel like dancing is first of all it
- 26:10
feels like magic when people can do it
- 26:12
well it feels like something spiritual
- 26:15
but also I love it just personally
- 26:17
because it's very good for my nervous
- 26:19
system.
- 26:19
>> Yeah. Like it is this thing where if you
- 26:21
can shake it out and move, you can calm
- 26:25
yourself or whatever. It is this really
- 26:28
primal thing that I think opens the door
- 26:31
to all different types of creativity.
- 26:33
>> Totally agree. Yeah.
- 26:34
>> So what is your relationship to dancing
- 26:36
right now? How often do you dance? Where
- 26:37
do you dance? It comes at a very
- 26:40
interesting time because last week I did
- 26:43
my first dance rehearsal for the Fred a
- 26:46
stair movie that we're doing in next
- 26:49
year.
- 26:49
>> God,
- 26:50
>> I it's funny like I
- 26:52
>> I don't find myself getting that nervous
- 26:55
anymore for things, you know, because
- 26:58
you do it so often and it becomes second
- 27:00
nature and it feels like another day at
- 27:02
the office. But I went to Pineapple
- 27:04
Dance Studios, which is where I trained
- 27:06
as a kid when we were doing Billy
- 27:08
Elliot. I was with the director of the
- 27:10
movie and the choreographer of the
- 27:11
movie.
- 27:12
>> Wow.
- 27:12
>> And I was petrified because I'd been
- 27:15
telling this guy, this director, Paul
- 27:17
King, I said, "Don't worry, bro. Like, I
- 27:19
can dance, dude. Like,
- 27:20
>> babe, I'm not one of those actors."
- 27:22
>> Yeah. Like, I'm a dancer dancer.
- 27:23
>> Yeah. I was on the West End. Okay.
- 27:25
>> Right. And we get there and it's a, you
- 27:28
know, a bare room with a hardwood floor.
- 27:30
I've got tap shoes on. First time I've
- 27:31
worn tap shoes in 15 years.
- 27:34
>> And immediately I'm like, "Wow, my feet
- 27:35
feel like in these shoes."
- 27:37
>> Yeah, these hurt.
- 27:38
>> Yeah.
- 27:39
>> And um he kind of was a little bit like,
- 27:43
>> "Okay,
- 27:43
>> okay,
- 27:43
>> do your thing.
- 27:44
>> Show me what you got."
- 27:46
>> And I I went over to the computer and I
- 27:49
Googled the the Billy Elliot music and
- 27:52
was like, "I'm either going to do
- 27:54
something amazing here or I'm really
- 27:55
going to shoot myself in the foot."
- 27:56
Yeah.
- 28:08
>> And without even having to think of what
- 28:09
the first step was, it just happened
- 28:12
naturally. Now,
- 28:13
>> if I did the dance like I did last week
- 28:16
in front of my Billy Elliot
- 28:17
choreographers when I was a kid, they
- 28:19
probably would have buried me. Yeah.
- 28:21
Because it was horrendous.
- 28:22
>> They'd have a lot of really upset. But
- 28:25
it was really it was really exciting and
- 28:28
I've been very nervous about the idea of
- 28:29
making that film just because you know
- 28:32
it's going to be a huge undertaking from
- 28:34
a prep point of view and
- 28:36
>> it's also a big risk I think you know
- 28:38
it's a big
- 28:38
>> we're so ready for it.
- 28:40
I'm really excited. But after that
- 28:41
rehearsal,
- 28:43
>> any fears I had or any questions of
- 28:45
like, should I be making this movie
- 28:47
completely left
- 28:48
>> the room because I think my biggest
- 28:50
regret in my career so far
- 28:52
>> is that when I finished that show, I
- 28:54
quit dancing.
- 28:56
>> Yeah.
- 28:56
>> And I just, you know, would dance in a
- 28:57
club or something like that, but
- 28:58
wouldn't go and take class.
- 29:00
>> Yeah. And the thing I love most about my
- 29:01
job is that you can book a a film and
- 29:05
learn all of these amazing skills from
- 29:07
the best people in the business. And to
- 29:09
be able to do that again and pick up
- 29:11
dancing from square one and try to get
- 29:14
back into it, I think it's going to be
- 29:15
so fulfilling.
- 29:16
>> It's so cool. I mean, like you you you
- 29:19
were on the West End at how old? How old
- 29:20
were you when you were in Billy Elliott?
- 29:22
>> I started when I was 11.
- 29:24
>> Wow.
- 29:25
>> And I finished when I was 13. It was a
- 29:28
riot. I mean, I I've said this to many
- 29:30
people who who do um theater and are,
- 29:33
you know, on a in a long run, like to
- 29:36
have the hardest part of your day be at
- 29:38
the end of your day is really hard. You
- 29:40
know, you're just always prepping for
- 29:43
the end of your day.
- 29:44
>> Yeah, totally.
- 29:45
>> Was do you feel like in many ways that
- 29:47
was the hardest you ever worked was
- 29:48
doing that show or because you were
- 29:50
young like what when you go back to that
- 29:53
time, what do you feel like your energy?
- 29:56
Did you just have unlimited energy at
- 29:58
11, 12, and 13?
- 29:59
>> Yeah, I think so. Really? You know, it
- 30:01
was tough. But yeah, no, I think there
- 30:03
was also there was four of us. There
- 30:04
were four Billies at any one time. Yeah.
- 30:06
>> And you would share the roles. So you
- 30:08
would do Monday night, someone would do
- 30:09
Tuesday night.
- 30:10
>> You would do standby, so you would be
- 30:12
backstage in case a Billy got injured
- 30:15
and you would have to rush on.
- 30:16
>> I remember one night I had the night
- 30:18
off. I was playing golf with my dad and
- 30:20
we got a phone call saying, "Oh, Ollie's
- 30:22
come off the show. Brad's going on. can
- 30:24
you come in to be on standby? Cuz it had
- 30:27
happened in like the first 20 minutes of
- 30:29
the show. And then by the time I got to
- 30:31
the theater, Brad had then hurt himself.
- 30:34
>> So I had to go on and someone actually
- 30:36
wrote a letter into the theater and was
- 30:38
like, "Wouldn't it be easier and less
- 30:40
confusing to just use the same kid
- 30:43
rather than constantly changing them
- 30:44
out?"
- 30:46
>> Um, but no, I don't know if it's the
- 30:48
hardest I've ever worked. I think the
- 30:50
Odyssey, the the most recent film I did,
- 30:52
I mean, that was,
- 30:54
>> you know, one of the toughest jobs I've
- 30:55
ever had.
- 30:56
>> I cannot wait to talk to you about it.
- 30:57
First of all, can't believe I'm not in
- 30:58
the Odyssey because everyone else is.
- 31:02
>> Christopher Techville Techville. Um,
- 31:08
>> I mean, but I cannot. Also, all I've
- 31:11
heard is that how hard it is. And you do
- 31:14
hard things in your movies. Okay.
- 31:19
you you.
- 31:21
But before we get to those the two
- 31:23
biggest movies of the summer that you
- 31:25
are in, um I just want to talk about The
- 31:28
Impossible for a second.
- 31:29
>> Okay.
- 31:29
>> Because
- 31:30
>> yes,
- 31:31
>> for people that haven't seen it, don't
- 31:33
watch it. It's too sad.
- 31:34
>> It's intense.
- 31:35
>> It's so intense and it's so sad. It's so
- 31:38
good.
- 31:38
>> It's It's heartbreaking.
- 31:39
>> You are incredible in that movie. Your
- 31:41
performance is incredible. Naomi, you
- 31:44
and McGregor, the the younger children
- 31:46
who play your brothers are incredible.
- 31:49
It is for anyone who the moment when you
- 31:51
reunite is like, you know, I know that
- 31:54
I'm depressed when that comes up on my
- 31:55
TikTok. Like, I know that I'm your
- 31:58
algorithm is taking you through your
- 32:00
>> W. Sometimes my kids will look at my
- 32:02
algorithm and they'll be like, "Mom,
- 32:04
what's going on?" And it'll be like, "I
- 32:05
got to watch the scene again." I started
- 32:07
crying explaining the scene to Jenna
- 32:10
this morning. I was like, "And then they
- 32:11
fight each other." But Tom, that movie
- 32:16
that that movie is what was it? What
- 32:19
would what do you remember about the
- 32:20
experience of making that movie as a
- 32:22
young person? I think for me just an
- 32:24
acting masterclass from Naomi Watts and
- 32:27
just getting to be on set with her every
- 32:29
day and watching a professional at the
- 32:32
top of her game deliver you know a sort
- 32:36
of masterful performance while also
- 32:38
taking me under her wing and teaching me
- 32:41
everything that I knew know about cinema
- 32:44
really you know.
- 32:45
>> Was it your first feature that you had
- 32:46
done?
- 32:46
>> Yeah, it was my first film. So I had
- 32:48
left Billy. I did my first audition for
- 32:50
the film while I was in the show.
- 32:52
>> Wow.
- 32:53
>> I think I had the summer off after I
- 32:54
finished the show and then went straight
- 32:56
in to make that film. So, I had no idea
- 32:58
what I was doing.
- 32:59
>> Wow.
- 33:00
>> And I can imagine as, you know, an
- 33:03
actress that was doing a job that she
- 33:05
would might describe as the hardest role
- 33:07
she's ever played to have to also teach
- 33:09
a young kid how to do it.
- 33:12
>> She showed such patience and she was so
- 33:14
caring and kind. And I would make
- 33:16
mistakes because you know what it's
- 33:18
like.
- 33:18
>> Yeah. Where do I go? Why is there a big
- 33:21
red sausage on the floor? Like, what is
- 33:23
that about? And
- 33:24
>> she was so sweet and kind. And even if
- 33:27
we were in emotional scenes, she could
- 33:28
just snap right out of it and say, "Just
- 33:31
you're you're blocking me from the
- 33:32
you're standing in front of the camera."
- 33:34
I would move. She would get right back
- 33:36
into it.
- 33:37
>> So, she just was an absolute powerhouse.
- 33:39
And she had a great work ethic. She was
- 33:41
so kind and courteous to the crew. So it
- 33:44
for me
- 33:45
>> starting my career in this business it
- 33:47
could not have been a better blueprint
- 33:48
for how to behave and how to you know
- 33:51
work.
- 33:51
>> Well you talked about in in all in
- 33:53
Spider-Man in Odyssey in all of the
- 33:55
stuff you've done like you talk about
- 33:57
people that you've met who you've
- 33:59
learned a lot from like mentors in some
- 34:01
way.
- 34:02
>> Totally. I think my favorite thing about
- 34:04
being an actor is that you are the only
- 34:08
person when the camera calls cut who is
- 34:11
allowed to be in the middle of the room
- 34:13
>> and do absolutely nothing, right? You
- 34:16
you can be in the middle of that kind of
- 34:19
>> ecosystem and you have nothing to do.
- 34:21
You're just waiting for everyone to
- 34:22
reset. So you have the perfect vantage
- 34:25
point to just watch people work and see
- 34:27
how they do it and see how they do it
- 34:29
differently and see how directors
- 34:30
communicate with actors or crew. See how
- 34:33
actors take notes. I love
- 34:35
>> listening to a director give an actor a
- 34:37
note.
- 34:38
>> Yeah.
- 34:38
>> And go I I can't wait to see how you
- 34:40
interpret that note. And sometimes
- 34:41
you're like, "Wow, I wouldn't have done
- 34:42
it like that, but that is actually
- 34:44
really interesting."
- 34:45
>> Yeah. So for me it's less about asking
- 34:48
people for advice and it's more just
- 34:51
sitting back and watching them work
- 34:53
really.
- 34:54
>> I mean I think that is the the thing is
- 34:55
that people are always watching how
- 34:57
people behave in the world.
- 34:58
>> Totally.
- 34:59
>> And it what you say means nothing if
- 35:01
it's different than your behavior. Like
- 35:02
you just watch how people behave.
- 35:04
>> Exactly. And you know what it's like on
- 35:05
a film set. You're there for 5 months.
- 35:07
You're up at 4 in the morning. Like you
- 35:09
get to see every shade of a person's
- 35:11
personality.
- 35:12
>> Yeah. So seeing someone like Matt Damon
- 35:13
for example on the Odyssey, I have never
- 35:15
seen anyone work as hard as Matt did on
- 35:18
that film.
- 35:18
>> Yeah.
- 35:19
>> And he was as kind and gracious as he
- 35:22
was at the beginning of the day, at the
- 35:23
end of the day, and on the toughest
- 35:25
days.
- 35:26
>> So it just was it was awesome for me to
- 35:27
see someone as experienced as himself
- 35:30
also just be the nicest guy and treat it
- 35:33
as if this was his first movie.
- 35:35
>> Yeah, that's awesome.
- 35:43
you go from the impossible to Spider-Man
- 35:46
and somehow and you know you've talked
- 35:48
about it a lot 1500 people audition for
- 35:51
that role getting that part um it's just
- 35:56
it's just like winning a 10-year lottery
- 35:58
and it's just changed completely changed
- 36:00
your life and also it's someone telling
- 36:02
you like hey the next 10 years of your
- 36:04
life are going to be this like it's
- 36:06
heavy and exciting all at the same time
- 36:08
It's It was a really weird day the day
- 36:11
that I found out that I got the part
- 36:13
because it's all I had ever wanted. I
- 36:16
remember watching Andrew's movies in the
- 36:18
cinema.
- 36:18
>> Yeah.
- 36:19
>> And just thinking to myself like, "Oh,
- 36:20
wow." Like, imagine if I got an
- 36:22
opportunity like that to play that
- 36:24
character. Like that would be
- 36:25
>> But even then you were like, "I could do
- 36:27
that."
- 36:29
>> If I knew that I could do it, it was
- 36:30
more just this like hunger of
- 36:33
>> I would love to play that role one day.
- 36:35
M
- 36:35
>> I then spent the next like 5 years
- 36:37
thinking about it, thinking about it. I
- 36:39
found out that they were they were
- 36:40
auditioning for it. I got myself in
- 36:42
there and I spent about six, seven
- 36:46
months auditioning for the film and all
- 36:48
I could think about was getting that
- 36:50
job.
- 36:50
>> Yeah.
- 36:51
>> And then the day that I got it and I
- 36:53
found out, it was like through the roof
- 36:56
excitement and then immediate like, "Oh,
- 36:59
but now I have to actually do it."
- 37:00
>> Oh, a nightmare. Dread. Why did I want
- 37:03
this? Like this is a night like you're
- 37:05
holding the hot potato and you're like
- 37:07
who can I give this to?
- 37:08
>> Totally. And like what's been crazy is
- 37:12
doing this fourth film now Spider-Man
- 37:14
Brand New Day. I felt very similar to
- 37:16
the way I did on my first film which was
- 37:20
excitement, fear, you know, trying to
- 37:24
find this sense of confidence that I
- 37:25
could do this cuz the third movie was so
- 37:28
successful and sharing the screen with
- 37:30
Toby and Andrew felt like the perfect
- 37:32
sendoff. for all of us. So when I walked
- 37:34
on set for the first time, there was a
- 37:36
feeling of like this
- 37:38
right now like we
- 37:41
dest
- 37:45
felt like oh this is exactly what we've
- 37:47
been missing. And
- 37:48
>> I am so excited for this next chapter of
- 37:52
the franchise because it feels
- 37:53
different. It feels new and unique. It
- 37:55
feels more mature. Um, and you know, I
- 37:59
love John Watts, the guy that directed
- 38:00
the first three, and I think tonally he
- 38:03
did such a good job with making these
- 38:04
films feel like the experience of a
- 38:07
teenager.
- 38:08
>> Yeah. Well, I love what you guys are uh
- 38:10
getting into, which is this idea of if I
- 38:13
had to relearn why I love people,
- 38:17
>> like that thing of if I had to if I had
- 38:20
to like do it all over again, would I
- 38:23
choose the people in my life? Like it's
- 38:25
a deep cool metaphor for what it's like
- 38:29
to get older, like to grow up, to look
- 38:31
at your life, like it's very cool. And
- 38:34
and and also like what what is memory?
- 38:38
Like what what are we supposed to
- 38:39
remember? What are we supposed to let go
- 38:41
of? Like it's very very cool territory.
- 38:44
>> Yeah. I think my proudest thing about
- 38:46
this new movie is the message of it. You
- 38:49
know, it's it's a superhero movie at the
- 38:50
end of the day. Tom Rosman, the studio
- 38:52
head, kind of describes it as a
- 38:54
superhuman movie
- 38:55
>> because I think the message is so
- 38:57
important for young people in this
- 38:59
digital age. It's so easy to sit at home
- 39:01
of an evening and just scroll through
- 39:03
your phone and just turn your mind to
- 39:05
mush and to forget about how important
- 39:07
socializing is.
- 39:08
>> Well, my phone is my best friend, so I
- 39:10
don't talk about it.
- 39:10
>> Tell me about it. Tell I had like a
- 39:12
whole bunch of watch
- 39:14
yesterday.
- 39:19
growing up, did you care about
- 39:21
Spider-Man? Because you and dressed up
- 39:23
as Spider-Man. Yeah, because I have boys
- 39:26
who loved Spider-Man, too. And And it's
- 39:29
really fascinating to watch how that
- 39:32
character gets into the psyche of girls
- 39:35
and boys. Um, why do you think they Why
- 39:38
did you as a young kid?
- 39:39
>> I think it's because he's always asking
- 39:41
himself that question of who am I?
- 39:44
>> Yeah.
- 39:44
>> You know, cuz he doesn't know who he is
- 39:45
yet. It's this young experience of
- 39:49
>> failing or trying to talk to the crush
- 39:51
that you have at school and it doesn't
- 39:52
go well or being behind on homework. And
- 39:55
>> it's it's just that youthful experience
- 39:58
of finding out who you are as a person.
- 40:00
>> Yeah.
- 40:01
>> Um and what I love about this film is
- 40:03
that the whole premise of the movie is
- 40:04
that he's neglecting who he is. He is
- 40:07
kind of trying his best to suppress his
- 40:10
trauma and just focus on being a hero
- 40:13
>> while failing to realize that the person
- 40:16
he is makes him the hero that we love.
- 40:20
>> So, it's a really nice little balancing
- 40:22
act. Um, and I also think if you ask any
- 40:25
young kid what their favorite color is,
- 40:26
it's going to be red or blue.
- 40:29
>> And he has both of those.
- 40:30
>> He's got them both.
- 40:31
>> He has both of those.
- 40:32
>> He's got both, babe.
- 40:33
>> Yeah. And he also does that thing where
- 40:37
he shoots from his fingers
- 40:39
>> and but it's not this kind of shoot.
- 40:42
>> That is very important distinction.
- 40:44
>> Yes. Because it is a totally different
- 40:46
distinction. I'm probably doing it
- 40:47
wrong.
- 40:47
>> That's close enough.
- 40:48
>> Close enough. Yeah.
- 40:49
>> And um and that for little young people
- 40:53
feels like a way to like like expel
- 40:56
energy. Yeah. like and and the other
- 40:58
thing I'll just say is that because of
- 41:00
course because you're a dancer the way
- 41:01
you moved as that character cuz
- 41:03
Spider-Man moves so it when you and
- 41:06
you've talked about this which I love is
- 41:08
like you like to get into characters
- 41:10
physically first like that's how you
- 41:12
kind of walk around the space with them
- 41:14
>> and I I I just want to before we move
- 41:18
off of the dancing part I just want to
- 41:20
say that I think there's a deeper reason
- 41:22
why your viral moment dancing to
- 41:26
umbrella was so successful.
- 41:29
I have to bring it up. I'm sorry. I've
- 41:30
watched it 5,000 times.
- 41:32
>> I get more compliments for that dance
- 41:34
than any piece of work I have ever done.
- 41:37
>> Yeah, I've probably watched it more than
- 41:39
most movies. Um, but I not only because
- 41:44
of the talent, not only because it's
- 41:45
just so funny and fun and great and like
- 41:47
you guys are having such a good time
- 41:48
together,
- 41:49
>> but it's a person who is, dare I say,
- 41:54
comfortable with their feminine side.
- 41:56
>> Oh, yeah. Totally. Yeah.
- 41:59
>> Well, oh yeah, totally. Yeah. But that's
- 42:01
not always the case with men in general.
- 42:05
And I mean, you've you've talked about
- 42:07
it, like being a young boy doing ballet,
- 42:10
being like a a a a person who's had to
- 42:12
like figure out like what is what is
- 42:15
typically male, what is typically
- 42:16
female, like what what comes from all
- 42:17
that. When you come out confidently in
- 42:20
that in that outfit
- 42:23
and crush it, it was like exploded
- 42:26
everybody's ideas of everything in the
- 42:28
best way. Now, I'm not like I know that
- 42:31
wasn't your intention maybe, but I just
- 42:34
hope you know that it opened up a lot of
- 42:37
feelings for a lot of people.
- 42:39
>> I will say though, at one point in the
- 42:40
dress rehearsal, the lady was like, "Do
- 42:42
you think we could cut the shorts a
- 42:44
little bit short?" I was like, "No."
- 42:45
>> You were like, "Okay,
- 42:47
>> I'm doing enough.
- 42:48
>> I'm doing enough for the cause.
- 42:50
>> This is still
- 42:52
years ahead of its time."
- 42:53
>> 100%.
- 42:55
And that moment, what is your memory of
- 42:57
that moment doing it? Because did you
- 42:59
feel the time like this is really fun
- 43:00
and funny and goofy or and then has the
- 43:03
response been confusing to you or did
- 43:05
you what what's your memory of doing
- 43:07
that?
- 43:08
>> I I was I was really excited about it. I
- 43:11
was nervous
- 43:12
>> at the prospect of doing a live show.
- 43:15
>> Sure.
- 43:15
>> And doing the dance and messing up the
- 43:17
choreography or something like that.
- 43:18
>> But it's funny, it never really crossed
- 43:20
my mind how it would be received. I just
- 43:24
thought,
- 43:25
>> "Oh, what a fun idea. like we'll do this
- 43:27
kind of singing in the rain thing and
- 43:29
you felt the energy in the room
- 43:31
literally deflate like I started doing
- 43:33
the thing in the suit and there's like
- 43:35
you know everyone in that audience is
- 43:36
like 19 years old and I was like what on
- 43:38
earth is he doing
- 43:40
>> and I just knew in my body I was like
- 43:42
when I take this suit off you are going
- 43:44
to go nuts
- 43:47
>> and I remember like I had to put
- 43:49
lipstick on behind the dancers and
- 43:50
stuffing and I had to rip the suit off
- 43:53
behind them which I'm almost sad I
- 43:54
didn't do that on camera cuz it was so
- 43:57
fun just having a rip away suit.
- 44:00
>> Um
- 44:01
>> they probably were they wanted to like
- 44:02
cover just in case you didn't get it
- 44:04
right.
- 44:04
>> Just in case you know there was
- 44:06
>> Little did they know they were working
- 44:07
with a professional.
- 44:08
>> Exactly.
- 44:09
>> Yeah. A professional.
- 44:10
>> A professional.
- 44:11
>> And that and that dance is a great
- 44:13
example of what your dad said in the
- 44:15
car, which is like, "Go for it, babe."
- 44:17
>> Yeah. If you're going to do it, give it
- 44:19
100%.
- 44:20
>> Yes.
- 44:21
>> It's such a thrilling performance. Thank
- 44:24
you so much. Thank you.
- 44:25
>> It is. Am I wrong?
- 44:28
>> That's why I'm so excited about this
- 44:29
Fred a stair thing because of how kind
- 44:31
of scary it is and how much if I don't
- 44:35
commit to it 100% it won't work. And I
- 44:38
kind of love the idea of that.
- 44:40
>> There's like a million different ways in
- 44:41
which you can put your art out into the
- 44:43
world, right? Everybody gets to put it
- 44:45
out however they want. But, you know,
- 44:48
there's just there's there's few repres
- 44:51
representations of men that feel like
- 44:54
they're like open to experiences in that
- 44:58
way. Am I making any sense?
- 44:59
>> Yeah. No, totally. Yeah.
- 45:00
>> Okay. So, save us.
- 45:01
>> Yeah. I I will do my best,
- 45:03
>> Tom. Please. But I want to ask you one
- 45:06
question. Don't or I want to ask a favor
- 45:09
of you. Don't do any more stunts.
- 45:11
>> Yeah, dude.
- 45:12
>> Oh my word.
- 45:13
>> No more stunts. I know that um
- 45:15
>> in movies period.
- 45:18
>> Yeah.
- 45:19
>> But I do feel like stunts are there.
- 45:22
Well, I mean, you just have to be what
- 45:26
>> when you're doing a stunt, what do you
- 45:28
do with your body? Like what what's what
- 45:30
are some tricks?
- 45:31
>> Just let it happen. Like just grip it
- 45:34
and rip it, you know? Like more often
- 45:37
than not, you're on a wire and you're
- 45:39
there's another guy on the end with a
- 45:41
button and you always want to make sure
- 45:43
you say hello to him and keep him sweet
- 45:45
because you don't want him to dial it up
- 45:46
and just fire you off into oblivion.
- 45:49
>> Um, but truth be told,
- 45:51
>> I have an amazing team of stunt
- 45:54
performers that I work with and you know
- 45:56
the luxury of the Spider-Man suit is
- 45:58
that when one of us is in it, we're very
- 46:00
interchangeable. And as it is a
- 46:03
character that requires like a really
- 46:05
elite level of physicality,
- 46:07
>> those guys are you know exir
- 46:10
British gymnasts, you know, world
- 46:12
champions and stuff like that. So
- 46:14
>> as the movies have gone on, my appetite
- 46:16
to do everything has definitely dwindled
- 46:19
because they do a better job.
- 46:21
>> Like I can do a backflip
- 46:22
>> but Luke can do a double backflip.
- 46:24
>> Yeah. So, it's like if you want it to be
- 46:26
really special, sometimes you have to
- 46:28
take your ego out of the room and just
- 46:30
let them handle the tough stuff
- 46:31
>> and you got to protect the money maker.
- 46:33
You got to protect the money. I mean,
- 46:36
come on, babe. We can't We can't mess
- 46:37
with that face.
- 46:38
>> No. But I do love it and it is fun. The
- 46:40
rush is really great when you do
- 46:41
something
- 46:42
>> that is really scary and it goes really
- 46:44
well. It is a great feeling.
- 46:46
>> Yeah, I bet. And it does feel like the
- 46:47
closest to being an athlete.
- 46:49
>> Yeah, totally. Yeah, absolutely.
- 46:50
>> And the team like you did it.
- 46:51
>> YEAH. WELL DONE. LET'S GO.
- 46:53
>> YEAH. EXACT. Cuz sometimes acting
- 46:55
doesn't feel that way.
- 46:57
>> Yeah. It's not. Especially on set cuz
- 46:58
there's, you know, whenever the if the
- 47:00
crew give you a round of applause, it
- 47:01
feels so like they're just like we want
- 47:03
to go home, right? Like get on with it.
- 47:06
Yeah. Well done. You did some acting.
- 47:09
>> Um
- 47:10
>> but yeah, if you do a stunt, you do feel
- 47:12
like pretty badass. Yeah. Totally.
- 47:14
>> Um uh
- 47:16
>> the last thing I'll say about Spider-Man
- 47:17
is Jacob. Your relationship with Jacob
- 47:20
is really really cool.
- 47:21
>> Yeah, he's the best. He and I mean I
- 47:23
love that you guys are, you know, real
- 47:25
friends in real life and met at a young
- 47:27
age and kind of grew up together doing
- 47:30
the the films together and also it just
- 47:32
like shows
- 47:34
>> like Ned and Peter's relationship I
- 47:36
think is an example of like great male
- 47:38
friendship. Um and um we spoke to him
- 47:42
before this podcast.
- 47:43
>> No way. Oh no.
- 47:46
>> Yes. who we got. We spoke um we he
- 47:50
talked a little bit about you and also
- 47:51
he gave us a question to ask and he was
- 47:53
a total delight. Um he flashed his um
- 47:56
his Rolex.
- 47:58
>> Oh, really? He showed you. Nice. Nice.
- 48:01
>> But um he wanted me to ask you a
- 48:04
question. He wants me and you do it.
- 48:07
Feel free to pass if you want because I
- 48:09
don't know what this is about.
- 48:12
>> So I don't know. Um, he wants me to ask
- 48:15
you about the boiling rock part one.
- 48:18
>> Oh, wow. The boiling rock.
- 48:21
>> Is this worth talking about?
- 48:24
>> You can tell us off the air.
- 48:27
>> I think I should probably tell you off
- 48:28
the air.
- 48:29
>> I knew it. I knew it.
- 48:30
>> But now it's going to sound like we're
- 48:31
smoking crack or something.
- 48:36
>> No, it's such a typical boy thing. I was
- 48:39
like, give me a question that you would
- 48:41
want to talk about. He was like, the
- 48:42
boiling rock part one. I was like, he's
- 48:44
not going to want to talk about this.
- 48:45
>> Oh man.
- 48:47
>> Yeah. No, we'll chat about that.
- 48:48
>> Okay, we'll chat about that later. But
- 48:50
tell me what you love about Jacob.
- 48:52
>> I just love his.
- 48:58
>> Oh man, I'm taking that Rolex back.
- 49:02
Uh, I just love his I love who he is as
- 49:04
a person. I love his soul. I love his
- 49:07
his energy. I love
- 49:09
>> his his enthusiasm. He you know what's
- 49:13
been so amazing for the two of us is
- 49:15
that our lives changed on the same day
- 49:18
together.
- 49:19
>> Yeah.
- 49:19
>> And we've been through this whole
- 49:21
journey together and I've loved every
- 49:23
minute of it. All of John's movies,
- 49:24
making those and now working with Destin
- 49:27
>> it and sharing that with someone that
- 49:29
has been there since the beginning is
- 49:31
really special.
- 49:32
>> Yeah.
- 49:32
>> He's also just one of my best mates.
- 49:34
Like if I haven't seen him for 6 months,
- 49:37
when I link up with him, it's as if no
- 49:39
time has passed. Yeah.
- 49:41
>> And he's an amazing actor and I think
- 49:43
that no one could play Ned the way that
- 49:45
Jacob does. I think that
- 49:47
>> he is the only person
- 49:49
>> that could get those kinds of laughs and
- 49:51
especially in this movie. I think he's
- 49:53
really dialed up the humor in in an
- 49:56
excellent way.
- 49:57
>> And I just I just
- 49:58
>> I mean he feels like he feels like he's
- 50:00
he's like that character is like a a
- 50:04
standin for the fan almost, you know,
- 50:06
like the audience. And I think that was
- 50:08
John Watts's kind of goal was to create
- 50:11
a movie
- 50:12
>> that felt like all of us were
- 50:14
experiencing what it's like to be
- 50:16
Spider-Man. But me and him, we just did
- 50:17
an escape room together.
- 50:21
>> And everyone's just like, "Climb the
- 50:22
walls, dude."
- 50:24
>> We were in LA and I text him and I was
- 50:26
like, "Are you here?" And he said,
- 50:27
"Yes." And I was like, "I booked this
- 50:29
escape room, bro, if you want to come."
- 50:31
And we went, one of the producers from
- 50:33
the movie came and him and I were
- 50:36
useless. really
- 50:37
>> useless. But we're both leaders, which
- 50:39
is a recipe for disaster.
- 50:41
>> That's right.
- 50:41
>> So, there was a lot of like, Jacob, let
- 50:43
me do it. Let me do it.
- 50:44
>> What are we doing here?
- 50:45
>> And then the time is ticking down.
- 50:47
>> Yeah. Yeah. It was no good. But I love
- 50:49
him to death and I I really He will be a
- 50:52
friend for life and he is such a
- 50:55
wonderful person and I couldn't be more
- 50:57
grateful to have done this with him.
- 50:59
>> Yeah. Oh, he says the same about you.
- 51:00
And and the other big big gigantic movie
- 51:03
coming out this summer that you're going
- 51:04
to start talking about and probably be
- 51:05
doing press now for the next 5,000
- 51:08
years.
- 51:08
>> Yes.
- 51:08
>> Is the Odyssey.
- 51:10
>> Yeah.
- 51:10
>> Um which uh it looks incredible. I um
- 51:16
Who do you play in it?
- 51:17
>> I play Tmacus.
- 51:19
>> Okay.
- 51:20
>> When I first sat down with Chris, I said
- 51:21
I'm so excited to play Telmacus.
- 51:24
>> Yeah, sure. I'm heavily dyslexic,
- 51:27
>> which is one of the reasons why, and I'd
- 51:28
love to talk to you today about it
- 51:29
actually, is why I've never done SNL
- 51:32
>> because of the Q card.
- 51:33
>> I'm just so petrified at the concept of
- 51:36
like trying to read something
- 51:38
>> and they change.
- 51:40
>> Well, I I'm sure they have had many
- 51:42
dyslexics host.
- 51:44
>> Totally. It's just that like for me, I
- 51:46
can read fine.
- 51:48
>> Yeah.
- 51:48
>> But when I have to read out loud, it
- 51:50
just becomes like a kind of
- 51:52
>> It's like a mental block. Yeah.
- 51:55
>> And I can freeze. So for me, my worst
- 51:57
day at work is the read through. Like at
- 51:59
the read through, I will try and
- 52:01
highlight everything and learn my lines
- 52:03
ahead of time.
- 52:04
>> Yes.
- 52:05
>> So that I'm more kind of skimming it
- 52:07
than I am.
- 52:08
>> You're kind of remembering it visually,
- 52:09
but you know it.
- 52:10
>> Yeah. So I've been, you know, I've been
- 52:11
really lucky that they've asked me a few
- 52:13
times to do it. And the truth is is that
- 52:15
I'm actually just really scared at the
- 52:17
prospect of I love the show and I love
- 52:20
the idea of
- 52:21
>> having fun and making a fool of yourself
- 52:22
in such a fun creative way. It's just
- 52:25
that thing of the Q cards.
- 52:26
>> You have to remember there have been
- 52:27
people that have hosted that have been
- 52:28
fully on drugs.
- 52:30
>> Yeah, that is true. That is true. I
- 52:32
think you can do it.
- 52:35
>> And who are those people?
- 52:37
>> Well, I'll tell you. You can tell.
- 52:38
>> Are you telling me the boiling rock?
- 52:40
I'll tell you those people.
- 52:43
But it is but but that's so I I love you
- 52:46
talking about that Tom because it is
- 52:48
true like the way we learn
- 52:50
>> how everybody learns is very different
- 52:53
and of course then what that does is it
- 52:57
makes you like be a physical tactile
- 53:00
person
- 53:00
>> right
- 53:01
>> like that's that of course that's how
- 53:03
you become that's how you express
- 53:04
yourself.
- 53:05
>> Yeah. So, okay, this is interesting to
- 53:07
me because to me like a a nightmare
- 53:10
would be being in a Christopher Nolan
- 53:12
movie and like not knowing my lines or
- 53:15
like that's a night
- 53:16
>> that would be bad.
- 53:18
>> Okay, so your character is How would you
- 53:21
explain your character?
- 53:22
>> My character is a young man
- 53:26
who is
- 53:28
kind of feeling this incredible sense of
- 53:30
protection towards his mom. She's under
- 53:33
an immense amount of pressure from these
- 53:34
very vulgar men who all want to marry
- 53:37
her and become the king of Ithaca.
- 53:40
>> And Odysius, my dad, he is the king of
- 53:43
Ithaca, but no one knows whether he is
- 53:46
alive or not.
- 53:46
>> Who's playing Odysius?
- 53:47
>> That is Matt Damon.
- 53:48
>> Ah,
- 53:49
>> and the story is about a dad trying to
- 53:52
come home
- 53:53
>> and a young boy trying to find his dad.
- 53:56
And there is obviously a wonderful scene
- 53:59
when that kind of story comes full
- 54:01
circle
- 54:02
>> and you know for me it was a dream come
- 54:05
true job working with Chris.
- 54:07
>> What's it like working with him?
- 54:08
>> Just a dream. An absolute dream. He is
- 54:11
>> he is so fun to work for.
- 54:14
>> Fun.
- 54:14
>> Working for Chris is just a it's a
- 54:17
delight. I absolutely loved working for
- 54:19
him. I admire him beyond belief. His
- 54:22
crew is without a doubt the best that I
- 54:26
have ever worked with.
- 54:27
>> Is it a quiet place? Like I picture
- 54:29
everyone in suits being very good at
- 54:32
their job.
- 54:33
>> I would say it's a very focused place.
- 54:36
>> It's definitely fun. Yeah.
- 54:38
>> You know, like I laughed a lot when I
- 54:39
was there
- 54:40
>> and we we had a really good time,
- 54:44
>> but it's definitely we are there to do a
- 54:46
job. We are there to try and,
- 54:48
>> you know, create something that has
- 54:50
never been done before. We were filming
- 54:51
everything on IMAX.
- 54:53
>> What is I've heard this now, but what
- 54:55
does that mean for you? How does it make
- 54:56
it different for you to film on IMAX?
- 54:58
>> The camera is like as big as this table.
- 55:00
>> I see. Okay. So, the camera's huge.
- 55:02
>> Yeah, it's humongous. And if and they
- 55:04
had this thing that Hoita had designed,
- 55:06
the cinematographer, which we called the
- 55:08
blimp,
- 55:09
>> and it was essentially, you remember
- 55:10
those old boxes, the the stills
- 55:12
photographers would have that would
- 55:13
dampen out the sound? It's essentially
- 55:15
that but for the camera.
- 55:17
>> Whoa. So when they put the the camera in
- 55:19
there, you can't hear anything. But if
- 55:22
they're having it handheld, it goes like
- 55:27
it's like super loud.
- 55:28
>> Wa.
- 55:29
>> So it's if you're doing scenes like
- 55:31
that, it is really difficult to focus.
- 55:33
And I I struggle focusing sometimes.
- 55:36
>> And I remember again like talking about
- 55:38
lessons and watching actors work. I
- 55:40
remember a scene between Matt and Anne
- 55:42
Hathaway. It's about a 9minut scene and
- 55:46
the camera can only run for 3 minutes at
- 55:48
a time because it runs out of film.
- 55:51
>> Wow.
- 55:51
>> So they would run it, they would take it
- 55:53
out the blimp, reload it, put it back in
- 55:55
and then the two actors would just carry
- 55:57
on from where they left off. And this is
- 55:59
like the most emotional scene in the
- 56:01
movie. It is like
- 56:02
>> it's so fantastic.
- 56:05
>> And to see both of them cuz obviously
- 56:07
they shot I think they shot Matt's side
- 56:09
first and then they shot an side. So
- 56:11
that took almost an entire afternoon.
- 56:13
Mhm.
- 56:13
>> And to see them stay in character and
- 56:16
stay in that emotion and never waver and
- 56:19
never come out of it. And they would
- 56:21
call cut. They would reload the camera.
- 56:23
Matt and Anne just stayed there in the
- 56:25
moment for 3 minutes maybe before the
- 56:27
camera would roll again.
- 56:28
>> Wow.
- 56:29
>> It was just a masterclass in patience,
- 56:31
professionalism, and like confidence in
- 56:33
themselves.
- 56:34
>> It was awesome. And I think Chris
- 56:36
>> Chris really
- 56:38
>> gives you a lot of confidence.
- 56:40
>> Yeah. Like there's something about
- 56:43
doing a take and him coming up to you
- 56:44
and giving you a pat on the back and
- 56:46
sort of saying, "Great, let's move on."
- 56:48
>> That must feels like, "Oh, whoa." Like I
- 56:51
nailed that.
- 56:51
>> He is such a He's so incredible. His his
- 56:54
work is so incredible. And you're right.
- 56:56
When you work with people who are in
- 56:57
like that elevated space, like really in
- 57:00
the top of their game, you just like a
- 57:03
rise a rising tide rises all raises all
- 57:07
boats. That's exactly it. I can't
- 57:09
>> That's my favorite saying.
- 57:10
>> That's my favorite saying.
- 57:12
>> Also, I want to say that you get to work
- 57:15
again with your partner in life, Zenaia,
- 57:17
who is an incredible actress.
- 57:20
>> What do you learn from her as an
- 57:21
actress, as an artist? What do you like
- 57:23
working with her? You work with her in
- 57:25
Spider-Man. You work with her in this.
- 57:26
You work with her in Life. What do you
- 57:28
What have you learned from her?
- 57:30
>> I think what I love about watching her
- 57:32
work as an actress is she's just
- 57:35
fearless.
- 57:36
>> Yeah. She's just like absolutely 10 toes
- 57:39
down like I'm going to give this
- 57:41
everything. And I think when you watch
- 57:43
her as Ru.
- 57:44
>> Yeah.
- 57:44
>> In that show,
- 57:46
>> she could not be more different to who
- 57:48
she is in real life.
- 57:50
>> And then if you see her as Emma in the
- 57:52
drama,
- 57:53
>> it's it's just such a different
- 57:55
performance, but with no less intent or
- 57:58
passion or drive.
- 58:00
>> Yeah.
- 58:01
>> And I I think she's I think she's the
- 58:03
best actor going. I really think she has
- 58:06
like something special.
- 58:08
>> Whenever you're in a relationship where
- 58:09
you're just doing the same thing,
- 58:11
>> right?
- 58:12
>> That can be super helpful because you
- 58:14
understand what the other person is
- 58:15
going through. You understand?
- 58:17
>> It's a wild world being in this industry
- 58:19
and you know there are ups and downs and
- 58:21
>> you know you go from shooting a movie
- 58:23
which is when we're all at our most
- 58:25
comfortable and then you do a press tour
- 58:26
which feels like you're kind of standing
- 58:28
out on the stage
- 58:29
>> and it's so nice to have someone that
- 58:32
understands that in such a personal way
- 58:35
so that you can talk each other down or
- 58:37
you can big each other up and
- 58:39
>> and uh it's a lifeline. It it really is.
- 58:41
I couldn't imagine doing what I do
- 58:43
without her. Please don't ever um we
- 58:46
love you two together and also um I know
- 58:49
it's we don't know you um we're this is
- 58:53
we're projecting but and I don't know
- 58:56
Zenaia but I am such a huge fan of her
- 58:58
work and what I feel like she and you
- 59:00
both prove is like the more talented you
- 59:03
are the easier you are to work with.
- 59:05
like you guys come into I've heard just
- 59:08
the most amazing things about her and
- 59:10
how she works and um you guys just
- 59:15
delivered this version of how to work
- 59:18
that is really really amazing
- 59:20
>> and I can see why you you respect that
- 59:23
in each other. Yeah, we we had an
- 59:25
amazing moment on Spider-Man Brand New
- 59:28
Day and it's only because of our
- 59:30
relationship that this happened where we
- 59:33
were shooting this scene and we'd shot
- 59:35
my coverage. We then turned around on
- 59:37
Zena, we're doing her coverage and I
- 59:39
would never ever dream of saying this to
- 59:41
an actress that I wasn't with.
- 59:44
>> Right.
- 59:44
>> And I said to her, I said, "Do you think
- 59:46
that this scene is working?"
- 59:48
>> Yeah.
- 59:48
>> And she was like, "No, I don't think
- 59:50
this scene is working at all." So, I
- 59:52
then went to the producers and asked
- 59:54
like, "Do you think the scene is
- 59:55
working?" And they said, "No." And I was
- 59:56
like, "Yeah, me and Z are like really
- 59:57
not feeling it." I then went and sat
- 59:59
down with Destin and said, "Hey, man.
- 1:00:00
Listen, I know we've been shooting for
- 1:00:02
hours." And
- 1:00:03
>> I hate to tell you this, but I just I
- 1:00:04
don't think that this scene is working.
- 1:00:06
Z and I like what we're supposed to
- 1:00:08
feel. We're not feeling it in the
- 1:00:10
moment.
- 1:00:11
>> And what I love about Destin is
- 1:00:14
>> he's so calm.
- 1:00:16
>> There's nothing that could throw him
- 1:00:17
off. and he just kind of he listened and
- 1:00:20
he sat down and he was like, "Well, what
- 1:00:21
is it that you're trying to feel
- 1:00:23
>> and I told him and he went, "Yeah,
- 1:00:25
you're right. That's exactly what we
- 1:00:26
need to be feeling." So, he just he said
- 1:00:28
to the crew, "Everyone can go home."
- 1:00:30
>> Incredible.
- 1:00:30
>> We're going to sit down and we're going
- 1:00:31
to rewrite this scene with the writer,
- 1:00:33
Justin,
- 1:00:34
>> who was such a talent.
- 1:00:36
>> And we came in the next day, we reshot
- 1:00:39
the scene, and I'm so glad that we did
- 1:00:41
because it sings in the movie. It really
- 1:00:43
does.
- 1:00:44
>> But it's just it's a it was just so
- 1:00:46
funny. Like I was thinking about like if
- 1:00:48
this wasn't Zenaia that I was sitting
- 1:00:49
across from.
- 1:00:51
>> Imagine on someone else's coverage being
- 1:00:52
like do you think this is working?
- 1:00:54
>> Well I have I have done that
- 1:00:57
>> and I'm here to say it does not go over
- 1:00:59
well.
- 1:00:59
>> No it does not.
- 1:01:00
>> Yeah because it's like is this good?
- 1:01:02
>> Are you going to do it like that?
- 1:01:03
>> I go are we doing a good job? And
- 1:01:05
they're like are you talking to me like
- 1:01:08
>> this is my best work.
- 1:01:10
>> Nope. I'm talking to myself.
- 1:01:11
>> Yes. You're so right. I mean that
- 1:01:13
there's an intimacy that matters when
- 1:01:16
you're doing work like that. And also,
- 1:01:18
you know, in the reverse, when you're
- 1:01:20
working with someone you know very well,
- 1:01:21
sometimes you forget like,
- 1:01:24
>> oh, we have to kind of just like show up
- 1:01:26
and be scene partners here and we have
- 1:01:28
to not like
- 1:01:29
>> cross those boundaries. Yeah.
- 1:01:31
>> But yeah, it's I mean it's exactly what
- 1:01:33
I'm talking about is like I feel like
- 1:01:34
you guys are always striving
- 1:01:37
>> and challenging each other and
- 1:01:38
challenging you know and and being
- 1:01:41
partners and in life and in work. It's
- 1:01:43
really really cool to see. Thank you.
- 1:01:44
>> I do want to tell the one thing about
- 1:01:45
the Odyssey is and in Spider-Man you
- 1:01:47
have to do an American accent.
- 1:01:48
>> Yes. Which actually weirdly feels more
- 1:01:52
comfortable for me as an actor. It just
- 1:01:55
feels like there's an immediate degree
- 1:01:57
of separation from who I am as a person.
- 1:02:00
And you know doing different American
- 1:02:01
accents is difficult. You know on the
- 1:02:04
Odyssey I think there was a few times
- 1:02:05
where I went full like New York Queens
- 1:02:08
like Odysius you're home. How are you?
- 1:02:11
You know AND IT'S LIKE WHAT
- 1:02:15
for you.
- 1:02:19
>> So I think that
- 1:02:20
>> are there words that help you get into
- 1:02:22
an American accent?
- 1:02:23
>> Ironically the words that I struggle to
- 1:02:26
say the most is Spider-Man.
- 1:02:28
It's so weird.
- 1:02:30
>> You know what? While you drink, I'll
- 1:02:32
share that my Boston accent, my East
- 1:02:34
Coast Boston accent,
- 1:02:35
>> okay?
- 1:02:36
>> When I was playing Leslie, Nope. The one
- 1:02:38
word that I had a hard time saying was I
- 1:02:40
still have a hard time saying is
- 1:02:42
government.
- 1:02:43
>> Government,
- 1:02:43
>> which I had to say so much and playing a
- 1:02:47
government employee, but there's
- 1:02:49
something about the word
- 1:02:52
>> govern
- 1:02:54
cuz we would say government like
- 1:02:56
government We'd say government in
- 1:02:59
government.
- 1:02:59
>> Yeah. Like that you get rid of the R.
- 1:03:01
>> Okay.
- 1:03:02
>> Like Yeah. I I have to deal with a
- 1:03:03
government.
- 1:03:04
>> Okay. Government.
- 1:03:05
>> Government.
- 1:03:06
>> Cuz also there's an N in there. That is
- 1:03:08
weird government.
- 1:03:09
>> Government. Yeah. So SP because you'd
- 1:03:12
want to say Spider-Man.
- 1:03:13
>> No. Because I would want to say
- 1:03:14
Spider-Man is what for some reason
- 1:03:18
sounded so much more.
- 1:03:20
>> And I'm like that's kind of New York,
- 1:03:21
isn't it? And he's like, no, that is the
- 1:03:23
deep south. Um
- 1:03:25
>> but I
- 1:03:26
>> y'all you were like y'all. I'm
- 1:03:27
Spider-Man.
- 1:03:29
>> Hey y um yeah I don't know. I just for
- 1:03:32
some reason
- 1:03:32
>> you're very good at it.
- 1:03:33
>> I really found Spider-Man a difficult
- 1:03:36
word to say for some reason.
- 1:03:38
>> Isn't it funny? I mean I'm sure a lot of
- 1:03:41
people don't know that you're British.
- 1:03:43
>> I do still get that actually a lot
- 1:03:44
getting recognized on the street and
- 1:03:46
people are like
- 1:03:47
>> uh what is going on with your accent,
- 1:03:50
dude?
- 1:03:50
>> You know the Brits are not always the
- 1:03:52
best at American accents.
- 1:03:54
>> That is true. The Irish are a little
- 1:03:56
better and the Australians are the best.
- 1:03:58
>> You think so?
- 1:03:59
>> I do.
- 1:04:00
>> Like Naomi speaking, she's fantastic.
- 1:04:03
There's a lot of very good like
- 1:04:05
Australians that crush it. I think the
- 1:04:07
Brits tend to be the worst.
- 1:04:09
>> That is an interesting observation.
- 1:04:11
>> Now, I'm just going to say I cannot do a
- 1:04:12
British accent, so I would never even
- 1:04:13
try.
- 1:04:14
>> A British accent is tough.
- 1:04:16
>> There's so many of them.
- 1:04:17
>> There's just too many of them, and you
- 1:04:18
have to commit to one. And it's quite
- 1:04:20
it's hard. Zenaia has become amazing at
- 1:04:23
British accents. It's actually kind of
- 1:04:25
crazy. It's crazy. Um, but yeah, I think
- 1:04:29
and also it's very difficult to do a
- 1:04:30
British accent and not make it become a
- 1:04:32
caricature type accent.
- 1:04:34
>> Yeah. I mean, I think I think conversely
- 1:04:37
like with Brits when they do American
- 1:04:38
accents, the one thing that they do is
- 1:04:40
they they kind of always turn into
- 1:04:44
this kind of talking,
- 1:04:46
>> right?
- 1:04:47
>> Like it's just very cuz they want to
- 1:04:49
make sure that they're rounding out
- 1:04:51
their consonants.
- 1:04:52
>> There's lots of long Rs. One of the
- 1:04:54
things I find really difficult is a lot
- 1:04:56
of Americans, New Yorkers especially,
- 1:04:59
when they're ordering food, it's very
- 1:05:01
different to how we order food. In
- 1:05:03
England, it says, "Please, may I have
- 1:05:05
the burger with number two? Thank you so
- 1:05:06
much. Please." That'd be, "Thank you.
- 1:05:07
Thank you. Thank you." And in America,
- 1:05:09
it's totally fine to be like, "I'll have
- 1:05:10
the number two."
- 1:05:12
>> Yeah.
- 1:05:12
>> And just leave it at that.
- 1:05:13
>> Especially in the East Coast.
- 1:05:14
>> Totally. And I would be doing scenes and
- 1:05:16
my dialect coach would come in and be
- 1:05:17
like, "Stop saying please."
- 1:05:19
>> Ooh. like
- 1:05:21
>> a kid from New York's not going to say
- 1:05:22
please if you're asking for a burger. So
- 1:05:24
I you can see it. There's a moment in
- 1:05:26
this movie where someone asks me for a
- 1:05:27
coffee and I just go sure. And even
- 1:05:29
through the suit you can see like I'm
- 1:05:32
like my dad is going to be so
- 1:05:33
disappointed in me.
- 1:05:40
>> I mean in New York it's gotten to the
- 1:05:42
point where it's like let me get
- 1:05:43
>> Yeah. Yeah. Yeah.
- 1:05:44
>> I mean but that is so I mean I I'm still
- 1:05:46
shocked when people get like let me get
- 1:05:48
a uh egg and cheese. It's like, "Let me
- 1:05:50
get."
- 1:05:50
>> And
- 1:05:52
my dad always says to me, he goes, "No,
- 1:05:54
son. You can't go and get it.
- 1:05:56
>> They'll bring it to you,
- 1:05:58
>> but you can't go and get it. You can
- 1:06:00
have it.
- 1:06:00
>> Let me get,
- 1:06:01
>> but you you can't go and get it. They'll
- 1:06:03
stop you getting it."
- 1:06:05
>> It's so true. I mean, I I I The other
- 1:06:09
last thing I'll say is that it took me a
- 1:06:11
long time real to realize that quite
- 1:06:13
meant something different for Americans
- 1:06:15
as than it did for Brits. So quite for
- 1:06:19
you means pretty good. So like
- 1:06:21
>> how was it? It was quite good.
- 1:06:22
>> Yeah.
- 1:06:23
>> That's means it was pretty good. But we
- 1:06:25
don't understand that as Americans. We
- 1:06:27
use quite as like it was very good. So
- 1:06:30
like it was quite good.
- 1:06:32
>> Oh wow.
- 1:06:32
>> Like we say like it was quite a show.
- 1:06:36
>> Oh wow.
- 1:06:36
>> You know so for a long time Brits would
- 1:06:39
be telling me that they kind of didn't
- 1:06:41
like things that much and I'd be like
- 1:06:44
like they like it.
- 1:06:46
He said it was quite good. And I don't
- 1:06:49
think enough friends know this
- 1:06:51
>> that we don't always understand that
- 1:06:53
quite means pretty good.
- 1:06:57
>> But we are like He loved it. Which is
- 1:06:59
also very American. We've talked about
- 1:07:01
your films. Before we go, I just want to
- 1:07:03
talk about your beer.
- 1:07:05
>> Oh yes.
- 1:07:06
>> Your non-alcoholic beer.
- 1:07:08
>> Yes.
- 1:07:09
>> Bureau.
- 1:07:10
>> Be
- 1:07:10
>> your brand.
- 1:07:11
>> Um congratulations on it.
- 1:07:13
>> Thank you so much. We've been drinking
- 1:07:14
it from these cups the entire time.
- 1:07:16
>> Delicious.
- 1:07:17
>> And um why did you start a brand and why
- 1:07:20
non-alcoholic?
- 1:07:21
>> So, I quit drinking.
- 1:07:23
>> Yeah.
- 1:07:23
>> Um because I had a problem and I just
- 1:07:27
couldn't put it down and it was
- 1:07:30
affecting my professional life. It was
- 1:07:31
affecting my personal life and my
- 1:07:33
health.
- 1:07:34
>> Mhm. So, I decided to to pack it in and
- 1:07:38
I got through that first year, which I
- 1:07:40
think was the toughest challenge that
- 1:07:42
I've ever been on. And during that first
- 1:07:45
year, I noticed that there was limited
- 1:07:49
options for people like me that were
- 1:07:50
looking for something that would scratch
- 1:07:52
that itch, that would help you
- 1:07:54
>> live or go to the bar and be a part of
- 1:07:57
the social experience, but not feel like
- 1:07:58
the only person with a lemonade.
- 1:08:01
>> Yeah. The truth behind the shandies,
- 1:08:03
which we're bringing out this summer, is
- 1:08:05
that Z has never drank. She's never been
- 1:08:08
a drinker.
- 1:08:09
>> She's incredible.
- 1:08:10
>> She's the best. She's the best.
- 1:08:12
>> She's the best.
- 1:08:12
>> She's never drank.
- 1:08:13
>> So on her game,
- 1:08:14
>> I know.
- 1:08:16
>> And um which means she never found the
- 1:08:19
taste for beer. And everyone remembers
- 1:08:21
their first beer. It's a little bit like
- 1:08:23
that kind of doesn't taste great.
- 1:08:25
>> Like why does my dad drink this all the
- 1:08:26
time?
- 1:08:26
>> And then you get drunk and you're like,
- 1:08:28
oh, okay, let's go. I'm not here, but
- 1:08:31
I'm here.
- 1:08:32
>> Right. So, she just she's incredibly
- 1:08:34
proud of Bureau. It's just there there
- 1:08:35
is a missing link of like she doesn't
- 1:08:37
enjoy the stuff that I'm trying to sell.
- 1:08:40
>> Right.
- 1:08:42
>> So, my mom actually came up with the
- 1:08:44
idea and she said, "You know what? If
- 1:08:46
you did a Chandi, which is uh it's
- 1:08:49
essentially half a beer and then half a
- 1:08:51
lemonade."
- 1:08:52
>> Ooh. and we have a a grapefruit flavor.
- 1:08:56
There's lemon lime. There's blackberry
- 1:08:58
yuzu. There's elderflower. And it was a
- 1:09:00
ploy to create something at the company
- 1:09:02
that she could enjoy.
- 1:09:04
>> Yeah. So, when this comes out, you will
- 1:09:06
have turned 30. What is something you're
- 1:09:08
looking forward to about turning 30?
- 1:09:10
What what what's exciting about it?
- 1:09:12
>> I am
- 1:09:14
I'm incredibly proud of my 20s. M
- 1:09:17
>> like I look back at the things that have
- 1:09:19
happened in my life personally and then
- 1:09:21
professionally and I look back on them
- 1:09:24
really really fondly. So I'm kind of sad
- 1:09:26
to say goodbye to my 20s
- 1:09:28
>> but equally excited to to walk into my
- 1:09:32
30s. I think as a kid growing up in this
- 1:09:34
industry I've always just been a kid at
- 1:09:36
work.
- 1:09:37
>> Yeah.
- 1:09:38
>> You know and I'm really excited to sort
- 1:09:40
of and I think that's probably an
- 1:09:41
internal thing. Not that people treat me
- 1:09:43
like a kid. It's just I've always felt
- 1:09:45
like, oh, I'm just kind of the young one
- 1:09:47
here
- 1:09:48
>> and I'm really excited to be, you know,
- 1:09:51
a young man on set and and experience
- 1:09:53
what that's like. And
- 1:09:55
>> I have some really exciting projects in
- 1:09:56
the pipeline and uh
- 1:09:58
>> Yeah.
- 1:09:58
>> And yeah, I'm excited.
- 1:10:00
>> That's awesome. I mean, I I I feel like
- 1:10:04
just much like Spider-Man, like there's
- 1:10:06
so much ahead for you, but there is a it
- 1:10:11
feels like from a very young age, you've
- 1:10:13
had a very strong sense of yourself.
- 1:10:14
That is kind of like something that you
- 1:10:16
just kind of have. It's a thing often
- 1:10:19
you're born with and I think people feel
- 1:10:21
it from you. Um I know I'm count myself
- 1:10:25
as one of the many people who can't like
- 1:10:26
wait to see whatever you're doing next.
- 1:10:28
It's really awesome. And so we always
- 1:10:30
finish our our our um interviews by
- 1:10:33
asking our guests like, you know, in
- 1:10:35
these in these like often complicated
- 1:10:37
and troubled times, what they're doing
- 1:10:40
to laugh,
- 1:10:41
>> right?
- 1:10:42
>> Who makes them laugh? You come from a
- 1:10:43
funny family.
- 1:10:45
>> What are you watching, listening to,
- 1:10:47
reading? What video do you watch over
- 1:10:49
and over again? What is your like
- 1:10:50
comfort? What's your comfort movie? What
- 1:10:53
is your like comedy goto that Tom that
- 1:10:57
makes Tom laugh? And then I want to show
- 1:10:58
you a Tik Tok dance and see if you can
- 1:11:00
teach me.
- 1:11:02
>> But don't worry, not now.
- 1:11:03
>> I
- 1:11:04
>> Now that we're friends and we're going
- 1:11:05
to hang out.
- 1:11:06
>> My favorite night out is to go to the
- 1:11:09
comedy club.
- 1:11:10
>> Oo.
- 1:11:11
>> I love all standup. I think it is the
- 1:11:13
bravest form of art in our world because
- 1:11:16
it's like I remember being backstage
- 1:11:18
with my dad. I've always been so
- 1:11:20
impressed by my dad. Like he is like my
- 1:11:23
hero because he he never brought the bad
- 1:11:26
gigs home. He's your own.
- 1:11:28
>> He never brought bad gigs home. He's
- 1:11:30
always been someone that's incredibly
- 1:11:32
positive. He's super ambitious. He's
- 1:11:34
really tenacious. And I remember one
- 1:11:37
night he took me to the comedy store and
- 1:11:40
we went together to watch and we went
- 1:11:41
backstage and we saw all the comics kind
- 1:11:44
of getting ready for their set.
- 1:11:45
>> Yeah.
- 1:11:46
>> And I was so impressed by when I go to
- 1:11:48
work, I get picked up,
- 1:11:51
>> someone makes my breakfast.
- 1:11:52
>> Someone hands me the words that I'm
- 1:11:54
supposed to say. Someone will tell me
- 1:11:55
where I'm supposed to stand. Someone
- 1:11:57
dresses me and I'm considered an artist.
- 1:12:00
But so much of that work is done for me.
- 1:12:02
>> But then backstage you see them taking
- 1:12:04
their anorak off, putting their pack
- 1:12:06
lunch on the side. They go out, they
- 1:12:08
nail it, they come in and they head off
- 1:12:10
to the next club. And I know some of
- 1:12:12
them have writers and all that sort of
- 1:12:13
stuff, but to see the singular effort
- 1:12:16
that it takes, I was always so impressed
- 1:12:18
by that. Um, and I love that my dad took
- 1:12:22
me to see that because it was really eye
- 1:12:23
opening to me.
- 1:12:24
>> That's cool. That's very cool.
- 1:12:26
>> Tom Holland, thank you so much for being
- 1:12:29
here.
- 1:12:29
>> Yeah, my pleasure.
- 1:12:30
>> It really means a lot. We were very,
- 1:12:32
very excited to have someone of your
- 1:12:33
caliber sitting across from us. And um,
- 1:12:36
congratulations on the two most gigantic
- 1:12:39
movies ever coming. Um, and thank you
- 1:12:42
for all the work that you do and thanks
- 1:12:43
for being so great and a pleasure to
- 1:12:45
meet you.
- 1:12:45
>> Amazing. Thanks, Amy. I appreciate it.
- 1:12:47
Thank you so much. Thanks, guys. It's
- 1:12:48
been so fun.
- 1:12:51
>> Tom Holland. H what a delight. Love
- 1:12:55
talking to you. Thank you so much for
- 1:12:57
coming and um can't wait to see what
- 1:13:00
you're in this summer and what you're in
- 1:13:01
ever forever for the rest of your life.
- 1:13:04
Uh such a fan. Um, and uh, for this
- 1:13:07
Polar Plunge, I just wanted, you know,
- 1:13:08
we talked a little bit about dancing and
- 1:13:10
we talked about Janet Jackson and um,
- 1:13:13
there is a choreographer on TikTok um,
- 1:13:16
named Charlie Wakey who has started a
- 1:13:18
trend where he he created a dance to
- 1:13:21
like a smooth criminal mashup, a Michael
- 1:13:23
Jackson song. And um I just I just love
- 1:13:27
that side of um dancing online where
- 1:13:31
somebody starts a trend and then other
- 1:13:33
people kind of take it on and do their
- 1:13:35
version of it. And I've been watching it
- 1:13:36
a lot. So check him out. Check out all
- 1:13:39
the original choreographers and dancers
- 1:13:41
um online uh who are making great stuff.
- 1:13:44
And um keep dancing, babe. Keep dancing.
- 1:13:49
Okay. Thanks. See you soon. Bye.
- 1:13:54
You've been listening to Good Hang. The
- 1:13:56
executive producers for this show are
- 1:13:57
Bill Simmons, Jenna Weiss Berman, and
- 1:13:59
me, Amy Polar. The show is produced by
- 1:14:01
The Ringer and Paperkite. For The
- 1:14:03
Ringer, production by Jack Wilson, Cat
- 1:14:05
Spalain, Kaia McMullen, and Alia
- 1:14:07
Xanerys. For Paperkite, production by
- 1:14:10
Sam Green, Joel Levelvel, and Jenna
- 1:14:12
Weiss Berman. Original music by Amy
- 1:14:14
Miles.