Transcript: Marcello Hernández on Good Hang with Amy Poehler
Full Transcript
Click any timestamp to jump to that moment in the video.- 0:05
Hello everyone. Welcome to another
- 0:06
episode of Good Hang. Very excited about
- 0:08
our guest today. It is Marcelo
- 0:10
Hernandez. You know Marcelo from SNL. He
- 0:13
is a great standup. He's a real charm
- 0:15
machine. And we love Marcelo. We have so
- 0:18
much fun in this interview. We're going
- 0:19
to we're going to talk about so many
- 0:20
things today. We're going to talk about
- 0:22
soccer. We're going to talk about summer
- 0:23
school. We're going to talk about uh the
- 0:27
fact that his mom decides who cuts his
- 0:28
hair. We're gonna talk about um he's bad
- 0:31
at texting and he's gonna try to
- 0:34
constantly and consistently compliment
- 0:36
me through this thing and I'm gonna
- 0:37
really really fight back. So, um we're
- 0:39
going to have a good time today. But
- 0:41
before we talk to Marcelo, we always
- 0:43
find somebody who knows our guest, who
- 0:45
wants to speak well behind our guests
- 0:47
back and and give me a question to ask
- 0:49
them. And we are back with our friend
- 0:51
Sarah Sherman. Sarah, a fellow cast
- 0:54
member with Marcelo at SNL and a real
- 0:57
Peach. and [clears throat] we're going
- 0:58
to get her on Zoom and see um see what
- 1:02
she thinks I should ask him. Look. Wow,
- 1:05
some interesting Photoshop.
- 1:12
[music]
- 1:14
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- 1:16
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What do you say?
- 1:53
All I ever wanted was a really good
- 1:55
[music and singing]
- 1:59
[laughter]
- 2:02
wow. For people that are listening and
- 2:04
not watching, Sarah just popped up on
- 2:06
her Zoom with a Marcelo screen saver.
- 2:09
She's in between two gorgeous pictures
- 2:11
of him.
- 2:12
>> Sup lady, we buy you a drink.
- 2:17
>> Look at that punum. as as one would say.
- 2:20
>> Isn't he so cute?
- 2:21
>> He really does have a real puppy
- 2:23
quality.
- 2:24
>> Do we have the same hair, by the way? He
- 2:26
would, by the way, kill himself if
- 2:28
[laughter] I said that.
- 2:29
>> Sarah, you know that I like to
- 2:32
compliment you and you like to deflect.
- 2:35
>> I want it. I want it today. That's what
- 2:37
I want.
- 2:38
>> You have great hair.
- 2:40
>> Thank you. [laughter] Thank you. I do go
- 2:43
into getting a haircut and I say, "Do
- 2:46
your worst.
- 2:47
>> [laughter]
- 2:48
>> So, I'm glad it comes out good.
- 2:51
[gasps]
- 2:52
>> Sherman, it is really good to see you.
- 2:54
And
- 2:54
>> I miss you guys.
- 2:57
>> We We [laughter] miss you. We our time
- 3:00
together on the pod was so fun. We still
- 3:03
talk about it, but Marcelo is probably
- 3:06
the the um cast member I feel like I
- 3:09
kind of know the least about. And um
- 3:14
tell me when you when you guys first
- 3:17
met. How how you were already at the
- 3:20
show.
- 3:20
>> I met him on the show. This [ __ ] brat
- 3:24
shows up. He is going to be so [ __ ]
- 3:27
mad that you guys got me for this. He's
- 3:29
going to be like could have gotten Kevin
- 3:31
Hart, Sebastian Moscalo, Adam Sandler,
- 3:34
and you got [ __ ] Sarah. Our
- 3:36
[laughter]
- 3:36
relationship started cuz I'd be up all
- 3:38
night on writing night like riding like
- 3:41
a maniac and he would be like, "Chill,
- 3:44
dude. Relax. You're good, man." Cuz I
- 3:47
feel like I'm a very I'm like a homework
- 3:49
girl.
- 3:50
>> Yeah.
- 3:50
>> And you know, having someone reflect
- 3:53
that back. Having like a fun guy.
- 3:55
>> Yeah.
- 3:56
>> With like major puppy dog energy being
- 3:58
like, "You can relax. You can take it
- 4:01
easy sis."
- 4:02
>> It's funny that you say that. That is
- 4:04
like when I was thinking about what I
- 4:05
want to talk to him about. Like he
- 4:07
definitely always looks like he's having
- 4:09
fun. It's very like little little
- 4:11
brother energy. Like you guys, let's not
- 4:13
forget that this is fun.
- 4:15
>> I would die without him there. He is.
- 4:17
He's always having fun. Like writing
- 4:19
night at 3:00 a.m. He's him and Cam
- 4:22
Patterson will be like doing like back
- 4:24
flips. They'll put like all the chairs
- 4:27
in on 17 together in like a big tower on
- 4:31
top of like the writing table and like
- 4:33
do like back flips over them. But he's
- 4:35
really um he's very menchy. Like he's
- 4:38
very, you know, like he's he's really
- 4:40
tight with his mom, you know? You know,
- 4:42
he's like such a good guy because of how
- 4:43
like well he takes care of his like
- 4:44
family and like, you know, uh the little
- 4:49
brother energy is like cuz he cares.
- 4:51
Like he'll call me like on a Wednesday
- 4:54
at 8:00 p.m. like during a hiatus when
- 4:56
we're like, you know, I'm not I'm like
- 4:59
lying on my couch like rotting and he'll
- 5:02
be like, "All right, bro. What What
- 5:04
clubs are you doing tonight? Like you
- 5:05
getting up there? What are you doing?
- 5:07
Come on." And like I'm lying down
- 5:09
watching X Files. And he's like, "Let's
- 5:12
hit the cellar. What? Put your avails
- 5:14
in. Do do some shows." like he's like
- 5:17
weirdly like encouraging and he like
- 5:19
he'll like telepathically feel if I'm
- 5:22
like feeling kind of like shitty and
- 5:25
like activate.
- 5:26
>> Do standups do that for each other where
- 5:28
they kind of like encourage each other
- 5:29
to keep getting up and trying new stuff.
- 5:32
>> Marcelo does. I feel like most standups
- 5:34
are such [ __ ] blood suckers that they
- 5:36
like hope nobody else is getting up.
- 5:38
>> Totally.
- 5:38
>> So they can hog all the stage time. I
- 5:41
want to talk to him about the fact like
- 5:42
he was a really good soccer player like
- 5:45
really cares about sports like has a
- 5:47
good connection with a lot of like is
- 5:48
hosting the Aspies all this stuff like
- 5:50
is a is like a jock.
- 5:52
>> He's a jock be in a way where um I think
- 5:57
I can't believe I'm going to be
- 5:58
complimenting him so much. [laughter]
- 6:01
I'll get you. He um he's a it's really
- 6:05
great at SNL because he is like kind of
- 6:07
like a team player in like a real way.
- 6:09
like he's really good at like involving
- 6:11
people in bits and like and sketches and
- 6:14
like he you know he gets everyone's
- 6:17
voice really well and he's really good
- 6:18
at including other people in his bits
- 6:21
and in a way that's extremely generous
- 6:23
in a very team player way even though he
- 6:25
is a standup and because he is a jock
- 6:28
he's really athletic and his like
- 6:30
physicality like
- 6:32
is unbelievable
- 6:34
he did he did a Sebastian Maniscalo
- 6:38
sketch where
- 6:39
Sebastian is like a lawyer. He does like
- 6:41
a backflip in it. [laughter] He does
- 6:44
like a back handspring like a Russian
- 6:46
teenage gymnast. [laughter]
- 6:48
He's He did a back flip in like a Jack
- 6:50
Black sketch, too. He's like He's
- 6:53
physically unbelievable and like light
- 6:56
on his feet and like doing back flips,
- 6:58
you know?
- 6:59
>> So many back flips.
- 7:01
>> I can't explain it. Like that's what he
- 7:04
does. He is like a newborn puppy who
- 7:07
just like popped out of the womb, did a
- 7:09
backflip, but then like, you know, he'll
- 7:11
come to my office at like 10 p.m. He's
- 7:13
like, "I'm wearing Thai food. You want
- 7:15
anything?" And I joked like, "Yeah, give
- 7:18
me a Beats pill." And he got me one.
- 7:21
>> What's a Beats pill?
- 7:22
>> A little speaker. [laughter]
- 7:26
He's just like he's he's just generous
- 7:29
like that.
- 7:31
>> [laughter]
- 7:31
>> It was like four minutes ago he was
- 7:32
giving me a wedgie and now I have like a
- 7:35
$300 speaker in my office [laughter]
- 7:37
when I was kidding by the way.
- 7:40
>> Okay. What um what question do you think
- 7:42
I should ask Marcelo today?
- 7:44
>> I have like three questions.
- 7:45
>> Okay, great.
- 7:46
>> Okay. One, what's your [ __ ] deal,
- 7:48
dude? Two. Oh, are you going to stay not
- 7:52
answering my text?
- 7:54
>> Look at your phone, Marcelo. Um
- 7:57
>> I have experience with that. Marcelo is
- 8:00
really bad at texting
- 8:02
>> cuz he's well I have his location on so
- 8:04
I'll be like why isn't he [ __ ]
- 8:06
texting me back and then I'll look at
- 8:07
his location and he's doing like a
- 8:10
children's fundraiser in Costa Rica
- 8:12
[laughter] and I'm like
- 8:13
>> okay
- 8:14
>> respect
- 8:14
>> respect
- 8:15
>> respect um and I always know where he is
- 8:18
at all times so he can never betray me.
- 8:20
Um my my question is he is he's a very
- 8:24
um inherently social person and gets
- 8:26
like um he gets very energized by other
- 8:29
people. He's all like he literally kind
- 8:31
of like can't be alone for more than 5
- 8:33
seconds which is why he's so fun. Um but
- 8:36
legit he's an amazing joke writer and
- 8:40
he's extremely productive and prolific.
- 8:43
Like he just put out an hour of standup.
- 8:45
He already has another. He's constantly
- 8:47
touring and I just like don't understand
- 8:51
when and where he has the time to do
- 8:53
that.
- 8:54
>> Mhm.
- 8:55
>> So, I'm like, it's kind of a bad
- 8:56
question, but I'm like I literally want
- 8:59
to know when and how is he writing jokes
- 9:02
cuz also he might I have a feeling cuz
- 9:04
I've asked him this before
- 9:06
>> and I think he was just like shut up,
- 9:08
you know, whatever. But it is like a
- 9:11
serious question because I have a
- 9:12
feeling he writes a lot on stage because
- 9:14
he's so like physical and like gets
- 9:16
really energized by an audience, but his
- 9:18
jokes are actually good and well
- 9:20
written.
- 9:20
>> You're making a good point, right? Which
- 9:22
is that sometimes when someone's not
- 9:24
always, but like when someone's doing
- 9:25
physical stuff, it's like a vibe and if
- 9:28
you read it on a page, it wouldn't
- 9:30
really feel like a like a crafted joke.
- 9:32
But you're saying he can do both. He has
- 9:34
legit well-written jokes, you know, and
- 9:37
he always kind of makes this joke like
- 9:39
at SNL, you know, he's like, you know,
- 9:42
me like, you know, I'm like a bad sketch
- 9:44
writer or whatever cuz [clears throat]
- 9:46
you know, you just get into like a way
- 9:48
at SNL where you're like, you've decided
- 9:50
you've called yourself something.
- 9:51
>> Totally.
- 9:52
>> Like, you know,
- 9:53
>> totally
- 9:54
>> when you did therapy on me like crazy
- 9:55
when I was like, I'm not a good actor or
- 9:57
performer, you know, whatever. But he'll
- 10:00
be like, you know, like I can't write
- 10:01
it. But it's like then when he actually
- 10:03
puts his fingers on a keyboard and
- 10:06
writes it's hilar like he is a really
- 10:08
good writer and all of his standup it's
- 10:10
like really tight good he has set up
- 10:14
punchline jokes. So in my head I'm like,
- 10:16
so he's writing it down, but I'm like,
- 10:19
when? Where?
- 10:21
>> I love this question because it it it I
- 10:24
think that there's a underneath it
- 10:27
there's just this idea of like figuring
- 10:29
out what we're like allowed to say about
- 10:32
ourselves. Like what do we actually what
- 10:35
would we dare to say we're good at?
- 10:37
Basically,
- 10:38
>> right?
- 10:40
>> That's good. Yeah. Come to think of it,
- 10:42
I did ask a good question, didn't
- 10:43
[laughter] I?
- 10:46
Now the the the Gen Xer in me wants to
- 10:49
know how did you get his face in the
- 10:51
Zoom screen and how do you do that?
- 10:53
>> Listen, I'm I'm a professional and I'm
- 10:54
also a magician as well. So magician
- 10:57
never reveals the secrets that she does
- 10:59
really well.
- 11:00
>> Sheremy, I I love talking to you. I wish
- 11:03
we could do it every week. It's so fun.
- 11:06
Thanks for doing this. I think he's
- 11:07
going to be so happy.
- 11:09
>> Are you guys seeing him now? Yeah, he's
- 11:11
coming in in like um he'll be here in
- 11:13
like a half an hour.
- 11:14
>> Don't up yours. [laughter]
- 11:16
>> Thank you so much for doing it. Okay,
- 11:19
love you too. Talk to you soon. Bye
- 11:21
>> bye.
- 11:25
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>> Wow. Marcelo is here and he has a
- 12:55
gorgeous
- 12:57
[laughter]
- 12:58
>> Do you have um
- 12:59
>> gorgeous flowers?
- 13:01
>> You have like a a huge [laughter] vase.
- 13:04
>> Marcel,
- 13:04
>> I can maybe put it in here.
- 13:08
These are for you. [laughter]
- 13:11
They remind me of you.
- 13:13
>> Sunflowers.
- 13:14
>> Yeah, you brighten so many people's
- 13:16
life.
- 13:17
>> Wow.
- 13:18
>> And um I think I um it's the least I can
- 13:21
do.
- 13:21
>> Well, let's get started. Why is Marcela
- 13:23
bringing me flowers? Why do you feel the
- 13:25
need to bring me such Thank you for
- 13:28
these flowers?
- 13:28
>> Of course. Of course. I'm sensing the
- 13:30
weird energy. [laughter]
- 13:32
>> Like you're not so happy about the
- 13:35
flowers or
- 13:36
>> so happy. But I feel
- 13:37
>> Put them on the floor. [laughter]
- 13:40
>> I feel like this is some kind of Mia
- 13:41
culpa. What's happening?
- 13:43
>> No. No. Mia Mia Mia happy. Mia
- 13:46
[laughter]
- 13:47
Mia grateful to be here with you. Um and
- 13:51
and so many people they give people's
- 13:53
they give people their flowers. You know
- 13:54
what I mean? Like
- 13:55
>> you're giving you literally
- 13:58
>> they're beautiful. You came in very shy.
- 14:01
>> I know. [laughter] Dude, it's so good to
- 14:03
see you. And yes, I do have a miaaka if
- 14:07
people are wondering.
- 14:08
>> Do you?
- 14:08
>> I do with you. Yes. What is it?
- 14:10
>> Cuz you texted me and I didn't answer.
- 14:12
[laughter]
- 14:13
I took too long.
- 14:14
>> What did I text you about?
- 14:16
>> I don't even want to think about it.
- 14:18
>> It's a big mistake. It's one of my
- 14:19
largest regrets.
- 14:20
>> No, I'm getting to know you and what I'm
- 14:23
realizing is that
- 14:24
>> you're not a great text. No,
- 14:26
>> that's okay.
- 14:27
>> No, but I I'm working. Yeah,
- 14:29
>> I'm doing the work and um I'm big on a
- 14:32
>> Wait, did you just fly?
- 14:34
>> Not a fly. No, [laughter] I did not kill
- 14:36
an animal. It was a It was a flurry.
- 14:39
Something
- 14:39
>> like a fuzzy.
- 14:40
>> Yeah, fuzzy. Yes. Um but um No, it's
- 14:45
it's um I It's so bad. And um
- 14:48
>> does it bother you to be a bad texter?
- 14:51
Do you actually care?
- 14:52
>> I care a lot. You do?
- 14:53
>> Especially when like especially when
- 14:55
it's somebody like you that I'm like, I
- 14:57
can't believe I you texted me. Like I I
- 15:01
remember I think about it often of like
- 15:03
you worked your whole life [laughter]
- 15:06
to get to a place where and Amy Polar
- 15:09
could or would text you and then you
- 15:13
have the balls.
- 15:14
>> Ghosted. ghosted
- 15:15
>> the the the gonads to go sorry I didn't
- 15:19
see who are you a friend from college
- 15:21
[laughter] sorry I didn't see this in
- 15:24
your
- 15:24
>> response months LATER WAS LIKE OH
- 15:26
[screaming]
- 15:27
I WAS SO [laughter] tired it was
- 15:30
something like it was something like I
- 15:32
haven't had any sleep
- 15:33
>> I haven't
- 15:34
>> I know it's tough I apologize and I got
- 15:38
here on time
- 15:39
>> I really bike
- 15:41
>> Wait you rode here
- 15:42
>> I rode here on a bike it saved me 9
- 15:44
minutes on the commute.
- 15:45
>> And people should know it's very hot out
- 15:47
today.
- 15:48
>> With the flowers, [laughter]
- 15:50
one hand, I risked my life. That's a
- 15:52
lie. But
- 15:54
>> wow, thank you for that.
- 15:55
>> I sent them in a car. I didn't want to
- 15:56
get them in trouble.
- 15:57
>> Flowers.
- 15:58
>> Yeah. Shout out to my assistant, buddy.
- 16:00
>> You made your assistant. She was in the
- 16:02
car. Assistant ride a bike.
- 16:03
>> She's in No, she's in the car.
- 16:05
[laughter] She's in the car with the
- 16:08
flowers.
- 16:08
>> When you're riding a bike in New York
- 16:09
City, do you have people be like, "Hey."
- 16:12
They recognize you.
- 16:12
>> I like that. That's my favorite type of
- 16:14
interaction. [laughter] Hey. Hey,
- 16:18
>> Marcelo. Yes,
- 16:20
>> you can ride away.
- 16:21
>> Yeah,
- 16:22
>> Marcelo, there's so many good things
- 16:23
happening for you. First of all,
- 16:25
congratulations on being like almost a a
- 16:27
vet at SN. Like
- 16:29
>> I know
- 16:29
>> like you now you know like you're in
- 16:31
that sweet spot.
- 16:32
>> Oh god.
- 16:33
>> Right. Where you know how it works.
- 16:35
>> Like you you're not terrified anymore.
- 16:38
There's people that are newer than you.
- 16:40
Like it's a nice nice place to be in.
- 16:42
>> Yeah. It's also Yeah. I'm not so
- 16:44
confused anymore. I know the schedules
- 16:46
and stuff.
- 16:47
>> Yeah.
- 16:48
>> A weird place to work and it has its own
- 16:50
set of rules and like now you kind of
- 16:52
know it and like people know you and
- 16:53
they're like
- 16:54
>> this is so surreal to be talking to you
- 16:55
like this. It is crazy. You have to
- 16:57
understand it.
- 16:58
>> I know that for you. You're like I'm
- 17:00
just Amy, but you're not.
- 17:01
>> Well, you
- 17:02
>> you are a you are a force of nature,
- 17:04
dude. I was watching all of your uh
- 17:07
every award show that Amy, Dude, you are
- 17:09
you you you're so funny. You had a guy
- 17:12
massaging you. You had then you kissed
- 17:14
him. Uh [laughter]
- 17:15
>> that guy was Bono.
- 17:16
>> Yeah, Bono. Bono's massaging her and
- 17:18
kissing. I'm very Hispanic. And then um
- 17:21
you [laughter] you you had the thing
- 17:23
with George Clooney where you're like
- 17:24
flirting with him. Oh man, [laughter] so
- 17:27
freaking good. The hoodie, the great one
- 17:30
of the great gifs.
- 17:32
>> Oh my god. Is that how we say? Cuz I
- 17:34
never know.
- 17:34
>> GIF. GIF. Doesn't matter.
- 17:35
>> Great. Okay. Well, this leads me into my
- 17:37
first question.
- 17:37
>> Okay, great.
- 17:38
>> Because what I got from your special so
- 17:40
funny.
- 17:42
>> You crammed it yesterday.
- 17:43
>> I crammed it.
- 17:44
>> Loved it.
- 17:45
>> Thank you.
- 17:45
>> You are like a product of like a
- 17:48
matriarchy. You have grown up around
- 17:50
women's sisters. Your mother's a huge
- 17:53
part of your life and your comedy.
- 17:55
>> Oh, yeah. I don't know what it is. I
- 17:56
think it's um the um the hang with the
- 18:00
boys is so funny. I laugh so much with
- 18:02
my boys, but like a hang with women is
- 18:06
just so um it's funny, but it's also
- 18:09
like mentally challenging.
- 18:12
>> Well, yeah. I mean, emotional. You're
- 18:14
learning about yourself.
- 18:16
>> I have a lot of lesbian friends, too,
- 18:18
that I that I really connect with.
- 18:20
>> Yes. They like like
- 18:21
>> cuz I'm a lesbian in many ways.
- 18:23
>> Say more. What do you
- 18:23
>> You know what I mean? Cuz I grew up
- 18:24
around women so I'm kind of a woman in
- 18:26
some ways. I get jealous. I get petty.
- 18:28
[laughter]
- 18:28
>> I do. I get jealous and petty.
- 18:30
>> Yeah. Yeah,
- 18:30
>> my girlfriend has to deal with that. I
- 18:32
do. I get weird. I go, I didn't like
- 18:35
that. [laughter]
- 18:36
I say that sometimes. I go, I didn't
- 18:38
like that. I go, when you did that, I
- 18:41
didn't like that.
- 18:42
>> Oh, I love that.
- 18:42
>> And it made me feel bad. [laughter]
- 18:45
And I hope that
- 18:46
>> in the future
- 18:47
>> in the future when you were in a
- 18:50
situation where you could do something
- 18:51
like that, that you'll act differently
- 18:53
for my sake. I talk like that.
- 18:55
>> That's really good communicating. By the
- 18:56
way,
- 18:57
>> my mom has really trained me.
- 18:58
>> Have you ever been to therapy? Um, a
- 19:00
little bit. I' I've experimented.
- 19:03
>> Okay.
- 19:03
>> Sports psychology. I like
- 19:05
>> Oh, yeah. I want to talk about that
- 19:06
because you are a big You're a jock.
- 19:08
>> I'm a jock. Yeah.
- 19:09
>> And you know, I can tell from the way
- 19:12
that you like you love a team.
- 19:14
>> Oh, yeah.
- 19:15
>> And like that is the thing I have to say
- 19:17
like when in in figuring out like what
- 19:18
to talk to you about today, like I when
- 19:21
I was around you and got to be at SNL
- 19:23
when you were there, you can tell right
- 19:25
away the people that like to have fun.
- 19:28
And I know that sounds so stupid and
- 19:29
simple, but it's easily forgotten
- 19:32
>> at any job because like, okay, I got the
- 19:35
job now. Like, and then all you think
- 19:36
about is like losing the job or the job
- 19:38
sucks or the job's hard or whatever. You
- 19:39
forget the fun part cuz And there's
- 19:42
something about you that really radiates
- 19:44
a lot of fun. Oh, yeah.
- 19:45
>> And you love being part of a team. Oh,
- 19:46
yeah.
- 19:47
>> Like you like the team to win.
- 19:48
>> Yeah. And I don't like to work like in a
- 19:50
in [laughter] like in a very like a
- 19:52
positive way. I work very hard in my
- 19:55
life, but I don't like to work. Working
- 19:58
is bad and weird. So, everything but
- 20:01
work is always usually my goal when I'm
- 20:04
working. I got a scooter. My girlfriend
- 20:05
had a a foot injury. I She had a
- 20:08
scooter. I got her a new scooter. And
- 20:09
then the old scooter, I took it to work.
- 20:11
Now, there's a scooter at work. Now, if
- 20:12
you got to go to the bathroom, you jump
- 20:13
on the scooter.
- 20:14
>> You're there in a couple minutes. Now,
- 20:15
people are scooting up and down the
- 20:16
halls. That's fun.
- 20:18
>> That's fun. You know what I mean?
- 20:19
>> God, I love that.
- 20:20
>> Sometimes I do seal. Do you know Seal
- 20:22
with that long table that we do table
- 20:23
read in? I do Seal. I run through that
- 20:26
hallway and then I seal and see if I can
- 20:28
get fully across.
- 20:30
>> Okay. You know who uh did a version of
- 20:32
seal many many years before you is Jimmy
- 20:35
Fallon.
- 20:36
>> Of course.
- 20:37
>> That's my kind of guy.
- 20:39
>> That's my kind of guy.
- 20:40
>> He is. The other thing that I love about
- 20:41
not working or like trying not to work
- 20:42
is uh this is like maybe this is a sick
- 20:45
thing for me but um
- 20:48
>> looking in the eyes of someone who's
- 20:51
trying to work [laughter]
- 20:53
>> who you are not letting to work the
- 20:56
frustration
- 20:58
>> it brings me joy in a way that's dark.
- 21:01
>> Yeah.
- 21:01
>> Um and then they'll do it to me
- 21:03
sometimes and then I can laugh and
- 21:04
understand it.
- 21:05
>> Okay. You talk about Okay.
- 21:08
>> [laughter]
- 21:09
>> It's just you have to know sometimes.
- 21:11
>> Yeah. Everything here is fake.
- 21:12
>> Um
- 21:13
>> I love when something cuz you imagine
- 21:15
how dirty I would get with syrup. You
- 21:16
know how syrup is so gross and it stays
- 21:18
on you forever?
- 21:19
>> Yeah. But that doesn't
- 21:20
>> And then you just get the joy of trying
- 21:21
but without happening.
- 21:23
>> Sorry.
- 21:23
>> Um you Okay. You uh focus up.
- 21:26
>> Sorry.
- 21:26
>> Okay. So you
- 21:31
>> who wants to have some fun on the Amy P
- 21:33
show [laughter] today?
- 21:37
You're trying to work, aren't you?
- 21:38
You're trying to work, girl. I have some
- 21:40
questions I've prepared. No. Gracias.
- 21:43
>> Hello. I'm trying to work.
- 21:45
>> What's over here? One is dirty, girl.
- 21:48
[laughter]
- 21:49
>> Look at that thing.
- 21:52
>> Dirty ass phone. Amy Polar on the 115th
- 21:55
floor of the Spotify building.
- 21:57
[laughter]
- 21:58
Crazy. This is an old phone. Does it
- 22:00
even work? [laughter]
- 22:03
>> Does it even
- 22:03
>> Does it even turn on?
- 22:05
>> It's turned off. off. Of course,
- 22:07
[laughter]
- 22:09
>> because we're recording.
- 22:10
>> Of course it is. Of course. Meanwhile,
- 22:12
my butt's vibrating.
- 22:13
>> Listen, you do this bit in your stand
- 22:16
up, which is so funny to me
- 22:19
>> when you're talking about your mom
- 22:20
making you dance.
- 22:22
>> What I love about it is not only because
- 22:24
you love to dance, right?
- 22:25
>> I love to dance.
- 22:26
>> Yes.
- 22:26
>> And I like I wonder if you have a
- 22:29
relationship to your like
- 22:31
>> you love to move around.
- 22:32
>> Oh, yeah.
- 22:33
>> You like you're an energy guy. Mhm.
- 22:35
>> From and from a from a young age you
- 22:38
were that way. Did your mom know that
- 22:40
you were that kind of kid from an early
- 22:42
age and she would get you into sports
- 22:44
and moving and dancing because she knew
- 22:45
you had to you had to get it out?
- 22:47
>> Yes. 100%. 100%. My parents goals always
- 22:52
throughout my life was to get me tired.
- 22:57
>> Does that make sense? Yes.
- 22:58
>> So all the activities I ever did were
- 23:00
always with the ultimate goal of will he
- 23:02
go to sleep? And um it was a lot there's
- 23:07
a lot of batteries in here. So I started
- 23:10
playing baseball and then baseball the I
- 23:13
was in outfield and first of all pants
- 23:15
right in the sun like
- 23:16
>> so hot for what?
- 23:17
>> And long socks
- 23:18
>> for what? We're in Miami wearing pants
- 23:20
in the sun. This sport doesn't
- 23:21
>> People don't know you grew up in Miami.
- 23:22
>> Yes, of course. So, I was playing
- 23:25
baseball and the ball would never come
- 23:26
to where I was cuz they had me in the
- 23:27
outfield. And then so apparently,
- 23:29
according to my family, I don't remember
- 23:30
doing this, but I was doing cartwheels
- 23:32
in the uh in the in the outfield and
- 23:34
playing with insects and stuff. And so,
- 23:36
they took me out. My mom said, "I got to
- 23:38
take you out of baseball cuz you're kind
- 23:40
of making us look bad as a family.
- 23:42
[laughter]
- 23:42
>> Too much down.
- 23:43
>> We're Hispanic. You're half Cuban, half
- 23:45
Dominican." They were like, "This kid
- 23:46
will be good." And then you're a
- 23:47
nuisance. So, then I did soccer. And
- 23:50
soccer is a perfect sport for a child
- 23:52
with ADD that's unmedicated and with a
- 23:55
lot of energy because the ball never
- 23:57
stops moving.
- 23:58
>> Oh, so much running.
- 23:58
>> It's so much running. You get home, you
- 24:00
are tired and so soccer became my love
- 24:03
>> cuz I was like it's constant um thing. I
- 24:06
would get so exhausted on the field and
- 24:08
then my parents liked it and then I
- 24:10
played that you know until college.
- 24:11
>> Yeah. You were a really good player.
- 24:12
>> I was good. Yeah.
- 24:13
>> You went to college to play it.
- 24:15
>> Yeah, I did. I did. And like when when
- 24:17
what was the first of all, what was your
- 24:19
position?
- 24:20
>> I was in the I was a winger,
- 24:21
>> which is the guys that have to run all
- 24:22
the way up.
- 24:23
>> Lot of running. Lot of running.
- 24:25
>> And you and when you were you you you
- 24:27
mentioned your dad's Dominican, your
- 24:28
mom's Cuban. I love when you talk about
- 24:30
the differences culturally between those
- 24:32
two things. What What is like the What
- 24:35
are the biggest I know they're
- 24:36
stereotypical, but they're oftentimes
- 24:38
very true. Like the difference between
- 24:40
those two cultures because you're in the
- 24:41
middle of both.
- 24:42
>> The food is pretty much the same. Cuban
- 24:44
is more salsa and then Dominican
- 24:46
Republic they do merge and bachata. So
- 24:48
bacata is one, two, three, stop. One,
- 24:51
two, three, stop. And then sal is like a
- 24:54
crazy my foot goes there, your foot
- 24:56
leaves. My your my foot returns, your
- 24:57
foot leaves. It's more like math.
- 24:59
>> Um and then the way they talk is
- 25:00
different. So like for example in Cuban
- 25:03
Spanish there's like a
- 25:12
wow wow wow like that. And in Dominican
- 25:15
Republic it's a little higher and
- 25:17
faster. So it's like
- 25:24
and then like
- 25:27
[laughter]
- 25:32
and [laughter]
- 25:36
the girl be like
- 25:44
and that is kind of the difference.
- 25:46
[laughter]
- 25:47
But what's so amazing about that is
- 25:49
you're making music to me because I
- 25:51
can't speak Spanish
- 25:52
>> and the music the Dominican music sounds
- 25:55
like New York
- 25:56
>> of course
- 25:56
>> because so many Dominicans in New York
- 25:58
fast and the Cuban music sounds like
- 26:02
>> Desi,
- 26:02
>> right?
- 26:03
>> That's what we that's who we knew when
- 26:05
we were growing up. Desi was the only
- 26:07
Cuban that we were like we knew. Did
- 26:10
your family watch I Love Lucy or care or
- 26:12
did your parents have any ver like did
- 26:14
they care about Desi? Do you did you
- 26:15
>> My mom's personality can be very loosey
- 26:19
sometimes. My mom is like my mom would
- 26:21
always say my mom came from Cuba and it
- 26:24
was difficult cuz they took her stuff,
- 26:26
you know, Cuba, the communist
- 26:27
government.
- 26:28
>> And so um when she came to America, she
- 26:31
she really leaned in to being American.
- 26:33
Like for years she would tell us we're
- 26:34
all gonna change our last name to Smith.
- 26:37
>> Um cuz she was like I'm American now. I
- 26:39
don't want to be. a lot of people wanted
- 26:41
to assimilate
- 26:41
>> and they didn't want to be like she
- 26:43
didn't want she was so like um sad and
- 26:45
embarrassed of what happened in Cuba
- 26:47
that she wanted to be fully American. So
- 26:49
she would say stuff you know like
- 26:50
blondes have a more fun and I am just a
- 26:54
dumb blonde like she would say that all
- 26:56
the time because she just thought it was
- 26:59
you know being American was that and um
- 27:02
she she loves I Love Lucy. She loves
- 27:04
like you know having fun. My mom is like
- 27:06
a My mom has a little bit of Yorky
- 27:08
energy sometimes. Um and then also she
- 27:12
can be very tough and hard
- 27:15
>> and um Yeah.
- 27:17
>> Okay. But I want to talk about your
- 27:18
soccer part because
- 27:20
>> Okay, you're getting how do you get to
- 27:21
college from with soccer
- 27:23
>> girl? [laughter] So the other thing too
- 27:25
is the pressure of your friends. Like
- 27:26
you always want to look good to your
- 27:28
friends and to your family. And so I was
- 27:29
like I need to play college soccer
- 27:31
because I've worked so hard at soccer.
- 27:32
All my friends know me as a soccer guy.
- 27:34
So if I don't play college soccer,
- 27:35
that's bad, right?
- 27:36
>> So I emailed every school. I was sending
- 27:39
emails.
- 27:40
>> Did you have recruiters come and see
- 27:41
you?
- 27:41
>> I edited my own videos. I did played in
- 27:43
all these tournaments. And then um the
- 27:45
school in Ohio, John Carroll, and the
- 27:47
school in California accidental.
- 27:50
>> They both wanted me to play there. And
- 27:51
they were like, you know, we can figure
- 27:52
out some sort of academic scholarship.
- 27:54
And then my mom said, you can't go to
- 27:56
California because you'll be too far.
- 27:57
And I don't know what you will do when
- 28:00
you are that far. and if I can't go see
- 28:02
you easily, that'll be a problem. So,
- 28:04
she didn't let me go to California, but
- 28:06
she let me go to Ohio. And then right
- 28:08
before I went to college, my senior
- 28:10
year, my drama teacher asked me to
- 28:12
memorize a monologue.
- 28:13
>> And you had never performed before.
- 28:15
>> I learned a John Leguisamo monologue and
- 28:17
a monologue from class action. And um it
- 28:19
was
- 28:20
>> John Leguisamo used to have some really
- 28:21
great mouth. She calls me chocolate
- 28:24
eyes. I call her my albino beaver. It
- 28:27
was crazy. It was about a Cuban
- 28:29
commander boy meeting a white woman at a
- 28:31
hotel and falling in love.
- 28:33
>> Um,
- 28:34
>> and your teacher recommended that you
- 28:36
do.
- 28:37
>> Really interesting. So, they saw
- 28:38
something in you like
- 28:40
>> he goes, "If you do this, I'll get you
- 28:41
out of school for like 3 days. I'll take
- 28:43
you to Tampa and you'll compete in this
- 28:46
thing."
- 28:46
>> Wow.
- 28:47
>> And I went and I won.
- 28:49
>> I was the best monologue. contrasting
- 28:52
monologues cuz it was funny cuz it was
- 28:54
like the first one was about the first
- 28:55
one was so sad and very real about a
- 28:58
gang member that hid his gun under his
- 29:00
bed and his little brother found it and
- 29:02
shot himself. And so that's the first
- 29:03
monologue and then I go he shouldn't
- 29:06
have done that. He shouldn't have he
- 29:08
shouldn't have gotten into my room and
- 29:09
then I get up [laughter]
- 29:14
around the chair. [laughter]
- 29:17
Hello,
- 29:19
it is me, Ramon, the Cuban Cabana boy.
- 29:22
And then that then you get into this
- 29:24
thing about having sex with an old
- 29:27
American woman. Um,
- 29:29
>> and but it goes it goes to show that
- 29:32
people love to laugh.
- 29:33
>> They love to laugh and you got to do
- 29:35
that one second. You can't [laughter]
- 29:37
>> you can't do that first.
- 29:39
>> Um, and so when I did that, I felt like,
- 29:42
oh, I like performing. I like being in
- 29:44
front of people. That was like the first
- 29:45
time I really felt like this was cool.
- 29:48
That was cool. What?
- 29:48
>> You must have when you were younger been
- 29:50
told a lot like you're funny, you like
- 29:53
you like a good performer or my like you
- 29:55
they must have known that you had this
- 29:57
extroverted personality. But you know
- 29:58
>> in school they call that excessive
- 30:00
talking mischief.
- 30:01
>> Exactly. That's right. We have a lot of
- 30:03
people in here talk about like the one
- 30:04
there just like one or two teachers that
- 30:06
said, "Hey, like Ryan Cougler was here
- 30:08
and he had a professor like encourage
- 30:10
him to write a screenplay."
- 30:12
people to just say like you should you
- 30:14
should try this thing. I see something
- 30:16
in you.
- 30:16
>> And I get so much joy from taking
- 30:19
teachers to SNL. I've taken quite a few
- 30:23
teachers to SNL. So this guy, the first
- 30:25
guy that taught me how to write a script
- 30:26
is this uh script guy named Bob Null at
- 30:29
my college. And uh he told me, "What's
- 30:32
your favorite comedy movie right now?"
- 30:33
And I go, "I love the 40-year-old
- 30:34
version." He goes, "I want you to write
- 30:36
the same write that movie, but change
- 30:38
something about it." Yeah.
- 30:39
>> And so I wrote the 40-year-old Virgin,
- 30:41
but the main character is a woman.
- 30:43
>> Uhhuh.
- 30:43
>> Um and
- 30:44
>> a part for a woman. Thank you, Marcel.
- 30:46
>> You're welcome. Well, I have it. You
- 30:47
could You would be perfect for it. Oh my
- 30:50
god, we should make it. Um and so I
- 30:53
brought him to SNL and he got to hang
- 30:55
out. And then I had um I had a a aology
- 30:58
teacher who Mr. Fronzy is based on
- 31:02
>> um that she'd like you know my body is
- 31:04
full of aloya because I was burned from
- 31:08
my toes until my head and um Angie and
- 31:12
so I love her and so I brought her to
- 31:13
SNL um and then the coolest one was um
- 31:17
so my freshman or sophomore year I took
- 31:19
a fundamentals of uh Shakespearean
- 31:21
performance class and there was this guy
- 31:24
uh Bo Smith and his partner Tom Ro and
- 31:26
they were this lovely gay couple and
- 31:27
they were so fun and cool and they had
- 31:29
this class and they'd you can perform
- 31:30
whatever you want and then one day
- 31:32
everyone's going to try some Shakespeare
- 31:34
and so people were doing you know
- 31:35
monologues from famous movies you know
- 31:37
Wolf of Wall Street or whatever and then
- 31:39
um one day he noticed like everybody was
- 31:42
acting kind of like soft you know like
- 31:43
they weren't really giving it up for him
- 31:45
and he goes and he's like you know in
- 31:47
his late 60s at the time maybe and so he
- 31:50
goes well if you're not going to show me
- 31:52
what I want to see then maybe I'll show
- 31:55
you myself and he's in his late 60s and
- 31:58
takes off his tie Okay. Puts it down,
- 32:00
takes off a necklace, puts it down, then
- 32:03
gets up and he goes, "I will be
- 32:06
performing King Le." [laughter]
- 32:10
And he just goes, he goes,
- 32:12
"Yeah." He gets on his knees. HE STARTS
- 32:14
SCREAMING AND just goes crazy. And
- 32:18
everybody's like, "Oh my god."
- 32:20
[laughter]
- 32:21
>> And then it changed us completely. Like
- 32:23
everyone started to really give it to
- 32:25
him and perform. And um I uh What did
- 32:29
you do?
- 32:29
>> I did. Oh, I did a bunch of crazy stuff
- 32:31
in his class. I did whatever whatever he
- 32:33
wanted. And then I started performing my
- 32:35
standup for him. I would write little
- 32:37
standup and do it in his class. And then
- 32:38
I took his class again. And then um they
- 32:41
were let go from the school, the two
- 32:43
guys. And it was heartbreaking cuz I was
- 32:45
like, "You guys are the greatest. This I
- 32:46
just want to see you be good." And
- 32:48
whatever. Um and so now all these years
- 32:52
later, the college has called me back
- 32:54
and they're like, "What do you want to
- 32:55
do? like you want you should do
- 32:57
something for the school, you know. And
- 32:58
I go, "Okay, great. Let's start a
- 33:00
scholarship." So, I started a
- 33:01
scholarship at my school at the college
- 33:03
I went to. And um it's for kids that
- 33:06
want to do what I did. And it's and it's
- 33:08
called the Bo and Tom uh scholarship by
- 33:12
Marcelo Hernandez. And so now all these
- 33:14
scholarship recipients, so far we've had
- 33:16
two, they meet with me and Bo because
- 33:18
Tom has passed. and they meet with me
- 33:20
and Bo and they get to meet Bo and like
- 33:22
he tells them all the stories and he's a
- 33:24
fascinating guy and I found him in
- 33:25
Cleveland, Ohio. And so I have, you
- 33:29
know, so much love for those teachers
- 33:30
and also Bo uh the teacher that told me
- 33:32
to memorize that monologue, he came to
- 33:34
SNL with his wife and his son. I gave
- 33:36
him a full tour. So I love I I I'm the
- 33:38
the full circle moment.
- 33:40
>> They must be so
- 33:41
>> like that is priceless.
- 33:43
>> That's awesome. Have you
- 33:45
>> did you have a teacher? I had a few I
- 33:47
had a few like uh like a lot of English
- 33:49
teachers that told me I was a good
- 33:50
writer or like we had a really good um
- 33:53
drama teacher who like we just put on
- 33:56
really good productions in our school
- 33:57
and stuff. My I feel like my teachers
- 34:00
came a little bit later when I like
- 34:01
started improvising doing sketch in
- 34:02
Chicago like teachers who like
- 34:04
>> basically just
- 34:07
>> like treated me like somebody who could
- 34:09
do this as a job which I never thought I
- 34:11
could do.
- 34:12
>> And you um you founded
- 34:14
>> Yeah. Okay. But Hold on.
- 34:16
>> Okay. No, no, no.
- 34:17
>> Founded.
- 34:18
>> But did you ever do sketch initution?
- 34:21
>> Did you ever do sketch?
- 34:22
>> You're the founder [laughter]
- 34:25
>> of an of a comedic institution. Does
- 34:28
Does that register to you?
- 34:29
>> Okay, Marcel, back.
- 34:30
>> Do you know how many opportunities you
- 34:32
created by doing that?
- 34:34
>> Do you know how much you gave back?
- 34:35
>> We're in college with you now. We're
- 34:37
back to college. Like cuz there's so
- 34:40
many people that have been good comedic
- 34:42
actresses and that have done great shows
- 34:44
and have but how many of those people
- 34:47
have founded an institution
- 34:52
for people to grow and come out of? How
- 34:55
many alumni
- 34:56
>> okay
- 34:57
>> have you to thank?
- 34:58
>> Okay so listen [laughter]
- 35:00
>> I mean it's just something to behold.
- 35:03
>> Let's go back to Ohio. [laughter]
- 35:08
Did you ever do sketch? Speaking of
- 35:09
sketch and improv, did you ever do
- 35:11
>> God?
- 35:11
>> You're impressive. [laughter]
- 35:13
>> I mean, a fascinating woman, Marcelo.
- 35:16
>> Sorry, just I'm I'm I'm impressed. I
- 35:19
apologize. And let me say, your
- 35:21
computer's banged up. The phone is all
- 35:23
dirty.
- 35:24
>> Believe me, you should be in a castle.
- 35:27
>> This is so true.
- 35:28
>> In a castle on a throne with a brand new
- 35:31
computer,
- 35:32
>> you know. I do agree. I do agree.
- 35:34
>> Give her the new stuff, MAN.
- 35:36
GIVE HER ALL THE NEW STUFF. She's
- 35:39
[screaming] got dents on the computer. I
- 35:41
feel like getting into Sebastian.
- 35:42
>> You are looking.
- 35:43
>> The computer [laughter]
- 35:45
looks like it was thrown off a truck.
- 35:49
Pick it up, Amy Bone.
- 35:51
>> The phone looks like it has been in the
- 35:54
mouth of a toddler.
- 35:58
It's sticky. [laughter]
- 36:00
It's sticky.
- 36:05
>> [laughter and gasps]
- 36:05
>> Oh my god. Oh my god. I'm sorry.
- 36:07
>> Sebastian, we interviewed him. It was so
- 36:10
fun. We did it in front of a live.
- 36:11
>> I need to stop doing him because he
- 36:13
>> he's so fun to do. I bet you're so good
- 36:16
at it. Addicted.
- 36:18
>> Also, you've got really got his
- 36:20
physicality down. I love it.
- 36:21
>> And is it true that you did like a back
- 36:22
handspring when you did him or like a
- 36:24
back flip or something?
- 36:25
>> Some crazy stuff. Yeah. I want to talk
- 36:26
about that. Thank god.
- 36:27
>> Okay. But just in Ohio.
- 36:29
>> Okay. You quit. You quit soccer. You're
- 36:32
like I got to do standup. Was that sad?
- 36:35
>> Yeah.
- 36:36
>> Well, the team must have been bummed.
- 36:37
>> They were bad. They were bummed. And
- 36:39
more disappointed in me for giving up on
- 36:42
them
- 36:43
>> cuz I couldn't do both. I was doing a
- 36:44
lot of stand up. I won an amateur
- 36:46
compet. I got good like I didn't get
- 36:48
really good fast, but I got like
- 36:51
>> okay very fast. Um
- 36:53
>> cuz you're a hustler. You know how to
- 36:55
>> Yeah. And I was doing a lot of sets. And
- 36:57
then I won an amateur competition. 500
- 36:58
bucks to host at the Funny Stop Comedy
- 37:00
Club in Kyhoga Falls, Ohio. And I go,
- 37:03
"Oh [laughter]
- 37:03
I'm the real deal."
- 37:04
>> Yeah.
- 37:05
>> And then um so I had to quit cuz I was
- 37:07
like, "I want to pursue this. I think I
- 37:09
could be good at it."
- 37:09
>> What did your mom think?
- 37:11
>> She she was excited about it. She was
- 37:12
like, "I think this is what you're
- 37:14
supposed to do."
- 37:15
>> And she also never understood soccer.
- 37:16
She's like, "It's too fast and people
- 37:18
kick you and I don't want you to be
- 37:19
kicked." And my dad was like, "You
- 37:21
shouldn't quit. I think you could be a
- 37:23
good soccer player." My stepdad was also
- 37:25
very supportive. Yeah.
- 37:26
>> Um and then um when I quit, this is when
- 37:29
like this is like a balls dropping
- 37:31
moment
- 37:32
>> is um when I quit, I was crying and I
- 37:34
told the coaches I quit and they were
- 37:35
like, "Great, we get it. You know,
- 37:37
obviously we'll miss you on the team,
- 37:38
but um we're not going to tell the team.
- 37:42
>> You are going to go downstairs right
- 37:44
now.
- 37:44
>> Clean your face up. Do whatever you have
- 37:46
to do, and then go tell the boys that
- 37:49
you're quitting the team." And so I was
- 37:51
like, "I'm so sorry, guys. I just gota I
- 37:54
want to do something comedy and um I
- 37:58
just think you guys are going to do
- 37:59
great and I'm just sorry and I love you
- 38:01
guys. And then I just had to shake the
- 38:03
hands of like 27 guys.
- 38:06
>> Had to good game it for those
- 38:07
>> had to good game it and like most of
- 38:09
them were like that's so [laughter]
- 38:11
weird and then you know a couple of them
- 38:13
were like I love you buddy good luck
- 38:15
whatever
- 38:16
>> but that also also lit a fire
- 38:18
>> Yeah.
- 38:18
>> under my butt.
- 38:19
>> Yeah. And and then you Just for Laughs
- 38:22
is what gets you the SNL audition.
- 38:24
>> Yeah.
- 38:24
>> Just for Laps is a comedy festival. You
- 38:26
go up there, you do really well, you get
- 38:28
seen, you get the audition. What is your
- 38:31
audition story? Everybody has an SNL
- 38:33
audition story. What's yours?
- 38:34
>> So, dude, [laughter]
- 38:37
I've never been so nervous. Like, I was
- 38:40
I was hosting at the stand comedy club
- 38:42
every almost every every night at the
- 38:44
time. I was a host. So, I wasn't I I I
- 38:46
realized that you could get way more
- 38:49
spots on shows if you just host. You
- 38:52
could do your standup. And it's tough
- 38:53
because you're doing a cold open, but
- 38:55
you can do standup way more times than
- 38:57
you can just do a spot if you say I'll
- 38:59
host. So, I was like, I'll host
- 39:01
everything. And then I get this thing
- 39:02
for JFL. I go to JFL. It's my six minute
- 39:05
set. If you watch it back, I'm shaking.
- 39:07
Like if you just watch it like focus on
- 39:10
my hands and stuff, I am fully like
- 39:12
shaking up there for the whole six
- 39:14
minutes because I was really really
- 39:16
scared. I had to look myself in the
- 39:17
mirror before and be like, "You just got
- 39:19
to do this. You got to do this." Um, and
- 39:21
then after that, I got the SNL audition.
- 39:24
I go to the audition thing. I do a bunch
- 39:27
of jokes about how my mom escaped
- 39:29
communism and that I can't complain and
- 39:31
that whatever. And then I call my mom
- 39:33
after. I go, "Mom, I don't know."
- 39:34
because they didn't laugh that hard
- 39:35
because it's at like UCB and like I
- 39:37
think some people there they don't think
- 39:39
cosmic communism is that bad like and so
- 39:41
I feel scared that they think I'm like
- 39:43
some right-wing nut and she's like it's
- 39:46
okay Marcelo they understand your
- 39:48
message it's okay I'm like whatever then
- 39:50
I got the call back
- 39:52
>> and then um I uh I got the call back and
- 39:57
um I put headphones in and I listened to
- 40:00
Always Be My Baby by Mariah Carey but uh
- 40:02
by brass tracks so So, it's like a lot
- 40:04
of sacks.
- 40:06
>> Mhm.
- 40:06
>> It's so good. And um I'm blasting it in
- 40:10
my ears while I wait cuz they make you
- 40:11
wait. And on repeat over and over again,
- 40:13
the same song.
- 40:14
>> Yeah. While you're in the dressing room
- 40:15
at 30 rock.
- 40:16
>> Yes. And so I'm in there like this back
- 40:18
to the door and then um the only thing I
- 40:22
hear is at one point I hear
- 40:26
and I turn around and a woman has been
- 40:27
there for like a few minutes trying to
- 40:29
call my attention. Mhm.
- 40:31
>> Um Sam uh Miner, who's a talent on the
- 40:34
talent team. And um I was like, "Oh,
- 40:36
okay. Sorry." And then someone told me I
- 40:39
had to get makeup on. I was like, "I
- 40:40
don't think so." And they're like, "Oh,
- 40:41
you should get some makeup on."
- 40:42
[laughter]
- 40:44
>> And then I got some makeup on and then I
- 40:46
went out.
- 40:46
>> First time ever getting makeup on,
- 40:47
probably.
- 40:48
>> Yeah, for sure. And then no one laughed.
- 40:50
Um somebody coughed and then my mom I
- 40:53
called my mom and I'm like, "I don't
- 40:54
know dude."
- 40:55
>> Notoriously quiet.
- 40:57
>> Cold room.
- 40:57
>> Yeah, cold room.
- 40:58
>> And then um that's it. And then a few
- 41:01
weeks later, I got the call that I got
- 41:03
the job and I was like, "This is
- 41:04
awesome."
- 41:05
>> Where were you when you got the call? Do
- 41:06
you remember?
- 41:07
>> Um, yeah. I was like at my apartment.
- 41:09
>> Mhm.
- 41:10
>> Um, my friend's apartment that I was
- 41:12
living in
- 41:13
>> and um I called my mom and then we cried
- 41:15
for a bit and then I was like, I'm going
- 41:18
to make a million dollars. [laughter]
- 41:21
[snorts]
- 41:24
And then it turns out that you don't
- 41:25
make that.
- 41:33
>> You're like the first Gen Z cast member
- 41:36
technically.
- 41:36
>> Is that true?
- 41:37
>> Do you identify as Gen Z?
- 41:39
>> No, because I'm too close. I'm not far
- 41:42
enough removed from the immigrant
- 41:44
struggle.
- 41:45
>> Yes.
- 41:46
>> To like truly enjoy my Gen Z life.
- 41:49
because you had this great thing that I
- 41:51
I saw when I watched the show, which I
- 41:53
do quite often, and um where you say
- 41:56
like millennials only care about money.
- 41:59
>> Yeah. Boomers only care about money.
- 42:01
Millennials are like, "Where's the
- 42:03
money?"
- 42:03
>> Don't skip over Gen X. Everybody does.
- 42:06
Boomers only care about money. Gen X is
- 42:08
like, "Should we only care about money?"
- 42:11
Millennials are like, "Where is the
- 42:13
money?" And Gen Z is like, "What is
- 42:15
money?" Right? And so I am like um
- 42:19
>> you're the where is the money?
- 42:20
>> I no I only care about the I'm a boomer.
- 42:23
You're a boomer. I'm a boomer.
- 42:24
>> I see.
- 42:24
>> Cuz I think Gen Z plus immigrant
- 42:27
>> struggle equals boomer.
- 42:29
>> Yes. Yes.
- 42:30
>> I'm a young boomer in many ways.
- 42:32
>> Boomer.
- 42:33
>> I didn't get to have mental health,
- 42:35
>> right?
- 42:35
>> You know what I mean? So that's boomer
- 42:37
vibes. You're right.
- 42:38
>> And my mom is probably a boomer. What's
- 42:41
a boomer?
- 42:43
>> No, your mom is Gen X. Your mom is my
- 42:45
age. But my mom is a boomer because of
- 42:47
the immigrant thing.
- 42:48
>> Well, what when you say the immigrant
- 42:49
thing, it's like because you're first
- 42:50
gen, you just feel this need to like you
- 42:52
just cannot complain about the same
- 42:53
stuff that
- 42:54
>> can't complain. Nothing is real.
- 42:56
Everything is just
- 42:57
>> But what about you is Gen Z? Cuz I think
- 42:59
there are a few Gen Z things.
- 43:01
>> Really good on the phone. I mean, I can
- 43:03
do whatever you need on the phone except
- 43:04
for texting.
- 43:05
>> I can reset everything.
- 43:07
That's a Gen Z thing probably too big.
- 43:09
Not answering. There's like a
- 43:11
non-judgmental vibe sometimes to Gen Z
- 43:14
that you can feel where they're like
- 43:15
whatever, do your thing. I have some of
- 43:18
that. You I feel like that.
- 43:19
>> And my sister is like definition of
- 43:21
Jenzi.
- 43:21
>> Uh-huh. She's younger than you.
- 43:22
>> Yeah. But she's an architect
- 43:24
>> and she's now doing interior design and
- 43:26
she's so quiet
- 43:28
>> and so reserved and then but also she
- 43:31
has her moments with her friends where
- 43:32
she like is like fun and talkative but
- 43:34
she's like in our house she's like the
- 43:36
quieter one. Yeah.
- 43:37
>> And uh that's my that's a theory my mom
- 43:39
has that if the first child you have is
- 43:41
insane that the next one will be quiet.
- 43:44
[laughter]
- 43:45
>> She says that
- 43:46
>> that probably is true.
- 43:47
>> The other day we went to my friend
- 43:48
Leila's house and her baby is so nice
- 43:50
and sweet and quiet and she goes, "The
- 43:51
next one is going to be a disaster and I
- 43:54
think it could be real." Do you have How
- 43:56
many do you have now?
- 43:57
>> I have two. Two boys.
- 43:58
>> I met your boys.
- 43:59
>> You did? Very excited to meet you.
- 44:01
>> They're cute boys, dude. You got some
- 44:03
good boys. Well, you know, they're at
- 44:04
the age now where they're watching SNL
- 44:07
and they want to see people that look
- 44:08
like like them. They want to see people
- 44:10
their age
- 44:12
>> and they want to like, you know, there's
- 44:13
nothing like even if you're on SNL, your
- 44:16
kids just don't want to watch like
- 44:18
classic old. They're just like I want to
- 44:20
watch people that look like me. That's
- 44:22
what SNL is about is this feeling that
- 44:24
like young people are in charge over
- 44:26
there.
- 44:27
>> Your relationship with like Maya and Dr.
- 44:30
And that it's so cool and so awesome.
- 44:33
Josh makes me laugh in a way that I
- 44:36
can't even explain. And the way that she
- 44:39
laughs,
- 44:40
>> her laugh
- 44:40
>> is priceless.
- 44:42
>> It is. It's like magic.
- 44:43
>> And the headphones thing.
- 44:45
>> Who's the best laugh? Oh, I know. The
- 44:46
headphones.
- 44:47
>> It's like I can't. It was so good.
- 44:50
>> [ __ ] so.
- 44:51
>> She's like, I can't I can't figure it
- 44:53
out.
- 44:53
>> I owe Dra so much money for that.
- 44:55
>> She's so funny.
- 44:57
>> Domingo was a huge hit. like congrats on
- 45:00
having a recurring like you need
- 45:02
something sometimes
- 45:03
>> had nothing to do with that. God gave me
- 45:05
that. God and Kira Oan and Jimmy wrote
- 45:07
it, right? And then Kira O Sullivan and
- 45:10
Jimmy Fley great writers like at SNL
- 45:12
like so important to that show, right?
- 45:15
So many monologues, write so many
- 45:16
pieces. And and why do you think is it
- 45:19
why do you think that sketch just took
- 45:20
off? I mean, is it just the bad singing?
- 45:23
What is it that makes that so delicious?
- 45:26
I think Ariana Grande is so good.
- 45:29
>> Yeah,
- 45:30
>> we watch like watching her at a table is
- 45:32
mind. It's mindblowing. She sings so
- 45:35
crazy.
- 45:37
>> And then
- 45:39
her doing it bad.
- 45:40
>> Mhm.
- 45:42
>> Is so hard.
- 45:43
>> Yeah.
- 45:43
>> To like sing bad.
- 45:45
>> Yeah.
- 45:45
>> On purpose.
- 45:46
>> Yeah.
- 45:47
>> And she does it so good. It's so funny.
- 45:49
So that that gets you through the first
- 45:52
part of the sketch. Yeah. And like the
- 45:54
girls were so funny. Heidi and Ego and
- 45:56
all them coming in after her. So funny.
- 45:59
And then and Sarah and everybody. And
- 46:01
then
- 46:02
>> and then at the end
- 46:05
>> they're talking about this guy the whole
- 46:06
time and you're like, "All right, well
- 46:07
now there has to be a reveal." And then
- 46:09
I come out [laughter]
- 46:12
like in a little goatee and like a
- 46:15
version of my hair and then I sing what
- 46:18
I still feel is a very catchy tune.
- 46:22
>> Yeah. catchy tan
- 46:23
>> of just um
- 46:30
and then I think [laughter] that's what
- 46:31
happened
- 46:31
>> espresso it's not just a catchy tune
- 46:34
it's a very popular pop song
- 46:35
>> it's huge [laughter] one of the biggest
- 46:37
pop songs of the of the of our time
- 46:41
>> some of the time that we are in
- 46:42
>> some could argue yeah
- 46:43
>> and so I think that it was just a
- 46:45
perfect storm and then I think it's very
- 46:48
SNL for the audience to reward the guy
- 46:52
that did the least.
- 46:55
>> Yes.
- 46:56
>> In the sketch.
- 46:57
>> It's called that
- 46:57
>> did nothing pretty much came in for
- 47:00
three seconds and that's the thing. But
- 47:02
I'm just gonna I'm gonna um praise you
- 47:05
for a little bit because
- 47:08
>> praise
- 47:10
get ready Marcel because that that is a
- 47:12
perfect that is a perfect example of you
- 47:16
enter that sketch having fun like you're
- 47:18
enjoying it like we're enjoying it and
- 47:21
you're like ease and coming into it and
- 47:24
you do this with most of the stuff that
- 47:25
you do like you don't let us forget when
- 47:27
you're performing like can you believe
- 47:29
we're all watching this? This is like
- 47:30
comedy. like how do we all get here? How
- 47:32
did you get in the audience? How did I
- 47:33
get like it's very very infectious. Like
- 47:36
I always say like I always want people
- 47:38
to seem relaxed. I don't really care if
- 47:41
they have the best jokes or if they're
- 47:42
the funniest. I just want them to seem
- 47:44
like they're having a good time and
- 47:45
they're relaxed and I can. Nothing makes
- 47:48
me more stressed than when I can feel
- 47:50
like the mirror neurons of like someone
- 47:52
else's stress.
- 47:53
>> Yeah, I feel that.
- 47:54
>> And you always do that on the show. You
- 47:56
like you act like you've always been
- 47:58
there. Like everything is super fun.
- 48:01
>> Yeah.
- 48:01
>> And
- 48:02
>> that's the power of fear.
- 48:04
>> Interesting.
- 48:04
>> That's the power of fear.
- 48:05
>> What do you mean? How do you do you fake
- 48:07
it?
- 48:07
>> You're so scared probably. You're just
- 48:09
so scared of it going wrong that you're
- 48:11
like if it goes wrong, I'm going to go
- 48:13
wrong swinging to the rafters,
- 48:16
>> right?
- 48:17
>> So like I just go absolutely insane. My
- 48:20
biggest note at dress is
- 48:23
>> calm down
- 48:24
>> cuz there's [clears throat] some stuff
- 48:25
you guys haven't seen where I really
- 48:27
lose it out there. Yeah.
- 48:29
>> Not like in a bad way, but like
- 48:30
>> you push it.
- 48:31
>> Oh, yeah. There was a thing about uh
- 48:33
[laughter]
- 48:34
there was a thing that we did that it
- 48:36
came out on the show about um with
- 48:38
Coleman Domingo where he's a teacher.
- 48:40
>> Yeah.
- 48:40
>> And he's like nothing matters. Um come
- 48:43
up with a number and I'm like 11 fle.
- 48:47
And then um and then uh he's like and
- 48:49
who would be who would be uh you know a
- 48:52
number bigger than Fle whatever the
- 48:53
question was. And then I get up and I
- 48:54
go "Ah
- 48:57
112."
- 48:59
AND I get did it so big that [laughter]
- 49:03
all the writers were like,
- 49:04
>> "Marcelo,
- 49:05
>> just [ __ ] just please
- 49:09
just stop." And um that's a note that's
- 49:13
chased me my whole life [laughter]
- 49:15
since kindergarten.
- 49:17
>> It down. But I stop. That is my favorite
- 49:21
kind of note though because the opposite
- 49:23
is way worse.
- 49:24
>> Yeah. Right. Well, I can't do the
- 49:25
opposite. I can't.
- 49:26
>> Um, you have done so many funny things
- 49:28
on the show. Your stuff with Bad Bunny
- 49:29
has been so funny. And Pedro
- 49:32
>> so much good stuff. And
- 49:33
>> who is your Bad Bunny? Who was the guy
- 49:35
the person that came to the show that
- 49:37
>> we'll get to me in a second.
- 49:38
>> Okay. How long are we going to be here?
- 49:39
Let's do like four hours and then you
- 49:41
find what's good. [laughter and gasps]
- 49:42
>> But but what but do you feel like you're
- 49:44
funnier? And that's
- 49:46
>> what's up. That's a timer up there and
- 49:48
that says how long we've been going.
- 49:49
>> We go for an hour.
- 49:50
>> Yes. So, I have so many more questions.
- 49:52
>> I want to hang out. I'm not leaving. How
- 49:55
about that? [laughter]
- 49:56
>> What will you do? Turn the cameras off?
- 50:00
>> Okay. But Bad Bunny, Wait, [snorts] do
- 50:03
you think you're funnier in Do you think
- 50:06
do do you do you think you're funnier in
- 50:08
Spanish?
- 50:08
>> Yeah.
- 50:09
>> Okay. Do you think in Spanish?
- 50:12
>> I'm fast in Spanish.
- 50:13
>> Fast in Spanish. And you write in
- 50:15
Spanish? um sometimes. Yeah. So, I've
- 50:17
been doing standup in Spanish. I've been
- 50:18
doing a a little touring in Spanish.
- 50:20
>> Oh, that's cool.
- 50:21
>> And it is so fun.
- 50:22
>> Yeah.
- 50:23
>> My family, my girlfriend, my my dad,
- 50:28
they think that I'm better
- 50:30
>> in Spanish, which is uh
- 50:33
>> What do you think is the difference?
- 50:34
What? Just the facility of the language?
- 50:36
>> I guess I think um Spanish comedy is
- 50:40
interesting because um it's developing.
- 50:43
There's so many good young comedians
- 50:44
that are doing it in Spanish. Angelo
- 50:46
Kolina is one that travels with me or
- 50:48
has done, you know, shows with me. Um,
- 50:51
>> Laiva has done a bunch of shows with me
- 50:52
here. Santasposa
- 50:54
Pedro Gonzalez. Um,
- 50:56
>> and uh, Sophia
- 50:59
Sophia Ria, who's uh, Na Rao, who's um,
- 51:02
a Mexican standup who really was like a
- 51:04
like a she's a titan of standup in
- 51:07
Mexico. and she's a woman and she's like
- 51:09
broken a lot of barriers cuz she's was
- 51:12
the best and the biggest um and is um
- 51:15
and uh I find that
- 51:17
>> the reason that those standups like her
- 51:20
worked so well so early on is cuz
- 51:23
standup in Spanish for years like
- 51:24
Alvarez Ges and um legendary like Latino
- 51:28
comedians in Spanish in in the Dominican
- 51:30
Republic we had like Boruga and um uh
- 51:35
Hoi and there's a bunch and they they
- 51:37
did like long stories with a big
- 51:39
punchline or there it was political. It
- 51:42
was like SNL where you dress up like a
- 51:43
political guy and you go and then people
- 51:46
go crazy.
- 51:47
>> And so
- 51:48
>> when you do an American style of
- 51:50
standup, punchy observational stuff, I
- 51:54
think the audiences, it's a refreshing
- 51:57
feeling.
- 51:57
>> Yeah. Yeah. And so I feel that when I'm
- 51:59
like doing a Spanish set with all
- 52:02
Hispanic people and we're all laughing
- 52:04
and especially today when Latinos are
- 52:06
going through a lot and we just get to
- 52:07
be in a room and scream in Spanish, it
- 52:10
feels very powerful.
- 52:11
>> Yeah. Pedro. And and I got to say,
- 52:13
Marcelo, like in general, the the cast
- 52:15
right now on the show is like really
- 52:18
putting the variety in variety show.
- 52:20
Everybody's very very different and
- 52:23
there's a vibe that's like everybody's
- 52:24
kind of bringing the stuff that they can
- 52:26
bring and
- 52:28
watching you guys do that it was very
- 52:30
very exciting cuz the show you you know
- 52:32
it needs to feel like it's a reflection
- 52:34
of the time.
- 52:35
>> Yeah.
- 52:36
>> And that is like and there's
- 52:38
>> Latinos are having a moment. [laughter]
- 52:40
>> We're having a moment. Let us have a
- 52:42
moment.
- 52:43
>> Do you ever have an SNL stress stream?
- 52:45
>> Uh
- 52:46
>> have you had any? Do you have a
- 52:48
recurring stress dream? What is it?
- 52:50
>> It's um not getting to the thing. Like
- 52:53
not getting to the floor or it's too
- 52:55
far. Yeah.
- 52:55
>> What's mine?
- 52:56
>> You're too far too late.
- 52:57
>> Too far too late.
- 52:58
>> Yeah.
- 52:59
>> Running down the stairs.
- 53:00
>> Have you almost ever Did you over almost
- 53:02
ever miss one?
- 53:03
>> No. I've never missed a Have you?
- 53:05
>> No. But I almost did
- 53:07
>> once.
- 53:08
>> Yeah. Missing a queue.
- 53:09
>> Yeah. Like No. No. Like I was in the
- 53:11
beginning of the sketch
- 53:12
>> and I was almost not out there.
- 53:13
>> Oh,
- 53:14
>> yeah. And Jenna's like, you know,
- 53:16
screaming and I'm coming from a place
- 53:19
where she can't see me. So, it was even
- 53:20
more nerve-wracking because I was there
- 53:22
and she didn't know yet.
- 53:23
>> She was looking for me.
- 53:24
>> This is for on the This is on the live
- 53:26
show.
- 53:26
>> Um whether it was live or dressed, I
- 53:28
think it doesn't it doesn't need to be.
- 53:30
>> I definitely have been I've gone out
- 53:31
into a scene with the wrong wig where
- 53:33
I've been the wrong character.
- 53:34
[laughter]
- 53:35
Oh,
- 53:37
>> and then I've come out and and I've been
- 53:39
dressed a certain way and then I was
- 53:40
like
- 53:41
>> and then I looked up and I was wearing
- 53:42
the wrong wig and we had to like switch
- 53:43
it in like 5 seconds.
- 53:45
>> Oh my god.
- 53:45
>> So exciting. But those are the kind of
- 53:47
things that like but but yeah, your
- 53:49
dream is that you don't make it.
- 53:50
>> Yeah.
- 53:50
>> Yeah.
- 53:51
>> Oh, and I wanted to tell you that I've
- 53:52
been hanging out with Jod so much.
- 53:54
>> Oh, Jodie Manuso who runs the hair
- 53:56
department at SNL who whose voice is an
- 53:59
inspiration for Bronx Beat.
- 54:01
>> Sweater weather.
- 54:02
>> Sweater weather. And so, um, just
- 54:04
getting to like she cuts my hair. She's
- 54:06
the only person my mom lets to cut my
- 54:08
hair. [laughter]
- 54:08
>> Wait, hold on. Yeah.
- 54:10
>> Your mom is in charge of who cuts your
- 54:12
hair. Did she used to cut your hair?
- 54:14
>> No. She's always taken me to the person
- 54:15
that does it.
- 54:16
>> Okay.
- 54:16
>> And then Jod has done it very well, so
- 54:18
she's like, "Jod can do it from now on."
- 54:20
[laughter]
- 54:20
>> But, uh, hearing her so much has like
- 54:24
like I've been at SNL long enough where
- 54:26
if you guys didn't do her voice on the
- 54:29
show, uh, somebody would have because
- 54:32
You're with her enough that you're like,
- 54:33
"Oh, this is just she's exactly that
- 54:36
person."
- 54:36
>> She is.
- 54:37
>> So, you're telling me [laughter] it's so
- 54:39
good. It's so so good.
- 54:40
>> Okay. So, speaking of the people that
- 54:42
you work with who love you,
- 54:44
>> right?
- 54:45
>> And um one of them is Sarah Sherman, and
- 54:47
that is who we talked to today.
- 54:49
>> And I She said you would be bumped.
- 54:51
>> No.
- 54:52
>> She was like, "He wants Kevin Hart. He
- 54:55
wants us to talk to, you know, other
- 54:57
people." But you got me and we got her.
- 55:00
And we love her here and she loves you
- 55:03
whether you believe it or not.
- 55:04
>> And her first she had a couple questions
- 55:06
for you. Well, first of all, she spoke
- 55:08
so well about you.
- 55:08
>> Really?
- 55:09
>> Yes.
- 55:10
>> [ __ ] that's the kind of person she is.
- 55:12
>> Yeah. She just looks good behind your
- 55:14
back. [laughter]
- 55:15
>> Yeah. And to your face.
- 55:16
>> And to my face, it's violence.
- 55:17
>> Well, and to your face, she said, "Yeah,
- 55:19
cuz her first question was like, what's
- 55:21
your [ __ ] deal, dude?"
- 55:22
>> Really? That's her first question.
- 55:24
[laughter]
- 55:25
>> What's your [ __ ] deal?
- 55:26
>> First of all, what's I'll tell you what
- 55:27
my deal is. my deal is. I'll tell you
- 55:31
what my deal is because I I know this is
- 55:33
not just coming from her. This is a big
- 55:34
question. There's some new cast members
- 55:36
that feel this. They go, "What's your
- 55:37
[ __ ] deal?" And I'll tell you what my
- 55:39
deal is. My deal is that I was not given
- 55:42
the opportunity to be soft in my house.
- 55:45
I see.
- 55:46
>> You're mean to me my whole life, my
- 55:48
family. I was short. My nickname in the
- 55:50
house was Pulga, which means flea.
- 55:52
That's my name in my house. I'm short,
- 55:55
so they call me dwarf in my house. Enano
- 55:58
means dwarf. That was my name in my
- 55:59
house. Okay. So, if you are a little
- 56:02
girl that wears rainbow clothes, that's
- 56:04
your name. [laughter]
- 56:06
That's who you are. I call people I say
- 56:08
it like I see it. So, you know, Tommy
- 56:10
Brennan is a good-looking kid. I say
- 56:12
that he's good-looking and that mean he
- 56:13
might be dumb because that's what he
- 56:15
looks like. You say it
- 56:17
>> that's a love language.
- 56:18
>> My love language and a lot of people
- 56:20
they misinterpret it cuz I it can some
- 56:22
people can think it's mean but I don't
- 56:24
think that. I think that's how my family
- 56:25
talked to me. Jenzie loves short. I just
- 56:28
want you to know Jenzie loves short
- 56:30
guys.
- 56:30
>> Why? Right. Why? That's the question.
- 56:32
They love short of guilt. Out of guilt
- 56:34
of what they've done to the shorts for
- 56:35
years. Now they're trying to be nice.
- 56:37
And you know what? Now we don't care.
- 56:38
[laughter] As on behalf of the shorts,
- 56:40
we don't care.
- 56:41
>> The shorts.
- 56:41
>> We don't care what you want to say to
- 56:42
us. Short king. Like I need that. I
- 56:46
taught myself to be self to have
- 56:47
self-esteem [laughter]
- 56:49
cuz you wouldn't give it to me.
- 56:50
>> Okay.
- 56:51
>> Women in their bio talking about must be
- 56:53
six feet to ride this roller coaster.
- 56:55
SHUSH.
- 56:59
YOU'RE RIGHT. YOU'RE RIGHT. They don't
- 57:00
deserve you.
- 57:01
>> They don't deserve me now. They don't
- 57:02
deserve me. Now I'm supposed to say
- 57:03
thank you. Oh, thank you.
- 57:05
>> Please.
- 57:05
>> Okay. And um Sarah's second question.
- 57:09
>> Why are you not answering my texts?
- 57:11
>> Um
- 57:12
>> we already talked about that.
- 57:13
>> Sarah's just a complainer,
- 57:15
>> right? And so, and sometimes I can,
- 57:18
sometimes I do have the bandwidth, but
- 57:21
right now I'm I'm too busy to be do
- 57:23
bandwidth. But I I will say this about
- 57:25
Sarah. I watch her on podcasts when I'm
- 57:28
like bored. I'll watch Sarah on a
- 57:30
podcast. Sarah has jokes per minute.
- 57:31
Sarah's always trying to do a joke.
- 57:33
>> You guys both are very You has so many.
- 57:36
You guys are both really quick.
- 57:37
>> She's quick. I like her.
- 57:38
>> She's so quick. And then she sweetly her
- 57:42
third question was like basically like
- 57:45
you have written so many great jokes.
- 57:48
You have really well-written jokes.
- 57:49
You're a physical person. You have a ton
- 57:51
of charisma. Like you know how to work a
- 57:53
room. like it's not
- 57:54
>> cry in front of Amy Poly, [laughter]
- 57:56
>> but you have really really good let take
- 57:58
this compliment in and you have really
- 58:00
really good jokes and you are a very
- 58:02
very good writer and she wants to know
- 58:04
like how do you see yourself as a
- 58:06
writer? Like do you see yourself as a
- 58:08
writer and can you accept that you're a
- 58:11
good one?
- 58:12
>> Um I don't know. Um [laughter]
- 58:15
but um
- 58:17
>> you're not going to answer this
- 58:18
question.
- 58:18
>> I don't know. I'm just like um I don't
- 58:21
feel like I'm a great writer. I I'm I'm
- 58:24
probably going to take a sketch writing
- 58:26
class this summer because of that fear
- 58:28
of like cuz also I just watched like cuz
- 58:31
Sarah a lot of the people at the show
- 58:33
they know sketch
- 58:34
>> and I came so hard from standup that I
- 58:37
don't know sketch that well.
- 58:38
>> Yeah.
- 58:38
>> And watching people like Mikey and
- 58:40
Streer and
- 58:41
>> Yeah. [snorts] Colin and uh Bowen and
- 58:45
>> and know how to like structure and hype
- 58:47
>> and you like all of the stuff you've
- 58:49
done and Maya and all like so many
- 58:51
people that have come from that came
- 58:53
from sketch to the show that are so
- 58:56
Ashley Padilla is such a great sketch
- 58:58
writer and I'm like athletically jealous
- 59:02
>> of like that ability and I think that
- 59:05
she's right like I can write jokes
- 59:07
>> but the format and the the the character
- 59:11
reveal and all that stuff is stuff that
- 59:13
if it wasn't for Jake Nordwind and Mike
- 59:15
Denzo who have been like really with me
- 59:18
a lot um and Asha Ward is like
- 59:21
>> I would not be I wouldn't I wouldn't get
- 59:23
anything on cuz I'm just jokes
- 59:25
>> and so I'm learning I'm trying to learn
- 59:28
more and more of like what that thing is
- 59:32
and
- 59:32
>> but I think that's really cool like
- 59:33
Sarah was on here she's now going in her
- 59:36
fifth year and she was like
- 59:37
>> so I'm going into my fourth year
- 59:38
>> yeah you're a year behind her and it's
- 59:40
like that's when you start being like
- 59:41
Should I practice my backhand? Like
- 59:43
what's the thing? Like like I I've got
- 59:45
on I've got some stuff on. People know
- 59:47
who I am. I'm like playing to my
- 59:49
strengths now. I'm playing with good
- 59:50
people. Now I know how this place works.
- 59:53
And then you can start being like, "All
- 59:54
right, can I start trying some stuff
- 59:56
that like maybe I don't necessarily go
- 59:59
to automatically, but like it's cool.
- 1:00:01
It's a cool trajectory of being on that
- 1:00:04
show."
- 1:00:04
>> Yeah.
- 1:00:04
>> And and being an artist basically.
- 1:00:06
That's what a good artist does is they
- 1:00:08
keep trying new things, seeing what
- 1:00:10
works, like learning from good people,
- 1:00:12
getting better. That's what they do.
- 1:00:14
>> Yeah. And what like you did the show.
- 1:00:17
>> Look, he just he's now he's talking
- 1:00:19
about me.
- 1:00:19
>> Of course. Well, what what am I to do?
- 1:00:22
What am I to do? What is What type of
- 1:00:25
psychotic person sits with Amy Polar and
- 1:00:26
goes, "Let's talk about me." You have to
- 1:00:29
be who? Denzel. Like,
- 1:00:32
>> um,
- 1:00:32
>> Denzel, if you're watching, I'd love to
- 1:00:33
have you on.
- 1:00:34
>> Yes, Denzel should come by. He would
- 1:00:36
kill this. Oh my god.
- 1:00:37
>> I love that [snorts] dance.
- 1:00:38
>> Um,
- 1:00:39
>> so cuz you did the show, right? And this
- 1:00:42
is something, by the way, that I have to
- 1:00:43
ask you um in person because I've been
- 1:00:46
petrified to text you after our debacle.
- 1:00:49
>> So, you did the show. You had this, you
- 1:00:52
know, obviously incredible transition
- 1:00:53
into TV and you've done so many funny
- 1:00:58
parts and roles and you've written and
- 1:00:59
you've done it all. What like advice do
- 1:01:03
you have for someone that like me or
- 1:01:06
like Sarah or like any or like you know
- 1:01:09
Ashley or even Bowen that just left the
- 1:01:10
show and so many people that looked up
- 1:01:13
to you and have seen you as like a
- 1:01:15
beacon of like that is a funny lady that
- 1:01:18
has worked hard and is successful.
- 1:01:21
What do you say to us?
- 1:01:23
>> Let me ask you one question. the the
- 1:01:25
after the show, do you want to do more
- 1:01:28
is the hope to do more like written
- 1:01:31
stuff, more film, more TV and stuff like
- 1:01:33
that? Yeah. Then I would say
- 1:01:35
>> my advice if that was what you would
- 1:01:37
want to do is two things is like don't
- 1:01:40
take anyone else's advice. Don't listen
- 1:01:42
to anybody.
- 1:01:43
>> Damn it.
- 1:01:44
>> I know. Because
- 1:01:45
>> it's always the person you really want
- 1:01:46
advice from that says something like
- 1:01:47
that.
- 1:01:47
>> Well, you only know you only know what's
- 1:01:49
right for you. just like and um I would
- 1:01:53
say
- 1:01:56
enjoy where you are as best you can when
- 1:01:59
you're there. I just think that simple
- 1:02:02
idea of enjoying where you are and not I
- 1:02:06
mean I I I don't always take this advice
- 1:02:07
either, but this idea of like if I get
- 1:02:10
here then I'll get here and if I get
- 1:02:11
here and then I'll get here and it's
- 1:02:12
like and we can do that our whole lives.
- 1:02:14
We can always be like this is good, this
- 1:02:17
is great, but like I want more sketches
- 1:02:19
or now okay I've been on for seven years
- 1:02:21
now I want like it just never ends the
- 1:02:23
dissatisfaction of our job and that's
- 1:02:26
motivating and that's good but I would
- 1:02:28
say I think the real win is being
- 1:02:32
actually where you are in life and
- 1:02:35
trying as best you can to enjoy it. It's
- 1:02:37
like the hardest thing in the world to
- 1:02:38
do but the few times I've done it my
- 1:02:41
whole life has changed.
- 1:02:42
>> And what do you do when you're like it?
- 1:02:43
What is an example of you enjoying
- 1:02:46
>> like being like actually well for the
- 1:02:49
way it looks like for me and I I bet it
- 1:02:51
looks similar for you is that I'm
- 1:02:54
actually
- 1:02:56
like looking around and laughing with
- 1:02:59
the people I get to be with and not like
- 1:03:03
the way like
- 1:03:04
>> worrying.
- 1:03:05
>> Yes. Just like being in being in my body
- 1:03:08
in real in real space and time. I know
- 1:03:09
it sounds esoteric, but as far as career
- 1:03:11
advice, who [ __ ] knows? Like in five
- 1:03:12
years we may have to do [ __ ] comedy
- 1:03:15
on the moon and TV will be on your phone
- 1:03:17
and books will be a a snack that you eat
- 1:03:20
and like we don't like who knows what's
- 1:03:22
going to be in the how we're going to
- 1:03:24
make cont. I mean I'm doing a podcast.
- 1:03:26
>> I know.
- 1:03:27
>> So like what you know if you told me I
- 1:03:28
didn't even know what podcasts were.
- 1:03:30
>> I know. And by the way it's one of the
- 1:03:32
best ones [laughter]
- 1:03:33
awardwinning. Crazy.
- 1:03:35
>> So as far as career who knows.
- 1:03:37
>> Okay. Yeah whatever. Thank you very
- 1:03:40
much. No, it was it was I'm going to
- 1:03:42
live in the moment. But and how quick
- 1:03:44
>> enjoy the moment.
- 1:03:46
>> Yeah.
- 1:03:46
>> Enjoy it.
- 1:03:47
>> Yeah.
- 1:03:48
>> Cuz like life is a dream and we're all
- 1:03:50
going to die, you know.
- 1:03:51
>> Um you played a game here with Fred.
- 1:03:56
>> Yes. What game do we play? You want to
- 1:03:57
play it?
- 1:03:58
>> I want to play it with you.
- 1:03:59
>> Okay. Which which game was it?
- 1:04:00
>> It's a game where you tell someone to
- 1:04:02
pretend they're an expert.
- 1:04:03
>> Yes. Let's play
- 1:04:04
>> about something.
- 1:04:05
>> Okay. Okay. OKAY.
- 1:04:06
>> AND THEN THEY [laughter]
- 1:04:07
>> I CAN'T WAIT. OKAY. OKAY.
- 1:04:09
>> YES.
- 1:04:09
>> OKAY. And I'm gonna and I I I I I
- 1:04:12
watched Fred and I loved his so much and
- 1:04:14
he did a lot of stuff that I liked that
- 1:04:16
I might incorporate into mine because
- 1:04:17
it's so good. But maybe you go first.
- 1:04:20
>> Okay, I'll go first. So to remind people
- 1:04:22
that didn't listen to the Fred Armson
- 1:04:23
episode, Fred and I we it's a great game
- 1:04:26
where we play where Well, I don't know
- 1:04:28
if we play it, but we just I made him
- 1:04:29
play.
- 1:04:29
>> They go, "No, no, no." [laughter]
- 1:04:32
>> Big red no. Okay.
- 1:04:33
>> Where you get a subject and you have to
- 1:04:35
talk for a minute um as if you were an
- 1:04:37
expert.
- 1:04:38
>> I have my phone. Yours is dead. It's
- 1:04:39
It's from 2004.
- 1:04:41
>> How dare you? How dare you?
- 1:04:43
>> Okay.
- 1:04:43
>> Okay. So, you I have to try and you have
- 1:04:46
to re try to be convincing. You have to
- 1:04:48
be You can't be like jokey. You have to
- 1:04:49
be like you're giving a talk on this
- 1:04:51
thing. Okay.
- 1:04:53
>> I tell you yours.
- 1:04:54
>> Okay.
- 1:04:55
>> Yes. Yes. Yes. Yes.
- 1:04:57
>> Um Okay. Uh you are an expert on um
- 1:05:05
corn.
- 1:05:06
>> Okay. Three, two, one.
- 1:05:11
>> Before you start talking about the
- 1:05:13
individual varieties of corn, you really
- 1:05:15
have to understand what corn means to
- 1:05:17
America.
- 1:05:18
>> And what corn means to America is a
- 1:05:21
sense of community.
- 1:05:23
>> It means that we as a nation are coming
- 1:05:27
together to create a crop that means we
- 1:05:31
will be okay. Corn represents
- 1:05:35
safety and security. Wow.
- 1:05:37
>> And so the varieties of which I'll talk
- 1:05:39
about all of them today,
- 1:05:40
>> of course,
- 1:05:41
>> um they in many ways represent our
- 1:05:45
relationship to corn in general, how
- 1:05:48
we've gotten to know it, how we've
- 1:05:50
gotten to grow it,
- 1:05:51
>> right? [laughter]
- 1:05:54
>> And and how we use that incredible crop
- 1:05:58
which has sustained
- 1:06:00
>> our forefathers,
- 1:06:02
>> right?
- 1:06:03
how we've used it to find out about
- 1:06:05
ourselves.
- 1:06:06
>> Right.
- 1:06:07
>> So, let's get started first with
- 1:06:09
>> a [laughter] minute.
- 1:06:12
You got so good.
- 1:06:13
>> I mean, that's really good.
- 1:06:15
>> I felt like I was
- 1:06:16
>> all a kernel.
- 1:06:17
>> Okay, now you go. We're all
- 1:06:19
>> We're all kernels.
- 1:06:20
>> Okay.
- 1:06:21
>> Okay.
- 1:06:21
>> You are an expert on um uh the invention
- 1:06:25
of penicellin.
- 1:06:27
>> Okay. Count me down.
- 1:06:29
>> Here we go.
- 1:06:31
Um so penicellin in uh many ways is a
- 1:06:37
reaction
- 1:06:39
>> right? Um, penicellin is a reaction to
- 1:06:43
the effects of the penicellin before
- 1:06:46
penicellin
- 1:06:48
alcohol, right? For many years, alcohol
- 1:06:52
was penicellin. But what's the deal with
- 1:06:54
alcohol right?
- 1:06:55
>> You drink it, you drink it, you drink
- 1:06:57
it, you numb yourself in the pain, but
- 1:06:59
there's an emotional experience. Yeah.
- 1:07:01
>> The beauty of penicellin is that it
- 1:07:04
gives you all of the benefits of alcohol
- 1:07:07
without
- 1:07:09
the hangover and the emotional moments,
- 1:07:13
you know. And um a lot of people don't
- 1:07:14
know this, but um in uh 1879,
- 1:07:20
um Jeffrey L.
- 1:07:24
Sillin
- 1:07:26
>> Oh.
- 1:07:26
>> He goes he goes, "What are we going to
- 1:07:30
do?" Right. He he figures this out and
- 1:07:33
then he goes, "How do we get it in
- 1:07:34
people?" Something like a pen.
- 1:07:39
And that's actually penicellin was
- 1:07:41
backwards also the creation of the
- 1:07:43
syringe.
- 1:07:44
>> Whoa. I don't know. I know that.
- 1:07:46
>> And that's a minute and 15.
- 1:07:49
[laughter]
- 1:07:51
You had me until you said and he goes
- 1:07:55
[laughter]
- 1:07:57
>> Jeffrey Elsa
- 1:07:58
>> and Jeffrey and he goes what are we
- 1:08:00
going to do? [laughter]
- 1:08:03
>> I think I I bet I was at a minute before
- 1:08:05
that. But wow, you were very good with
- 1:08:08
corn and thank you for penicellin. You
- 1:08:11
knew science was not my thing. I went to
- 1:08:13
summer school for chemistry as well
- 1:08:15
>> and I failed. And he goes and he goes
- 1:08:18
and Jeffrey [laughter]
- 1:08:20
>> what are we going to do?
- 1:08:21
>> What are we going to do? And that's one
- 1:08:23
of the biggest questions in science
- 1:08:24
[laughter]
- 1:08:25
>> is when Jeffree
- 1:08:26
>> that is one of the biggest questions.
- 1:08:28
>> One of the biggest what are we going to
- 1:08:29
do? Whenever something has an obstacle
- 1:08:33
has arrived every major scientist in
- 1:08:36
history has said what are we going to do
- 1:08:40
and so that's you know and I'll tell you
- 1:08:43
what we're going to do here today. wrap
- 1:08:46
this up. A lot of people in the comments
- 1:08:49
here live are saying, "Keep going. You
- 1:08:52
want more." I'm seeing the comments. Hey
- 1:08:54
chat [laughter]
- 1:08:55
>> I know guys, I want to stay. Let the
- 1:08:58
record show. It's like a lot. Oh my god.
- 1:09:00
A super chat. 500 bucks. 500 bucks if I
- 1:09:03
stay. Thank you, Lizard King 45.
- 1:09:06
[laughter]
- 1:09:07
>> Thank you, buddy.
- 1:09:08
>> And then what are you watching right now
- 1:09:10
listening to?
- 1:09:12
>> Who makes you laugh, Marcel? How much
- 1:09:14
time do we have?
- 1:09:16
>> Not a lot. That's a fact.
- 1:09:18
>> I just need one
- 1:09:19
>> one thing I'm watching. Okay.
- 1:09:21
>> What are you liking watching? Listening.
- 1:09:24
You listen to I know you're a bit of a
- 1:09:25
culture vulture. I can tell.
- 1:09:26
>> I do I do love listening to you. I
- 1:09:28
listen to you in uh shorts. I watch the
- 1:09:31
shorts. I understand.
- 1:09:33
>> Um to have a laugh. Um
- 1:09:36
>> to have a laugh is it's tough. I I I try
- 1:09:39
to stay like I almost try to like keep
- 1:09:41
>> I know. You ever do that?
- 1:09:42
>> Yes. It's hard to That's why I ask cuz
- 1:09:44
I'm like I want to watch more comedy. I
- 1:09:46
watch a lot of dark stuff and I need to
- 1:09:48
like Is there a video? Is there a video
- 1:09:51
that you play that you love?
- 1:09:52
>> There's one. This is kind of
- 1:09:54
>> It's just on your phone.
- 1:09:55
>> Yeah, it's only for me. Um
- 1:09:56
>> I can look it up on my laptop too
- 1:09:58
>> to play it. Um
- 1:09:59
>> No, we don't have that capacity.
- 1:10:00
>> Oh, okay. Um, I I recently watched this
- 1:10:05
video of a guy who can cry on command.
- 1:10:09
>> Oo.
- 1:10:09
>> And he's talking about how his um
- 1:10:12
>> Is this on TikTok?
- 1:10:13
>> Yeah, I'll show you. It's really crazy.
- 1:10:16
And um he he's just crying cuz his tire
- 1:10:19
is flat [laughter]
- 1:10:23
and and it's like really intense. And I
- 1:10:28
laughed so hard. I'm tired.
- 1:10:31
>> It's [ __ ] Monday.
- 1:10:33
>> Left this [ __ ] school in the street.
- 1:10:36
>> I'm tired. It's [ __ ] Monday and I'm
- 1:10:39
DEALING WITH THESE PROBLEMS. [screaming]
- 1:10:41
>> MARCELO, we
- 1:10:43
>> we got to go. I know. It sucks. It's
- 1:10:46
like when you go to your aunt's house
- 1:10:48
and you're like, "You're my aunt. I love
- 1:10:50
you and I like to be at your house." And
- 1:10:52
then you go, "I know, but I have a life
- 1:10:53
as well." And [laughter] you go, "Okay,
- 1:10:55
I get it. Send me back to where I came
- 1:10:58
from." But I love visiting my nephew. I
- 1:11:00
love when he brings me flowers.
- 1:11:01
>> I did bring you flowers. They're big,
- 1:11:04
too.
- 1:11:04
>> They're absolutely gorgeous.
- 1:11:06
>> They really are gorgeous.
- 1:11:08
>> Thank you so much.
- 1:11:09
>> Thank you, Marcel. You're the first
- 1:11:10
person to ever bring me flowers on this
- 1:11:11
show.
- 1:11:11
>> Is that true?
- 1:11:12
>> And I want that to go down in history.
- 1:11:15
[laughter]
- 1:11:16
>> Thank you to Amy Polar. I'm so inspired
- 1:11:18
by you. I'm serious. You have to do it
- 1:11:20
to people all day long. It's almost like
- 1:11:22
what you do at this podcast. And I think
- 1:11:24
it's ridiculous to give people
- 1:11:25
compliments cuz it sucks and it's weird
- 1:11:26
and it hurts. It makes me feel weird
- 1:11:28
when I get a compliment, so I like to
- 1:11:30
attack with it. And you don't like it
- 1:11:31
either. Look at you. You don't like it
- 1:11:33
either, huh? I founded an institution.
- 1:11:36
>> Yes, you deserve it. You are powerful.
- 1:11:39
You are smart. You have a good family.
- 1:11:42
You have created a world for yourself.
- 1:11:44
You did podcasting for a week and then
- 1:11:46
got awards. You are insane. You're so
- 1:11:49
funny. At SNL, you are an example of how
- 1:11:51
we're supposed to be. And so many
- 1:11:53
comedians in the world have you to thank
- 1:11:56
for the platform you gave them by
- 1:11:58
somebody else and I'll tell you. Yeah.
- 1:12:00
Okay. And I just want to say a couple
- 1:12:01
more things. And Amy per the the
- 1:12:04
longevity of what you've done to start
- 1:12:06
where you started and then get to here
- 1:12:08
from SNL. They go okay she did SNL. Now
- 1:12:10
what? Now what? You're a savage on parks
- 1:12:14
and wreck. Dying of laughter. Dying of
- 1:12:16
laughter. Dying of laughter. You you
- 1:12:18
create stars. You create stars. Think
- 1:12:20
about the people on that show with you.
- 1:12:22
It's It's Nick Offerman. It's It's
- 1:12:24
Aubrey Plaza. And you're with them and
- 1:12:26
you're playing back and forth and the
- 1:12:28
people are laughing.
- 1:12:29
>> We've cut the feed.
- 1:12:30
>> Don't turn it off. Don't touch it.
- 1:12:32
>> We've cut the feed. We've cut the feed
- 1:12:35
like long ago. Don't look at the clock.
- 1:12:37
>> The clock's
- 1:12:39
bright ring blinking red.
- 1:12:42
>> A woman just wrote WTF. And I say a
- 1:12:45
woman because it's just this is what's
- 1:12:47
here.
- 1:12:47
>> I have a button under my desk and I just
- 1:12:49
pressed it. It's a security button.
- 1:12:50
>> It's a security button. They're coming,
- 1:12:51
aren't they? [laughter] And you know
- 1:12:52
what? I want her to drag me out of here.
- 1:12:55
He should be on every Mount Rushmore.
- 1:12:56
I'm actually getting upset. Okay, it's
- 1:13:00
time to hear my [laughter]
- 1:13:03
Okay. Thank you. I want to say a shout
- 1:13:05
out. Quick shout out to my mom, to all
- 1:13:07
the Latinos out there. Keep it. Keep
- 1:13:10
grinding, baby. We are not going
- 1:13:12
anywhere. We do need you to leave.
- 1:13:14
>> And that's um and uh you know what I
- 1:13:17
mean? to my sister, [laughter] my dad,
- 1:13:20
my stepdad, all the men in my life. My
- 1:13:22
uncle Beo, rest in peace. I love I love
- 1:13:25
you and I still love you. And my little
- 1:13:27
sister so talented [laughter]
- 1:13:30
and my girlfriend is beautiful. And
- 1:13:32
thank you guys, man. Wow.
- 1:13:34
>> Woo, Marcel.
- 1:13:35
>> Thank you. [crying] And you guys got to
- 1:13:37
get this woman a phone.
- 1:13:41
[applause]
- 1:13:42
>> Thank you so much, Marcelo. That was so
- 1:13:44
fun and a wild ride and thank you for
- 1:13:48
the flowers and so many hard laughs. And
- 1:13:51
you know, leave it to Marcelo to um
- 1:13:53
introduce me to a woman in comedy that
- 1:13:55
I've never heard of. So, uh, for this
- 1:13:57
Polar Plunge, I'm excited to, uh, dig
- 1:14:00
deep into the work of Sophia Nino de
- 1:14:03
Rivera, who, uh, is a an actress and
- 1:14:08
standup, um, born in Mexico City and,
- 1:14:11
um, who performs in English and in
- 1:14:13
Spanish and who is really, really funny.
- 1:14:15
So, check her stuff out. And thank you,
- 1:14:18
Marcelo, for introducing me and all of
- 1:14:20
us to a whole other world of great
- 1:14:23
people to laugh at and laugh with.
- 1:14:25
Thanks for checking out this episode of
- 1:14:27
Good Hang and we'll see you soon. Bye.
- 1:14:29
[applause]
- 1:14:30
You've been listening to Good Hang. The
- 1:14:32
executive producers for this show are
- 1:14:34
Bill Simmons, [music] Jenna Weiss
- 1:14:35
Berman, and me Amy Polar. The show is
- 1:14:38
produced by The Ringer and Paperkite.
- 1:14:39
[music] For The Ringer production by
- 1:14:41
Jack Wilson, Cat Spalain, Kaia McMullen,
- 1:14:43
Aia Xanerys, Bridget Gearlings, Paige
- 1:14:46
Garberini, Bel Roman, and Drew Vanstein
- 1:14:48
[music] Bergen. For Paperkite production
- 1:14:51
by Sam Green, Joel Levelvel, and Jenna
- 1:14:53
Weiss Berman. Original music by Amy
- 1:14:55
Miles.
- 1:14:58
>> Really good. [music and singing] Hey