Transcript: Kate Berlant on Good Hang with Amy Poehler
Full Transcript
Click any timestamp to jump to that moment in the video.- 0:05
Hello everyone and welcome to another
- 0:06
episode of Good Hang. We are very
- 0:08
excited about our guest today. It is
- 0:09
Kaperland comedian writer actress
- 0:13
and if you know Kate's work, you are
- 0:15
obsessed with her. And if you don't know
- 0:16
it that well yet, you are going to
- 0:18
become obsessed because Kate is here and
- 0:20
we are obsessed with her. And we're
- 0:22
going to talk about so many good things
- 0:23
today. We are going to talk about um
- 0:26
well uh chimney sweeps. We're gonna talk
- 0:28
about our obsession with our phone.
- 0:31
We're gonna talk about how men actually
- 0:33
feel about funny women. And we are going
- 0:35
to talk about her new comedy special
- 0:36
Parmesan, which is on HBO out right now
- 0:39
and is so good and I cannot recommend it
- 0:42
enough. Before we get talking to Kate,
- 0:44
we always do something on our show where
- 0:45
we talk to someone who knows our guest,
- 0:48
has a question to give me about our
- 0:49
guest. And we are going to talk to
- 0:51
another fellow hilarious performer,
- 0:54
writer, actor, John Early. You might
- 0:57
know John from Search Party. You might
- 0:59
know John from Maddie Secret and the
- 1:01
many various hilarious videos and
- 1:03
specials that him and Kate have done
- 1:05
together. So, let's see if we can get
- 1:07
John on the phone or the Zoom, however
- 1:11
we're talking to you, John. HI.
- 1:20
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- 1:21
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- 2:04
>> John
- 2:05
>> Amy.
- 2:08
>> Oh my god, it worked.
- 2:12
>> Can you see me?
- 2:13
>> You know what I never really noticed?
- 2:15
And I'm noticing right now how blue
- 2:17
those eyes are of yours. Shut up.
- 2:23
>> That's really sweet. Well, they are.
- 2:26
>> You are blue eyes.
- 2:29
>> I'm kind of far back. Or you're kind of
- 2:30
far back. Are you You're blue.
- 2:32
>> I'm blue as well. Yeah.
- 2:33
>> Okay. Well,
- 2:34
>> and I just read somewhere that we should
- 2:37
be wearing sunglasses all the time.
- 2:40
>> No, you're kidding.
- 2:42
>> My
- 2:43
>> Because it's it's where we're more
- 2:44
susceptible to like vision
- 2:46
>> damage. Sun damage. I sund damaged eyes.
- 2:50
>> Wow. I have 2020. No offense.
- 2:54
>> Brag. No, I do not. You still have 2020.
- 2:58
>> I still do somehow.
- 3:00
>> That's incredible.
- 3:01
>> Thank you.
- 3:02
>> I do not. I've got reading. I've got
- 3:05
glasses for reading and it's going
- 3:06
downhill really fast.
- 3:08
>> Kate has reading glasses. You guys could
- 3:10
talk about that.
- 3:11
>> John Early, it is really good to see
- 3:12
you.
- 3:13
>> It's so good to see you. I'm so
- 3:15
starruck.
- 3:16
>> You're nuts. I am
- 3:19
>> John. Right back at you. You know, we
- 3:21
were we were watching we were
- 3:22
re-watching Vicki with a V and Maddie
- 3:25
Secret before we get got on and we were
- 3:28
we were saying like there's certain
- 3:30
people when they um when they portray
- 3:35
female characters that it feels like
- 3:37
aggressive.
- 3:38
>> Yeah. Yeah.
- 3:39
>> Uh and you
- 3:40
>> they're working through something.
- 3:41
>> They're working through something.
- 3:42
>> Well, and I clearly am too, but
- 3:44
>> Well, we all are. It's maybe it's maybe
- 3:47
more um coming from some sort of
- 3:51
childlike longing and not necessarily an
- 3:53
aggression.
- 3:54
>> No, it feels very nice. It feels like it
- 3:57
feels very like it just makes me feel
- 3:59
nice and safe. It doesn't make me feel
- 4:00
weird.
- 4:00
>> Oh my god. Thank god.
- 4:04
>> For people that don't know, you and Kate
- 4:06
have created so many works of art
- 4:09
together.
- 4:10
>> Thank you.
- 4:11
>> And you are like partners, but not
- 4:13
partners. You do your own separate
- 4:15
things always, but when you come
- 4:17
together, there's like this special
- 4:18
language. Like there's a comedy
- 4:20
language, but it always consists of this
- 4:24
very thrilling deep dive into something
- 4:28
like it's always really deep and always
- 4:32
funny.
- 4:32
>> Thank God.
- 4:33
>> When did you first meet Kate? Let's talk
- 4:36
about that origin story. We first met
- 4:40
when I was I guess we were both like 24.
- 4:45
Um which was last year.
- 4:49
>> Um
- 4:50
>> and uh we we met like okay we met
- 4:55
basically doing our mutual friends
- 4:57
comedy show.
- 4:58
>> Mhm. And you know, I I just had never
- 5:01
met someone around my age who uh who was
- 5:05
as funny as like my idols, you know.
- 5:09
>> Yes.
- 5:09
>> It it was so crazy. I always figured,
- 5:12
you know, the people around me were
- 5:14
we're all going to be kind of
- 5:15
collectively trying to get to that
- 5:18
level. We'll spend our whole lives and
- 5:19
we'll always and we'll always fail, you
- 5:21
know, we'll always fall short. But I was
- 5:23
like, she is just like right there.
- 5:25
>> Mhm.
- 5:26
>> She's already there. She's like already
- 5:28
in a Christopher Guest movie, you know,
- 5:31
in my mind.
- 5:32
>> And that night when we were separating,
- 5:35
we were just kind of like we kind of
- 5:37
like
- 5:38
>> said our vows to each other and we were
- 5:40
like we were like, "Let's have us like a
- 5:42
sleepover tomorrow
- 5:43
>> and we just like started our friendship
- 5:45
the next day." We just like knew and and
- 5:47
and I went over to her apartment and we
- 5:50
we just did not separate really until
- 5:53
she moved to LA. We spent like almost
- 5:57
every single day together, every night
- 5:59
together. I would literally run out of
- 6:01
clothes. I would run out of underwear
- 6:04
and from spending the night at her
- 6:05
apartment so much. And I would just go
- 6:07
to CVS and get a pack of Hannes
- 6:11
>> and I'd wear the same shirt and pants
- 6:13
every day and I would just run out of
- 6:16
Hannes and go get a new pack.
- 6:17
>> And Cuz you're like, there's no way I'm
- 6:19
leaving this apartment.
- 6:20
>> I'm not going back to my apartment. I
- 6:21
refuse. And we and Amy, we slept in the
- 6:23
same bed. M
- 6:25
>> and we literally and the room was as big
- 6:28
as the bed her like there was a foot of
- 6:30
space on on uh the on one two sides of
- 6:34
the for it was tucked into a corner you
- 6:36
know and we would just we slept like
- 6:40
angels like that was the first thing we
- 6:42
noticed was like we were like what is
- 6:44
this like otherworldly sense of comfort
- 6:46
we have with each other that we can
- 6:48
share a bed
- 6:50
>> I'm sure you've been asked to explain
- 6:51
this but the stuff that you guys did
- 6:53
together. How would you explain that
- 6:55
type of comedy
- 6:57
>> if you were to have to explain the style
- 6:58
of it? I can try, but I'd like to hear
- 7:01
I'd like to hear what you say.
- 7:02
>> Okay. Um Okay. Yeah, it it is really
- 7:07
hard.
- 7:08
I mean, obviously, one thing that we
- 7:10
love to do is like, you know, passive
- 7:14
aggression.
- 7:15
>> Yes.
- 7:16
>> You know, we we love it so much.
- 7:19
>> Why do you love it so much? Why do you
- 7:20
Why does Kate love it so much? Why do
- 7:22
you love it? I mean, I do too, but what
- 7:24
do we love about it?
- 7:25
>> Well, I think I think I love it cuz I
- 7:28
come from like the South and which is
- 7:31
like a a really,
- 7:34
you know, you could say the the
- 7:36
birthplace of massive oppression.
- 7:38
>> Um, like I come from kind of like
- 7:40
Protestant world where like that is just
- 7:43
in the water. It's just like you don't
- 7:46
you don't express your anger so you ha
- 7:49
it has to come out another way. I think
- 7:51
for Kate, she's a she's been around a
- 7:55
lot of authoritative
- 7:58
>> um artistic people.
- 8:01
>> And I think maybe that's where it comes
- 8:03
from is like people who speak with a
- 8:05
kind of like I mean avantguard authority
- 8:09
or whatever. It's like that there's a
- 8:10
there's a way that that can be
- 8:12
incredibly hostile.
- 8:13
>> Mhm. you know, while even if you're
- 8:16
speaking in this very measured academic
- 8:18
way, you know, you're like and and so
- 8:20
maybe that's where it comes from for
- 8:21
her.
- 8:22
>> Yes. There there's like a way in which
- 8:23
you guys play around and in her new
- 8:25
special she does in Parmesan her new
- 8:27
special she does this where you play
- 8:29
around with superiority.
- 8:31
>> Yeah.
- 8:32
>> Like that's what you you put that coat
- 8:34
on and take it off. And of course the
- 8:36
other side of that is inferiority
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always,
- 8:38
>> right? It's like and I think that if we
- 8:40
if we're playing people who and this is
- 8:43
I think actually Kate's specialty is
- 8:45
like this um this like the foolishness
- 8:49
of like authority and um you know yeah
- 8:52
pretentiousness
- 8:54
I hope so
- 8:55
>> the certainty part is so real because
- 8:58
especially like in today's culture like
- 9:01
we're surrounded by experts
- 9:03
>> it's so intense and I and I really I I
- 9:06
think it's time for Kate to kind of like
- 9:07
seize her throne as like the great
- 9:09
imitator of those things. She really can
- 9:12
like what what's so crazy about working
- 9:15
with her is like I mean it's like it's
- 9:17
awful for me because it's like I'm like
- 9:19
across from her. I'm like cool I have
- 9:20
nothing. I'm like I'm just like how do
- 9:22
you I'm always shocked.
- 9:24
>> I'm very sorry but I disagree. I feel
- 9:27
like I'm going to say right here John
- 9:29
that your volley is it is like Agassy
- 9:33
and Sris.
- 9:36
I believe they played together. I hope
- 9:38
they did. But it is that the back and
- 9:41
forth is
- 9:43
>> it is Federer and Nadal.
- 9:46
>> Thank you.
- 9:48
>> Excuse me. Well, you'll notice that I'm
- 9:49
always I'm like always screaming.
- 9:53
>> Yeah. Well, louder is funnier.
- 9:55
>> Well, I think she's also, and I'm sure
- 9:57
you'll get into it minute one, but you
- 9:59
know, she's an only child.
- 10:00
>> Oh, yeah.
- 10:01
>> And so there's like there is such a the
- 10:03
only child has to like entertain
- 10:05
themselves in the mirror, you know?
- 10:07
>> Right. and and and she comes, you know,
- 10:09
artist, father, like, you know, she was
- 10:12
around these very at a very young age. I
- 10:15
mean, she was like under the table, uh,
- 10:17
you know, as like with all these like
- 10:19
kind of very like genius LA modern
- 10:23
artists, abstract artists, probably
- 10:25
having incredibly pretentious,
- 10:28
indecipherable, illeible conversations,
- 10:31
you know, and so I think she literally
- 10:33
learned before she was like even
- 10:35
conscious, she learned how to like
- 10:38
imitate just like absorb those sounds
- 10:40
and like to in order to participate cuz
- 10:43
she was bored. Yes.
- 10:45
>> Okay. Do you have a question for Kate
- 10:48
today? Anything you think I should ask
- 10:50
her?
- 10:50
>> I have a few that you should pick from.
- 10:53
>> Okay, great.
- 10:54
>> Like some of them are just
- 10:56
they're kind of inside jokes.
- 10:58
>> Great. Perfect.
- 10:59
>> But I actually think if you get into
- 11:01
them, they will be deep.
- 11:03
>> Fantastic.
- 11:04
>> They'll be generative. Okay. So, one is,
- 11:08
"Do you miss Paris?"
- 11:09
>> Fantastic. Do you miss Paris? Perfect
- 11:11
question.
- 11:12
One is uh do you think you're funny? Oh,
- 11:15
>> incredible. In Kate's special, she goes
- 11:19
deep on this idea that comedy isn't
- 11:21
funny. And it's incredible
- 11:24
cuz I agree.
- 11:25
>> Yes, it's not funny. And also, this is
- 11:27
like this is something that we we make
- 11:30
ourselves laugh very very hard. We'll
- 11:32
just like if if like suddenly a silence
- 11:35
falls, like there's like a lull in the
- 11:36
conversation, I'll be like, "Do you
- 11:38
think you're funny?"
- 11:40
and like and and then we'll and we'll
- 11:42
try to answer and she'll do it back to
- 11:43
me like, "Do you think you're funny?"
- 11:44
And then and then I'll be like, "Do you
- 11:45
think I'm funny?"
- 11:48
>> And then we're like, "Um, can I be
- 11:49
honest?"
- 11:53
>> It's a favorite It's a favorite inside
- 11:55
joke. But I do think it like it's an
- 11:56
inside joke, but she if you actually ask
- 11:59
her, something good could come out.
- 12:00
Great.
- 12:01
>> Um,
- 12:02
>> one is how are the kids?
- 12:07
>> Perfect questions.
- 12:10
Um, one is related to the special. So,
- 12:13
are you gay or what?
- 12:15
>> Yep. We're going to get into it
- 12:17
hopefully. Kate really talks about how
- 12:19
she's gay.
- 12:21
That's I guess that's the way the
- 12:23
fastest way to put it.
- 12:24
>> Yeah.
- 12:25
>> Yep. Okay. Great. Are you gay or what?
- 12:27
>> Final one is shoes on or off?
- 12:29
>> Shoes on or off.
- 12:31
>> Like as a host.
- 12:32
>> These questions are incredible.
- 12:34
>> And did you get my email about Kate's no
- 12:36
fly zones? No, I'm gonna look along.
- 12:40
>> Okay, got good to know. I'm gonna look
- 12:42
at it right now.
- 12:43
>> Good.
- 12:44
>> Good. Thank you for that. Thank you.
- 12:46
>> She doesn't have a manager and no one
- 12:47
will represent her. So, I've taken it on
- 12:49
as we're doing the special.
- 12:51
>> Thank you for that. Yeah, that's
- 12:52
important to see and thank you for
- 12:53
bolding everything in all caps. I
- 12:55
appreciate that.
- 12:57
>> Okay.
- 12:58
>> Okay. Bye, John. Bye, y'all.
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- 14:35
>> Get in frame. We cannot talk unless
- 14:37
we're in frame.
- 14:38
>> Keep going. Who's that? Okay. You got to
- 14:40
get in like this. Amy that fast now. Is
- 14:43
there who?
- 14:44
>> We got
- 14:46
We got to get you in frame. We cannot
- 14:48
speak unless we're rolling.
- 14:49
>> Yeah. Don't scroll past. You look
- 14:51
amazing.
- 14:52
There were there were lipsticks in the
- 14:54
green room. Yeah. And I thought I was
- 14:56
like, "God, this is so classy." Like
- 14:57
everyone who comes you get like you get
- 14:59
this huge box of lipsticks and I'm going
- 15:01
I'm looking at the colors and then I
- 15:02
asked and they were like, "Oh, um, yeah,
- 15:04
Jennifer Lawrence left those few few
- 15:07
months back."
- 15:07
>> Yeah.
- 15:08
>> And so you've had month you have had
- 15:09
months of guests who look at that, they
- 15:11
go, "I'm fine. I don't need to engage in
- 15:13
that." I look at it. I already text it
- 15:15
to my mother, my partner, my best
- 15:17
friend. I'm like, "We made it." And I'm
- 15:20
taking it home. Actually, now you have
- 15:22
to because you've touched all of them.
- 15:23
>> Exactly. Well, they were they were
- 15:24
unused, so I go, "Well, this is
- 15:26
definitely a gift. This is a promotional
- 15:27
gift to me."
- 15:28
>> It absolutely is a gift now. It is.
- 15:29
You're taking all of those lipstick
- 15:31
home.
- 15:31
>> Anything free.
- 15:32
>> Kate Bland is here. Kate, on the drive
- 15:34
over here, I just want to give you
- 15:38
I want to give you a compliment.
- 15:40
>> I receive them. Well, I'm not one of
- 15:42
these me. No. I'm like, please.
- 15:45
>> Okay.
- 15:46
driving over here, I was filled with
- 15:48
glee cuz I was like, "This conversation
- 15:50
is going to be so fun, so funny, so
- 15:54
deep.
- 15:55
>> I love seeing you and never get to and
- 15:58
like this is a chance to just actually
- 15:59
hang out with you."
- 16:00
>> Yeah.
- 16:00
>> I loved your special. I watched it last
- 16:02
night. It's so
- 16:04
>> Thank you for watching it. Thank you.
- 16:06
>> You're welcome. Because I don't always
- 16:08
watch all of the things.
- 16:08
>> Well, I figure I was doing dishes last
- 16:10
night and I go, "By the way, she's not
- 16:12
going to watch it." And that's fine. I
- 16:14
know. She's so busy.
- 16:15
>> Sometimes I like I can't get to it.
- 16:17
>> You know I love you. Couldn't watch it.
- 16:20
Girl, I would have been like of course
- 16:21
you have so much to do. The media that
- 16:23
you're it's too much.
- 16:24
>> I couldn't wait to watch it and all of
- 16:26
us watched it. Love it.
- 16:28
>> But more than that, you are this giant
- 16:31
brain
- 16:33
avantgard interesting artist who is also
- 16:36
warm and nice.
- 16:38
>> It's hard to find those two things.
- 16:40
Sometimes people are like really nice
- 16:42
but maybe not adventurous in their art.
- 16:44
And sometimes people are like really
- 16:46
prickly, sharp, interesting artists who
- 16:49
maybe don't want to talk.
- 16:50
>> Yeah.
- 16:51
>> You to me are like the perfect
- 16:53
combination of those two things. You
- 16:55
talk about things that I am obsessed
- 16:57
with. Everything in your special it is
- 16:59
hitting me in such a deep way and I love
- 17:02
your work and you. It's okay. Brilliant
- 17:03
to see her.
- 17:05
>> Okay. Bye.
- 17:05
>> By the way, that was all on a prompter
- 17:06
just for people at home. It seems
- 17:08
authentic. I saw her and I go and
- 17:10
everything she said. Um, no. I love you
- 17:14
so much. You're Thank you. That's like I
- 17:16
I that's such kind words. It means so
- 17:19
much to me. And I
- 17:21
grew up with a picture of you on my
- 17:23
wall. I mean, it's we get to that, you
- 17:25
know, I told you this. I had the Upright
- 17:26
Citizens Brigade Manifesto printed out
- 17:29
on where the words where the text gets
- 17:31
really really tiny at the bottom. Like
- 17:32
I'm very like
- 17:34
>> we we have had the pleasure of being in
- 17:36
each other's simulations for a lot of
- 17:38
our lives. We we have and like the
- 17:41
topics that you talk about always speak
- 17:44
to me, but this latest special is
- 17:49
>> Oh, I can't wait.
- 17:50
>> Okay, I want to start there before we
- 17:52
get into the bigger picture of your life
- 17:53
because it is so top of mind and you
- 17:57
talk about the things that I love.
- 17:58
phones
- 18:00
>> and our love of my my phone is my best
- 18:03
friend.
- 18:03
>> Yeah.
- 18:04
>> Hair.
- 18:04
>> Yeah. I talk about hair.
- 18:06
>> Well, I talk about your hair in my mind
- 18:09
when I watch it.
- 18:09
>> Yeah. Totally. Thank you. Okay.
- 18:10
>> You don't talk about hair, but I want to
- 18:12
talk about your hair. It is
- 18:13
>> I got a haircut 3 days ago. Can you
- 18:15
believe it? The woman that cuts my hair.
- 18:16
She's amazing.
- 18:17
>> You with a haircut. Guan Fairfax, go get
- 18:19
her. She goes a few times. I go, she
- 18:22
only cut like an inch. Just an inch. She
- 18:23
goes, "I want extreme length for you."
- 18:25
And those words, "I want extreme length
- 18:27
for you. I want extreme length. And now
- 18:29
people I my it's extreme length. I'm not
- 18:32
going to go well I'm not going waist.
- 18:34
>> I noticed that your hair was longer than
- 18:36
usual and I was I was thrilled by it. I
- 18:39
love extreme length for you.
- 18:41
>> Okay. Thank you.
- 18:42
>> Um also you talk about the hell of being
- 18:45
a woman and how you you know rather have
- 18:48
it no other way. basically like the
- 18:50
combo of like what we are what we are
- 18:53
always negotiating with and that we
- 18:56
wouldn't trade it for anything like
- 18:57
that's what it feels like when I hear
- 18:59
your work.
- 19:00
>> Yeah.
- 19:00
>> And so for people um who are who are
- 19:03
maybe getting to know Kate for the first
- 19:05
time on this podcast, Kate is a comedian
- 19:08
and actress and um artist and she has a
- 19:11
new special uh on HBO called Parmesan.
- 19:14
And I would I would if you don't mind if
- 19:17
>> YOU'RE LAUGHING THEN DON'T EVEN BOTHER
- 19:19
tuning in.
- 19:22
>> I mean, but why is it called Parmesan?
- 19:25
>> Why is it called Parmesan? So, you know,
- 19:26
you hear this thing people go, "Oh,
- 19:28
here's a temp title. I'm not going to
- 19:29
call it Parmesan. That would be insane."
- 19:31
And it's one of those things that just I
- 19:34
it was just it was making me laugh
- 19:36
because it was just so ridiculous and
- 19:37
stupid. I think like I was talking to
- 19:39
Chelsea Pretty and she was like, "Oh,
- 19:40
you're doing a a special. What's it
- 19:42
called?" I said, "Parmant." I just
- 19:43
laughed and I was like, "Okay." Cuz it
- 19:45
it's just so deeply unserious and
- 19:47
ridiculous and what could that possibly
- 19:49
relate to? And by the way, the special
- 19:50
isn't about food in any way, right? Even
- 19:52
though you you love to talk about food
- 19:54
and you love restaurants.
- 19:54
>> I mentioned restaurants, but but uh but
- 19:57
no, Parmesan, if when when you watch the
- 19:59
special, you'll see it does reference a
- 20:01
joke in the in the special. And and not
- 20:03
to to to spoil the joke, but it's about
- 20:06
this idea of what we comment on,
- 20:10
what draws us to comment as people on
- 20:14
social media and on our phones, like
- 20:15
what we think is a way in which we're
- 20:17
going to connect with what we're reading
- 20:20
>> and the existential dilemma of that.
- 20:23
>> Yeah. Can you talk a little bit about
- 20:26
how addicted you are to your phone?
- 20:28
Because I am too and I genuinely
- 20:30
genuinely genuinely am.
- 20:32
>> I relapsed so hard. So
- 20:34
>> do you do you have work or program?
- 20:36
>> By the way, I have gone to ITAA
- 20:39
meetings. Internet technology addiction
- 20:41
anonymous. I don't know if I'm supposed
- 20:42
to say that. I don't know.
- 20:43
>> I actually would.
- 20:45
>> No, they're slow.
- 20:47
>> Save a seat for me as they like to say.
- 20:48
I've done I've done the Zooms twice, but
- 20:51
but still I was still I shared but I
- 20:54
like we do need help cuz we are in the
- 20:57
fight for our lives.
- 20:58
>> Yes.
- 20:58
>> And it's the kind of thing that it's
- 21:00
become it's like the weather. It's like
- 21:01
this thing that we're just in and it
- 21:02
kind of feels like
- 21:04
>> why bring it up? Why talk about it? But
- 21:06
I I can you know I've gone on on I was I
- 21:09
had six weeks of sobriety. I did a six
- 21:12
week cleanse. Nothing. I've done I've
- 21:14
done a month a few times.
- 21:15
>> Okay. Can you just step me through this?
- 21:17
What do you mean by nothing?
- 21:18
>> Okay, so
- 21:21
nothing. Me in a room. No. So what it is
- 21:23
is by nothing I mean no social media
- 21:25
whatsoever.
- 21:26
>> Yeah. Sure. Sure.
- 21:26
>> So I still have email and I'm still
- 21:28
texting 24/7 and doing anything else.
- 21:31
>> But no scrolling.
- 21:32
>> No scrolling.
- 21:33
>> And no Yeah. And not looking at
- 21:36
Instagram reels and no social media. Not
- 21:39
posting anything.
- 21:40
>> None of that.
- 21:40
>> Yes.
- 21:41
>> And the sixth week was really good. And
- 21:44
I said, I go, "I'm not going back this
- 21:46
time."
- 21:47
>> I like was telling everyone, I was like,
- 21:48
"No, I'm out." Yeah. No, I'm out. I'm
- 21:50
I'm out and I am right back. And like
- 21:53
last night, I found myself I was like
- 21:55
got home late
- 21:56
>> and I was like, I've had a long day of
- 21:58
working. You know what? I'm going to
- 21:59
unwind. I'm going to curl up on the
- 22:01
couch. And I and I'm and that's the
- 22:04
moment when it becomes infused with this
- 22:06
feeling of rest. Like this is rest. And
- 22:07
it's not.
- 22:08
>> It's actually chipping away in the
- 22:10
digital labor minds. And so I you know,
- 22:13
and I'm like, "Yes." And so, I mean, I
- 22:16
have it in the bath now.
- 22:17
>> Of course I have.
- 22:18
>> Of course, because I was doing bads, no
- 22:19
phone, and I go, "Babs, no phone." And
- 22:21
suddenly it's 1904 and I'm a novelist.
- 22:24
And it's like, and by the way, when you
- 22:26
go off your phone, I have found three
- 22:28
weeks of no scrolling.
- 22:31
>> Memories. I'm driving. Childhood
- 22:34
memories. Like, it's unbelievable. I'm
- 22:36
like, I'm back in the kitchen and I'm 10
- 22:37
years old and my father comes like like
- 22:39
it's like my brain is like, "Thank you."
- 22:41
it's opening up and it's flooding me
- 22:43
with images and and and it's like you
- 22:45
just start to think again. You start to
- 22:47
be more intimate with your life. And
- 22:49
that's the thing that's the most
- 22:50
devastating. We can talk about of course
- 22:51
the the you know the this the horror
- 22:53
machine of this and like the fascistic
- 22:55
machine of it and all of that but then
- 22:57
just on the base level like on a
- 22:59
personal psychological level like you've
- 23:01
lost all intimacy with yourself and like
- 23:03
that's the that's the the the crisis of
- 23:06
it. It's just so devastating. And once
- 23:08
you get a little bit of that intimacy,
- 23:09
you're like, "All right, no, this is
- 23:11
actually this is really medicinal." I
- 23:13
>> I mean, this is why I love talking to
- 23:14
you. You can we can go deep end so fast.
- 23:17
And then you also have jokes.
- 23:21
>> Okay. Me um another thing that chilled
- 23:24
me to the bone and made me laugh out
- 23:26
loud um while I was listening to the
- 23:29
your special
- 23:30
>> on my phone.
- 23:31
>> I watched it on my phone. I'm so sorry.
- 23:33
is um the idea about how men say they
- 23:37
want to be with funny women but they
- 23:39
hate funny women
- 23:41
is
- 23:42
>> let's go there
- 23:43
>> honey it is like it it's giving me a
- 23:46
flush right now actually think about it
- 23:48
it was so funny now the the idea the
- 23:51
sentiment of like funny women being a
- 23:54
threat isn't a necessarily a new one
- 23:57
>> but the way in which you present this
- 23:59
idea which is let me just for a minute
- 24:01
trouble this what and and present what
- 24:04
men actually want.
- 24:05
>> Yeah. Yeah.
- 24:06
>> What do you think in your way that is
- 24:10
like can we talk about that for a
- 24:12
second? How did you come up with just a
- 24:14
lifetime of being funny?
- 24:15
>> Well, I can actually tell you. So, I
- 24:17
there's this like central memory which
- 24:20
I've been like a ham and a goof since I
- 24:22
was like a baby, right? But I remember
- 24:24
so I went to an all girls school and I'm
- 24:26
strong if my girls are going to single
- 24:28
sex. Okay. You got to separate the
- 24:30
girls.
- 24:30
>> Did you like single sex school? Did you
- 24:32
like What do you think, sweetie? Yeah.
- 24:34
>> Yeah. You
- 24:35
>> free and then never free again.
- 24:36
Graduated and was never free. Yeah. No,
- 24:38
I I like
- 24:41
Thank God. And I started comedy. I did
- 24:43
stand up for the first time when I was
- 24:44
17 at my high school.
- 24:45
>> I read this in the basement of your high
- 24:48
school.
- 24:48
>> Yeah. So, but anyway, but so I was
- 24:52
always, of course, you know, the class
- 24:53
clown, all of that. And then I one day
- 24:55
after school, I was 14, 15, maybe 15
- 24:59
after school with a really cool and like
- 25:02
a cool guy like after school there's
- 25:04
like two cool guys in the room drum kit
- 25:06
listening to Neil Young Harvest like
- 25:08
what's this? Yeah, it's pretty cool.
- 25:09
Like doing that.
- 25:10
>> Yeah.
- 25:11
>> With my friend who was a gorgeous like
- 25:13
Pack Sun model, you know, like truly.
- 25:15
And she's over there and I'm here like
- 25:17
like talking to the guys.
- 25:18
>> Yeah.
- 25:18
>> And this guy who was like the really
- 25:20
popular cool guy, he was laughing and he
- 25:22
was like, "God, you know, you're really
- 25:23
funny." I was like, he was like, "You
- 25:24
should be careful though. Guys don't
- 25:25
like funny girls cuz it reminds them too
- 25:27
much of other guys."
- 25:31
I remember I was leaning against the
- 25:32
wall. I was sitting on the bed like
- 25:34
this, leaning against the wall and it
- 25:36
was like, "By the way, thank you for the
- 25:38
truth." And the honest say that I was
- 25:39
going to say that's an unbelievable
- 25:41
gift.
- 25:41
>> There it is.
- 25:42
>> There it is.
- 25:43
>> And
- 25:45
>> he was not wrong.
- 25:46
>> I heard it. It went in and I went,
- 25:49
"Yeah, I'm going to carry this weight
- 25:51
for the rest of my life." And it and it
- 25:53
was like it's really so so yeah I've
- 25:56
been kind of like teasing that out.
- 25:58
>> Yes. Well because also there's a the
- 26:02
bigger thing also behind it is there's
- 26:04
obviously like to be funny is to be a
- 26:07
little embarrassing and men hate being
- 26:10
embarrassed.
- 26:10
>> Go like this.
- 26:13
>> Everyone's like why? It's like no it's
- 26:15
cuz you're going
- 26:17
it's like that's why they're not kissing
- 26:19
you. No but like totally It is. It's
- 26:22
like, but it's
- 26:23
>> it's manifold. And by the way, if you I
- 26:25
want to just say this to clear the
- 26:26
record. Of course, there are guys who
- 26:28
like Of course I've dated them. You've
- 26:30
dated. We've all of course they exist.
- 26:34
It's like this does ex exist. It is
- 26:38
true. It's like if you're doing comedy,
- 26:40
you're you know, it's a historically
- 26:41
masculine role, you know, in society,
- 26:44
whatever. It
- 26:45
>> it just creates this like rupture. It's
- 26:47
like a weird like gender performance
- 26:48
thing that people are like. Like it just
- 26:51
it's it's
- 26:51
>> Yes. Rupture. Exactly. Right.
- 26:53
>> A divine rupture. I might argue a divine
- 26:54
rupture.
- 26:55
>> A divine one that's needed in our
- 26:57
culture. There's people who were voted
- 26:59
class clown women and in my school the
- 27:01
class clowns that were women were like
- 27:03
bad bad girls.
- 27:04
>> You know what's funny? So I was a good
- 27:07
girl in the sense that I slept at the
- 27:08
foot of my parents' bed, you know, my
- 27:10
entire life. Emotionally I was at the
- 27:11
foot. And so I was like a good girl.
- 27:15
like loved school, loved my friends, was
- 27:17
like, "Teacher, teacher," you know, like
- 27:19
I, you know,
- 27:20
>> um, but I did have a little bit of like
- 27:23
the the mischievous like, okay, I so a
- 27:27
bit of a prankster, benevolent pranks,
- 27:29
never hurt anyone. But I'm recalling
- 27:31
live, which is amazing cuz on the drive,
- 27:32
here I go. What are the stories? What's
- 27:34
my life? There's nothing. And then I'm
- 27:35
going, it's coming up. IT'S HAPPENING.
- 27:36
I'M HAVING MEMORIES. OKAY. SO, like
- 27:38
something that I used to do was, you
- 27:40
know, like the big drop down. This is
- 27:41
this is I could be arrested for this
- 27:43
actually. the big drop down maps like at
- 27:45
school of the world and of America. So
- 27:48
>> my little thing that I did is like I'm
- 27:50
gonna steal those for my for my bedroom.
- 27:52
So I so I would jump up, unscrew them
- 27:55
and walk out. And if you're walking if
- 27:57
you're 16 and you're walking with the
- 27:59
the map of the world out of the class,
- 28:02
they go, "Oh, she's supposed to do that.
- 28:04
Obviously someone asked her to move that
- 28:06
to the basement or whatever." So I
- 28:09
really got my rocks off doing that. And
- 28:12
I do have a bit of a klepto. I've
- 28:13
squashed it.
- 28:14
>> I I also have a bit of a klepto.
- 28:17
>> Well, I mean, women and and stealing and
- 28:19
kleptomania is very interesting and very
- 28:21
and because in a world where we feel
- 28:23
like, you know, we've been stolen from
- 28:25
what you said about makeup, how you feel
- 28:27
that women should be able to steal
- 28:29
>> safely and from big, you know, not mas,
- 28:31
but from the big guys, take a little
- 28:32
blush. Fine.
- 28:34
>> Yeah.
- 28:34
>> Yeah. We deserve it.
- 28:35
>> You're owed that blush
- 28:37
>> cuz a blush is mandatory,
- 28:39
>> right? And nobody's paying for it. the
- 28:41
government is not paying for our blush.
- 28:42
>> Tampons and blush has to be free.
- 28:47
>> Um, and then you also speak about um the
- 28:51
difference between dating men and dating
- 28:53
women because in the special you uh
- 28:55
congratulations,
- 28:57
you are gay now. Congrats.
- 29:00
>> Bye Amy.
- 29:02
Confused Amy.
- 29:05
Okay. I say gay is a shorthand because a
- 29:08
lot of people now, you know, bisexual,
- 29:10
you know, bisexual fem walks and they
- 29:11
go, "Oh, what? You kiss a girl in the
- 29:13
eighth grade, right?" And I'm going,
- 29:14
"No, I'm living that life." Actually,
- 29:16
>> right. I mean, this is so funny cuz I
- 29:18
talk about something special like
- 29:20
>> I'm genuinely obsessed with sexuality,
- 29:23
my sexuality. And it's like I also think
- 29:26
there's this like I grew up with this
- 29:27
narrative of like if you you know come
- 29:30
out later in life, it's cuz you had this
- 29:32
secret and you were like jerking off in
- 29:33
private and you were like no, no, no.
- 29:35
You know what I mean? It's like that's
- 29:36
not what my life was at all.
- 29:37
>> Yes.
- 29:38
>> Like I just was like always with men. I
- 29:40
fell in love with a woman. This like
- 29:41
other like room opened and I was like oh
- 29:43
>> yes.
- 29:44
>> And then of course and then I reflect
- 29:45
back and I go oh my god. And so then I
- 29:47
can be like wait so was it always I was
- 29:49
like my obsession with my PED teacher
- 29:50
and you know fourth grade I'm like
- 29:52
what's that?
- 29:54
>> She was gay. Yeah they all were. No, but
- 29:57
but like I go back and and so but I
- 30:00
guess I'm less interested in like
- 30:02
locking in to a certain category mostly
- 30:05
because I think what's interesting is
- 30:06
like failing and what's funny is like
- 30:08
failing within those categories. Like
- 30:09
I'm a failed straight woman for sure.
- 30:11
>> Yes.
- 30:12
>> But I'm still like I love the mall and I
- 30:14
love a beautiful, you know, like it's
- 30:16
like like
- 30:18
so what? But then but but I but like I'm
- 30:22
also like a failed gay woman.
- 30:24
>> Right. If I may, the thing you said
- 30:26
which I have never heard articulated
- 30:28
which and and that's why it was so
- 30:30
incredible because you're you're
- 30:33
>> because you've kind of lived in both
- 30:34
worlds. It's hot, right?
- 30:38
>> Because you've lived in both worlds.
- 30:41
the perspective of from kind of being
- 30:44
like on the other side looking almost
- 30:46
like back at what was like a way of
- 30:48
living and the realization that you came
- 30:52
to which is just again the comedic
- 30:54
realization but like all of your stuff
- 30:56
steeped in such truth is that
- 30:59
heterosexual relationships between men
- 31:01
and women kind of are often helpful to
- 31:05
women who don't want to be seen. And it
- 31:08
is
- 31:08
>> there it is. It is.
- 31:11
>> That's what fascinated me cuz I was
- 31:13
like, and by the way, I've had beautiful
- 31:15
relationships with men, but it's like
- 31:18
it's really fascinating to I did when I
- 31:21
kind of started to like be in like gay
- 31:24
relationships. I was like, oh, like
- 31:28
are I I truly was like, okay, are all
- 31:31
women are are women I believe that
- 31:33
straight women exist,
- 31:35
but is that all
- 31:36
>> people listening? Kate made a face like
- 31:38
>> but and I and I was like but is that
- 31:40
also just their way of being left alone
- 31:42
in a way? And I was like, and there
- 31:44
there's validity to that.
- 31:45
>> And and like obviously I'm also speaking
- 31:47
like everyone relax, okay? I know
- 31:49
there's straight people that are in love
- 31:50
and they're, you know, screaming,
- 31:52
laughing whatever but
- 31:54
>> but there is there is this inherent um
- 31:56
distance.
- 31:58
>> There's always distance between people
- 31:59
even in queer relationships, of course.
- 32:01
But there is this like there's this deep
- 32:04
distance between men and women. I am
- 32:07
also I think it's hard when you're when
- 32:08
you're comedian, when you're a class
- 32:10
clown, when you're an actor, I can
- 32:12
really love the performance of being of
- 32:14
femininity and God bless. And I am
- 32:16
attracted to masculinity. I love that
- 32:18
performance. So, I think there's
- 32:19
something there's something that is
- 32:21
always strange when it's only when
- 32:22
people don't know they're performing
- 32:24
that it starts to get scary.
- 32:26
>> That's exactly right. Like it was one of
- 32:27
my questions I wanted to ask you, which
- 32:28
is you're very good at this and we work
- 32:31
with a lot of people that are good at
- 32:32
this, which is we can mirror what people
- 32:35
want us to be like or like we can just
- 32:37
get in there and just be like I'm this
- 32:39
person. And the question for you is like
- 32:42
I think the the part of like growing up
- 32:44
and figuring yourself out is knowing
- 32:46
like that's actually expensive. Like it
- 32:48
takes something.
- 32:49
>> Oh yeah. Oh, the way the the full
- 32:52
performances I'm doing in case someone
- 32:54
sees I was just talking about this on my
- 32:56
podcast poo. But like airplanes are
- 32:59
really places where these performances
- 33:00
and gender really comes comes
- 33:01
pronounced. So like the other day I was
- 33:03
getting onto a plane and I had a
- 33:05
carry-on luggage to put overhead and
- 33:07
there was a guy right opposite and and I
- 33:09
kind of did this thing and he was like,
- 33:10
"Oh, like do you want to help with
- 33:11
that?" Whatever. I was like, "Yeah, do
- 33:13
you mind? Sorry." You know, whatever.
- 33:14
And and then he lifted it up and then I
- 33:16
said to him, I don't know why I go, I
- 33:18
have a shoulder thing I'm trying to not
- 33:19
aggravate.
- 33:21
>> And you made that up.
- 33:22
>> Yeah. Completely fake. And then I found
- 33:24
myself going, "Oh [ __ ] now I have to
- 33:26
kind of like do this shoulder injury.
- 33:29
I had another bag, a lighter bag to lift
- 33:32
up. And so I kind of lifted it up, but
- 33:34
in kind of like a like I I tried to
- 33:35
overcompensate, you know, and by the
- 33:37
way, he very well is bur buried in a
- 33:39
book. He's not even looking. But I'm
- 33:41
locked into the performance lest he
- 33:43
glance over." Yeah.
- 33:44
>> And then when we landed 6 hours later, I
- 33:47
go, "Time to get the show back on the
- 33:48
road." And then I was doing kind of, you
- 33:50
know, kind of
- 33:52
>> for who?
- 33:53
>> For who?
- 33:54
>> Who is watching? I know.
- 33:56
>> But don't you kind of think they're
- 33:57
watching?
- 33:58
>> Well, you know who's watching? I'm I'm
- 34:01
watching. Like that's the thing is like
- 34:04
>> the idea that like who we who are we
- 34:07
like what self is the real self is a
- 34:10
non-stop delightful journey for me. It's
- 34:13
it's absolutely endless and it's like
- 34:15
this is and this is where al also sex
- 34:18
sorry I said it someone had to
- 34:20
>> first comes in is like like and that's
- 34:24
why I think honestly class clowns and
- 34:25
this is where it can get hard funny on
- 34:27
funny two class clowns in bed it can get
- 34:29
complicated
- 34:31
>> you're right like that actually sounds
- 34:32
like oh god I don't know
- 34:35
>> you kind of need someone to go snap the
- 34:36
like no you need someone to be like [ __ ]
- 34:40
like unselfconsciously
- 34:42
like Like because I do I it's
- 34:45
complicated.
- 34:45
>> I'm obsessed with your relationship to
- 34:47
your own body on stage because like to
- 34:49
be looked at is already so intense and
- 34:53
the way you use your body to like ground
- 34:55
yourself in performance is so
- 34:58
interesting for me to watch.
- 35:00
>> You like like a dancer. I can feel the
- 35:03
way that you when I don't know when it
- 35:07
it feels like you regulate your thoughts
- 35:10
or anxiety or emotions by the way you
- 35:13
move.
- 35:14
>> No, I'm laughing. I love it because I've
- 35:15
never heard no one's ever seen me
- 35:16
before. So, thank you being seen for the
- 35:17
first time live. But, um, no, but but it
- 35:20
is actually, you're right. I've never no
- 35:22
one's ever said that or put that no
- 35:24
one's ever put this to me in these
- 35:25
terms, but it is how I self-regulate.
- 35:27
Like, there is like even like
- 35:29
>> it's it's like it's like that is
- 35:31
>> Yes. No, no, you are correct. And like
- 35:33
I, you know, love physical comedians.
- 35:36
Like I that's always what gets me and
- 35:39
like I've made crazy faces. I can't
- 35:40
stop. Help. You know, but but that is
- 35:43
how I get back inside my body, I think.
- 35:45
>> Yeah. It made me think about my own
- 35:46
stuff.
- 35:47
>> Me during tech. It's like, oh god. No.
- 35:51
But yeah. Yeah. It made me think about
- 35:54
like I I just did it now. Like my own
- 35:57
laughing. Like I love to laugh and
- 35:59
everyone's like I love to laugh and
- 36:01
laughing is so good for us.
- 36:02
>> And also laughing for me is expelling
- 36:05
anxiety like it is a way to just like
- 36:09
>> get shake out whatever is the feeling
- 36:11
that I'm having. And anytime dancing is
- 36:13
the same way for me. But it takes me so
- 36:15
long to realize that that is why I'm
- 36:17
doing something because I think
- 36:18
especially if you're like in the comedy
- 36:20
world or you're like a big thinker like
- 36:22
you're you're just like our brain we
- 36:24
just I use I'm like brain forward a lot
- 36:27
and I have to remind myself I have a
- 36:29
body.
- 36:29
>> Oh yeah. Oh yeah. This No, no, no, no.
- 36:33
>> Okay. Um anesthesia culture you talk
- 36:39
>> Yeah. I talk about anesthesia culture.
- 36:41
Look it up if you have to EDUCATE
- 36:42
YOURSELF NOW. IT'S SO FUNNY you guys.
- 36:45
[ __ ] I can't give away the joke, but
- 36:47
please watch it. But why you talk about
- 36:51
this idea that when we're under and we
- 36:54
come to how cocky the people are that
- 36:58
we're awake,
- 36:59
>> it's a we can talk about it. It's a
- 37:00
throwaway moment and it's special, I
- 37:02
guess you could say. But I talk about um
- 37:05
kind of going not enjoying going under
- 37:07
anesthesia because I don't like waking
- 37:10
up
- 37:10
>> and the idea that everyone in the room
- 37:12
is like laughing at you that you've been
- 37:14
asleep the whole time. Like it's like if
- 37:16
you're a performer it's like you're you
- 37:18
have to go under to go off
- 37:20
>> like it's like cuz it's like I'm sure
- 37:22
you're like me where it's like oh I can
- 37:24
turn off. Of course, like comedians want
- 37:26
to get serious like we're like,
- 37:28
>> but the only time you're free, by the
- 37:30
way, I'm hamming it up as I was going
- 37:32
under. I remember this. The guy was as
- 37:34
my anesthes I'm LIKE I'M LIKE, "GOD, you
- 37:36
look like Griffin Dunn." The first one
- 37:38
was like like
- 37:41
I was going so hard also cuz if I'm
- 37:45
nervous and if I'm in a medical
- 37:46
situation, so I have a lot of medical
- 37:48
anxiety. This is going to be this is
- 37:49
going to be the next special cuz I just
- 37:51
got like a completely unnecessary
- 37:52
angiogram. Oh, I actually I mean we
- 37:55
could talk about this forever cuz you
- 37:57
>> I'm obsessed with this idea that we are
- 37:59
now giving ourselves too much
- 38:01
information that's making us very
- 38:02
stressed.
- 38:03
>> Oh, of course.
- 38:04
>> Yes. And so you you had an angio.
- 38:07
>> I went a little hard on my neck with au
- 38:09
Instagram. Yeah. Instagram advertised to
- 38:12
me this neck massager. I go bought it.
- 38:14
Yes.
- 38:14
>> And then I was going really really hard
- 38:15
and I go, "Oh, it's a little too a
- 38:17
little too hard there." And then I start
- 38:19
looking up and they go, "Oh, well the
- 38:20
you know the veins, the arteries here,
- 38:22
you want to be really careful." probably
- 38:22
go the arteries in the neck. Oh god. And
- 38:25
then I texted Yeah. texted my doctor. Um
- 38:28
and um she really regrets the day she
- 38:30
gave me that and
- 38:32
>> and she was like, "I'm sure you're fine.
- 38:33
Whatever, but I'm so um I have that kind
- 38:36
of like sensation anxiety and stuff that
- 38:38
I was like, "Oh, I think something." So
- 38:40
then I I call Seed to talk to the doctor
- 38:42
and they're like, "We could order you a
- 38:44
CT scan. I mean, if you want to get an
- 38:45
angio, I mean, what's they go in? They
- 38:47
inject you with, you know, your veins
- 38:48
with
- 38:50
>> um dye and the whole thing." And I go,
- 38:51
"Well, that's insane." So, I'm putting
- 38:53
it off, putting it off, and then I go,
- 38:54
"I could do it next week." So, then I'm
- 38:56
being wheeled into the room
- 39:00
>> and everyone, you know, they're taking
- 39:01
they do the tests, everything, and
- 39:02
everyone's kind of looking at me cuz I'm
- 39:04
by far the youngest people in this. So,
- 39:06
I think people are kind of going, "Poor
- 39:08
woman. Like, what's going on with her?"
- 39:10
And so, I START GOING, "IT'S PROBABLY
- 39:12
NOTHING." YOU KNOW, HIU. YEAH. WENT a
- 39:14
little hard with the hiu, let's say.
- 39:15
>> Yeah. It's too much.
- 39:24
Let's go to Kada as a child.
- 39:28
>> Okay.
- 39:29
>> I skipped the whole kid thing.
- 39:31
>> Yeah.
- 39:32
>> Yeah. You were born as an adult.
- 39:34
>> 30.
- 39:35
>> Um, were you as a little little Kate in
- 39:38
LA in Los Angeles,
- 39:41
>> artist parents?
- 39:43
>> That was really hard. Yeah.
- 39:46
>> The rough side of Santa Monica. I was
- 39:48
going to say you were in Santa Monica.
- 39:49
>> Yeah.
- 39:50
>> Um
- 39:51
>> not in the industry. They're not in the
- 39:52
industry. Let's just get that.
- 39:53
>> What kind of artist are they?
- 39:54
>> Um so my dad works in metal collage.
- 39:58
>> It was funny. I was This was huge for me
- 40:00
a few years ago. There was like a New
- 40:01
York magazine piece about Nepo babies
- 40:03
and they and my face was in it next to
- 40:06
like like shame. I was like I'm famous.
- 40:08
I'm like what is this? And it was like
- 40:10
daughter of a sculptor, you know? I was
- 40:12
like trust me doll hasn't gotten me
- 40:14
work. You know what I mean? And then
- 40:15
like my mom did prop design and she did
- 40:18
make the Stonehenge prop in Smile Tap
- 40:21
famously.
- 40:22
>> So wow.
- 40:23
>> And that was also there cited as
- 40:24
nepotism. And I go
- 40:26
>> a little bit of a stretch.
- 40:27
>> It's a little bit of a stretch. But my
- 40:29
mom
- 40:30
>> um my mom was a stay-at-home mom if we
- 40:32
can even say that now, right? They're
- 40:34
taking that away.
- 40:35
>> So um but you know a deeply creative
- 40:39
person.
- 40:40
>> Did you grow up with her? Did you grow
- 40:42
up with artists around the house
- 40:44
chatting about art?
- 40:45
>> Yes, that's all. I'm I'm an only child.
- 40:48
My parents' friends did not have kids,
- 40:49
so it really was like me at the at the
- 40:52
dining at the dining room table with the
- 40:54
adults being like, I have something to
- 40:55
say, too. And I think that was, you
- 40:57
know, intensely informative.
- 40:58
>> And did you feel like I mean, I'm sure
- 41:00
you've spoken about it a lot. You might
- 41:02
have talked about it in your in your
- 41:03
specials, but what is the only child
- 41:07
dilemma? What is like the best and
- 41:11
>> or is there one? Is there one? Like
- 41:13
what's the good and bad thing about
- 41:15
being an only child?
- 41:16
>> I don't know. I mean I having siblings.
- 41:18
I don't know. I don't really like
- 41:20
sharing my mommy. I don't think so. Amy,
- 41:24
number one, please. Yeah. So, sharing my
- 41:27
mommy would have been hard, but I think,
- 41:30
you know, as you age, you go, "Oh, it
- 41:32
would be helpful." But then also, you
- 41:33
you never know what you're going to get.
- 41:35
I mean, people have siblings and it's
- 41:36
like they're helpful when when shit's
- 41:38
falling apart. So, so I don't know.
- 41:40
>> Well, your sibling relationship is often
- 41:42
the longest relationship in your life,
- 41:44
which I and I was like, whoa. I read
- 41:46
that and I was like, wow. Cuz that is
- 41:48
they, you know, like
- 41:49
>> and don't complicate it with sex.
- 41:51
>> Okay.
- 41:51
>> Never.
- 41:52
>> Cuz that's the thing that really don't
- 41:54
[ __ ] where you eat, guys.
- 41:55
>> Exactly, guys. If you could take away
- 41:57
one thing from Kate.
- 41:58
>> Yeah.
- 41:59
>> Um, so you're like this like precocious
- 42:03
kid in a way. Were you did you feel
- 42:04
older than you were when you were a kid?
- 42:06
>> But I think um watching I think so much
- 42:08
of what I like through mimicry like I
- 42:11
remember like when I saw Aaron
- 42:12
Brochovich I started doing my homework
- 42:14
in heels you know like
- 42:20
like like for real and I was like
- 42:25
yeah I'm into this.
- 42:26
>> Yes. And so I think that like watching
- 42:29
movies, watching people like be smart or
- 42:32
sound smart is kind of like,
- 42:35
>> yeah, I'm going to kind of just like
- 42:36
take that.
- 42:37
>> Okay. And then you did um some crazy
- 42:39
early jobs. And is it true that you were
- 42:41
a voice actor in Texas for a call-in
- 42:43
radio show?
- 42:44
>> Oh my god. Is that true? So I don't know
- 42:47
where I got hooked up with this, but it
- 42:48
was a thing where
- 42:50
>> you would do like so for call-in radio
- 42:52
shows where they're like morning radio
- 42:53
where they're like Yeah. So, we got
- 42:55
here, guy and a girl went on a first
- 42:56
date. Uh, the girl uh let's just say she
- 42:59
doesn't have a face or whatever, you
- 43:01
know? So, it's like these like these and
- 43:02
then but they're being presented as
- 43:04
real. So, I would play and they go like,
- 43:07
"We got we Okay, so we we have her on
- 43:09
the line. She has no idea that we're
- 43:10
that we're listening in. So, we're just
- 43:12
going to call." So, I would pretend to
- 43:13
be the person who's like, "Hello." You
- 43:15
know, and and I did I think like one and
- 43:18
Yeah, it was like
- 43:20
>> and then the like the casting was like
- 43:22
she was like, "You're good at this."
- 43:23
Yeah.
- 43:24
>> She's like, "You're good at this." Cuz
- 43:25
there's one where I had to pretend to be
- 43:27
crying. It's devastating. It was like
- 43:28
they're humilating this woman on air and
- 43:30
I have to be like, "Wait, what? I'm on
- 43:32
the radio." No. Like really sad. I mean,
- 43:35
that was a send up. Okay. I was doing it
- 43:36
rose grounded. I was Laura Lenny with
- 43:38
the Yeah.
- 43:39
>> But of course.
- 43:41
>> Um, but yeah, I did that a few times and
- 43:43
I think I'd get p I mean I think I you
- 43:45
know I would get paid like 75 bucks or
- 43:47
something. I don't know. But it was I'd
- 43:49
have to wake up like 4:00 a.m. cuz it
- 43:50
was the time to call you. So they call
- 43:52
me and I like wake up at dead sleep and
- 43:53
be like oh my god no whatever.
- 43:57
>> Yeah and then I slept through one.
- 44:00
>> Oh you missed your call. They were like
- 44:02
they were like we need you Dallas radio
- 44:04
7 a.m. Who knows where I was. I I woke
- 44:06
up. I saw the missed calls. Fired. Never
- 44:10
again. I get it.
- 44:11
>> Yeah they depend on you because of the
- 44:13
radio. Yeah.
- 44:14
>> Yeah. And they had to then on their side
- 44:16
they had to improvise like oh we can't
- 44:17
get a hold of her. They must have been
- 44:18
curious.
- 44:19
>> Yeah. Exactly. Exactly. I mean there is
- 44:21
hell hath no fury like a radio DJ.
- 44:24
>> They have to the segment suffers and
- 44:25
they can never bring you back.
- 44:27
>> And you know we cannot talk about like
- 44:29
your early early career like starting
- 44:32
out without talking about John Early.
- 44:35
>> Speaking of early because John Early and
- 44:37
you let's talk about John for a second
- 44:41
>> because the way you guys interact
- 44:44
together scratches a comedic itch for so
- 44:47
many people. Why do you think that is?
- 44:50
What is it that
- 44:51
>> amazing sex?
- 44:52
>> Yeah.
- 44:53
>> Yes.
- 44:54
>> When you can connect on that sematic
- 44:56
level with someone,
- 44:59
>> it can't help but reflect in the work.
- 45:01
>> Yeah. Um John, you know, it's like it is
- 45:05
like, you know, one of the great loves
- 45:07
of my life, John Early. Like we did we
- 45:10
are we like met in this very like
- 45:12
whirlwind like romantic way where it was
- 45:14
like we met and then in a very lesbian
- 45:16
fashion like we're inseparable and he
- 45:18
slept on my bed for like 3 years,
- 45:19
>> right?
- 45:20
>> And I was like, why can't I get a man?
- 45:23
>> I was like, SEE, IT'S HARD. IT'S
- 45:25
DIFFERENT FOR ME. YEAH.
- 45:26
>> YEAH.
- 45:27
>> And John, we met Yeah. We met on set of
- 45:31
a friend's short film and uh we had like
- 45:34
he had messaged me on Facebook or
- 45:36
something and I was like who's this and
- 45:38
then I watched a video of his and I was
- 45:39
like oh he's really funny.
- 45:40
>> We were trying to break it down today
- 45:41
because we're such fans of your work
- 45:44
alone of course and with John. And with
- 45:47
John, I'm not like the biggest I get a
- 45:49
little stressed when people come at each
- 45:51
other pretty hard. Like
- 45:53
>> in comedy, like I'm I I I'm not a big
- 45:55
roast fan. Like,
- 45:57
>> but the way you two gently knife each
- 46:01
other in the stuff that you do is like
- 46:04
>> fascinating to watch. I think it's funny
- 46:06
for us because like we don't similarly I
- 46:09
don't want to be roasted or ever roast
- 46:11
anyone and like John is you know like
- 46:14
from the south and like John's the last
- 46:16
like so I think
- 46:17
>> our like that's a place for us to like
- 46:20
go there.
- 46:20
>> Yes.
- 46:21
>> And but very much behind this like
- 46:23
character mask of course. Mhm.
- 46:25
>> Um but
- 46:27
>> yeah, I I don't know why it's funny
- 46:29
because we are like there have been
- 46:32
times or over the years we've been like
- 46:34
but we're not mean like like people are
- 46:36
like you guys are vicious like and it's
- 46:38
like no it's not like that's not what it
- 46:39
is.
- 46:40
>> No, it's not.
- 46:41
>> I I mean I don't I don't know exactly.
- 46:43
>> And it feels like there's like some
- 46:45
border around it that's surface level
- 46:48
which is always so funny when people are
- 46:50
not acting the way they're feeling.
- 46:52
That's just like inherently funny. Well,
- 46:53
I think that's exactly what it is. And
- 46:55
like we just like the failed performance
- 46:57
to say it again. Like when people think
- 46:58
that they're covering and they're not.
- 47:00
And when people are using the social
- 47:02
nicities to cover
- 47:04
>> like and like that is just heaven.
- 47:07
>> It's heaven. Me too. It's like when
- 47:09
someone is angry
- 47:10
>> and they are like trying to conduct a
- 47:12
meeting or something is heaven. How are
- 47:14
you with conflict? What's your conflict
- 47:16
style?
- 47:17
>> What do you mean?
- 47:19
>> Sorry, I said the word again. Conflict.
- 47:20
Sorry, I missed it. Um,
- 47:22
>> like when something like that happens,
- 47:23
do you get filled? I get filled with a
- 47:25
little bit of excitement.
- 47:27
>> Adrenaline. Oh, you mean like w like to
- 47:29
Well,
- 47:29
>> conflict is get
- 47:30
>> watching people fight through the My
- 47:32
favorite thing in the world is screaming
- 47:33
fight on the street safely watching from
- 47:35
the window. That and my heart's beating
- 47:37
through my chest. Yeah.
- 47:39
>> Yeah. Totally. Do you are do you have a
- 47:41
like direct conflict style? Do you have
- 47:43
do you feel like what when you're angry
- 47:45
about something, what does it look like?
- 47:46
Um, it's a it's a really interesting
- 47:49
question that my therapist should be
- 47:50
asking me and she's not. So, there's an
- 47:53
issue there that we'll explore later.
- 47:54
You should yell at her. You should yell
- 47:55
at her.
- 47:57
>> Maybe I withdraw.
- 47:58
>> I'm I'm wondering.
- 47:59
>> I'm probably going to go with withdraw.
- 48:01
>> Yeah.
- 48:04
>> Gun to my head. Withdraw.
- 48:05
>> Withdraw. Um, no. I think um I've talked
- 48:09
about it a lot, so I won't get into it,
- 48:10
but like I had a really upsetting
- 48:11
incident with a chimney sweep a couple
- 48:13
years ago.
- 48:16
I'll just say quickly quickly. He came
- 48:17
into my home,
- 48:19
>> came into my home doing a chimney sweep.
- 48:22
I go I go, "Oh, he has like no drop
- 48:23
cloths." I go, "Okay, so now I'm getting
- 48:25
into the forensic details, but I was
- 48:26
like, "White couch, white thing. I just
- 48:28
moved in." I go, "Oh, do you have like"
- 48:30
And this is this is funny. Do you have
- 48:31
like drop cloths or anything? He goes
- 48:33
and he kind of like laughs. He's like,
- 48:34
"I'm fine." And I go, "Okay." He's a
- 48:36
chimney seat. Well, I'm going to come
- 48:38
here. He knows how to do his job.
- 48:39
>> God forbid.
- 48:40
>> So I go, "Okay, I'm going to let you." I
- 48:42
go into I come back.
- 48:44
Amy.
- 48:45
>> Oh no.
- 48:45
>> Soot on the white couch. Soot on the
- 48:48
curtain set in the hallway. I go like
- 48:50
this. There's s and I'm like
- 48:55
>> there's soot in the home. And he kind of
- 48:57
do this thing like I mean
- 48:59
>> gaslight city.
- 49:00
>> By the way, and and here's where I
- 49:01
here's I I paid so not full cuz I'm in
- 49:04
there in the kitchen with the thing and
- 49:06
then I go I can't pay full price. Get
- 49:07
the boss on the phone. This whole thing
- 49:09
he goes maybe your house was dirty.
- 49:11
>> Yeah.
- 49:12
>> Sweet. Say it again. It was dirty.
- 49:14
>> Yeah. And so,
- 49:15
>> and you're basically being held hostage,
- 49:17
too. Like, you have to pay because you
- 49:19
want him out of your house.
- 49:19
>> Yeah. I want the chimney sweep gone. And
- 49:22
I'm so excited cuz I had an amazing
- 49:23
chimney sweep earlier years before and I
- 49:25
couldn't find his number. And he had
- 49:27
drop claws and he had respect.
- 49:29
>> Yes.
- 49:29
>> And so, but I I'll just say that night
- 49:31
went to bed literally permanent TMJ like
- 49:34
one night of clenching from the chimney
- 49:36
sweep and that years later. So, I should
- 49:38
be going to court and the and the
- 49:40
tension on this jaw brought the face
- 49:42
down. Okay. Okay. So, the tension on
- 49:43
this side. So, so I'm losing work, okay,
- 49:45
from that. So, the sh So, one night. So,
- 49:48
that wasn't that was an experience where
- 49:49
I could have gone harder in the moment.
- 49:51
I didn't cuz I was just like kind of
- 49:53
panicked and sad. But,
- 49:54
>> okay, but let's break down. You also
- 49:56
didn't go harder in the moment because
- 49:57
you've got somebody in your house.
- 49:59
>> Yeah, totally.
- 49:59
>> It's not a safe situation.
- 50:01
>> It's a man in your house for real.
- 50:03
>> And also,
- 50:03
>> that's when I wanted a husband. I go,
- 50:05
Eric.
- 50:06
>> You know, like that's when you that's
- 50:07
when you want that
- 50:08
>> you want to call for Eric.
- 50:10
Eric comes down from his study and he's
- 50:13
like "Hey man."
- 50:14
>> Yeah. No. Exactly. And then I go and I
- 50:15
go, "Yeah." And I walk away.
- 50:16
>> You walk away.
- 50:17
>> They get to have it out.
- 50:18
>> And you can hear Eric yelling a little
- 50:20
bit
- 50:21
>> and you get like a little
- 50:22
>> Eric's getting a BJ tonight.
- 50:23
>> Yeah.
- 50:24
>> Exactly.
- 50:25
>> So, that dynamic is fun and I get that.
- 50:27
>> Yeah.
- 50:27
>> Yeah.
- 50:28
>> Um, okay. So, John Early, we spoke to
- 50:31
him before this podcast because we
- 50:33
always speak to somebody who knows our
- 50:34
guests and John gave us some amazing um
- 50:37
questions for you.
- 50:38
>> Oh my god. Okay. Okay, so here we go.
- 50:42
John wants to know a couple things.
- 50:43
>> Okay.
- 50:44
>> Do you miss Paris?
- 50:47
Yes.
- 50:50
Okay. John wants to know, do you think
- 50:52
you're funny?
- 50:55
Yes. Okay. Um John wants to know, "How
- 50:58
are the kids?"
- 51:02
>> Amazing.
- 51:04
>> Congrats.
- 51:05
>> It's just, you know, Yeah.
- 51:07
>> Yeah.
- 51:08
>> Yeah. They're at a a really fun age.
- 51:12
>> Yeah. Cool. What age is that?
- 51:15
>> Just right around that area where you
- 51:17
go.
- 51:18
>> They're become They're They're them, but
- 51:19
they're you. And it's
- 51:20
>> But you do know how old they are. Yeah.
- 51:22
>> Sure. Yeah.
- 51:23
>> Yeah. Okay. Good.
- 51:23
>> Fourish.
- 51:24
>> Forish. Yeah.
- 51:26
>> Um John wants to know, "So, are you gay
- 51:28
or what?"
- 51:30
>> John will do that to me. It's so funny.
- 51:32
Like he'll text me out and go, "Are you
- 51:35
gay? Bye." What is it?
- 51:38
So true.
- 51:38
>> Or my favorite thing like I'll be doing
- 51:40
a show and John will be like just
- 51:42
remember
- 51:44
the show is broken because you are
- 51:46
broken.
- 51:49
It's really funny
- 51:50
>> to me. The love language of comedy
- 51:54
people is my favorite thing in the
- 51:56
world.
- 51:56
>> He will leave a voicemail for me and
- 51:58
he'll be like it's just so like like the
- 52:00
yesterday so embarrassing. She's
- 52:02
promoting her special and she's doing
- 52:04
these press appearances and it's just
- 52:07
like, oh my god. Meanwhile, you know,
- 52:09
HBO, they're not going to release it.
- 52:11
I've already been on the phone with
- 52:12
them. They're holding it back. And there
- 52:14
she is trotting out in her little
- 52:15
outfits and they'll be like, oh my god,
- 52:16
[ __ ] [ __ ] [ __ ] [ __ ] hang. Oh, it
- 52:19
kills.
- 52:20
>> He pretends he's
- 52:21
>> he pretends that he's calling someone
- 52:22
else or he pretends he's accidentally
- 52:26
leaving it on my machine.
- 52:27
>> Oh my god, it's really funny. That to me
- 52:30
feel makes me feel so safe and love.
- 52:32
>> Yeah. Yeah. It's really sweet.
- 52:34
>> And then shoes on or off?
- 52:36
>> Off.
- 52:37
>> Always.
- 52:38
>> In the home off.
- 52:39
>> So when someone comes to your home, do
- 52:42
you say, "Please take your shoes off?"
- 52:44
>> So I have a I have a small home to quote
- 52:47
the handyman who came to the house when
- 52:50
I first moved in. And this is a direct
- 52:52
quote. Never have I seen a house so
- 52:54
small. And that was the exact delivery.
- 52:56
That was the exact language used. I go,
- 52:59
I mean, it's not that small. I mean, I
- 53:02
don't have Eric. I don't have a rich
- 53:03
husband. You know, I go, I thought, you
- 53:05
know, um and then I'll just say a couple
- 53:07
days later, he returned and he goes, do
- 53:08
you have many more things to move into
- 53:10
this very small home?
- 53:12
>> And by the way, the living room, there's
- 53:13
no couch, there was nothing. I go, well,
- 53:14
yeah, I have to bring in the furniture.
- 53:16
And he go and I go, but there's not that
- 53:18
much. And he goes, that's good because
- 53:19
it's so small.
- 53:21
So, because the house is small, I don't
- 53:23
I don't have a grand foyer, you know,
- 53:25
there's no room for a shoe rack. So, we
- 53:26
have kind of have like a horrifying
- 53:28
pile, a little pile by the front door.
- 53:29
So, it depends depending on I'll kind of
- 53:33
be like take them off if I just, you
- 53:35
know.
- 53:36
>> Do you put on a house slipper?
- 53:37
>> Oh, yeah. I have I have multiple house
- 53:39
slippers.
- 53:39
>> This is what I Thank you. Mhm.
- 53:41
>> Another reason why I love you, Kate, is
- 53:44
because I know you love things and you
- 53:46
really
- 53:47
>> and I would say that one of the things
- 53:49
that's so amazing about you and
- 53:51
Jacqueline and Poo, which is an
- 53:52
incredible podcast and congrats on that,
- 53:55
the success of that because it's so
- 53:57
funny and good. And you guys, for people
- 53:59
that don't know, Pooh like deep dives
- 54:02
into products in a way much like how
- 54:05
we're talking today where Kate and
- 54:07
Jacqueline Novak, a super talented
- 54:10
writer, performer. They like talk about
- 54:13
a red light mask and then somehow get to
- 54:16
Dante's Inferno very fast.
- 54:18
>> It's very high meets low and it's very,
- 54:20
you know, we started Poo in COVID. Yes.
- 54:23
>> And really kind of started as a way poo
- 54:25
goop backwards. Get it? Okay. So, and
- 54:28
kind of as like a wellness, beauty
- 54:30
podcast, but really also just a way that
- 54:32
we could get free stuff, which has been
- 54:34
incredible. And so, we were like, people
- 54:36
will send us these products and then,
- 54:37
you know, Yeah.
- 54:38
>> So, but but and also kind of this idea
- 54:41
of like searching for the right product
- 54:44
and that the and there's this
- 54:45
misconception that you want to find the
- 54:47
right product. You actually don't. You
- 54:48
want to engage in the in the search
- 54:50
forever. The search is kind of, you
- 54:51
know, the ego loves to search and never
- 54:53
to find. And we'll just let that sit.
- 54:55
Yeah.
- 54:55
>> 3 2 1. And so that constant manic
- 55:01
there is this product out there, this
- 55:03
person out there, this thing out there,
- 55:04
and then you're going to arrive and
- 55:06
you're going to be whole and you're
- 55:06
going to be healed, you're going to be
- 55:07
beautiful. It's like we we on some level
- 55:09
we know that's not coming, but it's
- 55:10
really fun to go
- 55:12
>> and try the serum to go I think it's
- 55:13
doing something. And to have fun, a new
- 55:14
lipstick, a new like there's pleasure in
- 55:16
that.
- 55:17
>> Yes. And so on Pug, you guys talk about
- 55:19
things and I love listening to it
- 55:22
because like you, I am in the pursuit
- 55:24
for like the platonic best thing for the
- 55:27
thing like as if my life is going to get
- 55:29
smaller and simpler if I just get the
- 55:31
right thing. But I do want to know what
- 55:34
shoe you bought for your house shoe.
- 55:36
>> So this is kind of cheating because it
- 55:39
is it was a gift.
- 55:40
>> Okay,
- 55:41
>> but I'm going to go with a classic UGG.
- 55:44
Sorry, UGG. There's so many different
- 55:46
kinds of slippers. And I by actually I
- 55:48
paid out of pocket. I purchased the
- 55:51
ultra mini um boot that's like under the
- 55:54
ankle almost.
- 55:55
>> Okay. Yes.
- 55:56
>> Um this uh kind of
- 55:58
>> Does it have a fur lining? Like is it
- 55:59
okay?
- 56:00
>> So by the way, even today 140° getting
- 56:03
into the boot first thing.
- 56:04
>> You are you have to keep your feet warm.
- 56:06
>> How do you feel about air conditioning?
- 56:08
Like are you an AC person? Do you keep
- 56:10
it cool?
- 56:10
>> Blast it down.
- 56:12
>> Me too.
- 56:12
>> Yeah. I mean, I really last night I was
- 56:15
cuz I sleep naked, guys. This isn't
- 56:18
about that. I'm here to talk about my
- 56:20
work but
- 56:22
and I want an eight sleep. And hi, I'm
- 56:25
here on this podcast. Hey, eight sleep
- 56:27
or Yeah, now's the time. Send them now.
- 56:33
If that if this doesn't get me AN EIGHT
- 56:35
SLEEP, IF THIS THIS DOESN'T GET ME AN
- 56:37
EIGHT SLEEP, please get Kate a sleep.
- 56:40
And so I'm going to end our talk today.
- 56:43
>> No, no, no,
- 56:44
>> I know. I know. But I You have a lot of
- 56:47
incredible takes on things.
- 56:49
>> Oh.
- 56:50
>> So I want to get your thoughts on
- 56:51
things. They don't have to be funny.
- 56:52
They can be whatever they you can it can
- 56:54
be whatever you want.
- 56:55
>> The moon fake.
- 56:59
>> Like again.
- 57:02
>> Yeah. Every night.
- 57:05
>> Every night.
- 57:06
>> I just want to see
- 57:07
>> Yeah.
- 57:07
>> something different from it.
- 57:10
I mean, it does change every night. I
- 57:11
mean, it gets
- 57:12
>> But in the same way, you know what I
- 57:14
mean? When people People change in the
- 57:15
same way. You go, "Now you're doing this
- 57:16
thing. Now you're doing that thing.
- 57:17
You're concealing this part. You're
- 57:18
concealing that part." Yeah.
- 57:19
>> Oh, no. I'm right here in the open. No,
- 57:21
you're not cuz you're going to be gone
- 57:22
tomorrow.
- 57:22
>> Psychics.
- 57:23
>> I believe there are gifted psychics.
- 57:25
Like I People are tapped in.
- 57:27
>> Do you believe you have any psychic
- 57:28
abilities?
- 57:29
>> YEAH.
- 57:34
>> YEAH. You do for real?
- 57:36
>> Yes. Have you ever predicted anything?
- 57:38
Yes.
- 57:40
>> What?
- 57:42
>> Can't get into it.
- 57:43
>> Okay.
- 57:43
>> No, I I think we all, you know, psychop
- 57:45
we all we all
- 57:46
>> I don't feel like I have psychic
- 57:47
abilities.
- 57:48
>> I have stuff.
- 57:49
>> I can read people and I can I feel like
- 57:52
I'm pretty good at noticing energies,
- 57:53
but I don't feel like I have a psychic
- 57:56
ability to figure out that out. But
- 57:58
>> I've had some some interesting
- 58:01
instances. But again, I'm on my phone
- 58:03
all day, so I'm blocking all of that
- 58:04
out.
- 58:04
>> Yeah. Okay. Um, what about ghosts? Have
- 58:07
you seen any ever?
- 58:10
>> Yes.
- 58:10
>> Yes.
- 58:11
>> So, so you've talked to ghost. So,
- 58:13
people you look at me, long hair, you
- 58:16
know, oh, who's this, you know, witchy
- 58:18
psychic ghost people? I'm actually
- 58:21
typically not I I don't I don't like
- 58:23
karaoke, for example. People think
- 58:24
things about me. Okay. So, um and I, um
- 58:31
I was told not to talk about it because
- 58:32
then they they they take it as a way to
- 58:35
kind of come in. I I swear to God the
- 58:37
last couple years. Let me see.
- 58:39
>> You've been seeing some ghosts. You have
- 58:40
to talk to my friend Rachel Dash because
- 58:42
she does she is really into woo woo and
- 58:44
she kind of collects woo woo stories.
- 58:46
>> I've had some I've had some like um I've
- 58:49
always been scared of ghosts and then
- 58:51
the last couple years I've seen a few
- 58:54
and actually some situations I would
- 58:57
think would really scare me. No fear
- 58:59
whatsoever. Completely fine. I've had
- 59:01
two upsetting experiences that really
- 59:03
freaked me out.
- 59:04
>> Okay. So, I kind of went to someone and
- 59:06
went like, "Let's close the door."
- 59:08
>> Um,
- 59:08
>> God, I wish I could see a ghost. I have
- 59:10
not seen a ghost and I I just They just
- 59:12
do not [ __ ] with me. Ghosts. I
- 59:15
>> You don't want it. I don't think I don't
- 59:16
know. I don't know. Some, you know, some
- 59:18
people I would like to come through and
- 59:20
I'm interested in that. But, um, maybe
- 59:21
not.
- 59:22
>> But,
- 59:22
>> okay.
- 59:23
>> Once you've had a couple bad ones, you
- 59:24
go,
- 59:26
>> "Yeah,
- 59:26
>> let's just say I've got some special
- 59:28
figurines on on my nightstand lately."
- 59:30
>> Some crystals.
- 59:31
>> I was given some figurines.
- 59:33
>> Okay. cuz I go,
- 59:35
>> I don't want to see that one anymore.
- 59:37
>> Yeah.
- 59:37
>> And they were like, for $29.99, I can
- 59:39
give you this.
- 59:39
>> I know. Truly, the amount of people
- 59:41
friends I've had that have been like,
- 59:42
and she said that for $500, she could
- 59:44
lift the curse. I'm like, oh, no. I
- 59:46
mean, people that really
- 59:46
>> because let's let's lift the curse for
- 59:48
free. How about we try that?
- 59:49
>> All curses can and should be lifted for
- 59:51
free.
- 59:52
>> Yeah, like makeup and tampons. Um, Los
- 59:55
Angeles.
- 59:56
>> I'm from LA. I lived in New York for 10
- 59:57
years. I'm there all the time. But I
- 59:59
think the um, you know, people love to
- 1:00:00
talk [ __ ] on LA. And even this conver
- 1:00:02
you even this feels cliche when I'm when
- 1:00:04
I'm dropping into right of kind of like
- 1:00:05
people like I talk but I um I love Los
- 1:00:09
Angeles you know she can be a cruel
- 1:00:10
mistress but to me it's it's Hollywood
- 1:00:13
it's dreams it's it's it's images it's
- 1:00:15
lizards it's cactus it's a it's a palm
- 1:00:18
tree half on fire you know it's it's all
- 1:00:20
of Yeah.
- 1:00:21
>> Yeah.
- 1:00:21
>> There's something brutally solitary
- 1:00:23
about Los Angeles. I love New York so
- 1:00:25
much. So many times I go back to New
- 1:00:27
York and I'm like I've ruined my life by
- 1:00:29
not living here. I'd be a better artist.
- 1:00:31
to be more connected to to people, to
- 1:00:33
strangers. Like I I I really long for
- 1:00:36
strangers and for those like
- 1:00:37
interactions that really feeds me on a
- 1:00:39
deep level. And I I am sad that in LA
- 1:00:42
it's harder to get those interactions.
- 1:00:44
>> Um but I think uh
- 1:00:48
I don't know LA is is it is it isn't
- 1:00:52
it's strange.
- 1:00:53
>> Yes. And it can make you feel I remember
- 1:00:55
after living in New York coming back to
- 1:00:56
LA and being like well I've never felt
- 1:00:59
uglier more exposed more alone driving
- 1:01:02
in the car looking in the mirror like
- 1:01:06
>> like you're alien you're like who is
- 1:01:08
that?
- 1:01:09
>> It's so bright.
- 1:01:10
>> It's so bright there's nowhere to hide
- 1:01:12
and yet it only can hides you. I don't
- 1:01:15
know but
- 1:01:17
>> you love her.
- 1:01:17
>> You love her. Come on. Seeing those
- 1:01:20
hills speckled with homes lit up at
- 1:01:22
night. Drive down Hollywood Boulevard.
- 1:01:25
It's a man with a machete outside the
- 1:01:27
man's Chinese and you go
- 1:01:29
>> and you I'm home.
- 1:01:30
>> We're dreaming. We create the dreams,
- 1:01:33
Amy. This town
- 1:01:35
>> creates the fantasies that drive the
- 1:01:36
world.
- 1:01:37
>> And what's um and what's making you
- 1:01:40
laugh?
- 1:01:41
>> My last question to you like like what
- 1:01:44
do you do to laugh? And you can't say
- 1:01:48
you're friends. just go watch people
- 1:01:50
fall down at the supermarket.
- 1:01:54
Um, what makes me laugh is
- 1:01:57
non-performers performing. Like,
- 1:01:59
>> I've been to a couple weddings, a couple
- 1:02:01
like those kinds of environments where
- 1:02:03
someone who's not a performer is giving
- 1:02:06
a speech.
- 1:02:07
>> Yes.
- 1:02:08
>> That is exquisite.
- 1:02:10
>> And let's talk through that because I
- 1:02:12
know what you mean. And I bet you're the
- 1:02:13
same like as women like our mirror
- 1:02:15
neurons, we we don't want anyone to be
- 1:02:17
humiliated. No, of course. Of course
- 1:02:19
not.
- 1:02:19
>> And it's sweet. You see people scary up
- 1:02:21
there? I'm a performer. I'm scared up
- 1:02:22
there.
- 1:02:23
>> Yes. But when it's like a little bit
- 1:02:26
awkward but fun, but what do you what
- 1:02:28
what makes you laugh? Like what what do
- 1:02:30
you what's your your like perfect
- 1:02:32
version of that?
- 1:02:32
>> I think what's so fascinating about
- 1:02:34
wedding speeches is there's like this
- 1:02:36
template and people are like
- 1:02:39
>> like this is something I've talked about
- 1:02:40
with John. So classically the bridesmaid
- 1:02:44
speech, you're the bride, right?
- 1:02:45
>> You're this, you're funny, it's fine.
- 1:02:47
and come. It's listing things. And in
- 1:02:49
the vows too, it's usually
- 1:02:52
and whether we're or
- 1:02:56
it's like so shocking. It's like this
- 1:02:58
rehearsed and there's a beauty in that.
- 1:03:00
Like this is the structure we can all
- 1:03:01
fall into and collapse into those
- 1:03:03
familiar language and everyone knows
- 1:03:04
exactly what's going to happen. And but
- 1:03:06
but it's like that's funny. Yes.
- 1:03:08
>> Like that that that's that's really and
- 1:03:11
again the listing traits.
- 1:03:13
>> Yes.
- 1:03:14
>> It's always listing traits.
- 1:03:15
>> I know. It's so funny.
- 1:03:16
>> You're goofy. You're smart. You're kind.
- 1:03:19
And you're generous.
- 1:03:21
Listing traits.
- 1:03:24
We have to go beyond the list.
- 1:03:26
>> Yes. But breaking out of that is
- 1:03:28
>> I understand too. I'm saying that I'm
- 1:03:30
not admonishing the list. I get it.
- 1:03:32
>> You're right. That's You could hear that
- 1:03:34
language. You could hear that rhythm and
- 1:03:36
>> a hint a hint and a It's like it's
- 1:03:40
really there. Yeah.
- 1:03:43
>> Yeah. I totally I love a wedding. love
- 1:03:47
>> if it's a bad wedding, I'm like,
- 1:03:51
you know, if everyone if there's like a
- 1:03:53
clumsy speech or people are stressed or
- 1:03:55
the wrong person cries or the ex is
- 1:03:57
there and it's awkward, I'm like, oh my
- 1:03:59
god, what theater. And if it's beautiful
- 1:04:01
and full of love, I'm like, amazing. I
- 1:04:04
love that, too. I love a wedding.
- 1:04:05
>> And I and I just I love parties so much
- 1:04:08
and I'm very like planner. Like, if I
- 1:04:09
didn't if I didn't do what I do, I think
- 1:04:12
I'd be like party planner.
- 1:04:15
I've never I've never Yeah, maybe.
- 1:04:18
>> Wait, tell me.
- 1:04:19
>> Professor/p partyy planner.
- 1:04:21
>> Yeah,
- 1:04:22
>> but what parties make me a little
- 1:04:23
stressed? They're very unstructured.
- 1:04:25
>> No, totally. Well, I I go, "Oh my god,
- 1:04:27
the apps like bring out the apps now."
- 1:04:29
You know, I was actually at a wedding
- 1:04:31
recently. Nice one. App broken glass
- 1:04:33
bleeding in my mouth.
- 1:04:35
>> Ran to the bathroom. There's blood. I
- 1:04:37
spit I spit out in THE CEVICHE. THERE'S
- 1:04:39
GLASS.
- 1:04:40
>> SO, I GO BACK. I GO I GO IN. I don't
- 1:04:42
tell anyone. I'm not going to ruin this
- 1:04:43
wedding. I go into the kitchen through
- 1:04:46
the doors into the metal doors. I go,
- 1:04:48
"Guys, the ceviche trays, you got to
- 1:04:49
pull them. You got to pull them. There's
- 1:04:51
glass, you know, and I quietly Oh,
- 1:04:54
>> quietly.
- 1:04:55
>> You want to put out those fires
- 1:04:56
>> and all micro like I definitely have
- 1:04:58
like kind of a white knuckle grip. Like
- 1:05:00
I love to have a dinner party or
- 1:05:02
something and I love to spend the days
- 1:05:03
awake, you know, the nights before. It's
- 1:05:06
not a simple. It's it's not the
- 1:05:07
effortless host is a lie. I I think it's
- 1:05:09
real. Some people actually can do that,
- 1:05:12
>> but like I'm like
- 1:05:13
>> shaking.
- 1:05:14
>> Yeah,
- 1:05:15
>> but there's things you can't control.
- 1:05:16
You can control the party, but guess
- 1:05:17
what? Overcontrolled party. Hell. Hell
- 1:05:19
for everyone.
- 1:05:19
>> Hell.
- 1:05:20
>> So that's the thing. You have to create
- 1:05:21
the structure, but you have to let it to
- 1:05:22
dissolve.
- 1:05:23
>> Yeah. Yes. You might burn like
- 1:05:25
something's going to burn the like
- 1:05:27
someone's going to get into a bite. Like
- 1:05:29
wine will be spilled. A chimney sweep
- 1:05:31
may show up.
- 1:05:34
>> Yeah, he might.
- 1:05:35
>> Yeah, he might. Hey, he might give you
- 1:05:36
TMJ,
- 1:05:37
>> but you keep going.
- 1:05:39
>> And that is something the second thing
- 1:05:41
we want you to take away from other than
- 1:05:43
having sex with your sibling. Don't do
- 1:05:44
that.
- 1:05:45
>> Don't. Guys, don't do it. Don't do it.
- 1:05:49
>> Capland.
- 1:05:52
>> I love you. Wait. I love you so much.
- 1:05:55
You are a hero to me. I have no trouble
- 1:05:57
saying that to you. And also truly going
- 1:06:00
through a really hard time recently.
- 1:06:01
What did I pop on? Wet hot.
- 1:06:05
They came together double feature
- 1:06:09
because I'm like I need something funny.
- 1:06:11
I'm thinking okay funny movie. What's a
- 1:06:12
funny movie? Oh that's funny. Nothing's
- 1:06:14
coming up. And then I go we're going
- 1:06:17
we're going back to with wet hot lives
- 1:06:19
in my DNA and such a I mean
- 1:06:22
>> you must have been a teen when it came
- 1:06:23
out. Right.
- 1:06:24
>> Yeah. I don't remember when I first saw
- 1:06:25
it. I saw it later.
- 1:06:27
>> Yeah.
- 1:06:27
>> But um
- 1:06:28
>> it is the most beautiful and just Yeah.
- 1:06:32
>> Thank you, Kate. I love I love seeing
- 1:06:34
>> and that's just the tip. I'm not going
- 1:06:36
to do your CV. We all know. But I love
- 1:06:38
you.
- 1:06:38
>> Thank you, Kate.
- 1:06:39
>> I love you.
- 1:06:42
>> Thank you so much, Kate Bland. That was
- 1:06:44
so fun. I love talking to you and you're
- 1:06:46
so funny and um it's just a joy to be
- 1:06:50
around you. So, uh Kate and I talked
- 1:06:52
about a lot of things. One of the things
- 1:06:53
we talked about is how fun it is to
- 1:06:56
watch a awkward wedding speech. But I
- 1:07:00
just want to say for people that are
- 1:07:02
right now getting ready to give a
- 1:07:03
speech, a wedding speech, just a few
- 1:07:06
tips. Here are my unsolicited tips,
- 1:07:09
which start with a joke, end
- 1:07:14
sincere. Don't do it the other way
- 1:07:16
around. Don't start sincere and then
- 1:07:19
think that this hilarious joke is going
- 1:07:21
to kill. Start with a really nice, easy
- 1:07:25
joke up front. Maybe something about how
- 1:07:27
you're nervous, something self- aacing,
- 1:07:30
and then just get them at the end by
- 1:07:32
being very, very sincere. You can never
- 1:07:35
go wrong if you're sincere. You can go
- 1:07:38
horribly wrong if you say the wrong
- 1:07:41
joke. So, that would be my unsolicited
- 1:07:44
advice. But congratulations on your
- 1:07:46
wedding and congratulations on being the
- 1:07:48
bridesmaid. And um remember, take your
- 1:07:52
speech and cut it in half because it's
- 1:07:53
going to go longer than you think. Um,
- 1:07:56
thank you so much for listening to Good
- 1:07:57
Hang. Uh, thanks for checking in with us
- 1:07:59
and, um, have a good one.
- 1:08:06
You've been listening to Good Hang. The
- 1:08:08
executive producers for this show are
- 1:08:09
Bill Simmons, Jenna Weiss Berman, and
- 1:08:11
me, Amy Polar. The show is produced by
- 1:08:13
The Ringer and Paperkite. For the Ringer
- 1:08:15
production by Jack Wilson, Cat Spalain,
- 1:08:18
Kaia McMullen, Aia Xanerys, Bridget
- 1:08:20
Gearlings, Paige Garberini, Bell Roman,
- 1:08:23
and Drew Vanstein Bergen. For Paperkite,
- 1:08:26
production by Sam Green, Joel Levelvel,
- 1:08:28
and Jenna Weiss Berman. Original music
- 1:08:30
by Amy Miles.
- 1:08:33
really good. Hey