Transcript: Sarah Sherman on Good Hang with Amy Poehler
Full Transcript
Click any timestamp to jump to that moment in the video.- 0:05
Hello everyone. Welcome to another
- 0:06
episode of Good Hang. We are very
- 0:08
excited about our guest today. It is
- 0:09
Sarah Sherman. Sarah is a current cast
- 0:12
member on Saturday Night Live and we
- 0:15
could consider her a vet. She has just
- 0:16
finished her fifth season. And I just
- 0:19
want to file this one under not safe for
- 0:21
work or for kids because we do get into
- 0:23
some fun and down and dirty topics like
- 0:27
uh well SNL duh and psychoanalysis and
- 0:31
Long Island and her insane
- 0:34
wildly original new special Sarah Squirm
- 0:38
live and in the flesh on HBO. So, um,
- 0:41
listen for Sarah, but but before we
- 0:43
start, right, we always like to talk to
- 0:45
somebody who knows our guest, who, um,
- 0:48
who has spent time with them and who can
- 0:50
speak well and give us a question. And,
- 0:52
uh, we're going to talk today to Mitra
- 0:53
Jihari. Metitra is an amazing actress,
- 0:57
writer, producer. You may know her uh,
- 1:00
from episodes of the Bear, from the show
- 1:02
she created, Three Busy Deborah. Um,
- 1:04
she's a writer on um, Big Mouth. And,
- 1:08
um, she's just incredible talent. came
- 1:10
up with Sarah, her good friend. We're
- 1:12
gonna check in with Mitra, who is on her
- 1:14
lunch break and and get a question from
- 1:16
her. So, hi Mitra. It's good to see you.
- 1:26
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- 2:04
All I ever wanted.
- 2:12
>> She's on the set.
- 2:14
>> Merra is on the set.
- 2:17
Metra, where are we talking to you from?
- 2:20
>> Netflix.
- 2:23
>> A lot of people don't know Netflix has
- 2:25
beautiful offices. Really? Really?
- 2:28
>> They give you a free hanger.
- 2:31
So
- 2:32
>> incredible. You could hang anything on
- 2:34
that.
- 2:35
>> You can hang anything on that as long as
- 2:37
it's not pants because the hanger is
- 2:38
broken.
- 2:41
>> I hear giggles in the back. I'm wish I
- 2:44
was in there.
- 2:44
>> On top of Mitra being incredibly
- 2:46
talented. She's also like a real deal
- 2:50
activist, boots on the ground person.
- 2:52
And I was thinking about during COVID
- 2:54
when you when you zoomed with my sons to
- 2:59
talk to them about the LA unhoused
- 3:02
situation and what they could do about
- 3:03
it. It was me.
- 3:05
>> They were so cute and sweet. I I like I
- 3:09
I loved talking to them. They were so
- 3:12
thoughtful and had such good questions
- 3:14
and were really making me laugh.
- 3:16
Remember that when we were all just like
- 3:19
in that COVID bubble of just like I
- 3:21
guess we I guess we this is how we'll
- 3:23
learn now.
- 3:24
>> I was living with Patty and we were
- 3:26
making some of the most [ __ ] up
- 3:28
cocktails imaginable. Like actively
- 3:31
drinking them being like this is
- 3:32
disgusting
- 3:34
and finishing them.
- 3:38
>> Patty Harrison, another hilarious
- 3:40
comedian and actor. Okay, we've got
- 3:43
Sarah coming in today. That's why I'm
- 3:45
sad. Another reason why I'm sad I'm not
- 3:47
there. I want to be seeing her.
- 3:48
>> I have so many questions for Sarah. Did
- 3:50
you watch her special?
- 3:51
>> Yes.
- 3:54
I have questions for her, too.
- 3:56
>> Her nasty ass.
- 3:57
>> Her nasty ass special. You have known
- 4:01
Sarah for a very long time. When did you
- 4:03
two first meet?
- 4:04
>> Uh 2015. and our mutual friend Drenin
- 4:08
who knew her from Chicago uh she was
- 4:10
coming out to New York to do shows and
- 4:12
she guested on this show called Holy
- 4:14
[ __ ] that I was a part of and he was
- 4:15
like there's this freak coming named
- 4:19
Sarah Sherman and I think you guys would
- 4:21
really like each other and then we like
- 4:23
hit it off immediately and we went on a
- 4:25
tour with this great comedian writer
- 4:28
named Jamie Loftess called the Sarah
- 4:30
Mitron and Jamie are ugly tour
- 4:34
um and just like she eventually wrote
- 4:37
and appeared butt naked on Deborah.
- 4:40
>> Yeah. So we we worked on a show
- 4:41
together, Three Busy Deborah on Adult
- 4:43
Swim that you wrote and produced and you
- 4:46
were the star of uh along with other
- 4:48
Deborah's
- 4:49
>> Sandy and Alyssa.
- 4:50
>> That's right. And Sarah was a writer on
- 4:52
there, which is where I first heard her.
- 4:53
And I and I was introduced to her as
- 4:55
Sarah Squirm, which is the name she was
- 4:57
going by at the time, which I remember
- 5:00
thinking at the time it was unusual that
- 5:02
a comic actor had like what felt like
- 5:05
almost like a rockar name.
- 5:08
>> Yes. which and it makes so much sense
- 5:10
because like she came up in these great
- 5:12
music venues and like it was like I feel
- 5:14
like every time I would come to Chicago
- 5:17
and do shows with her at the hideout it
- 5:19
was always like with these really
- 5:22
interesting bands that I would like I've
- 5:24
never heard of, would never have heard
- 5:26
of and and she's like such a true fan of
- 5:28
like live music and worked in radio and
- 5:31
like just brings all of that. So, it
- 5:33
like makes sense to me that this like
- 5:34
person who's working in these DIY spaces
- 5:37
both like in music and standup and art
- 5:38
would have this sort of like rocker
- 5:40
character persona.
- 5:42
>> Totally. My questions today for her are
- 5:44
really like when did that person start?
- 5:47
When does that person come out? Because
- 5:49
you know Sarah really well and I've
- 5:52
gotten to know her from getting to work
- 5:53
with her and her persona and her
- 5:56
personality are like alike but also very
- 5:59
different.
- 6:00
>> Yeah. She's like I feel like it makes so
- 6:02
much sense that she landed in Chicago
- 6:04
because she does have this like warmth
- 6:07
and like I don't know familiarity with
- 6:10
people that feels very Midwestern to me
- 6:12
even though she's not from there but
- 6:14
like she's just very cozy. People feel
- 6:16
very comfortable with her. Um which you
- 6:19
wouldn't expect from someone whose like
- 6:20
material is kind of exclusively about
- 6:22
like her flapping labia.
- 6:26
>> Exactly. Like for people that are
- 6:28
learning about Sarah here, like her
- 6:31
stuff on SNL is, you know, in the
- 6:33
structure of SNL, but Sarah's material
- 6:34
is like super scatological. She calls it
- 6:37
body horror. It's like a ton of like
- 6:40
dysmorphia on dysmorphia. Shocking,
- 6:43
shocking, shocking stuff. And um I want
- 6:46
to ask Tara like the cutaways to her
- 6:48
audience during the special. I'm like,
- 6:51
who is this audience?
- 6:53
>> I have the same exact thought.
- 6:55
>> So many men. So many men laughing and
- 6:57
being like ritually humiliated in at the
- 7:00
same time. It's amazing.
- 7:02
>> Perverts.
- 7:05
God. My favorite word. My favorite word.
- 7:08
>> Would you say Sarah's your first pervert
- 7:09
guest?
- 7:10
>> Oh, absolutely not.
- 7:13
>> No. But I love a pervert. Um I don't
- 7:16
like a creep.
- 7:17
>> There's a difference.
- 7:18
>> Big time. And it's a fine line. I mean,
- 7:21
you know, and it's very it happens.
- 7:23
Don't get me wrong. I'm not saying but
- 7:25
but rarely are women creeps, but they
- 7:27
can definitely be perverts. But if
- 7:29
you're a perverted man, you you have a
- 7:31
high creep susceptibility. Obviously,
- 7:33
>> you got to be really careful.
- 7:34
>> You got to be really careful.
- 7:38
>> But a fun pervert. I mean, they kind of
- 7:40
feel almost, you know, this is another
- 7:42
thing that I want to talk to Sarah about
- 7:44
is like the way she
- 7:47
is a fun pervert and then turns on her
- 7:50
audience and yells at them for liking
- 7:52
it. That's so real. Well, cuz it's like
- 7:56
it's such a relief to have someone
- 7:58
obviously in such a heightened way, but
- 8:00
like talk about all the all these things
- 8:02
that like I also am like horrified by in
- 8:06
my own body where I'm like, why does it
- 8:08
do that? Why is there hair there? What
- 8:10
is that substance? like having someone
- 8:14
put words to it and and show it in like
- 8:17
such a na it like it it is so
- 8:19
heightened, but it's also like how I
- 8:21
feel looking at like these parts of me
- 8:24
and she it it like she she really brings
- 8:27
it to life in a way that is like
- 8:29
actually very inviting. I feel where
- 8:32
it's like I'm disgusting. Aren't you
- 8:33
disgusting? We're all disgusting. No,
- 8:35
you're the disgusting one. It's a
- 8:38
perfect way to sum it up in watching her
- 8:41
stuff. I'm like on on the surface level
- 8:43
it's kind of like grotesque almost
- 8:47
performance art stuff but then
- 8:49
underneath it is like this idea of
- 8:52
claiming
- 8:53
the stuff that gets thrown at us all the
- 8:56
time anyway. Just kind of claiming it
- 8:58
and like doubling down on it.
- 9:00
>> Yes. The horrors of being a woman and
- 9:02
having a body.
- 9:03
>> Yes. So I always ask people to give my
- 9:06
guest a question. What do you think
- 9:08
Sarah want to talk about? answer. Small
- 9:11
or big. Any story you want to prompt her
- 9:14
to tell or anything you don't know about
- 9:16
her yet.
- 9:17
>> Okay. I wrote down a few.
- 9:18
>> Oh, you're such a writer.
- 9:21
>> I really overthought it.
- 9:26
>> Why don't we get the room?
- 9:28
>> Let's get the room in here and let's
- 9:29
just keep pitching.
- 9:30
>> Yeah. I got together about 30,000 of my
- 9:33
favorite writers to put together a few
- 9:34
questions for Sarah. Okay. Um, I wanted
- 9:39
to force her to talk about her uh child
- 9:44
musical theater career because she was
- 9:47
really um she has so many stories about
- 9:49
like liberties she took with the
- 9:52
characters that she was given.
- 9:54
>> Amazing. Thank you. That's great.
- 9:58
>> Um, okay. I had two like bigger
- 10:01
questions. Um, if you had a zillion
- 10:04
dollars to make any disgusting practical
- 10:06
creation, what would it be?
- 10:08
>> Whoa, great question. We might have to
- 10:10
ask all these questions. These are good.
- 10:12
>> And then, what is your biggest bomb and
- 10:15
what's your favorite show that you've
- 10:16
done? Uh, so it's like a, you know, best
- 10:18
and worst because I feel like Sarah's
- 10:20
had some like really high highs and some
- 10:22
really low lows. So, I think either of
- 10:26
those I would be really excited to hear
- 10:27
about. Great. And then if there's time,
- 10:29
what where does she stand on the Real
- 10:30
Housewives of Rhode Island?
- 10:33
You know, if you're on if you know, if
- 10:34
you're like hitting a wall
- 10:35
conversationally.
- 10:38
>> Okay, perfect. I can't wait to ask her
- 10:40
these questions. Really good questions,
- 10:42
Vitra. Thanks for talking to us on your
- 10:44
lunch break.
- 10:45
>> I loved every second.
- 10:48
>> Okay, bye. Thanks, Vitra. Thanks so
- 10:50
much.
- 10:51
>> Bye.
- 10:51
>> Bye, honey.
- 10:54
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>> Woohoo! And this is the food wall. I
- 12:07
should have I'm going to kill my I
- 12:09
should have brought a little food for
- 12:10
the wall.
- 12:10
>> It's okay. You don't need to bring it. I
- 12:12
don't want that to be
- 12:12
>> to bring food for the wall.
- 12:15
>> I didn't want it to people to feel like
- 12:17
they needed to bring.
- 12:18
>> No, I would. I could, not to brag, I
- 12:20
could have contributed to this like
- 12:22
crazy. I I can only imagine what you
- 12:24
would have contributed to this.
- 12:25
>> So amazing.
- 12:27
>> I actually before we started, I wore
- 12:29
these in in on behalf of you because I
- 12:32
feel like you would like them. I wore a
- 12:33
cheeseburger sneakers.
- 12:34
>> That should be on the food wall.
- 12:35
>> All right, we'll put one on the wall.
- 12:37
>> What is Let me
- 12:38
>> It's a cheeseburger sneaker from um
- 12:40
>> It's Dolls Kill.
- 12:41
>> It's Dolls Kill.
- 12:44
>> And I feel like I'm not going to lift my
- 12:46
foot up because I don't want any
- 12:47
perverts
- 12:48
>> seeing our feet for free. Screenshots
- 12:50
would sell for a lot of money. Yep.
- 12:53
>> And I'm wearing ice cream. Oh, I'm
- 12:55
wearing ice cream.
- 12:56
>> Oh, great. Okay, I feel good now. Okay,
- 12:58
I'm not stressed. I was stressed that I
- 13:00
didn't bring food, but I I came as food.
- 13:02
>> You came as food.
- 13:03
>> I came as food.
- 13:04
>> Sarah Sherman is here.
- 13:05
>> Do you feel weird now that you're
- 13:07
wearing one shoe? It
- 13:08
>> was such a good question. Let me think.
- 13:10
Let me take that in.
- 13:11
>> Um, yeah. I'm going to take the other
- 13:13
shoe off. But now perverts are going to
- 13:16
know that I'm barefoot the whole time.
- 13:17
>> You see the feet?
- 13:18
>> No. God, I would never let anyone see my
- 13:21
feet.
- 13:22
>> Have you se
- 13:22
>> for free? No. Lord,
- 13:24
>> honey. For free.
- 13:25
>> What do I look like? Take me out to
- 13:27
dinner first. Hello. Take me out to a
- 13:29
plastic dinner first.
- 13:32
>> Have you seen your wiki feed?
- 13:33
>> Yeah.
- 13:34
>> And what do we what are we talking?
- 13:35
>> I'm happy about it. Oh, good.
- 13:37
>> I I you know, I feel like with body
- 13:40
parts, no one knows this more than you.
- 13:43
Um like you have to some you make peace
- 13:45
with, some you feel neutral about, some
- 13:46
you have big thoughts about. I like my
- 13:48
feet.
- 13:49
>> I like
- 13:50
>> How about you?
- 13:51
>> I have like a I got a I got anxious
- 13:54
recently. Well, as you know on the show,
- 13:56
we have to wear many different shoes,
- 13:57
many different hats, many different
- 13:59
shoes, many different wigs. I'm always
- 14:00
put in sort of I think everyone's put
- 14:02
doing a practical joke on me by putting
- 14:03
me in these big heels to the point where
- 14:06
one of the writers, Asha Ward, shout out
- 14:09
Asha, she puts like in the stage
- 14:12
directions like Sarah exits like tick
- 14:14
tick tick tick tick tick because that's
- 14:15
my heel shovel. like click click click
- 14:17
click click click click click clack cuz
- 14:19
I can't walk on a heel. I'm always click
- 14:20
clacking around. And so something
- 14:22
happened to my feet where I think one of
- 14:25
my toes I have no medical basis for
- 14:29
this. I did not go to a doctor. I did
- 14:30
not look this up.
- 14:31
>> Interesting.
- 14:32
>> I think that one of my toes is like it's
- 14:36
a toe.
- 14:38
>> I love that we're talking about body
- 14:39
stuff right away. I LOVE IT.
- 14:42
>> YOU ASKED FOR IT.
- 14:43
>> I know I did. I asked for it. I don't
- 14:44
know if I should look this up. In my
- 14:46
head, one of my toes is just the bones
- 14:48
are loose but inside of the toe sack.
- 14:51
>> Well, I have a whole thing about, you
- 14:52
know, like
- 14:53
>> Oh my god, you have
- 14:54
>> But your feet now we're really giving it
- 14:56
for the perves who love feet. But your
- 14:58
feet your feet health are very important
- 15:00
like now cuz I'm getting to the age
- 15:02
where I'm starting to read like
- 15:03
>> barely 21.
- 15:05
>> You're getting to the age of barely 21.
- 15:07
>> Barely legal always. that what do you
- 15:10
what needs to stay healthy for you to
- 15:12
like survive the next and feet is a big
- 15:15
one like meaning you got to be able take
- 15:18
take care of your feet have good balance
- 15:21
do you have good balance can you balance
- 15:22
on one leg
- 15:24
>> I'm saying this like so cockally I feel
- 15:27
like yeah
- 15:28
>> yeah right on you did it
- 15:29
>> and I don't have I'm going to say
- 15:30
something again this is more feet thing
- 15:32
I have a huge arch
- 15:35
>> that's very so do I it's crazy
- 15:37
>> and it's good to have Okay.
- 15:39
>> Because not only does it make your feet
- 15:42
look nice when you want to eventually
- 15:43
sell your feet pics, which we're all
- 15:45
going to be there like
- 15:46
>> I have tried actually and I have failed.
- 15:50
>> Okay, we're going to get into that.
- 15:51
Sarah Sherman is here. She is our first
- 15:54
SNL C current SNL cast member on the
- 15:57
show.
- 15:57
>> I wonder if I have all the scoop. Do I
- 15:59
have all the
- 16:00
>> Well, you're a vet.
- 16:03
>> Like, how many years have you been on
- 16:04
the show?
- 16:05
>> Five.
- 16:06
>> Five. But you just wrapped SNL. You have
- 16:08
a comedy special out. It's incredible. I
- 16:11
cannot wait to talk about it. It's
- 16:13
insane.
- 16:13
>> It's It's quite insane.
- 16:14
>> It's quite insane. Right now you were in
- 16:17
that like school's out summer time like
- 16:20
you just finished your last show last
- 16:22
week. How are you feeling? How's your
- 16:24
energy level? Where you at?
- 16:25
>> I feel like I had So when you hosted
- 16:28
this season at the very beginning,
- 16:30
right?
- 16:30
>> And not to suck your butt, but everybody
- 16:32
goes, "Who's your favorite host?" I go
- 16:34
everyone goes Amy Polar. like
- 16:35
immediately
- 16:37
and I had a lot of questions for you. I
- 16:39
was like, "What?"
- 16:40
>> I I wish like like every It's so funny
- 16:43
as a cast member, you have such an
- 16:46
experience and then when you're a host,
- 16:47
you have the experience which is like
- 16:49
you just wish you could immediately do
- 16:50
it again.
- 16:51
>> Yes.
- 16:51
>> Immediately. And the I was just saying
- 16:54
to someone, my favorite times are always
- 16:57
the in between times.
- 16:58
>> Interesting.
- 16:59
>> I love the like the joking around
- 17:01
between scenes. I like the like
- 17:04
>> the beginning of the week. Like the show
- 17:06
is like the event, but I tend to
- 17:10
remember and like the like weird middle
- 17:13
times. And I have such a fond memory
- 17:16
>> of me, you and Bowen. I know. Sitting on
- 17:20
a couch and really like getting to know
- 17:21
you in in a way that I don't think I had
- 17:23
in a fast amount of time.
- 17:25
>> Yes. Laughing nonstop.
- 17:27
>> I know. And a lot of giggles.
- 17:29
>> A lot of giggling. Laughing. Thank you
- 17:31
for saying that. Okay, so I was your
- 17:33
favorite host. Great. I appreciate that.
- 17:34
>> And my favorite like I wish people saw
- 17:37
the table read like that is when I am
- 17:41
laughing. I'm like and that was my
- 17:43
favorite part of your week because
- 17:45
what's okay? I'm going to the butt
- 17:46
sucking is going to commence you.
- 17:48
>> I'm usually doing that.
- 17:50
>> Okay, good. Well, this is gonna be a
- 17:51
good hang. try to receive
- 17:53
>> I you like obvious so it's like
- 17:57
obviously you're good at SNL like
- 17:59
obviously but seeing you know how many
- 18:02
sketches are at table read like 40 you
- 18:04
have a different funny thing you were
- 18:07
doing like fun new character voices for
- 18:09
every sketch out of the 40 and it's like
- 18:11
how many of those were cold reads and
- 18:13
you were just like do like the doll with
- 18:15
the eye
- 18:16
>> oh yeah that was a good sketching Seth
- 18:18
wrote that
- 18:18
>> laughing
- 18:19
>> he submitted a sketch for us and we
- 18:21
didn't do I try to watch so that I can
- 18:23
organically laugh if I'm not in a
- 18:24
sketch. I try not to read those sketches
- 18:26
ahead of time.
- 18:26
>> Oh, interesting. Okay.
- 18:27
>> So, I watch the whole table read like
- 18:29
>> Well, that's very generous of you
- 18:30
because you're actually providing an
- 18:32
audience which people don't usually do
- 18:34
like they, you know, everyone's in their
- 18:35
own
- 18:37
>> world at those readroughs and everyone's
- 18:39
tired and everyone's like waiting for
- 18:42
their stuff to get on. And so the fact
- 18:43
that you could even do that means that
- 18:45
you're like trying to actually stay
- 18:46
present like you're a generous person
- 18:48
>> and well I think it's also a sucking
- 18:50
butt right back at you.
- 18:51
>> I'll take it. We're human centipede
- 18:53
ourselves all the way.
- 18:56
I mean come on
- 18:58
>> that's a good trilogy. There's three.
- 19:00
>> I cannot believe that movie was made.
- 19:03
>> The movies. There's three.
- 19:05
>> I know there's three.
- 19:06
>> There are three. And do you need me to
- 19:08
talk about the differences between
- 19:09
>> for some reason because I am so a gas at
- 19:11
that movie. I get it constantly on my
- 19:13
TikTok.
- 19:14
>> Is it having a resurgence?
- 19:16
>> Yeah, there's like a lot of clips about
- 19:18
or or like I just keep watching right
- 19:21
>> because I'm horrified by Okay, sorry. I
- 19:22
digress.
- 19:23
>> You are making it happen. I'm going to
- 19:24
use your podcast platform to do
- 19:26
something. Tom six. No.
- 19:28
>> If you are doing a human centipede,
- 19:33
>> we do not need a human centipede for us.
- 19:36
I'll do it. I will show
- 19:38
>> she will not I will not allow her. I'll
- 19:41
do it. Black and white full color over.
- 19:44
>> Absolutely not. We don't need it. Not
- 19:45
now.
- 19:46
>> Some of the best most important cinnamon
- 19:48
that's been made.
- 19:49
>> [ __ ] disgusting.
- 19:50
>> And Tom, you are a freak.
- 19:52
>> Okay. But you're you're on your summer
- 19:55
break.
- 19:55
>> Yeah.
- 19:56
>> So you like what do you do for your
- 19:57
summer?
- 19:59
>> What are you doing?
- 19:59
>> So I'm experimenting with something this
- 20:01
summer. I don't understand how anyone
- 20:04
can do anything while is happening. I
- 20:07
feel like were you doing this? Were you
- 20:09
I can't Well, I haven't said cuz
- 20:10
>> all consuming
- 20:11
>> when when when I even said to you cuz
- 20:13
you did work birth and it was about you
- 20:15
being the sketch when you hosted about
- 20:17
you being pregnant and giving birth to
- 20:18
work
- 20:18
>> and I was like okay so this actually was
- 20:21
your life?
- 20:22
>> Yeah.
- 20:22
>> The fact that you were pregnant there I
- 20:25
can't even work there like if my contact
- 20:27
is too dry. I don't know what your life
- 20:29
is and if you ever want to carry a
- 20:31
child, but pregnancy is wild and funny
- 20:34
and fun because you are completely
- 20:36
different body and you love body stuff
- 20:39
>> and you're you scare a lot of people by
- 20:41
walking around
- 20:41
>> and it scares me.
- 20:43
>> Yeah, it's scary.
- 20:43
>> And I'm like, what do you mean they're
- 20:44
moving my organs around inside me? They
- 20:46
have to stay where they are.
- 20:48
>> So sci-fi that there's a body inside of
- 20:51
you.
- 20:52
>> That's never alone. I
- 20:54
>> I can't even imagine like my body can't
- 20:56
even take being at the job regular. Not
- 20:58
that pregnant isn't regular.
- 21:00
New normal.
- 21:01
>> New normal. Hey, I watch it. But like if
- 21:05
I have like a bad burrito and I'm like
- 21:07
bloated, I'm like I I can't write.
- 21:10
>> Well Well, this is what I mean is like
- 21:12
the idea of like everyone knowing when
- 21:14
someone has a stomach ache. That's new.
- 21:17
>> That that is new. That's new.
- 21:19
>> You know what I don't like? And I'm I'll
- 21:20
say it. I'll stand on my two feet,
- 21:22
buckle my shoe, and say I don't like it.
- 21:24
It's like hot girls with IBS. It's like
- 21:26
I'm not proud
- 21:28
>> of the diarrhea that I have every single
- 21:29
day chronically.
- 21:30
>> And we're about 7 minutes in. We got to
- 21:32
diarrhea.
- 21:33
>> I was hoping we would
- 21:34
>> the morning.
- 21:37
>> I just think that like more and more
- 21:39
there's a there's an acceptance that
- 21:41
everyone has a different way to work
- 21:44
within the system. Yeah. And I would say
- 21:47
that you being on the show is also I
- 21:50
think another example of like how the
- 21:52
show has smartly remembered that it is a
- 21:55
variety show with a million different
- 21:58
voices and different styles. And so
- 22:01
there just was I think a little bit more
- 22:02
it was just like a more homogeneous same
- 22:04
way to do it same people writing it same
- 22:06
people on it and it's just keeps
- 22:08
changing.
- 22:08
>> I actually think about this a lot
- 22:09
because I'm like this is not even to say
- 22:12
it's self-deprecatingly said that with
- 22:14
an accent.
- 22:16
I don't think I would have gotten on the
- 22:18
show
- 22:20
during your era because
- 22:23
>> Yeah. No,
- 22:24
>> that's not controversial.
- 22:26
>> But I'm would have I would like to be a
- 22:31
more talented sketch performer.
- 22:33
>> Okay.
- 22:33
>> I find myself to be quite limited.
- 22:36
>> Okay.
- 22:37
>> And I would Do you know what I'm saying?
- 22:38
>> Well, okay. Let's
- 22:39
>> So, I'm thinking let's cookie stars. I
- 22:41
was not born, you know, I was born when
- 22:43
I was born.
- 22:44
>> Okay. Sarah Sherman, let's go back.
- 22:46
>> No, we're going back.
- 22:46
>> We're going back to Long Island.
- 22:48
>> We're all We're going back 18 years.
- 22:51
Well, I'm I'm 18 now. Just turned 18.
- 22:55
Okay.
- 22:58
So, you're in Long Island as a little
- 23:00
>> Yeah, as a little
- 23:01
>> as a little. Your mom is a public school
- 23:03
teacher.
- 23:04
>> So was mine.
- 23:05
>> And um your dad runs a a children's
- 23:09
clothing company. Fascinating. I mean,
- 23:11
>> like, of course you love clothes. Of
- 23:14
course you dress.
- 23:15
>> I know, but I'm like addicted. Okay.
- 23:17
>> It is his fault.
- 23:18
>> Yeah. So, he's so he has like a he's
- 23:20
like a garmentto.
- 23:21
>> Yeah. He is like old school Jewish
- 23:23
schmata business. So, it's like everyone
- 23:25
saw Uncut Gems was like the diamond
- 23:27
district in Manhattan. It's all those
- 23:29
Jewish guys running around. Two blocks
- 23:31
over is the garment district and schmata
- 23:33
is Yiddish for rags. So, it's like all
- 23:35
the same kind of Jewish guys running
- 23:37
around with clothes.
- 23:38
>> Right. Long Island seems like it has
- 23:40
produced some really complicated
- 23:44
interesting characters.
- 23:45
>> Well, I saw Uncut Gems and I go, "Huh,
- 23:49
that's about my dad." I just the vibe,
- 23:52
>> right?
- 23:53
>> So, I stalked the writer and I was like,
- 23:55
"You wrote a movie about my dad." And he
- 23:58
goes, "Well, this is actually quite
- 23:59
interesting because I'm from your
- 24:01
neighborhood. I went to a high school
- 24:03
near your high school and my dad is in
- 24:05
Schmata." So, yeah, I did.
- 24:06
>> Wow.
- 24:07
>> I know.
- 24:08
Long Island.
- 24:09
>> Okay. What is fifth grade Sarah look
- 24:12
like?
- 24:12
>> So annoying. I was like because I was
- 24:15
like the clothes thing. Like my dad was
- 24:18
in schmata. I grew up around clothes. So
- 24:20
like I was addicted to the nanny Golden
- 24:24
Girls and like my big thing
- 24:27
>> um
- 24:28
>> in when in middle school when I started
- 24:30
doing middle school plays, Miss Orange
- 24:32
who ran the costume department would let
- 24:35
me kind of raid the costume closet. This
- 24:38
makes sense and you were into that.
- 24:39
Okay. We we um we we we always speak to
- 24:43
people who know our guests really well
- 24:44
and we get a question from them and we
- 24:45
talk to Mitra.
- 24:47
>> Okay.
- 24:48
>> So, Mitra gave us a she's the best.
- 24:50
>> What did you do, girl?
- 24:52
>> Girl and she gave us a couple really
- 24:53
good questions. So, throughout this
- 24:55
interview, I'm going to pepper them in
- 24:57
cuz of course, Mitra, good girl giving
- 24:59
us so many good questions.
- 25:00
>> I'm sure I'm I'm sure the list is long.
- 25:02
And this Miss Orange reminds me of one
- 25:04
of those questions which is um you did a
- 25:08
lot of musical theater as a kid.
- 25:11
>> I did.
- 25:11
>> And you took liberty with some parts.
- 25:14
>> And Midra, you know what you have done.
- 25:18
>> Mra knows what she has done.
- 25:20
>> She's helping out her friend.
- 25:22
>> I just I Let me explain myself. I'm
- 25:26
defend myself here. I always wanted to
- 25:30
be a comedian. like grew up watching it.
- 25:33
>> Why? Why do you think funny family?
- 25:35
>> Funny family. Really funny family. Funny
- 25:38
dad,
- 25:39
>> funny like you know love love expression
- 25:43
was like mean bullying funny was
- 25:45
addicted to like Seinfeld SNL
- 25:49
>> Brothers and Sisters
- 25:50
>> younger brother also funny but I was
- 25:52
kind of like a bully but it was funny.
- 25:55
>> So you know
- 25:56
>> that's when bullies were funny.
- 25:57
>> I know right. And I had a big um science
- 26:00
room skeleton in my room. My parents
- 26:03
were always like, "Why'd you end up like
- 26:04
this? You're normal." And I'm like, "You
- 26:07
got me a giant science room skeleton
- 26:09
when I was like,
- 26:10
>> you know, my brother was like three on
- 26:12
April F." I loved April Fool's Day cuz
- 26:14
that also felt like the comedian's day
- 26:16
to shine. It's like clowns Christmas.
- 26:20
He was like three and I put this giant
- 26:23
life-siz science room skeleton in his
- 26:25
bed and he woke up crying, you know?
- 26:27
Right. So, it's like stuff like that. I
- 26:29
loved April My B mitzvah was on April
- 26:31
Fool's Day.
- 26:32
>> Whoa. What was the theme? Did you
- 26:34
>> It was April Fools.
- 26:35
>> It was April Fool's theme.
- 26:36
>> Yeah. And the invitation was snakes in a
- 26:38
can that I hand delivered to everyone's
- 26:39
house.
- 26:41
>> You learn so much about people when they
- 26:43
talk about their bar and you really do.
- 26:45
Like Ike Barold was in here and his was
- 26:47
like I like Ike. Like he was running. He
- 26:50
was like he was like running for, you
- 26:52
know, president or whatever. You learn
- 26:54
so much about what what their hopes and
- 26:57
dreams are. Okay. Snakes in a can on
- 27:00
every seat
- 27:02
>> and like you know you're on in a bad
- 27:04
mitzvah you're like on the this the
- 27:06
beimma the stage at the synagogue and I
- 27:08
had a wrapped audience of like
- 27:09
80year-old old bald Jewish guys. I was
- 27:13
going off. That was my first like I
- 27:16
crushed at my mom.
- 27:18
>> Oh my god. Do you remember any of your
- 27:20
material? Yes. Of course. It's like cuz
- 27:22
it was my first, you know, I was I've
- 27:23
been what is it? Chasing the dragon or
- 27:25
whatever since like the high
- 27:28
>> was I went to a very conservative
- 27:30
synagogue. Okay.
- 27:31
>> And it's like the service is like 8
- 27:33
hours intense Hebrew. I didn't know a
- 27:35
word I was saying.
- 27:37
>> And they go like, "And now the
- 27:38
sisterhood of the temple would like to
- 27:40
present you with your gift." And like
- 27:42
these two um conservative women came up
- 27:46
with uh candlesticks. I go, "Great. Just
- 27:48
what I always wanted.
- 27:52
My mom was in the FRONT GOING
- 27:55
AND THEN NOT to brag, it was kind of the
- 27:57
talk of the town for like a second.
- 27:59
>> I BET
- 28:00
>> IT WAS KIND OF LIKE everyone was like
- 28:01
killed.
- 28:04
>> Great. I always turning to a camera
- 28:06
that's not there.
- 28:12
>> Okay. So, what liberties did you take as
- 28:14
a musical theater kid? What how did you
- 28:16
interpret the parts?
- 28:18
>> You're so evil. Is this is this is this
- 28:20
a nonPC story?
- 28:22
>> So, I just wanted to be a comedian and I
- 28:23
wanted to be a performer.
- 28:25
>> So, it's like I would do any play like I
- 28:28
would do like I couldn't sing or dance
- 28:30
but I do the musicals cuz I just wanted
- 28:31
to do it and I could never get a part
- 28:34
because it wasn't good. But I was like
- 28:36
in with the costume closet. that Miss
- 28:38
Orange would let me like that's I got
- 28:40
addicted to like '8s little like sequin
- 28:42
jackets cuz like
- 28:44
>> Grandma Yeta and then Nanny would wear
- 28:45
them and that's she let and Miss Orange
- 28:47
let me keep the jacket. I know the one
- 28:50
that looked exactly like Grandma yet
- 28:51
sequin jacket
- 28:53
>> and so she let me kind of I didn't have
- 28:54
a part. I was in the chorus and into the
- 28:56
woods.
- 28:57
>> Oh yeah.
- 28:58
>> Which was behind a screen. You were in
- 29:01
the woods.
- 29:01
>> I was in the woods in silhouette.
- 29:03
>> Sure.
- 29:04
>> So I was just basically a little
- 29:06
outline. Yeah.
- 29:08
>> But I was in the costume closet. I found
- 29:10
a red and black
- 29:12
lace gown with a fur hand muff.
- 29:15
>> Oh, yeah.
- 29:15
>> And I went to the director and I said,
- 29:17
"So, this is my costume. I am the my
- 29:20
character is the Russian Zarina."
- 29:24
>> And so, I'm just I didn't really think I
- 29:27
even knew what that was. I didn't have
- 29:28
any words. I didn't have an accent,
- 29:29
nothing. And so in the play bill, it
- 29:32
would be like all the leads listed and
- 29:35
then like the chorus, a whole list of
- 29:37
all the faceless people behind the scrim
- 29:39
and then Sarah Sherman will be playing
- 29:41
the Russian Sarina.
- 29:43
>> That's incredible. You created
- 29:44
>> personality disorder.
- 29:47
But it's such a com I mean that is the
- 29:49
thing about you Sarah is and like we'll
- 29:52
get to it with SNL but like there is an
- 29:54
innate confidence about you
- 29:57
>> that and and I say that because I I I
- 30:00
want you to know to me that's like the
- 30:02
what distinguishes people on SNL right
- 30:04
away.
- 30:05
>> Sure.
- 30:06
>> Whether the content doesn't matter. It's
- 30:08
like are we worried about you when we're
- 30:10
watching you? I'm never worried about
- 30:12
you anytime you're ever performing like
- 30:15
and it's not like cocky like cuz you're
- 30:17
super self-deprecating all the time.
- 30:18
You're very honest. You're very like
- 30:21
your your your feelings are right up
- 30:23
front and center. But there is a
- 30:24
confidence that I feel like you just
- 30:26
were born with this idea of like
- 30:29
grabbing things and wanting them.
- 30:31
>> I think I am so used to bombing even
- 30:35
though it sounds like I crushed my first
- 30:36
time at bat. I'm so It's like everything
- 30:40
that has every bad thing could that
- 30:42
could happen to me on stage has already
- 30:44
happened kind of thing. So it's like I
- 30:46
don't even know if it's like confidence.
- 30:48
It's like I'm going to [ __ ] crush
- 30:49
this [ __ ] right now. It's like what what
- 30:52
more could happen? I'm going to Madison
- 30:54
Square Garden. What more could happen?
- 30:56
>> But ambivalence is confidence too. It is
- 30:59
like this idea of like I'm just going to
- 31:01
float a little bit. a little
- 31:02
dissociation too, but like I'm going to
- 31:04
float above this moment so that you're
- 31:07
going to have to come find me. I'm not
- 31:08
going to like be like like me, like me,
- 31:10
like me. That's the difference. But you
- 31:12
went to Northwestern.
- 31:14
>> And oh, this is what I find so
- 31:15
interesting when you talk about like I
- 31:16
want to have more experience in sketch
- 31:18
and improv. You try out for like the
- 31:20
sketch group, don't get in.
- 31:22
>> Yep.
- 31:23
>> Yep. Which was like I was is
- 31:27
devastating.
- 31:28
>> That's devastating. And I had tried
- 31:29
stand up. Like I dabbled a little bit
- 31:30
when I was like 16. Like I I like going
- 31:33
to doing an open mic at like a barbecue
- 31:35
restaurant cuz you know I couldn't do a
- 31:37
bar yet. Like I dabbled a little but
- 31:40
that was my first big like you know all
- 31:42
I wanted to do was be a comedian and it
- 31:46
when someone was like my peers were like
- 31:48
no. I was like are you kidding me?
- 31:50
>> Yeah.
- 31:50
>> And so I'm full of I could be motivated
- 31:52
by spite.
- 31:53
>> But then you start a comedy show in
- 31:54
Chicago called Hell Trap Nightmare.
- 31:56
>> Yeah. How would you describe that show?
- 31:58
>> Um,
- 32:01
like the first to I like that you rolled
- 32:04
your eyes.
- 32:05
>> Like, how could I even begin to
- 32:09
>> This is the the first show is my
- 32:11
friend's basement. We were of course it
- 32:13
was Chicago has like an amazing DIY
- 32:16
electronic noise crazy performance art
- 32:19
comedy scene
- 32:20
>> and like you know there there was like
- 32:23
comedy like there's all this improv in
- 32:25
Chicago and whatever but I was like the
- 32:27
funniest people to me were these like
- 32:28
freaks.
- 32:29
>> Yeah.
- 32:29
>> So like my friend Mike Sugarman was
- 32:31
performing as under this noise moniker
- 32:33
Suge and the first Hell Trap night night
- 32:36
mint. I had a stroke. The first Hell
- 32:38
Trap nightmare was in my friend's
- 32:40
basement. The poster was like uh a
- 32:42
woman's face was see-through and you
- 32:44
could see her teeth and brains. Sure.
- 32:46
>> Because I was like, you know, that's the
- 32:47
trigger warning.
- 32:48
>> Yeah.
- 32:49
>> And you know, I hosted I did like 10 bad
- 32:52
minutes of standup and then my friend
- 32:54
Suge came out in a trench coat and a wig
- 32:59
um sunglasses, flashed everyone, and he
- 33:02
had taped to his dick. Yeah.
- 33:04
>> And was, you know, smashing light bulbs,
- 33:07
but that was music, of course.
- 33:09
>> Yeah. And I think I did a uh I don't
- 33:12
even know what the these bits were like
- 33:14
it was like a stretch to call it comedy
- 33:17
like
- 33:17
>> well it was like performance art right
- 33:20
but with but with like
- 33:22
>> the intent was to be funny but when I I
- 33:26
chugged a can of room temperature clam
- 33:29
chowder. I think the joke was literally
- 33:31
like oh you like a woman who's a tall
- 33:32
drink of water. I'm I'm a tall can of
- 33:34
clam chowder. and then chug the whole
- 33:36
thing and everyone's like, "Cool."
- 33:39
Okay.
- 33:40
>> You know, it's we don't need to look
- 33:42
back on our bits and explain them. They
- 33:44
were just like moments. They were
- 33:46
moments, babe. You were experimenting,
- 33:48
>> of course.
- 33:49
>> But you were you were like I mean I I
- 33:51
think it's one of the things that you've
- 33:52
brought to the show like just your
- 33:55
aesthetic, not only outside, but like
- 33:56
your influences like you are very very
- 34:00
interested in all types of media and
- 34:03
art.
- 34:04
>> I am. We we talk about in your special
- 34:06
like like Paula Pound's own [ __ ]
- 34:08
Spongebob. You also talk about like
- 34:12
>> barely makes sense by the way and gave
- 34:13
birth to what
- 34:17
>> sometimes they just say stuff and I'm
- 34:18
like it's going in.
- 34:20
>> Um but also Ren and Stimpy and like
- 34:23
Pee-Wee like what were your like what
- 34:25
were what kind of stuff were you like
- 34:28
when you think about all that stuff that
- 34:30
jammed in your head when you were
- 34:31
younger? What jam what got in there? I
- 34:34
think like I always um I loved doing art
- 34:37
and making stuff and I also loved
- 34:40
performing comedy and for some reason I
- 34:42
didn't know that you could do both at
- 34:44
the same time like when I had started.
- 34:45
So it was like 2015 like
- 34:48
>> you know there's not like the internet
- 34:50
and the way it is now. Like I didn't
- 34:52
realize I could blend art like I was
- 34:53
doing all the posters for my show like
- 34:56
cuz it's like it was very you know
- 34:57
runchy blue like horrific comedy. So,
- 35:00
I'd make the posters be like lungs with
- 35:01
nipples on it and be like, you know what
- 35:02
the show's going to be? Whatever,
- 35:04
>> right?
- 35:04
>> Um, the letters are like a tampon with
- 35:07
poop on it. Sorry, whatever. I wasn't
- 35:09
that creative, but I was like, oh, that
- 35:11
was like a trigger warning for the
- 35:13
Awesome. My mom, by the way, to my
- 35:15
special taping, wore my old Hell Trap
- 35:17
nightmare shirt, which was a uterus with
- 35:20
ovary eyeballs and a severed finger
- 35:24
shoved up into the and a smiling like
- 35:27
open gashed vagina with like a butthole.
- 35:30
What' you guys do? Insert picture here.
- 35:35
My mom
- 35:35
>> Sarah, how does what do your parents
- 35:39
think? Like how do they h It is so
- 35:42
intense.
- 35:43
>> It's intense. It's intense.
- 35:45
>> And and I and I don't mean to be
- 35:47
misogynistic because like if it's a man,
- 35:49
it's they get a different pass, but like
- 35:51
your style
- 35:53
>> as a parent because your parents love
- 35:55
you and they love that you're they love
- 35:57
the work. How do they like do they
- 35:59
invite their friends to your show? They
- 36:02
they they're down.
- 36:04
>> It is it's literally like Paul Schrader
- 36:06
hardcore. the the no my daughter no turn
- 36:09
it off when he has to watch his daughter
- 36:10
doing porn it is THAT BUT UM NO TURN IT
- 36:13
OFF but um they love it
- 36:16
>> they love it
- 36:17
>> they are really supportive and I do
- 36:19
think I hate to say it I think that's
- 36:21
like what the confidence is a little
- 36:24
>> okay I I think that that's true I I
- 36:26
didn't want to say it but like I'm
- 36:28
learning about like loving parents
- 36:30
privilege like
- 36:31
>> if you have parents who are like you're
- 36:32
great you that really creates a
- 36:35
scaffolding for the rest of your life.
- 36:37
Obviously, when you try things where
- 36:38
you're like, well, I guess my parents
- 36:40
will still love me.
- 36:41
>> No, I there there there's not a threat
- 36:43
of losing my family.
- 36:44
>> Yeah. And like
- 36:47
>> maybe this is TMI, but I did a bit I've
- 36:50
done a lot of like updates where I'm in
- 36:51
a big animal costume. And that is
- 36:53
Lauren's idea.
- 36:54
>> Yeah.
- 36:54
>> Because I think I'm like he's like,
- 36:56
"What am I going to do with her? She's
- 36:57
crazy. She's like a wild animal. I'll
- 36:59
just make her be a wild animal."
- 37:01
I don't think people know that he
- 37:03
pitches bit like he was like, "You're
- 37:05
going to play a squirrel." I'm like,
- 37:06
"Okay."
- 37:09
Whatever you want. You're my bos. Okay,
- 37:10
boss.
- 37:12
He said like after I did I think a
- 37:14
squirrel or some [ __ ] animal. He
- 37:17
said, "When you did that, I could tell
- 37:18
you were loved as a child." And I was
- 37:20
like, "Oh,
- 37:22
clocked
- 37:24
>> clocked.
- 37:24
>> Clocked." He has very Oh, yeah.
- 37:29
>> I I remember being like Oh yeah.
- 37:32
>> Yeah. He he he as the kids would say he
- 37:35
can read you really fast
- 37:36
>> for Phil.
- 37:47
>> Okay. So you have this this way of
- 37:49
performing and then you audition for SNL
- 37:52
first when you're really young.
- 37:54
>> Mhm.
- 37:55
>> Don't get in.
- 37:56
>> Mhm.
- 37:56
>> What was that like? Well,
- 37:59
>> like was it a real audition? Did like
- 38:00
did you go into the studio? Okay,
- 38:02
>> it was um Sha Halpern from IO. Shout out
- 38:05
girl.
- 38:05
>> Shout out. Let's talk about Sha for one
- 38:07
second. Sha Halpern ran Improv Olympic a
- 38:10
theater in Chicago now called IO cuz the
- 38:12
Olympics sued and made them change their
- 38:14
name.
- 38:15
>> The Olympics.
- 38:16
>> The Olympics. That's right. And um Sha
- 38:19
was the was the the director who in in
- 38:22
my case just like put me on an improv
- 38:25
team. Said, "Hey, there's a woman named
- 38:27
Tina. you're going to really like her.
- 38:29
You guys, Sha Sha arranged that marriage
- 38:32
and Sha was in charge of so many of us
- 38:35
and like launched so many careers.
- 38:36
>> Oh my god, I didn't know that.
- 38:37
>> So, Hal Burn Sha got you in front of the
- 38:40
Sha Sha's she's always had an eye.
- 38:43
>> She knows. That's great because I would
- 38:46
I just wanted to do comedy. I couldn't
- 38:47
get into the [ __ ] college thing and
- 38:49
so I was like, "Oh, I'll go do it in
- 38:51
Chicago stuff in Chicago." And I was
- 38:54
like kind of a bad fit. And I'm like not
- 38:56
again how I feel self-conscious about my
- 38:58
limited range. It's like you kind of
- 39:00
need a little bit of range for improv
- 39:02
and I was kind of not a good fit there.
- 39:04
And I would also wear like they would be
- 39:06
like I'd have to get talking. It's like
- 39:08
hey you're wearing a big shirt with the
- 39:09
brain on it. A little distracting. I'm
- 39:11
like
- 39:13
um I was like I'm kind of a bad fit
- 39:15
there. But she was like you're going to
- 39:18
do the SNL audition. And at that time I
- 39:20
was like I was 22 and I was like uh
- 39:23
that's a bad idea cuz I was doing these
- 39:25
shows with the penis whatever
- 39:28
>> and I was like I just didn't and and she
- 39:31
she was like you're going to do that.
- 39:32
She's like you're going to be great like
- 39:33
if you need help with it. And I was like
- 39:35
well everyone tells you
- 39:37
>> I didn't know anything and there you
- 39:38
know everyone's like oh your your five
- 39:40
minutes it has to be like characters and
- 39:41
impressions or whatever.
- 39:42
>> So I did that and it was obviously
- 39:45
terrible. Like it was just like I was
- 39:47
trying to do what I thought the
- 39:49
assignment was. Sure. And I bombed
- 39:51
really badly.
- 39:53
>> Um I wore like my I remember what I
- 39:56
wore. I wore I know this is we're
- 39:59
actually finding out I'm a clothes
- 40:00
addict. I all my memories are marked by
- 40:03
like my outfit.
- 40:04
>> Well, I would say that you're you like
- 40:06
work from the outside in.
- 40:07
>> Yeah, I do. Actually, this is a problem
- 40:10
at SNL.
- 40:11
>> All right. Well, now it's time now for
- 40:12
season six. Inside out. work from the
- 40:16
inside. It's really hard.
- 40:17
>> Would love to see you just in a I would
- 40:19
love to see you in a neutral dress, a
- 40:21
slip dress. Hair natural, no makeup.
- 40:25
>> Yes.
- 40:25
>> Leaves flowing.
- 40:28
>> Hello, children. Your homework's late.
- 40:32
Big recurring character. Your homework's
- 40:35
late. Okay, I think can somebody write
- 40:37
that down? It's amazing. But this is
- 40:39
Lauren's big thing with me. He's like,
- 40:41
"Just let's just
- 40:42
>> yeah,
- 40:42
>> get it to and I'm like for Sai."
- 40:45
>> Okay, it's okay. It's okay. Don't don't
- 40:47
beat yourself up. I mean, it's a lot to
- 40:49
ask.
- 40:49
>> It's a lot. It's hard.
- 40:51
>> It's hard. It's hard to show any
- 40:54
especially when you're
- 40:56
It's like playing with it's like
- 40:58
practicing with your backhand. Like
- 40:59
you're really your forehand's really
- 41:01
strong and you're like I can score. And
- 41:03
someone's like now hit it with your
- 41:04
backhand. You're like now? Like season
- 41:06
3?
- 41:08
>> You think I'm trying? I I try like you
- 41:11
know Ashley Padilla started 2 years ago
- 41:13
and I'm like oh my god the character and
- 41:16
like everyone every character she has is
- 41:19
like a internal world and like the jokes
- 41:22
come kind of easy to her because she has
- 41:24
like inside she like knows what the
- 41:26
character wants and there's like
- 41:28
>> there's a motivation there and I feel
- 41:30
like I've been doing it all wrong for
- 41:32
like six [ __ ] years cuz I'm like what
- 41:34
if the wig is weird and then you have to
- 41:36
come like writing the joke cuz it's so
- 41:38
much harder cuz You're like forcing it
- 41:40
from the other way around. It's It's
- 41:42
outside in. So, it's a little harder.
- 41:44
>> I'm going to say something right now. I
- 41:46
think you're not afraid of the failure.
- 41:48
I think you're afraid of the success cuz
- 41:49
I actually think you can do it. I
- 41:51
actually think you are a good actor and
- 41:53
you do it. You're afraid of being
- 41:55
successful at it. So, like
- 41:59
>> cast me. I'm not afraid of being an
- 42:01
actor. I am free. People say that thing
- 42:05
where they're like, "Oh my god, you're
- 42:06
standup. That's so brave." I'm like,
- 42:08
it's it's cowardice. It is true. Yes, it
- 42:11
is true cowardice. Like I, you know, so
- 42:14
many things even in my special are like
- 42:16
people are like, "Oh my god, you're like
- 42:17
loose and riffing." Uh, that's all
- 42:19
written down.
- 42:22
You think I would riff during my HBO
- 42:25
comedy?
- 42:26
No. I have a pre-planned bit. I'm like,
- 42:29
I'm going to find someone in the crowd
- 42:30
wearing glasses. And I go, why' you wear
- 42:32
glasses to the show? So you can wear
- 42:34
your pre pubescent.
- 42:36
Sorry, wrong.
- 42:37
>> It's okay. We We'll edit it. Here we go.
- 42:38
And show my failure.
- 42:42
>> I'm actually a vulnerable Santa.
- 42:48
My god. You should make your own
- 42:50
blooper. Vulnerable blooper reel.
- 42:54
Showing my armpits. Hey guys, why did
- 42:57
you wear your glasses to the show? So
- 42:58
you could see my preubescent body
- 43:00
better. You pervert. Everyone goes, "Oh,
- 43:02
you think I thought of that on THE SPOT?
- 43:06
NO, I WROTE it down eight years ago and
- 43:09
I've been saying it every day since.
- 43:12
Sucks.
- 43:12
>> I feel like once you get the confidence
- 43:15
of um
- 43:17
knowing that you're not getting fired
- 43:18
from the show, basically like which is
- 43:20
true. Like you're at that point.
- 43:22
>> Congrats, babe. You're at that point.
- 43:24
>> I was crazy this season a little bit.
- 43:26
>> Well, you might get fired from something
- 43:27
you say for sure, but not for lack of
- 43:30
like we don't need you.
- 43:31
>> But yes, you might get fired. Yeah.
- 43:33
Yeah. Yeah. HR did want me to talk to
- 43:36
you. Yeah.
- 43:37
>> And I'm sorry for what I did and who I
- 43:39
touched.
- 43:40
>> Yeah.
- 43:40
>> Yeah. Yeah. I have to say like what I
- 43:43
find so impressive about you is you have
- 43:45
managed to maintain yourself, your POV
- 43:49
and your sense of what you think is
- 43:51
funny and you've worked within the
- 43:53
system. I.e. like
- 43:55
>> you coming at Colin and update is a
- 43:57
perfect example where you're like okay
- 43:59
I'm going to use this structure. I'm
- 44:03
going to hit Colin who's like the
- 44:05
ultimate like alpha straight white
- 44:08
punching bag successful punching bag and
- 44:10
he can handle it and why it's so
- 44:12
satisfying to watch because to me it
- 44:14
also and you do this a lot in your
- 44:16
comedy especially in your in your in
- 44:18
your special
- 44:19
>> where you like play around with what I
- 44:21
like to call like the millennial threat
- 44:23
like this this idea that like someone's
- 44:26
going to get something wrong.
- 44:27
>> Yes.
- 44:28
>> But people are very scared to screw up.
- 44:30
>> Yes. And and I I have
- 44:32
>> of course we all have
- 44:33
>> but you are like pressuring the powers
- 44:36
that be that they might [ __ ] up. It's
- 44:39
very exhilarating to watch cuz obviously
- 44:40
it's also talking about like cancer
- 44:42
girls are like misogyny and like
- 44:44
patriarchy and all that stuff but it's
- 44:45
not it's just funny
- 44:47
>> right
- 44:47
>> and it's like as mean as I'd be to Colin
- 44:50
calling him a pedophile whatever
- 44:52
whatever I'm really mean to myself.
- 44:54
>> Yeah. So it's, you know, but even that
- 44:58
it's like I got lucky on the show
- 45:00
because he he I had joined the show as a
- 45:04
complete act. I was shocked that I was
- 45:06
there. All my friends like the inside
- 45:07
joke was like okay Sarah's going to show
- 45:09
up as a waiter and see go want some
- 45:10
water ma'am and they got fired. You know
- 45:12
that was the big joke with all my
- 45:14
friends who are apparently like love me
- 45:15
and are nice to me or whatever.
- 45:17
>> But so it was like so I was just happy
- 45:19
to be there and I wasn't expecting
- 45:21
anything to happen. like I was writing
- 45:23
sketches but I didn't really know I
- 45:24
didn't even have final draft until
- 45:26
midnight on writing night like I didn't
- 45:27
know about any of this
- 45:29
>> and then um so I wasn't getting any
- 45:31
sketches on the show but I didn't really
- 45:32
care but then Colin was like why don't
- 45:35
you come on update and do like your
- 45:37
yourself and I didn't even know that you
- 45:39
could do that
- 45:41
>> there is some version of getting known
- 45:44
on the show and it doesn't stamp you
- 45:46
forever but like where people see you as
- 45:48
a person with a face
- 45:50
>> but I wouldn't have done that if he
- 45:52
didn't say so cuz it felt like
- 45:53
presumptuous or something like I really
- 45:55
was there to be like a good sport and
- 45:57
just do whatever the job was.
- 45:58
>> Okay. But I just want to gently say to
- 46:00
you that you should just take credit for
- 46:02
that success because even though it
- 46:04
wasn't your original idea perhaps we all
- 46:07
know that we're collaborating.
- 46:10
>> We're all collaborating working together
- 46:12
but you have to deliver. One other thing
- 46:14
I want to ask you about and then we'll
- 46:16
jump off SNL but
- 46:18
>> question.
- 46:20
Let's talk about Louis Zakarion.
- 46:21
>> What is there to say?
- 46:22
>> Louie runs the makeup department and he
- 46:26
is incredible.
- 46:28
>> It's crazy.
- 46:29
>> Like, let's talk about him for a second
- 46:31
and what he's made for you.
- 46:32
>> Uh, what hasn't he? He does it.
- 46:36
Prosthetics and makeup takes time. Yeah.
- 46:39
And like I think I've seen people
- 46:40
describe the SNL makeup experience as a
- 46:42
pit crew. There's like eight people
- 46:44
putting on a bald cap at once. I've
- 46:45
moderated um uh ComicCon panels for him
- 46:49
where it's like it'll be a guy in a grou
- 46:51
grou suit or whatever being like sir
- 46:53
what's your fastest bald cap application
- 46:55
and he goes 2 minutes and everyone you
- 46:57
hear the crowd go
- 47:00
>> you see like every X-Men character in
- 47:02
like a blue man
- 47:03
>> they should make them they should make a
- 47:05
TV show like the pit
- 47:06
>> and they should make it in the makeup
- 47:08
room of Louis room because the way that
- 47:11
they like in like in the pit the way
- 47:12
they like save people by like stabing
- 47:15
putting them in the heart and like you
- 47:16
like that's how Louis has to do makeup.
- 47:18
>> Yeah. He's ripping a bird beak off and
- 47:20
putting googly eyes on my eyes. He's get
- 47:22
out there. But by the way, he he's
- 47:24
having so much fun. Like he never says
- 47:27
no. He's having so much fun. He films
- 47:29
the whole thing. And it's like we could
- 47:31
have like 45 seconds to get me looking
- 47:33
from Jessica Rabbit into like Miss
- 47:35
Grinch or whatever. And he still has
- 47:37
like one selfie and it's like hilarious.
- 47:40
He like gets off on the thrill of it. He
- 47:42
he like my favorite we did a thing where
- 47:46
it was like it was supposed to look like
- 47:47
me and Michael B. Jordan got stuck on a
- 47:49
roller coaster and it like our it blew
- 47:51
our like hair and mouth open and I was
- 47:53
like I was like can you make it look
- 47:56
like I have a speculum in my mouth like
- 47:59
blowing my mouth out but you don't see
- 48:00
any pla like it just has to look like
- 48:02
it's naturally like that
- 48:04
>> and he doesn't say no
- 48:06
>> right
- 48:07
>> well that's what an emergency room
- 48:09
doctor is like we'll see what we can do.
- 48:11
Yeah. Oh my god. Let the baby die. I
- 48:13
don't think so. And it's the same stakes
- 48:15
for a comedy show.
- 48:16
>> It's the same stakes.
- 48:17
>> It's the same stakes.
- 48:18
>> And that's if there's any takeaway, it's
- 48:20
that what you do is as important as
- 48:22
people that work in the
- 48:22
>> No one banged their pots and pans for
- 48:24
me.
- 48:26
>> Exactly.
- 48:27
>> Um, this is another Metra question. If
- 48:29
you had unlimited funds
- 48:32
>> and you could make any disgusting
- 48:34
creation, what would it be? I don't know
- 48:35
if I want to ask you this question.
- 48:37
>> Yeah. Maybe let's say on SNL. So we have
- 48:39
to say that it passes like you have like
- 48:42
>> cuz cuz there have been
- 48:45
>> that is a this is another reason why I
- 48:48
working outside in
- 48:50
>> I love that taking that and I'm going to
- 48:52
write my book about that. Um so you have
- 48:54
fun with your book. I'm taking outside
- 48:56
in. It's like it it's such it can be
- 49:00
such a hindrance because like me and Dan
- 49:02
Bulla had like this idea for like maybe
- 49:04
a sketch that's like at um like a facial
- 49:07
spa or something and when they take our
- 49:11
sheet masks off it just pulls the whole
- 49:13
front of our face off.
- 49:15
>> And for years I me and Louis have been
- 49:18
like how are we going to do that? Cuz
- 49:20
like when I first started the show I was
- 49:22
in like one sketch every six and a half
- 49:24
months. So like was it? But now it's
- 49:26
like maybe I'll be maybe I'll be playing
- 49:28
Trump right beforehands. Who knows?
- 49:29
James, I'm coming for your breakfast
- 49:31
nachos. You put
- 49:33
>> So it's like if I had unlimited funds,
- 49:36
it would be like I would be able to do
- 49:39
something like that really fast with L.
- 49:41
Like I just want to take my whole face
- 49:43
off.
- 49:44
>> Why do you want to
- 49:45
>> I don't know. It's really weird and it's
- 49:48
not normal.
- 49:49
>> I It is. It like when you say that my
- 49:53
brain pictures it and I'm like
- 49:55
>> Sarah Sarah you just made your life so
- 49:57
much harder.
- 49:58
>> But I know I'm but that is just it also
- 50:01
is like there is a there is such a
- 50:04
incredible performance art artist like
- 50:08
like you have a Cindy Sherman vibe. You
- 50:11
have a like you have a you have a like a
- 50:14
a dance with the grotesque that's super
- 50:17
interesting and it's always like what
- 50:19
level is like gross like what does what
- 50:21
grosses you does anything gross you out
- 50:23
>> the other day
- 50:25
literally I like you know how people
- 50:28
like chew on their like sleeves or like
- 50:31
>> oh yeah like wet
- 50:32
>> wet fabric on my teeth like I got grazed
- 50:35
on on the train on the tooth with my own
- 50:38
sleeve and it like
- 50:40
>> gave you You're chill.
- 50:41
>> I That's like my nails on a chalkboard
- 50:42
is like stuff like that.
- 50:44
>> Okay. But any kind of like your face
- 50:46
peeling off, you're down.
- 50:47
>> All good. All good.
- 50:50
All good.
- 50:51
>> And and then my last question in the SNL
- 50:54
space is cuz we all have them. What does
- 50:55
your SNL stress dreams look like?
- 50:57
>> Oh, I actually wrote a sketch about
- 50:59
this.
- 51:00
>> Okay. Incredible.
- 51:01
>> Um it is Oh my god, I wish I could
- 51:04
remember the sketch cuz it was like, you
- 51:05
know, when you stay up all night, you're
- 51:06
like, I'm getting a Nobel Peace Prize
- 51:09
for what I just wrote. Classic sketch.
- 51:11
>> Classic sketch.
- 51:12
>> They always win the Nobel Peace Prize.
- 51:14
>> I'm like, if I read I read it wrote it
- 51:16
two years ago. I'm sure if I read it
- 51:17
today, I'd be like, "What?"
- 51:19
>> You know what I mean? When you're like,
- 51:20
>> "Yes."
- 51:20
>> My stress dream is always writing night.
- 51:23
>> Okay.
- 51:23
>> And it's always I get to I'm at writing
- 51:27
night and I'm the clock says it's like
- 51:30
midnight or 1:00 in the morning and I
- 51:32
don't have anything yet and I'm going
- 51:33
from room to room with like my tin can
- 51:36
being like, "Will you wait with me?" And
- 51:38
everyone's like, "No, I'm already busy.
- 51:40
I already have my thing for the week."
- 51:41
And I'm going door to door down the
- 51:43
hallway. And the hallway gets longer.
- 51:46
Very, okay, Christopher Nolan, don't
- 51:48
steal this. We're running a little
- 51:49
project.
- 51:52
>> Odyssey 2. Um, the human centipede.
- 51:56
>> Don't temp me with a good time. Maybe
- 51:58
polar. And the hallway just gets longer
- 51:59
and longer, and I'm like, does anyone
- 52:01
want to write with me? And that's like
- 52:02
that's the what I'm the most anxious
- 52:04
about all the time. It's like bombing on
- 52:06
live TV is one thing. Bombing trying to
- 52:09
get someone to write a sketch with you
- 52:10
is a fate worse than death. I have one
- 52:13
more stress dream that was my first
- 52:15
year.
- 52:15
>> Okay,
- 52:16
>> which was there's a prop toilet on the
- 52:19
floor of 8H. This I have this dream two
- 52:21
times. There's a prop toilet on the
- 52:24
floor of 8H.
- 52:25
>> I know it's not hooked up to any pipes.
- 52:28
I know it's a prop and I [ __ ] in it
- 52:30
anyway. And everybody's looking at me
- 52:32
like the last shot and Murder on the
- 52:34
Orient Express. There's like a shot
- 52:35
where they're like all looking down at
- 52:36
this dead body and you see the POV of
- 52:38
the dead body looking back at everyone.
- 52:40
And I see everyone looking at me going,
- 52:42
"The toilet's not hooked on anything.
- 52:44
Why'd you do that?" And I'm going, "I
- 52:46
know. I have no idea what happened." And
- 52:49
my young and dream analyst at the time
- 52:50
said that when you poop in a dream
- 52:54
gross,
- 52:56
it's it's like you're putting work out
- 52:58
there and you're embarrassed.
- 53:00
I worked hard. Yeah. Oh, and also do you
- 53:04
have a Yungian um dream analysis? Do you
- 53:07
do a lot of therapy?
- 53:08
>> I do many times a week.
- 53:10
>> Fun.
- 53:11
>> Doesn't seem to be working.
- 53:13
>> Online or in person?
- 53:15
>> I'm on the
- 53:17
>> You're on the couch.
- 53:19
>> Yep.
- 53:21
I'm lying down on the couch and
- 53:24
>> the whole time.
- 53:25
>> Yep.
- 53:26
>> Whoa.
- 53:26
>> I'm doing like analysis. I'm call I'm
- 53:29
doing analysis.
- 53:30
>> That's old school. Yeah. And um just I
- 53:34
just noticed recently because I don't
- 53:36
look at my therapist and sometimes I'll
- 53:38
be like this.
- 53:39
>> Male or female therapist? Of
- 53:41
>> course it's a man.
- 53:44
IT'S NOT FIXED. IT'S A MAN. It's not
- 53:48
working. A woman would fix it
- 53:52
like this. And I said something and I
- 53:55
heard his laugh behind me and I went
- 53:59
like he was he forgot he was there.
- 54:01
Yeah. And I was like, "Stop."
- 54:04
I don't know why that was. So I
- 54:06
immediately I was like I never looked at
- 54:09
him and I was like oh my
- 54:10
>> get it together.
- 54:12
You're making me think about like my
- 54:14
stress dreams for SNL were less about
- 54:17
like
- 54:18
will you guys, you know, uh like where
- 54:21
where can I uh get in here and write
- 54:24
with people or like oh no my my my the
- 54:27
[ __ ] in my toilet you guys don't like
- 54:28
which is
- 54:29
>> your work your work.
- 54:30
>> Um but mine was disappointing.
- 54:34
>> Mine was about disappointing like
- 54:36
powerful figures. It's a very Gen Xy
- 54:39
stress dream. So mine was
- 54:41
>> always mine was always about
- 54:43
>> uh I would often have it which is I'd
- 54:45
hear Jenna Rosatano as we talked about
- 54:47
the great ad calling me and I would
- 54:49
realize oh my god I'm not on stage like
- 54:52
I I'm missing my my um queue
- 54:56
>> and I had it more than once where I'd be
- 54:57
running down from 9 to 8
- 55:00
>> and I'd pass everybody whose opinion I
- 55:02
cared about it
- 55:03
>> and they look at you
- 55:04
>> and they would go like this
- 55:07
>> like and it was everyone You could
- 55:09
imagine it was people from my past. It
- 55:12
was people working on the show. It was
- 55:14
always of course Lauren and like and
- 55:15
everyone was just like wow like you
- 55:18
really let us down.
- 55:25
>> It's like Amy Polar you ARE LATE FOR HOT
- 55:27
DOG BAR MITZVAH.
- 55:30
WHERE IS YOUR PROSTHETIC BUTT? YOUR
- 55:32
FUNNY WIG.
- 55:36
It's so crazy. What gives us literal
- 55:38
anxiety trauma is like you running to go
- 55:41
do like Mr. Butt in the hot dog hospital
- 55:46
>> and Lauren going you're a disappointment
- 55:49
to your father like wait
- 55:52
I have to go be Captain Crunch the
- 55:54
musical.
- 55:59
>> It's so stupid.
- 56:01
>> So stupid.
- 56:02
>> It's so stupid.
- 56:03
>> Okay. And the last question that that
- 56:06
Mitra wanted me to ask you, she had so
- 56:09
many good ones, was like the and you're
- 56:11
talking, you've talked about it a little
- 56:12
bit, but like the biggest bomb and the
- 56:14
best and the favorite show you've ever
- 56:16
done cuz we talk about you must have
- 56:19
>> bombed big time. And I'm kind of
- 56:20
fascinated about your time opening with
- 56:22
Adam Sandler, who talk about what a like
- 56:25
terrific, lovely person and like nicest
- 56:30
person probably to be around and open
- 56:33
for, but the audience might not have
- 56:35
been that ready for you.
- 56:38
>> He is. So,
- 56:38
>> is that a good way to say it?
- 56:41
>> Thank and thank you. I'll take it away
- 56:43
from here.
- 56:43
>> Okay. Exactly. It is. Okay. Butt sucking
- 56:47
initiation.
- 56:49
a computeren enhanced butt sucking right
- 56:51
now. You and Adam
- 56:54
and there have been other cat like Fred,
- 56:57
>> you guys are so mchy that it's like
- 57:02
I'm thinking of people who have like how
- 57:05
could anyone do SNL without the menches.
- 57:08
Like I have Adam being like, "You're
- 57:09
doing great kid." Like I would have
- 57:12
blown my brains out from here to the
- 57:14
western seabboard if I didn't have him
- 57:16
being like, "You got it, dude."
- 57:17
>> Yeah. He's so every time you see him,
- 57:20
how's your mother? How's your father?
- 57:21
How's Hanukkah? What's going on? I love
- 57:23
you. Mwah. How are you? So menchy and
- 57:26
like opening for him, I have bombed a
- 57:28
lot because people have paid good money
- 57:31
to be there. They have hired
- 57:32
babysitters. They drove all the way from
- 57:34
Hackinack. They are six drinks in. They
- 57:37
are there to see Adam Sandler, not Long
- 57:41
Island Presents, Sarah Sherman, someone
- 57:43
they don't know who's sweating up there.
- 57:44
They have paid good money to see the
- 57:46
wedding singer. Well, honestly, when I
- 57:48
was watching your special, I was
- 57:49
fascinated by the audience because I was
- 57:51
like, this audience. So, your special um
- 57:55
Sarah Squirm live in the flesh.
- 57:57
>> Live and in the flesh. Live plus in the
- 57:59
flesh.
- 58:00
>> Thank you. That was a big That was a big
- 58:02
thing.
- 58:02
>> Live plus in the flesh. Um and I and
- 58:06
first of all, why is it squirm?
- 58:08
>> That was how I like when I was doing
- 58:10
these ba basement shows with the stuff.
- 58:13
It was just like the poster was like,
- 58:15
you know, I wrote written in guts. It
- 58:17
was like a also I was like performing
- 58:19
with bands like piss piss piss moan moan
- 58:21
moan rest in peace Alejandro he has
- 58:22
passed. Um that's a crazy thing to say
- 58:27
>> but like I was like so I was like I
- 58:28
don't want to just be like and Sarah and
- 58:30
then there's Sarah. So like I was kind
- 58:32
of like
- 58:33
>> it was like it was like your punk
- 58:34
persona. It was like it was like x-ray
- 58:37
specs or like Alice Cooper or something
- 58:39
like it's very music. It's very music,
- 58:42
but that's like the show that's like it
- 58:43
was the shows that I was doing cuz I was
- 58:46
like I just, you know, it was it was the
- 58:47
vibe.
- 58:48
>> Yeah.
- 58:48
>> And um
- 58:50
>> did you get pressure to or like did
- 58:52
people say it should be Sarah Sherman?
- 58:54
So then when I got so so like I
- 58:56
auditioned for when I auditioned for SNL
- 58:58
do you know they or no I was doing I was
- 59:01
just performing as Sarah Squirm at the
- 59:02
time and I wasn't really like thinking
- 59:04
about it and then when I got so that
- 59:06
that's on all of my SNL paperwork is
- 59:09
just they found me at a show as Sarah
- 59:11
Squirm. So that's still on my paper.
- 59:13
>> You've never been paid.
- 59:14
>> I've never been paid. I don't work
- 59:15
there.
- 59:16
>> Yeah.
- 59:16
>> My alter ego works there.
- 59:19
Point to another ghost over here. My
- 59:21
alter ego works there. And Lauren, when
- 59:24
I got the job, Lauren called me and was
- 59:26
like, you know, they're like, "Oh,
- 59:27
Sarah, like Lauren's calling you." And I
- 59:29
was like, "Hello." And he's like, "We
- 59:32
think squirm is a little distracting."
- 59:34
And I go, "Say no more. You can have
- 59:38
more."
- 59:38
>> And you know who like that? Your
- 59:40
parents.
- 59:40
>> Yeah. Oh, my mom is still this day. It's
- 59:43
like people will be like, "Hi, I'm Mrs.
- 59:44
Squirm." And she's like, "No, that don't
- 59:47
call me that."
- 59:48
>> Yeah. They want to hear Sherman up
- 59:49
there.
- 59:49
>> They want to hear Sherman. Yeah. And so
- 59:51
it was when I was doing the special like
- 59:52
not you know people don't know me from
- 59:54
standup really cuz I know the ticket
- 59:56
sales show
- 59:58
Pittsburgh
- 1:00:01
they like you know everyone's like it
- 1:00:03
should be like Sarah Sherman live in the
- 1:00:05
flesh but I'm like but that's not the
- 1:00:06
character.
- 1:00:07
>> Yeah I get it and it it really helps set
- 1:00:09
like the table like you said like you
- 1:00:11
set the table really fast. In fact, the
- 1:00:13
table is set.
- 1:00:14
>> It's set
- 1:00:15
>> because
- 1:00:17
that the special starts with something
- 1:00:19
I've never seen in a comedy special,
- 1:00:20
which is like it's like there's like a
- 1:00:22
warning of graphic violence.
- 1:00:24
>> There is.
- 1:00:26
>> It's like there's a warning of graphic
- 1:00:27
like there's so many warnings.
- 1:00:29
>> There is. Yeah.
- 1:00:30
>> And
- 1:00:32
>> you also start with John Waters.
- 1:00:33
>> I know. Which is the ultimate trigger
- 1:00:36
warning.
- 1:00:37
>> Yes. You're you're so right. if he's
- 1:00:39
like put a got to put a stamp on
- 1:00:40
something, you know that like there's
- 1:00:43
going to be so much poop
- 1:00:45
>> talked about for sure. And also just
- 1:00:48
like he's like this I mean he's
- 1:00:53
What does he mean to you? John Waters
- 1:00:54
like
- 1:00:57
>> how did you get him? How do you wrote
- 1:00:59
him a letter? I wrote him a letter that
- 1:01:02
was like I drew like everything what
- 1:01:06
what's so helpful with visual art
- 1:01:09
>> or like all this. It's like you can
- 1:01:11
provide your own trigger warning always.
- 1:01:14
So I wrote a like for the posters for
- 1:01:16
Hell Trap. It's like there's a butthole
- 1:01:18
that's bleeding with an eyeball. Like
- 1:01:20
you know what you're getting into.
- 1:01:21
>> Oh my god.
- 1:01:22
>> Sarah, enough. Enough.
- 1:01:25
>> Okay. So I wrote him a letter and there
- 1:01:27
was like intestines all over it and I
- 1:01:28
was like do you want to like you know
- 1:01:30
there's this do you want to play the
- 1:01:32
stage manager in my stand up special and
- 1:01:34
I was like your scene partner will be
- 1:01:35
this and then I drew a little picture of
- 1:01:37
me as like the bones and guts on the
- 1:01:38
floor and I'm like this is who you're
- 1:01:40
going to be talking to. And then I put
- 1:01:41
my number at the bottom of the letter
- 1:01:43
and I was like if you're interested call
- 1:01:44
me or whatever. And then I was getting
- 1:01:46
into therapy on a particularly
- 1:01:48
devastating read of a day. I had just
- 1:01:51
bought a loaf of sourdough bread and I
- 1:01:53
was literally walking down my block
- 1:01:54
ripping off pieces of bread and eating
- 1:01:56
it like an animal or a raccoon. Good
- 1:01:58
job, Lauren. You knew. Um, and I got a
- 1:02:03
call from an unknown number Baltimore
- 1:02:04
area code. Hey Sarah, it's John Waters.
- 1:02:07
I'll see you on set.
- 1:02:09
>> What?
- 1:02:10
>> Yeah. And I said to my producers, cuz I
- 1:02:13
had written the stage manager character.
- 1:02:14
>> What a cool way to say it. I'll see you
- 1:02:16
on set.
- 1:02:16
>> I was like,
- 1:02:18
>> that's an old school fun way to say it.
- 1:02:20
I see you on set.
- 1:02:21
>> See you on set. And I was like, "Do you
- 1:02:22
want me to Is there anything you want to
- 1:02:23
say?" Like, and he's like, "I'm not
- 1:02:25
writing it. You wrote it. I'm saying
- 1:02:27
what you wrote." And I go, "That's
- 1:02:28
professional."
- 1:02:29
>> Yeah. Yeah.
- 1:02:30
>> He doesn't have punchup. He's like,
- 1:02:31
"I'll be
- 1:02:32
>> I bet he had about like a 2hour door to
- 1:02:34
door, right? Like he was like, "We got a
- 1:02:35
heart out. We got to be out here in an
- 1:02:37
hour and a half."
- 1:02:38
>> He was being hilarious and he was
- 1:02:40
pitching jokes cuz he could he couldn't.
- 1:02:42
And guess what? They made it in.
- 1:02:44
>> Yeah.
- 1:02:45
>> Okay. Do you want some Visine? Cuz my
- 1:02:47
eyeballs out. That was a John Waters
- 1:02:49
original riff. Yeah.
- 1:02:52
It's like I'm the luckiest girl in the
- 1:02:53
world. That crazy thing. I keep going
- 1:02:56
back to SNL, but you're bringing it out
- 1:02:57
of me, girl.
- 1:02:59
>> I If I didn't have SNL, I would be a
- 1:03:03
random crazy person.
- 1:03:04
>> But I want to say something. I don't
- 1:03:06
find you crazy. I don't think you're
- 1:03:09
crazy. That's why you're interesting.
- 1:03:12
Because if you were truly detached in
- 1:03:15
like in a way not to name names but like
- 1:03:17
other sometimes like performers who are
- 1:03:20
kind of in your millia or vibe are then
- 1:03:23
it's hard
- 1:03:25
then it's kind of hard to attach.
- 1:03:27
>> Sure.
- 1:03:28
>> It is hard like it's like okay they're
- 1:03:30
in their own like creative world but
- 1:03:32
like I don't know we're just going to
- 1:03:33
kind of watch it from afar but you you
- 1:03:35
aren't.
- 1:03:36
>> So it's that's very interesting because
- 1:03:38
you're command of what you're doing in a
- 1:03:40
way that's
- 1:03:40
>> right. There is some but I'm like
- 1:03:42
without SNL would I have been able to do
- 1:03:44
this crazy comedy special where there's
- 1:03:46
like a clay butt that farts out a ghost
- 1:03:49
would John Waters have agreed like I
- 1:03:51
don't know probably not thank god
- 1:03:54
>> and for people that have listened all
- 1:03:55
the way to the end I mean there is a
- 1:03:57
clay butt that
- 1:03:58
>> happens right in the beginning if you
- 1:03:59
don't like it turn it off
- 1:04:01
>> turn it off
- 1:04:02
>> um speaking of comedy as we end what are
- 1:04:05
you who are you listening to laughing
- 1:04:07
because you know you do comedy all day
- 1:04:08
for a job who what Do you watch
- 1:04:12
>> Yes.
- 1:04:13
>> to laugh? Like what is your check out?
- 1:04:15
Like is it a video? Is it a Are you
- 1:04:18
watching old movies? Are you like what
- 1:04:20
what's making you laugh?
- 1:04:21
>> Most recently, always Real Housewives.
- 1:04:25
>> The The last question um Me had for you
- 1:04:27
is, are you enjoying Real Housewives
- 1:04:29
Rhode Island?
- 1:04:31
Listeners, Sarah's just like
- 1:04:33
>> she's just she's a ghast at the obvious
- 1:04:36
yes.
- 1:04:37
>> Did you grow up watching soaps? Yeah, I
- 1:04:40
watched General Hospital, which was
- 1:04:43
>> my favorite show of all time.
- 1:04:45
>> Weren't you on a soap?
- 1:04:47
>> I begged to be on General Hospital so I
- 1:04:49
could bring my mom and we met Sunonny
- 1:04:51
Krenth those and stopped for days.
- 1:04:53
>> Yeah.
- 1:04:53
>> Okay. I just talked to Paula Pel who
- 1:04:55
also loves soaps and has not been on one
- 1:04:57
and I feel like Paul should definitely
- 1:04:58
be
- 1:05:00
>> Oh yes. I think they were like, "Are you
- 1:05:02
kidding?" And I was like, "Uh, no.
- 1:05:04
>> No. Who did you play on the soap?"
- 1:05:06
>> A woman.
- 1:05:10
A Russian uh
- 1:05:11
>> Yeah, the Russians aren't.
- 1:05:12
>> The Russians areno.
- 1:05:13
>> Yep.
- 1:05:14
>> Um I w I love talking about what makes
- 1:05:16
me laugh. I was watching home movies the
- 1:05:18
other day.
- 1:05:19
>> Hysterical laughing like
- 1:05:22
of your family.
- 1:05:24
>> No, I wish actually that would be nicer.
- 1:05:26
The cartoon.
- 1:05:27
>> Oh, home movies.
- 1:05:29
>> Oh, home. Okay. I don't know home
- 1:05:31
movies.
- 1:05:31
>> It's [ __ ] funny and it's very crude
- 1:05:34
animation.
- 1:05:36
>> My kids love it. I have. Yeah,
- 1:05:37
>> it's so funny. Dying laughing.
- 1:05:41
>> Oh, we've got our We've got some friends
- 1:05:42
in there like um Han Benjamin. Okay, got
- 1:05:46
it. So, it's
- 1:05:47
>> laughing.
- 1:05:48
>> And it's animated to come created by
- 1:05:51
Brendan Small and Laura Bashard who made
- 1:05:53
Bob's Burgers. Got it. Got it. Got it
- 1:05:55
home.
- 1:05:56
>> Laughing.
- 1:05:56
>> So, are you a big animation girl?
- 1:05:58
>> No,
- 1:05:59
>> you're not.
- 1:06:00
>> No.
- 1:06:00
>> Cuz I bet people are like you're like
- 1:06:02
animation. Um, like you look like a
- 1:06:04
cartoon, you [ __ ] bugeyed [ __ ]
- 1:06:06
Jesus.
- 1:06:10
Sarah, apologize.
- 1:06:12
>> Sarah, you said that to yourself.
- 1:06:13
>> I know. Apologize to my friend Sarah.
- 1:06:16
Bad.
- 1:06:17
>> I patted myself.
- 1:06:18
>> But you're not a But you're not a
- 1:06:20
cartoon person.
- 1:06:21
>> No, I cuz they like they can't emote or
- 1:06:24
anything. Like I love Red and Stimpy.
- 1:06:26
I'm not like laughing out loud. Yes. So
- 1:06:28
I don't know why they're getting in my
- 1:06:30
ass.
- 1:06:31
>> Yeah, that's good. get in my ass. And
- 1:06:33
then
- 1:06:33
>> that's really funny.
- 1:06:34
>> I just did. Do you know Hollywood
- 1:06:36
Handbook the podcast?
- 1:06:37
>> I love Hollywood Handbook.
- 1:06:38
>> I was
- 1:06:39
>> Okay, I shout out to Hollywood Handbook.
- 1:06:42
Those guys are hysterical. I saw them
- 1:06:44
recently in a restaurant and asked if I
- 1:06:46
could be on their pod.
- 1:06:47
>> And I watched you and they were like,
- 1:06:49
"No." They were like, "We're booked."
- 1:06:52
And also I watched you on Hollywood
- 1:06:54
Handbook and that bit went on forever.
- 1:06:56
>> So it was 45 minutes.
- 1:06:58
>> Yeah. It's just one long bit. just one
- 1:07:00
long fat joke
- 1:07:02
>> and it
- 1:07:03
>> sorry
- 1:07:04
>> it was so I love a bit that goes on that
- 1:07:07
long.
- 1:07:07
>> I love it. And they were like acting
- 1:07:09
like they hated it. I love it. They say
- 1:07:11
like Sean won't say one word. I can't
- 1:07:14
like I was laughing like a baby last
- 1:07:17
like I was going like
- 1:07:20
sweat laughing so hard sweating through
- 1:07:22
my pants. Sweating through my hat and my
- 1:07:25
pants.
- 1:07:25
>> I know. I I think there's some delight
- 1:07:28
and it's kind of it's I'm going to I'm
- 1:07:30
going to I'm going to bring us back.
- 1:07:32
>> There is some kind of delight that you
- 1:07:34
have that I share
- 1:07:37
>> which is if you get to be around like
- 1:07:40
likeminded and safe people and you guys
- 1:07:42
are like playing like and going like
- 1:07:45
just on the corner and edges of things
- 1:07:47
but it's with people that are like not
- 1:07:49
just like nice people that you like
- 1:07:51
basically. There's no greater joy
- 1:07:54
because it feels like you're actually
- 1:07:55
like I guess I imagine it would be like
- 1:07:59
entering dangerous terrain with people
- 1:08:01
who are really skilled that will take
- 1:08:02
care of you. That's the closest I mean
- 1:08:04
we're not athletes.
- 1:08:05
>> My body is relaxed
- 1:08:08
>> that the
- 1:08:09
>> I love that too. I love I love a family
- 1:08:11
that teases each other.
- 1:08:13
>> I that to me is a sign of intimacy
- 1:08:16
>> and it's a sign of safety if you're with
- 1:08:18
it obviously has to be the right people
- 1:08:20
the right way. Like when that happens,
- 1:08:22
it feels like like a special kind of
- 1:08:24
magic.
- 1:08:24
>> Yeah. And like Yeah. We making fat
- 1:08:27
jokes. Is that amazing? No. But it's sa
- 1:08:29
it's safe. You can like be a little
- 1:08:31
scary when it's like safe.
- 1:08:33
>> Yes.
- 1:08:35
>> You're so right.
- 1:08:36
>> Well, congratulations on being a vet.
- 1:08:41
>> Was that an abrupt goodbye? What should
- 1:08:43
we do? I'm going to put my shoe back on.
- 1:08:45
>> Oh. Oh, I forgot.
- 1:08:47
>> Can you believe that? that I've had my
- 1:08:49
shoes off the entire time.
- 1:08:50
>> Did How did it feel? Did you feel
- 1:08:52
grounded?
- 1:08:52
>> It didn't feel bad. I don't mind it.
- 1:08:55
>> It didn't feel I didn't Yeah, I know
- 1:08:57
what you mean. Like, was I grounding
- 1:08:58
during that time?
- 1:08:59
>> Like, did you or were the whole time you
- 1:09:01
were talking to me, were you like
- 1:09:02
>> Are you a shoes off person in your
- 1:09:04
house? Did people have to take their
- 1:09:05
shoes off?
- 1:09:05
>> I like my shoes on and I like
- 1:09:07
Frankenstein boots all day.
- 1:09:10
>> Yeah.
- 1:09:10
>> I'm not even wearing them right now. So,
- 1:09:12
you think I'm a [ __ ] liar. I'm
- 1:09:13
wearing little cuties, though. But let's
- 1:09:15
not show them for free. Let's not show
- 1:09:17
them for free.
- 1:09:17
>> Oh, man. No, no, you got to pay for
- 1:09:19
that.
- 1:09:19
>> Yeah, that's correct. A lot. Cuz we're
- 1:09:22
on TV. So,
- 1:09:23
>> and AI is going to take everybody's job.
- 1:09:25
So, we're going to The only thing robots
- 1:09:26
don't have human feet.
- 1:09:28
>> And when they show them, they have an
- 1:09:30
extra toe. And that's kind of
- 1:09:32
interesting.
- 1:09:32
>> And if you were listening at the very
- 1:09:34
beginning, Sarah has a weird condition
- 1:09:36
where her big toe is just a sack of
- 1:09:37
bones. So, if that's your kink,
- 1:09:40
>> then you got to go to her toe channel,
- 1:09:42
>> right? And if you are only listening to
- 1:09:46
the end of this podcast, weird. Why
- 1:09:47
didn't you listen to the beginning? Did
- 1:09:48
you just like scrub through?
- 1:09:50
>> And if that's your kink, then we're not
- 1:09:52
kink shaming you. But you might want to
- 1:09:54
think about listening a podcast entire
- 1:09:55
way through because it also might be
- 1:09:56
satisfying,
- 1:09:57
>> right? Or I like to kink shame. I think
- 1:09:59
it's weird when people like stuff that's
- 1:10:00
weird.
- 1:10:04
>> Sarah, thank you for doing this. Thank
- 1:10:06
you for having me.
- 1:10:07
>> Thank you for coming.
- 1:10:11
>> Thank you so much, Sarah Squirm. Sarah
- 1:10:14
Sherman. Um it was so fun to um talk to
- 1:10:19
you and you're so fast and funny and um
- 1:10:22
yeah, what a delight. And um you know,
- 1:10:26
Sarah and I talked about a lot of people
- 1:10:28
that we've had the pleasure to work
- 1:10:29
with, but I just want to give a little
- 1:10:31
shout out again to a woman in my life
- 1:10:34
who really shaped my career, and I know
- 1:10:36
a lot of people in Chicago could say the
- 1:10:38
same, and that is Shaa Halpern. Chara um
- 1:10:42
was the uh creator and the uh person who
- 1:10:46
started a theater uh called IO in
- 1:10:49
Chicago with Dell Close. Um and um Chara
- 1:10:53
was just one of those people that if she
- 1:10:56
saw something in you, she put you in
- 1:10:58
front of important people and she put
- 1:10:59
you on stage and uh in my case she
- 1:11:01
changed my life. So thank you Shaa for
- 1:11:04
helping me meet most of the people who I
- 1:11:06
still work with today. And um for those
- 1:11:10
of you that um are in Chicago, go see
- 1:11:12
improv and go see it in any city,
- 1:11:15
support it today and every day and
- 1:11:18
support the arts. Okay, thanks. Bye.
- 1:11:22
You've been listening to Good Hang. The
- 1:11:24
executive producers for this show are
- 1:11:25
Bill Simmons, Jenna Weiss Berman, and
- 1:11:27
me, Amy Polar. The show is produced by
- 1:11:30
The Ringer and Paperkite. For The
- 1:11:31
Ringer, production by Jack Wilson, Cat
- 1:11:33
Spalain, Kaia McMullen, and Aia Xenerys.
- 1:11:36
for Paperkite. Production by Sam Green,
- 1:11:39
Joel Levelvel, and Jenna Weiss Berman.
- 1:11:41
Original music by Amy Miles.
- 1:11:44
>> Want a really good