Transcript: John Cena on Good Hang with Amy Poehler
Full Transcript
Click any timestamp to jump to that moment in the video.- 0:05
Hello everyone. Welcome to another
- 0:06
episode of Good Hang. We have John Cena
- 0:08
with us today. Actor, wrestler,
- 0:11
humanitarian, good citizen of the world.
- 0:14
And John and I are going to talk about a
- 0:16
lot of really fun stuff today. We're
- 0:17
going to discuss what it's like growing
- 0:18
up in the Boston area with four
- 0:21
brothers. We are going to decide my new
- 0:23
wrestling character and and realize that
- 0:26
it's going to be incredibly successful.
- 0:28
Um, we're going to talk about Little
- 0:30
Brother, the movie that he's in, um, and
- 0:32
how much fun he had working on it. And
- 0:35
we're going to discuss how dress and
- 0:38
suits are important to him. And because
- 0:40
of that, I'm going to after this intro
- 0:42
go spiff myself up and make sure that I
- 0:44
am looking good for the interview. But
- 0:46
we always like to start these interviews
- 0:48
by checking in with someone who knows
- 0:49
our guest, who wants to ask us a
- 0:52
question to ask our guests and speak
- 0:53
well behind their back. and we are
- 0:55
talking to our first undisputed champion
- 0:58
on this show, WWE Champion Cody Rhodess.
- 1:02
Cody is calling in on Zoom from a
- 1:05
beautiful lake. And um I just like that
- 1:08
he's a champ. I love talking to champs.
- 1:10
And um let's see what Cody has to say
- 1:13
about his buddy and at times enemy and
- 1:18
always mentor, John Cena. So Cody, are
- 1:21
you there?
- 1:23
>> [music]
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- 2:08
>> Cody, hello. It's Amy.
- 2:10
>> Hey, can you hear me?
- 2:11
>> We can hear you. How are you?
- 2:13
>> I'm good. I'm sorry if I was doing like
- 2:14
the old people yelling. Can you hear me?
- 2:16
I don't know how loud I am at the
- 2:17
moment. I'm outside.
- 2:19
>> Congratulations, champ. Nice to meet
- 2:21
you.
- 2:21
>> Yeah, very nice to meet you. I uh I have
- 2:24
to share this with you. Uh you might
- 2:26
have heard this already, but where I uh
- 2:28
teach wrestling, um we use bowling for
- 2:32
votes as a part of the curriculum.
- 2:35
>> No way. How do you use it?
- 2:37
>> So, it's a way what I suggest I always
- 2:40
ask, has everyone anyone ever seen the
- 2:41
show? Because I was a big fan of the
- 2:43
show, but I always ask if they have and
- 2:45
then they have to go home and watch that
- 2:47
night. It's a way for young the uh
- 2:50
prospective wrestlers to understand that
- 2:52
social media, if you scroll through 300
- 2:57
positive things, but then you find that
- 2:59
one guy who thought you were fat,
- 3:01
there's no point. Go with the go with
- 3:03
everybody else. Go with the people who
- 3:04
already had your back, you know. But we
- 3:06
use that episode. It has brought up
- 3:07
every camp and uh most people know it,
- 3:10
too. So, it's actually a lot of fun.
- 3:11
>> Oh my god, that's so h that's so nice to
- 3:14
hear. I would never think to ask if
- 3:17
anything from parks is used in in any
- 3:19
kind of curriculum.
- 3:20
>> Oh, yeah.
- 3:21
>> But you're right. I bet you have young
- 3:23
people who are trying to figure out how
- 3:26
to participate in feedback,
- 3:30
which is really hard, especially for a
- 3:32
young person to like not let that feel
- 3:35
too personal. [laughter]
- 3:37
>> Well, particularly wrestling is brutal.
- 3:40
I feel like every funnel is one thing,
- 3:43
but I feel like wrestling and Star Wars
- 3:46
is the most divisive social I've ever
- 3:48
seen. [laughter]
- 3:49
It's you can't just say you like a
- 3:51
thing. Like a thing means you dislike
- 3:53
something else and it means it means
- 3:55
war.
- 3:56
>> Speaking about Star Wars is really
- 3:57
interesting. I'm sure you've made this
- 3:58
parallel before. All this like heroes
- 4:01
journey stuff is in the stuff that you
- 4:04
all do, the stories that you make in the
- 4:06
ring. It is very similar which is the
- 4:09
rise and fall and betrayal and like
- 4:13
trying to get uh you know like figure
- 4:16
out who you are in real time. It it
- 4:19
there is a lot of Joseph Campbell
- 4:21
parallels. [laughter]
- 4:22
>> Yeah. I uh I always tell people with the
- 4:25
hero's journey for for me as a baby face
- 4:27
and John as a lifelong baby face. Lot of
- 4:30
betrayal.
- 4:31
>> Lot of betrayal. It's [laughter] uh
- 4:33
every week is is new betrayal.
- 4:36
when you know a storyline is happening
- 4:39
when you know for example you're going
- 4:40
to get betrayed let's say by someone
- 4:42
like John do you guys look at each other
- 4:44
and go yeah or do you look at each other
- 4:47
and go I mean you guys probably never
- 4:50
make that sound but [laughter]
- 4:53
>> um I make that sound a lot internally
- 4:56
throughout the course of the day because
- 4:58
[laughter]
- 4:59
a lot of like h you know um but um with
- 5:04
John, particularly when John, if you've
- 5:07
ever seen it, the moment where he hugs
- 5:09
me and his face changes and uh
- 5:13
>> he was so excited. Uh [laughter]
- 5:16
and I was more um trepidacious in terms
- 5:20
of he had never done that and he had it
- 5:24
didn't even make sense to do it at this
- 5:25
point. He had never gone gone rogue,
- 5:27
gone bad. So I just didn't want to screw
- 5:30
that massive moment up,
- 5:32
>> right? He taught me everything I know
- 5:34
because I drove him around for two years
- 5:37
before he got his big tour bus.
- 5:39
>> John was such a fun riding partner. A
- 5:41
lot of strict rules.
- 5:43
>> We do this little ritual stop where he
- 5:45
had to load up a styrofoam cooler with
- 5:47
an extra 24 beers in the back of the car
- 5:50
[laughter]
- 5:52
>> just in case.
- 5:53
>> I'd never seen anyone in terms of he was
- 5:55
our our top star and the lead baby face
- 5:57
at the time, the lead good guy. And he
- 6:00
>> this term baby face I'm obsessed with
- 6:02
this.
- 6:03
>> Okay. Yeah. He is he is the he is the
- 6:05
>> ultimately even after what he did to me
- 6:08
[laughter] they were still fearing him
- 6:10
and booing me. So it was like all right
- 6:13
[laughter] okay thanks guys. John is
- 6:15
pretty great at the magic
- 6:18
except for one area that is widely known
- 6:21
to wrestling fans and wrestlers.
- 6:24
John will not talk low or in carney as
- 6:28
we would say like if I need to tell you
- 6:31
Amy duck the clothesline I'd say like
- 6:34
dizz you know something we this little
- 6:37
carney it sounds like
- 6:39
>> a little like fake language like a pig
- 6:41
Latin
- 6:42
>> it's like a pig Latin meets snoop talk
- 6:44
>> but John yells everything that's going
- 6:47
to happen in the [laughter] ring as loud
- 6:49
as he can possibly yell it. He calls it
- 6:53
for the first four rows an interactive
- 6:55
experience.
- 6:56
>> God, this is so helpful because one of
- 6:58
my questions is like to, you know, is
- 7:01
figuring out exactly how you all
- 7:05
improvise because you're improvising a
- 7:07
lot. Obviously, a lot is written and and
- 7:08
and you know, beat it out. But you're t,
- 7:12
you know, you're talking about really
- 7:14
big physical things that you have to
- 7:15
figure out how to signal to each other
- 7:17
in safe ways. obviously. Um, [laughter]
- 7:21
that's really funny that
- 7:23
>> screams it.
- 7:24
>> Screams it.
- 7:24
>> Screams it. And then there's a the last
- 7:26
match I had with him at SummerSlam. He's
- 7:30
about to slam me with his big finishing
- 7:32
move, which is the attitude adjustment
- 7:33
from a table to another table. So, it's
- 7:36
highly dangerous. It's going to hurt.
- 7:38
Uh, we're going to do it the safest way
- 7:40
we can. But you can hear him yelling at
- 7:43
me why I'm on his shoulders
- 7:46
that he can't see. because my arm is
- 7:50
over his eyes. And I I never spoke back
- 7:53
to John. I It was I never wanted to
- 7:56
speak back. He's, you know, a mentor to
- 7:59
me. And but it was one of those moments
- 8:01
where I thought, "Buddy, I'm the one
- 8:03
doing this. I [laughter] don't give a
- 8:05
just throw me." Like I I'm not worried
- 8:07
about your your He's screaming at the
- 8:10
top of his lungs. I can't see. Um
- 8:13
[laughter]
- 8:14
>> I really love your relationship. You
- 8:15
guys have a very brotherly relationship.
- 8:18
>> Oh, good. Yeah. Well, I I mean,
- 8:20
>> I can't think of another guy who didn't
- 8:22
need to take the time. He definitely
- 8:25
didn't need to. He had He was the
- 8:27
busiest guy on the roster. He took the
- 8:29
time. He I was a another term. I was
- 8:33
He's not going to agree with this, but I
- 8:35
was a job guy.
- 8:37
>> What's that mean?
- 8:38
>> I was laying on my back looking up at
- 8:40
the lights every night. I was uh the
- 8:42
3-second tan, as John calls it, you
- 8:44
know. Um,
- 8:46
and he still wanted to he had a belief
- 8:50
in me.
- 8:50
>> H wow.
- 8:52
>> You know, he can speak a little French,
- 8:53
too.
- 8:54
>> Yeah. And Mandarin, right?
- 8:56
>> Ah, the Mandarin.
- 8:57
>> I can't. It's so annoying. I I was just
- 8:59
saying like it's so embarrass I I can't
- 9:01
speak another language. And I don't need
- 9:03
somebody be coming in here and showing
- 9:04
off the two that they can speak. Yeah.
- 9:07
You know, it's like keep it to yourself.
- 9:09
>> Not on your turf, you know. [laughter]
- 9:11
>> Exactly.
- 9:12
>> Not on your turf. We ask the um the
- 9:15
people we speak to before our guest to
- 9:16
ask to give our guests a question. Is
- 9:18
there anything big or small um dumb or
- 9:23
serious that um you think I should ask
- 9:26
John about or you'd want to know about
- 9:28
him?
- 9:29
>> Oh man,
- 9:30
>> what's he going to do with all this
- 9:31
knowledge?
- 9:33
[laughter]
- 9:33
>> Right. What is he going to do with it?
- 9:36
We we don't have a book yet, right?
- 9:38
There's no book.
- 9:40
>> Does he plan to write a book? And what
- 9:41
is he gonna do with all this knowledge?
- 9:43
And if he plans to do nothing, what was
- 9:45
the point? [laughter]
- 9:49
I don't know.
- 9:50
>> Perfect question. Perfect question.
- 9:52
>> I don't know if that's any good, but
- 9:53
what's the point, [laughter] right?
- 9:56
Life's too short. You're not going to be
- 9:59
speaking Mandarin, you know,
- 10:02
it's it it totally speaks to the bigger
- 10:04
thing, which is like I want to know like
- 10:06
when when do we all get to rest?
- 10:10
>> Yeah. When do you finally go down, John?
- 10:12
When do you rest? You know,
- 10:14
>> what's the thing that's going to take
- 10:15
you down? What new thing? [laughter]
- 10:17
>> So, yes, that's the thing. Something
- 10:19
he's going to tackle, he won't be able
- 10:20
to do.
- 10:21
>> Actually, that's a really good question.
- 10:22
Is what can you not do? Well,
- 10:24
>> he'll give you some some excuse my
- 10:26
language. Oh, he'll give you some BS
- 10:28
humble humble answer. God, he's he's so
- 10:32
well he's so well put together. You got
- 10:36
you got your hands full.
- 10:37
>> No kidding. But, you know, I I I do
- 10:39
really well with these big guys.
- 10:41
>> Oh, yeah.
- 10:42
>> I don't know what to tell you, but I'm
- 10:43
just I really know how to handle them.
- 10:44
>> I'm a huge fan of the show, so I know
- 10:46
you do.
- 10:47
>> Thank you so much. It means so much that
- 10:50
you talked to us today. And I know John
- 10:51
will be so thrilled that we talked and
- 10:54
um it's really nice to meet you.
- 10:56
>> Very nice to meet you, too. Have the
- 10:57
have the best day. And thank you again.
- 10:59
If you need anything and anyone wants to
- 11:00
reach out, I got I could talk about John
- 11:04
for days.
- 11:04
>> Oh, awesome. Thank you so much for your
- 11:06
time. Such a pleasure. All right, champ.
- 11:08
Talk to you later.
- 11:09
>> Have a good one.
- 11:10
>> You, too. [music]
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Camp Gooey or Camp Toasty.
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>> We enjoy a tasty beverage every once in
- 12:14
a while. And I wanted to get you
- 12:15
something that was like highly rated,
- 12:17
but I didn't want to get you 100 point
- 12:19
wine because with 100 point wine when
- 12:21
you drink it, you're like, I don't get
- 12:23
it. But with something like 98, you're
- 12:25
like, oh man, THEY GOT DIPPED. So
- 12:28
hopefully it's a good glass.
- 12:29
>> Oh my gosh, thank you so much. This is
- 12:32
so nice.
- 12:33
>> A lot of fun conversations happen over
- 12:34
wine.
- 12:35
>> I want to talk to you about wine. I know
- 12:36
you love wine or you know a and you know
- 12:38
a lot about it.
- 12:39
>> I have had a lot. I've had a lot of it.
- 12:42
>> But it is like that thing that you can
- 12:43
just keep learning and learning and
- 12:45
learning.
- 12:45
>> As with most things, you can you can get
- 12:47
deeper in in the rabbit hole.
- 12:49
>> John Cena is here. I'm so excited that I
- 12:52
changed into I put a suit jacket on for
- 12:54
you and
- 12:55
>> I put a suit jacket on for you and a
- 12:57
pocket watch for you
- 12:57
>> and a Is that a personal pocket watch?
- 13:00
>> It is. I didn't have the Does it mean
- 13:02
something?
- 13:02
>> Of course it does. I have my readers.
- 13:04
>> Wait, let's put our readers on. Let me
- 13:05
see yours.
- 13:06
>> I will I will do the full presentation
- 13:09
again. [gasps]
- 13:10
Starts out as a monle. [laughter]
- 13:13
Here we are. [snorts]
- 13:16
[laughter]
- 13:17
>> Now that falls under some habeddasherie.
- 13:19
>> Thank you.
- 13:19
>> Yeah.
- 13:20
>> Thank you.
- 13:20
>> Um I like that you do you like to wear a
- 13:22
suit?
- 13:23
>> Uh I do. I do.
- 13:24
>> How come?
- 13:25
>> I think you know I've I've tried to
- 13:27
reflect on this. I think it has to do
- 13:28
with uniformity. I do. So, like there's
- 13:31
the uniformity of knowing what you have,
- 13:33
but then the freedom to do cool stuff
- 13:35
within that.
- 13:36
>> Yeah.
- 13:36
>> You know, like um not exactly base suit
- 13:40
colors, so there's an aggressive stance
- 13:42
with the pinstripe, [laughter]
- 13:43
>> but it's still going to be like, okay,
- 13:45
uh non- low cut waist coat, two button
- 13:47
coat,
- 13:48
>> everything fits.
- 13:49
>> Do you get them get them made for you?
- 13:51
>> And that's another thing, right? So,
- 13:52
like I used to hate suits cuz they used
- 13:54
to be so uncomfortable,
- 13:55
>> right?
- 13:56
>> Until people were like, "No, no, we make
- 13:58
it around you." M
- 13:59
>> I'm like, "Uh, say what?" And then
- 14:01
someone made me a suit and I put it on
- 14:03
and it felt like a warm-up suit.
- 14:05
>> Yeah. Are you the same gen as me? Are
- 14:07
you Gen X?
- 14:08
>> I Yes, I believe so. Yes.
- 14:09
>> So, I feel like in our lifetime, we've
- 14:12
watched clothing get just more and more
- 14:16
and more casual.
- 14:17
>> In our lifetime, I feel we have w uh
- 14:20
watched clothing get more efficient.
- 14:22
>> Yeah.
- 14:23
>> You know, this one suit is made of
- 14:24
stretch fabric, so you can run a mile in
- 14:26
it and you never have to wash it like
- 14:27
>> Right. It's more of that.
- 14:29
>> Yes. And this connects to kind of what I
- 14:31
wanted to start talking
- 14:32
>> again just my lens.
- 14:33
>> Yeah. But but but I think it connects to
- 14:36
a bigger thing which is there's
- 14:38
something about the way and you would in
- 14:40
which you participate in what would
- 14:43
almost be considered um at times
- 14:46
oldfashioned things which are
- 14:49
professionalism, [laughter] politeness,
- 14:52
uh like wearing a suit, being like being
- 14:55
able to be dependable. All those things
- 14:57
sometimes feel like sadly that they feel
- 14:59
sometimes old-fashioned. My experience
- 15:01
I've got a chance to work with you and
- 15:03
had the pleasure to get to know you a
- 15:05
little bit over the the last couple of
- 15:06
years and and like you're just such a
- 15:10
professional, John. Like you're such a
- 15:12
hard worker. You do what you say you're
- 15:15
going to do and even the suit like feels
- 15:19
like a symbol of like I'm taking this
- 15:21
seriously I guess. Where does that come
- 15:24
from? Have you always had that? Have you
- 15:26
always been that person?
- 15:28
>> So, there's a lot there.
- 15:29
>> Okay.
- 15:30
>> There's a whole lot there. Um,
- 15:31
>> we got wine. We're fine.
- 15:33
>> I don't know how simple that. Uh,
- 15:35
simple. Yes. Um, you want to be in
- 15:39
shape, go to the gym. Simple. Easy. I
- 15:42
don't know.
- 15:43
>> Right.
- 15:43
>> Those things aren't easy.
- 15:45
>> Yeah.
- 15:45
>> Uh, and [sighs] you equate those things
- 15:50
with success. M
- 15:53
>> success is ambiguous. There is no one
- 15:55
recipe for success.
- 15:57
>> Yeah.
- 15:57
>> What I do uh is what I believe will get
- 16:01
me the next opportunity. But I'm also
- 16:03
wrong a lot of times.
- 16:05
>> Where do I get those things?
- 16:07
>> Through wisdom and experience. If we
- 16:09
were doing this interview in 2005,
- 16:13
>> I would have an oversized uh sports
- 16:15
jersey on. I would have a backwards
- 16:17
Mitchell Ness hat on. I would have come
- 16:19
in with more diamonds than I've ever
- 16:21
seen in my life or I need. I would have
- 16:23
I would have been wearing a set of
- 16:24
Reebok pumps and a set of jorts
- 16:27
>> and I never would have broken the
- 16:29
character of the doctor of thuggonomics.
- 16:32
>> You Yeah, you would have stayed there
- 16:34
>> because that at the time I felt was my
- 16:36
path to success. Uh how did I get these
- 16:39
things? Good question. So I don't know
- 16:42
how to succeed. I don't I always try to
- 16:45
put uh odds in my favor and I appreciate
- 16:49
people's opportunity. I'm also not
- 16:51
supposed to be here. I'm a kid from West
- 16:52
Newberry who didn't train for this. I
- 16:55
didn't put in the hours of uh improv
- 16:57
classes like you. Um it's like a happy
- 16:59
accident. All All said, life hands
- 17:01
people opportunity and hands people some
- 17:04
bad cards. If you get an opportunity
- 17:05
card, man, try to work to make the most
- 17:08
of it.
- 17:08
>> Yeah.
- 17:09
>> I am where I'm at because I know how to
- 17:12
fail. M
- 17:14
>> and I talk to people about this a lot
- 17:15
and I want to try to I'm trying to
- 17:17
expand on this idea to get it out to
- 17:19
people.
- 17:20
>> Yeah.
- 17:22
>> The things you do in life, I can
- 17:24
guarantee you will fail if
- 17:28
you are unreliable,
- 17:30
unprofessional,
- 17:32
uninvested, and uncoachable.
- 17:34
>> Mhm.
- 17:35
>> Those four things. And I don't mean like
- 17:37
work. I mean like life. It's so it's so
- 17:40
interesting you say that because
- 17:40
sometimes when I when people ask about
- 17:42
like succeeding in in the kind of stuff
- 17:45
that I do, I always say something that
- 17:47
it feels like almost simple, but it's
- 17:50
like just be fun to work with. And it's
- 17:52
it falls under that category, which is
- 17:54
when people want you around,
- 17:57
you get more opportunity. Like the the
- 17:59
the the it's the final product of what's
- 18:03
going to happen in your life to your
- 18:04
point about what you're going to be
- 18:06
successful at. You never know. You don't
- 18:07
even know if it's going to be what you
- 18:08
want. It it always changes.
- 18:10
>> Sure.
- 18:11
>> But the experience, the way people feel
- 18:13
around you,
- 18:15
>> it they remember they remember, I liked
- 18:17
working with that person. I had a good
- 18:19
time.
- 18:19
>> Or I liked seeing that person. I liked
- 18:22
being entertained by that person. I I
- 18:23
had a good interaction.
- 18:25
>> Yeah.
- 18:26
>> That doesn't necessarily guarantee
- 18:27
success. I I'm not what I'm not saying
- 18:29
is if you're coachable, professional,
- 18:31
reliable, and passionate,
- 18:33
>> you will succeed. Because there's still
- 18:35
a level of magic dust and ambiguity and
- 18:38
luck
- 18:39
>> and things beyond our control. I can't
- 18:41
tell you how to succeed. What I can do
- 18:43
is if you are unprofessional,
- 18:45
uncoachable, uninvested, and unreliable,
- 18:47
you will fail 100%. Guaranteed. I want
- 18:51
to talk to you about your thoughts about
- 18:54
winning and losing and about
- 18:55
collaboration and like and I feel like
- 18:57
it goes back to probably the fact that
- 19:00
you grew up in a family with four
- 19:02
brothers, five boys.
- 19:05
>> Amazing.
- 19:06
>> Yeah, that is that is a feat. [laughter]
- 19:09
>> Your mom
- 19:10
>> Well, I mean, she had uh albeit she had
- 19:14
probably she had probably a tough
- 19:15
30-year run, I would [laughter] say.
- 19:18
We we got a chance to so John and I got
- 19:20
to work together a few different times
- 19:21
in different ways and you told me a
- 19:23
story about your brothers and you and
- 19:26
crayons.
- 19:26
>> Yeah.
- 19:27
>> Can you tell that story?
- 19:28
>> Yeah, sure. Uh so
- 19:31
the house was wonderful. Uh and not too
- 19:37
many safety guards.
- 19:39
So, uh, if helicopter parenting is like
- 19:42
constantly looking over your kid,
- 19:45
my parents were submarine parents, like
- 19:47
I I don't I'm trying to find the exact
- 19:49
opposite.
- 19:49
>> They were hiding in the basement.
- 19:50
>> I think I think the only safety concern
- 19:53
was at night we do like a 10 and 10
- 19:55
inspection. You got 10 fingers, you got
- 19:56
10 toes, go to sleep.
- 19:58
>> That was such a cool thing to have as a
- 20:01
young person
- 20:02
>> because we essentially could have an
- 20:04
idea and do the idea.
- 20:06
>> Amazing.
- 20:07
So, because there were so many of us and
- 20:09
my dad would work and my mom would stay
- 20:11
home, um, we would just do stuff like in
- 20:15
a box of 64 crayons, if one kid was
- 20:18
behaving and coloring in the lines,
- 20:20
three other kids grabbed as many as they
- 20:22
could and just ran on the walls and did
- 20:24
whatever just to be like, "This is
- 20:26
great." Because at the time doing that
- 20:29
as a kid, that is great.
- 20:31
>> Yeah.
- 20:31
>> But my poor mom would be like, "Oh man,
- 20:33
Matt, what a great what the
- 20:37
I can't even imagine.
- 20:38
>> Meanwhile, like laundry for an army is
- 20:41
piling up and she's like, "Oh my god,
- 20:43
now I got to feed everybody again. I
- 20:45
just fed you guys three hours ago.
- 20:47
>> Taking years off her life."
- 20:48
>> Oh man. But honestly, [laughter] she she
- 20:50
had an uphill climb for three decades
- 20:53
and now all of us collectively as a
- 20:55
group are like, man, we need to make we
- 20:58
need to make sure she's doing all right
- 21:00
always. So, uh, these these last, you
- 21:03
know, four plus decades
- 21:05
>> have been a different chapter in my
- 21:07
mom's life and especially like the last
- 21:09
20 between all of us and her have been
- 21:12
real special.
- 21:13
>> I want to ask you about that because I
- 21:14
know you you've done some very special
- 21:16
things for her, but growing up in Boston
- 21:18
in the '8s
- 21:19
>> y
- 21:20
>> not like you know what what were you
- 21:23
guys were was your family you know like
- 21:26
were you known as like the Cena
- 21:28
brothers?
- 21:29
>> Oh my god. Yes. And they all came walk
- 21:31
together.
- 21:32
>> So, uh, this I grew up in West Newberry.
- 21:35
We got to take Boston out of the
- 21:36
>> equation. Well, we all say Boston no
- 21:38
matter where
- 21:39
>> because anything around no one cares,
- 21:41
>> right?
- 21:42
>> So, West Newberry is, if you keep going
- 21:44
northeast of the state of Massachusetts
- 21:45
to the New Hampshire line, there are
- 21:47
some old maritime towns that are quite
- 21:49
beautiful.
- 21:50
>> And inland, there are some even smaller
- 21:52
farming towns. And that's West Newbury,
- 21:54
1,200 people. And in 1985, your neighbor
- 21:58
is acres away and you got to ride bikes
- 22:01
everywhere. It was it was like out of a
- 22:03
out of a movie like it was like Goonies.
- 22:05
>> Yeah.
- 22:05
>> You know, like it was awesome.
- 22:08
>> So, yes, we were the scenas
- 22:09
>> and we could show up and a basketball
- 22:11
game would ensue because we've brought
- 22:12
the team.
- 22:14
>> It was it was incred an incredible place
- 22:16
to grow up.
- 22:17
>> Yeah.
- 22:18
>> And I'm so glad I didn't stay there
- 22:20
because it is it is not a diverse look
- 22:23
at the world,
- 22:24
>> right? But man, what a what a cool place
- 22:26
to grow up, especially
- 22:27
>> especially because when you're a young
- 22:28
boy, like boys, young boys are sometimes
- 22:30
like dogs. You have to kind of like run
- 22:31
them out. You have to run them. They
- 22:33
need like a yard and you just throw the
- 22:36
ball.
- 22:36
>> Yeah. And we had acres and like we could
- 22:39
go out in the forest and try to burn the
- 22:41
forest down. [laughter]
- 22:43
>> Thank you, West Newbury Fire Department.
- 22:45
Or we could have like pickup football
- 22:46
games that would end in brawl for alls
- 22:48
where parents are just pulling up in
- 22:50
their cars and ripping. [laughter]
- 22:51
That's my kid. And it's but it was
- 22:54
great. And it was great.
- 22:55
>> And did you learn how to like
- 22:57
>> I learned how to lose a fight which I
- 22:58
think is really like any tips.
- 23:01
>> That's why I'm a diplomat. Like you get
- 23:03
your ass kicked a few times and you're
- 23:05
like yo that this sucks.
- 23:07
>> Yeah. And and what do you and what are
- 23:09
some rules to lose a fight? Like what do
- 23:11
you what did you learn by losing a
- 23:12
fight?
- 23:13
>> Humility. Embarrassment. Physical harm.
- 23:16
And and another thing is like
- 23:18
>> Yeah.
- 23:18
>> Winning a fight also sucks. It doesn't
- 23:20
feel good. Yeah,
- 23:22
>> especially when you're like, man, we
- 23:23
just fought over like who gets to play
- 23:25
bases loaded next like [laughter]
- 23:27
>> what?
- 23:28
>> And that kid's hurt. Like,
- 23:30
>> so you get on both sides of that
- 23:32
equation.
- 23:33
>> Yeah. And uh
- 23:34
>> I don't think people realize that, you
- 23:36
know, and when we grew up when in my
- 23:38
high school there was a fight every day
- 23:40
after school
- 23:41
>> and it was like, "Oh, who's going to
- 23:42
fight today after school?" And girl,
- 23:45
women too, young. It was common.
- 23:46
>> It was very common. And in fact, when I
- 23:48
went to college for a while, I would go
- 23:50
to parties and I would just kind of
- 23:52
stand there.
- 23:53
>> It's like an episodic 3:00 high.
- 23:55
>> Yes. And people and people would be
- 23:56
like, "What are you worried about?" I'm
- 23:57
like, "There's too many people here from
- 23:59
different towns. Like, this is going to
- 24:00
go down."
- 24:01
>> The different town thing.
- 24:02
>> Different towns. Someone showed up at
- 24:04
your party from a different town. Forget
- 24:06
it.
- 24:07
>> But [laughter] as you know,
- 24:09
>> show party, but if the Haveril kids show
- 24:10
up
- 24:11
>> Exactly.
- 24:12
>> Yikes.
- 24:12
>> Like kids from Wuburn show up like it's
- 24:15
going to be a bloody mess. But um do you
- 24:18
have to like as a big guy growing up as
- 24:20
a tough guy with brothers like
- 24:22
>> and but also you felt like you were
- 24:25
>> crazy. I was I got the [ __ ] kicked out
- 24:27
of me every day.
- 24:28
>> Every day cuz I was a scrawny kid and
- 24:30
dressing like MC Hammer [laughter]
- 24:32
>> and Bel Dvau. It was like if Bel DVO and
- 24:35
MC Hammer ran into each other.
- 24:37
[laughter]
- 24:38
>> Yeah. rayon and airbrush denim
- 24:40
>> and you got p and you got high top fade
- 24:42
>> beat up by your brothers or by people
- 24:45
>> by by my peers. So it was a multitown
- 24:48
high school where the junior high is at
- 24:50
one place and the high school is at one
- 24:51
place
- 24:52
>> and Marramax buses were here and
- 24:54
Groven's buses were here and West
- 24:55
Newberry's buses are over at the high
- 24:56
school and I'm in junior high and you
- 24:58
have to like go I
- 24:59
>> I see the walk down the sidewalk as if
- 25:01
it was yesterday. I'm walking down the
- 25:03
sidewalk and I'm passing the kids who
- 25:05
are like 15, 16, who can't drive yet and
- 25:07
still have to go to the bus and I'm the
- 25:09
one so wearing like rayon polka dots in
- 25:13
in a an 80s rock, country music, combat
- 25:16
boot denim
- 25:17
>> you know, mullets, like you you can
- 25:20
paint the picture. I stand out like a
- 25:22
sore thumb and I was an easy target and
- 25:24
like a scrawny skinny kids. Even
- 25:26
something as simple as like boom, down
- 25:28
the hill I go,
- 25:30
>> right? shitty comment like that. That
- 25:32
was that was on the daily.
- 25:34
>> That was like the daily.
- 25:35
>> But that's trauma.
- 25:37
>> So [laughter] So
- 25:39
>> that's traumatic, John.
- 25:41
>> Uh I app I appreciate you saying that.
- 25:43
>> That's traumatic.
- 25:44
>> Life deals us all hills to climb.
- 25:47
>> Yeah.
- 25:48
>> I doubled down. It was It was a great
- 25:50
experience for me. Here I sit dressed
- 25:53
loudly
- 25:54
>> as myself.
- 25:56
>> I'm not I don't I don't have a stylist.
- 25:58
I prefer to do these things without
- 26:00
makeup because I want people to see me
- 26:02
as me.
- 26:03
>> Now I understand
- 26:04
>> if I'm creating a character.
- 26:05
>> Yeah.
- 26:06
>> Put as much [ __ ] on me as you want.
- 26:08
>> But this is me,
- 26:10
>> right?
- 26:10
>> And this is how I feel comfortable.
- 26:12
>> And when those kids picked on me for how
- 26:14
I dressed, I would go straight to
- 26:16
Liberty Tree Mall and be like, "What is
- 26:18
worse than this?"
- 26:19
>> Yeah.
- 26:19
>> I'm turning it up.
- 26:20
>> My god, the Liberty Tree Mall.
- 26:22
>> And then like and then I found weights.
- 26:25
>> So it's I didn't learn to fight. I
- 26:27
wasn't like, "Yo, I got to learn to
- 26:28
fight. I'm just going to project
- 26:30
>> the art of like
- 26:32
>> the math isn't so much in your favor
- 26:34
anymore." And by the time I got over to
- 26:37
the new building, I was 15. I'd been
- 26:39
working out for two and a half years,
- 26:40
and I was stronger than everybody. So,
- 26:42
every like, ah, I may get him, but if I
- 26:44
catch a stray, I'm going to get my teeth
- 26:46
knocked out. So, it it hedged. Like, it
- 26:48
worked.
- 26:48
>> So, what's it like to go home to Boston?
- 26:51
>> It's it's wonderful, actually.
- 26:53
>> Wonderful. must feel like they really
- 26:55
cuz the one thing I'll say one of the
- 26:58
things about Boston that's really lovely
- 27:00
is
- 27:02
your hometown really embraces you like
- 27:04
if they feel like if they have some
- 27:07
pride in you you really feel it when you
- 27:09
go back like people really feel like hey
- 27:12
they they share like look you always
- 27:14
know from Bostononians how they feel
- 27:16
they tell you to your face you're good
- 27:18
you're bad I like you I don't like you
- 27:19
>> it's weird they do but they don't it's I
- 27:21
want to I'll elaborate on that but Yeah.
- 27:23
No. Do you think do you think I'm wrong
- 27:25
that they're more passive aggressive?
- 27:26
>> No. No. They'll tell you how they feel
- 27:28
about you,
- 27:29
>> right?
- 27:30
>> They'll never tell you how they feel.
- 27:32
>> Oh, no. Feelings.
- 27:33
>> And that like So that's why uh that's
- 27:36
why recently going home has been way
- 27:39
better.
- 27:39
>> Yeah.
- 27:40
>> Because my brothers are all hitting that
- 27:41
like late 40s approaching the half
- 27:43
century now. And they're all we all have
- 27:45
wisdom of like
- 27:47
>> Yeah. Man, it's kind of a kind of a
- 27:50
shitty mindset if somebody's like, "Hey,
- 27:52
how's life?" And you're like, "Ah, it's
- 27:53
taking forever." [laughter]
- 27:55
>> Like that.
- 27:56
>> Yeah.
- 27:57
>> But that's also West Newberry.
- 27:59
>> Totally.
- 28:00
>> And man, as as beautiful as the
- 28:02
landscape is, sometimes there's a a lot
- 28:05
more anchors than sales over there.
- 28:06
>> Yeah.
- 28:07
>> You know, and I I love the pride. You're
- 28:09
right. Like when when someone from a
- 28:11
community makes it, the community has
- 28:13
made it.
- 28:14
>> That's right.
- 28:14
>> I like that.
- 28:15
>> That's right.
- 28:15
>> Because that's a win for everybody.
- 28:16
Hopefully it gets everybody's spirits.
- 28:18
>> Yeah.
- 28:19
>> And I don't I don't mind that. Um
- 28:22
it's just sometimes hard to get anything
- 28:24
real out of anybody.
- 28:25
>> Oh, babe. The idea of figuring out your
- 28:27
feelings and saying them in real time,
- 28:29
that was not what we grew up with.
- 28:31
>> Yeah.
- 28:32
>> I mean, I still kind of can't believe
- 28:33
sometimes when people are able to locate
- 28:35
their feeling and then say it, it's
- 28:38
like, how did you do that? Because we
- 28:41
just It's a skill. It's a skill to
- 28:43
figure out what you're actually feeling.
- 28:45
>> Yeah. feel it and then express it.
- 28:47
That's like a lifetime of work. And when
- 28:49
you're around culturally this thing,
- 28:52
this feeling of just like to your point,
- 28:55
there's a lot of like a lot of comedy,
- 28:58
>> a lot of self-deprecation.
- 28:59
>> A lot [clears throat] of
- 28:59
self-deprecation and a lot of
- 29:01
>> lot of doom and gloom and pessimism.
- 29:03
>> A lot of pessimism and a lot of action
- 29:05
over words, right? So, someone's not
- 29:07
going to say necessarily say like, "I
- 29:09
love you." But they're going to like fix
- 29:10
your tire.
- 29:12
>> The mshole.
- 29:13
>> Yeah. What the [ __ ] you broken down for?
- 29:15
Ah, dude, you [ __ ] idiot. Let me fix
- 29:16
your tire. All right, get the [ __ ] out
- 29:17
of here. [ __ ] off.
- 29:18
>> Yeah.
- 29:18
>> Like, that's literally their way of
- 29:20
saying like, "Ah, man."
- 29:21
>> Yeah.
- 29:22
>> Tough day, right?
- 29:23
>> Yeah.
- 29:23
>> Let me help you out here. [laughter]
- 29:25
>> Right.
- 29:25
>> I hope everything goes better for you.
- 29:28
>> But it's not that.
- 29:29
>> No, [laughter] it's not that.
- 29:31
>> Yeah.
- 29:31
>> No, it's [ __ ] He can't even [ __ ]
- 29:33
roof a house. I'll get up and [ __ ]
- 29:34
roof in two hours. You told me a story
- 29:36
though about and I want to get to
- 29:38
wrestling because I have so many
- 29:40
questions about it and as a person who
- 29:43
the the Bostononian and me had an early
- 29:45
experience with it, but it's changed so
- 29:47
much. Like
- 29:48
>> we've kind of lived in the same world
- 29:49
though.
- 29:50
>> I know. Okay. Your mom, you bought her a
- 29:54
house.
- 29:55
>> My mom earned
- 29:57
a a castle.
- 30:00
>> But that story is such a good story.
- 30:02
>> We settled on a house.
- 30:03
>> Okay. Tell just tell a little bit of
- 30:04
that story how it went if you don't
- 30:06
mind.
- 30:07
>> Uh there's never any land for sale in
- 30:09
West Newberry,
- 30:10
>> right?
- 30:11
>> And there came a large plot for sale in
- 30:14
the height of development and it was
- 30:16
heavily overpriced.
- 30:18
>> I don't know if anyone was following the
- 30:19
financial ticker, but something happened
- 30:21
in 2008 [laughter]
- 30:23
>> and that same person
- 30:24
>> they made good decisions.
- 30:25
>> Well, the culmination of all those good
- 30:27
decisions happened and they stopped they
- 30:28
stopped pouring the champagne.
- 30:30
>> Yeah. the person who was selling the
- 30:32
property came back and said, "Hey, um,
- 30:35
we just want to recoup our engineering
- 30:36
costs. Would you still be interested?"
- 30:39
So, a value opportunity came up of like,
- 30:42
"I don't need this."
- 30:44
>> Mhm.
- 30:45
>> But I have an idea of what I can do with
- 30:46
it.
- 30:47
>> Oh, wow.
- 30:47
>> And my brother Dan just so happened to
- 30:50
be in really good graces and working for
- 30:52
a contractor at the time, and he's one
- 30:55
of the the most respected individuals in
- 30:57
in like our small building community.
- 30:59
met with him and I kind of specked out
- 31:01
like what would this idea take in real
- 31:03
time? He's like less than the cost of
- 31:06
what they offered you to buy the place
- 31:07
for. I'm like, "But you can do all
- 31:09
this?" He's like, "I can." He's like,
- 31:10
"I'd like you to put your name on this
- 31:12
place and make it something you're proud
- 31:13
of." He's like, "I still can do that."
- 31:15
Okay, do it. And like a secret meeting
- 31:18
like this.
- 31:18
>> Oh my god.
- 31:19
>> Everyone wearing suits.
- 31:21
>> Every a lot of smoke, everybody's
- 31:23
scotch. It was It was 8:00 a.m.
- 31:25
[laughter]
- 31:26
It was like, "Dan, we're doing this.
- 31:29
Don't [ __ ] say a word. The story is
- 31:31
I'm moving back home." So, building a
- 31:35
house takes a long time and it's a
- 31:37
beautiful plot on the hill where like
- 31:39
from three towns over, you can see
- 31:41
what's going on. So, now we got to clear
- 31:43
land and we're digging trenches and
- 31:45
we're building this nice
- 31:46
>> beautiful New England home that exposes
- 31:48
itself to the river. It's got
- 31:49
viewpoints. It's got this crazy copper
- 31:51
dome and all this stuff. Everything is
- 31:54
settled for like creatively everything's
- 31:57
on the first floor and there are
- 31:58
multiple floors but everything you need
- 32:00
to get in and out of the access is on
- 32:01
the first floor and
- 32:03
>> everybody's watching the project and
- 32:05
everybody's like when are you coming
- 32:06
home and everyone you know in the
- 32:08
family's kind of excited and meanwhile
- 32:10
I'm still in my residence happy in
- 32:12
Florida. So, it finally gets done 2
- 32:14
years later and it's around
- 32:16
Thanksgiving, which is a great time in
- 32:18
New England because everyone like comes
- 32:19
home for Thanksgiving and they go to the
- 32:21
bars for Thanksgiving and the
- 32:22
Thanksgiving football game. My mom's
- 32:24
birthday is close to Thanksgiving.
- 32:25
>> Yeah.
- 32:26
>> So, we throw a Thanksgiving thing and
- 32:28
it's not for my mom's birthday.
- 32:30
Everybody comes over cuz we're keying
- 32:32
the door to the house for the first
- 32:33
time. Place still smells new
- 32:35
>> and taking everybody for a tour and I'm
- 32:38
bragging about like, "Ah, this is this
- 32:40
and this is this thing." And I built a
- 32:41
bar over the garage cuz I had had one
- 32:44
space for me. [laughter]
- 32:46
My mom doesn't like that, but she wanted
- 32:48
to come see the whole house. And when
- 32:50
everybody gets in the bar room, I give
- 32:51
my mom a birthday present. And it's the
- 32:54
key to the house.
- 32:55
>> And she she like lost it.
- 32:58
>> Like she absolutely she's like, "I
- 32:59
can't. I can't." I'm like, "No, it's
- 33:00
already taken care of. Movers are coming
- 33:02
tomorrow." My mom uh was living in the
- 33:05
third floor of like a triple family in
- 33:09
an attic in 300 square ft with her stuff
- 33:12
packed in. She was just by herself
- 33:14
packed in and she was content and happy.
- 33:17
That's who my mom is. She's she's a
- 33:18
lunch pale blue like she go to work. Uh
- 33:22
she wouldn't accept it. So then I had to
- 33:25
negotiate. I had to be a diplomat of
- 33:27
like you don't understand. There'll be
- 33:28
trucks there tomorrow. Everyone's on
- 33:30
board. We're going to move your stuff
- 33:31
over. I'll tell you what, it's it's
- 33:33
already here. This isn't for me.
- 33:36
>> Could you please at least give it a try
- 33:37
so all this doesn't go to waste? Well,
- 33:39
if it's going to go to waste [laughter]
- 33:41
and uh that was that was like 15 years
- 33:45
ago and she's been there ever since. And
- 33:46
now it's it's her place and we get
- 33:49
together there on holidays and it's her
- 33:51
place
- 33:51
>> and that's what a son should do for his
- 33:54
mother.
- 33:55
>> Well, uh again,
- 33:56
>> yes,
- 33:57
>> I I buy your mother a house. She she
- 34:01
earned it. She absolutely earned it.
- 34:02
>> It's such a beautiful story, too, John,
- 34:04
because you also included everybody in
- 34:06
that surprise, you know, like and and
- 34:08
and you I I just think I don't know. I
- 34:11
just I just think it's it's so
- 34:13
indicative of how you're always kind of
- 34:15
thinking about how can I how can I
- 34:19
extend my gratitude? You're you're such
- 34:21
a generous generous person. And we'll
- 34:23
talk about that. Um but I after this, my
- 34:26
parents are going to call me and say,
- 34:27
"Why haven't you bought me a house?"
- 34:29
100%. Bill and Eileen are going to be
- 34:31
like,
- 34:31
>> "We're against the wall. We have no
- 34:33
space."
- 34:34
>> We heard John on the podcast and we're
- 34:36
wondering why you haven't built us a
- 34:38
house.
- 34:46
You know, my dad used to take me to
- 34:48
wrestling in the 80s. Um, we used to go
- 34:50
see No. So, we used to see Hulk Hogan.
- 34:53
Where
- 34:54
>> Sergeant? I know you were going to ask
- 34:55
me this. I forget. Maybe like the worrum
- 34:59
[laughter]
- 35:01
>> or as we would say Wora
- 35:03
>> the Worcester Sentrum.
- 35:04
>> So it was Hulk Hogan um Sergeant
- 35:07
Slaughter the Iron Chic.
- 35:09
>> Yeah.
- 35:10
>> High88s you know very um
- 35:12
>> so there here's the cool thing there
- 35:14
were a lot more performers on that card
- 35:15
but you remember like
- 35:17
>> Yeah.
- 35:18
>> Americana patriotism.
- 35:19
>> Totally. It was Yeah. It was USA all the
- 35:21
way.
- 35:22
>> Xenophobic all that. But that's that was
- 35:25
>> totally that was a time and I remember
- 35:28
watching it and being like, you know, in
- 35:32
retrospect now it was kind of like the
- 35:33
closest we could get to Las Vegas or
- 35:35
something like it was like it was like
- 35:36
how it felt like a like a highlevel high
- 35:40
energy performance. Um
- 35:42
>> that's pretty that's on the bullseye.
- 35:44
>> Yeah. With with audiences that were
- 35:47
really really invested.
- 35:48
>> Yeah. And can you explain?
- 35:52
Wrestling to me feels like a combination
- 35:54
of
- 35:56
dance choreography
- 35:59
writing, and story, and like magic that
- 36:03
you will never know the secrets to.
- 36:06
>> I'll take that.
- 36:07
>> Okay. Is that fair?
- 36:09
>> I think that's very fair. So when you
- 36:11
are performing
- 36:13
and you are in that arena and the
- 36:16
audience gets to interact with you and
- 36:18
you are how much have you prepared for
- 36:22
that day because the difference is like
- 36:24
any other performance there is such
- 36:27
skill needed for the physical I mean you
- 36:30
like circus sole doesn't wing it. No,
- 36:34
>> but you there is a there's an amount of
- 36:37
improv in wrestling that I've noticed
- 36:40
when I would see it and also and and
- 36:42
when watching it now that is like I can
- 36:44
can't always tell how much is prepared
- 36:48
how much is actually prepared and
- 36:50
rehearsed. I guess
- 36:51
>> it depends it completely depends on the
- 36:52
performers.
- 36:53
>> Okay.
- 36:54
>> Yeah. Some do that some don't.
- 36:56
>> Some
- 36:57
what do you like to do?
- 36:59
>> I like to be an improvisational
- 37:00
performer.
- 37:01
>> Right. But that is not I don't go out
- 37:04
and wing it,
- 37:05
>> right?
- 37:05
>> I prepare
- 37:07
>> my ass off.
- 37:09
>> So I start with the creative part. What
- 37:12
is the story?
- 37:13
>> Yeah.
- 37:13
>> So if we're fighting over the fact that
- 37:15
you stole 10 grand from me,
- 37:16
>> right?
- 37:18
>> Everything I do is going to relate back
- 37:20
to your theft
- 37:21
>> and everything you do is going to defend
- 37:23
that you never took it. And the thing
- 37:25
that WWE is different than SNL,
- 37:28
[clears throat] that is different than
- 37:30
Sketch,
- 37:31
>> the audience is the act, not observing
- 37:35
the act.
- 37:36
>> The audience is the act. So, as a
- 37:39
performer, the way I approach it is,
- 37:41
okay, I have 25 minutes. We have a match
- 37:43
together, and we've been telling the
- 37:45
story of you've stolen something from
- 37:48
me,
- 37:48
>> $10,000
- 37:49
>> for for three weeks. This is a lot of
- 37:51
money. Um,
- 37:52
>> you needed it for your
- 37:54
>> I was gonna pay off my mom's house.
- 37:56
>> Your mom's house
- 37:57
>> and you took that away from me.
- 37:58
>> And now she can't get in.
- 37:59
>> And now she's gonna be evicted.
- 38:00
[laughter]
- 38:00
>> Yep.
- 38:01
>> So just by
- 38:02
>> What are you going to do about it?
- 38:03
>> You've kicked my mom out of her house.
- 38:04
>> Yeah. Oh, that's so good.
- 38:06
>> You did that.
- 38:07
>> Yeah.
- 38:07
>> And I almost This is the last payment.
- 38:09
>> Yeah.
- 38:10
>> You know, you're taking the back and I
- 38:12
got the keys and I'm just swinging them
- 38:14
right in front of you.
- 38:15
>> Yeah. So now you you being a creative
- 38:18
mind, we could have that wrestling match
- 38:20
right now.
- 38:20
>> Right. Give us 25 minutes. I'll take 35.
- 38:22
>> Okay, I love that. And then you're
- 38:24
right. So the all the moves are kind of
- 38:26
connected to that, right? Like
- 38:27
everything goes back to that theme.
- 38:30
>> And here's where it gets very
- 38:32
interesting.
- 38:33
>> If the story dictates in this match, it
- 38:35
dictates
- 38:36
>> you've stolen something from me. We're
- 38:38
going to ring the bell. I'm going to
- 38:40
show that I'm more skilled and I've
- 38:41
earned this the right to make this
- 38:43
payment. You're going to cheat just like
- 38:45
you stole and be like, "No, I'm better."
- 38:47
Right? And then there's going to come a
- 38:48
point in the story where the crowd is
- 38:50
like,
- 38:51
>> "Would you do something?" It's the
- 38:54
typical Hulk up. It's called the
- 38:56
comeback.
- 38:57
>> So what I do is we have our why.
- 39:01
What we need to really rehearse is from
- 39:04
the comeback to the finish.
- 39:06
>> Okay.
- 39:07
>> And that's usually that's usually the
- 39:09
rehearse. The physical part.
- 39:12
>> Yeah. Yeah.
- 39:12
>> The third act needs to be
- 39:15
>> ad nauseium. You need to have it
- 39:17
>> right
- 39:18
>> because
- 39:18
>> you're doing dangerous things.
- 39:19
>> You [laughter] are doing dangerous
- 39:20
things, but there's a fundamental trust
- 39:22
between performers that you know X
- 39:24
skill, I know X-kill. And the
- 39:26
conversation we can have before is
- 39:28
>> do you do anything specific that's
- 39:29
outside of the fundamentals that I
- 39:31
should know about,
- 39:32
>> right?
- 39:33
>> And the person who leads gets all that
- 39:35
information and stores all these things
- 39:37
in their uh card catalog.
- 39:40
>> The third act needs to be prepared
- 39:43
because it can also change,
- 39:44
>> right? Basically, you use the first two
- 39:47
acts to go out and improvise,
- 39:48
>> right?
- 39:49
>> And if we get out there in the Worcester
- 39:51
Center, which I believe to be a rowdy
- 39:52
crowd, but slightly different than
- 39:53
Boston and Hartford, but they change and
- 39:56
they're like, "We're for you."
- 39:59
>> Right? We don't want that mom to have
- 40:01
her house.
- 40:02
>> But keep in mind, we need that
- 40:04
>> we need to gear for that moment where
- 40:06
they're like, "John, do something."
- 40:08
>> So immediately, a piece of line that I
- 40:11
would throw in the water is punch me in
- 40:12
the face. And they might cheer.
- 40:16
>> You would say that to me. Punch me in
- 40:17
the face.
- 40:17
>> I would say immediately punch whatever
- 40:18
we had planned. If we talked about
- 40:20
something [laughter] and they came out
- 40:22
and we're like, "Yeah, me." I'm like,
- 40:23
"Punch me in the face now." Or or like
- 40:24
I'll go out.
- 40:26
>> I will go out and turn my shoulder to
- 40:27
the crowd as if I'm confused. And when I
- 40:29
come back, hit me in the face. Bam. So,
- 40:32
we did two things there. You threw the
- 40:34
first punch, which is not fair. It's not
- 40:37
virtuous.
- 40:38
>> And you did it when I wasn't looking.
- 40:40
Right.
- 40:40
>> So, it's these subconscious things of
- 40:42
like, they're for Amy, but this is my
- 40:44
mama. And bam. Oh, [clears throat]
- 40:46
jeez. Get on me. Come here. And then I
- 40:48
would have you just beat the tire out of
- 40:50
me. And they might like that. And then I
- 40:52
would just have you lean into that.
- 40:54
>> Yeah.
- 40:54
>> Where it becomes like, oh man, it's like
- 40:57
watching a bad fight.
- 40:59
>> And then I would just listen to be like,
- 41:02
well, come on. Do something. Do
- 41:04
something. No, screw. Do something, man.
- 41:07
Okay, duck. Here we go. And then we go
- 41:10
into now we have the now the audience is
- 41:12
working with us rather than against us.
- 41:14
But there have been instances where the
- 41:16
people behind the curtain will tell the
- 41:18
ref to tell you like switch the finish.
- 41:21
[laughter]
- 41:22
>> So we've decided that the other person
- 41:23
is going to win.
- 41:25
>> So if you're super prepared,
- 41:27
>> you can change things
- 41:30
>> and and change in real time. Now keep in
- 41:32
mind as I'm saying when I turn around,
- 41:34
punch me in the face.
- 41:35
>> I'm listening to the crowd. I'm hoping
- 41:37
you're going to be there. I'm also
- 41:38
listening to my ref. So, sorry that is I
- 41:41
thought that was real.
- 41:42
>> No, it's fake. [laughter]
- 41:44
>> So, real ruse. Anyway, I I have the ref
- 41:47
being like, "You have 17 minutes left.
- 41:49
You have 16 minutes left."
- 41:50
>> Mm-
- 41:51
>> So, like, it's all happening in real
- 41:52
time. And there are coaches watching you
- 41:55
from behind a curtain that will tell the
- 41:58
ref what they think you should do,
- 42:00
>> right? Oh, you're getting You're getting
- 42:02
notes in real time.
- 42:03
>> In real time.
- 42:04
>> But that's why live TV is so
- 42:07
That's why I wanted to do it forever and
- 42:10
I just physically I can't do it anymore.
- 42:12
But that's why when every anyone says
- 42:14
like what do you like more? Wrestling.
- 42:16
>> Yeah.
- 42:16
>> That's why I I I got run out of
- 42:18
Hollywood the first time around.
- 42:19
>> You talked about that. I I love what you
- 42:20
said which is like um
- 42:21
>> look at what we just talked about.
- 42:22
That's [ __ ] great. You can feel the
- 42:25
excitement
- 42:27
crowd the the noise
- 42:29
>> and then when you get like when you get
- 42:31
fluent at it
- 42:32
>> when you're like oh I kind of understand
- 42:34
this. I'll do this and and then the
- 42:37
challenge becomes like, oh man, the UK
- 42:39
crowd is throwing a beach ball around.
- 42:41
How the do I work that into the act? Go
- 42:44
out and get that thing and pop it and we
- 42:45
come back. [laughter] When you come
- 42:46
back, I'm going to give you my finish
- 42:48
real time. This stuff I've had people
- 42:49
get married. I've had people start
- 42:51
fights and stands and we work it all
- 42:52
into the act.
- 42:53
>> That's amazing.
- 42:54
>> Just cuz you're prepared.
- 42:56
>> It's the opposite of like doing standup
- 42:58
and not wanting a heckler. Basically,
- 42:59
you want that feeling that people are
- 43:02
listening and participating.
- 43:03
>> Here's the thing. It's not that we want
- 43:04
it, it's just it is.
- 43:07
>> It is.
- 43:07
>> And standup, the kind of protocol is
- 43:10
like
- 43:11
>> enjoy the comedy.
- 43:13
>> Don't heckle.
- 43:14
>> Yeah.
- 43:14
>> Here, it's like you have paid your money
- 43:16
to heckle.
- 43:17
>> Yeah.
- 43:18
>> And there's 12,000 of you.
- 43:20
>> All right. Good luck.
- 43:21
>> And you can you can heckle on mass.
- 43:24
>> Yeah. chants start out that are too hot
- 43:26
for TV that Netflix is turning us off
- 43:28
and turning us off and just literally
- 43:30
the audio goes out like it's
- 43:32
>> it's crazy [snorts] and you can't the
- 43:35
more you try to be like calm down
- 43:37
everybody.
- 43:37
>> Yeah, of course. You don't want you
- 43:39
don't want to be calm down. Understand
- 43:41
that you're working with my character
- 43:43
part of the act.
- 43:44
>> I would be like, "You guys calm down.
- 43:46
Stop." I'd be like, "Guys, it's so
- 43:48
loud."
- 43:49
>> That would be my thing, guys. IT'S SO
- 43:50
LATE. IN MASSACHUSETTS.
- 43:52
>> LIKE, IT'S SO LATE AND IT'S SO LOUD. I
- 43:55
MEAN, why are we fighting? Why are we
- 43:57
fighting? This is crazy. That would be
- 43:59
my character.
- 44:00
>> I Do you hear that?
- 44:01
>> Let's take a nap.
- 44:02
>> Do you hear that off in the distance?
- 44:03
[laughter]
- 44:03
>> It's the money printing machine.
- 44:08
>> Oh, man. Calm down shirts. We sell
- 44:11
chamomile tea.
- 44:12
>> Oh, this is amazing. That's actually a
- 44:15
great idea. I come in
- 44:19
>> I go
- 44:20
>> and all of my holds, all of my moves are
- 44:22
like to just be like, "Quiet,
- 44:24
>> just
- 44:25
>> like and I just I snap and they go down.
- 44:27
>> Just be quiet.
- 44:28
>> Quiet. Come on."
- 44:29
>> And everybody brings their blankets in
- 44:31
and they're like, "Sh,
- 44:32
>> nobody calm down. Wait,
- 44:33
>> what's big foam hands?" Wait,
- 44:37
[laughter]
- 44:38
>> calm down, Amy. one when the entire
- 44:40
place is quiet.
- 44:41
>> CDA.
- 44:42
>> Calm down, Amy. [laughter] CDA. It's
- 44:46
instead of CBD oil, it's CDA.
- 44:48
>> CDA. We'll get you that. We'll get that
- 44:50
brand partnership working. This
- 44:52
>> This is [ __ ] genius.
- 44:52
>> We did this here.
- 44:53
>> We just did this here.
- 44:54
>> And here's what's also so crazy about
- 44:55
the WWE. You might see that character.
- 44:57
[laughter]
- 44:59
>> They might be watching like,
- 45:01
>> "Yeah, they're on to something.
- 45:04
Get the CD going." I love what you said
- 45:06
in your transition to acting is that it
- 45:08
was confusing to not have the show, you
- 45:12
know, like like the super long hours,
- 45:14
lots of waiting around for your time.
- 45:16
>> Different mindset.
- 45:17
>> Totally. And you you spoke about how in
- 45:20
the beginning it was really confusing
- 45:21
>> as a young 20some. Yeah.
- 45:23
>> I wanted to be there and I want to go to
- 45:24
the bar afterwards.
- 45:25
>> Yeah. Right.
- 45:26
>> And then do it in the next town and then
- 45:27
the next town
- 45:28
>> and get instant feedback.
- 45:29
>> It's the best. And and I'm not saying
- 45:32
like crushing it is awesome. It's the
- 45:34
best when you bomb.
- 45:35
>> Yeah.
- 45:36
>> It's the best,
- 45:37
>> right?
- 45:37
>> Like cuz then you're like whizzing to be
- 45:39
like, I got another performance in 24
- 45:40
hours. What do I do? Like it's the best.
- 45:44
>> Yeah. You don't get feedback when you're
- 45:45
shooting it. I mean, you do from the
- 45:47
director.
- 45:47
>> It's a different It's a different
- 45:48
mindset.
- 45:49
>> Yeah.
- 45:50
>> And uh it took me
- 45:53
appreciation of the mindset to really
- 45:55
apply.
- 45:56
>> Yeah.
- 45:56
>> And and and people like you to bet on me
- 45:59
and know that like, oh man, I'm getting
- 46:01
an opportunity here. What what can I do?
- 46:03
Show up early and [ __ ] be prepared.
- 46:06
>> Yeah.
- 46:06
>> Be ready [clears throat] to go.
- 46:07
>> I mean, okay, so we worked together in a
- 46:09
movie called Sisters, me and Tina, the
- 46:11
great Paula Pel. And it was so fun. Um,
- 46:16
>> tons of comedians. Great cast.
- 46:17
>> Great cast.
- 46:18
>> Stacked that thing there.
- 46:19
>> It was so fun to work with you. And you
- 46:20
and Paula Pal fell in love. You love
- 46:23
each other.
- 46:24
>> And I I mean to me a few we had a few
- 46:26
conversations over wine.
- 46:28
>> You and Paula had a few wine. What What
- 46:29
did you guys do? You guys hung out and
- 46:31
and drank wine
- 46:32
>> a lot.
- 46:32
>> What's I mean, what's so great about
- 46:34
Paula? What do you love about her?
- 46:36
>> I like her her perspective. I love her
- 46:38
courage. Uh man,
- 46:41
>> like I I just like that energy. I I like
- 46:44
again I say anchors in sales.
- 46:46
>> She's a sail.
- 46:47
>> Yeah.
- 46:47
>> You know, like always curious, always
- 46:49
creative offthe-wall.
- 46:51
>> Yeah.
- 46:52
>> I just know I know any idea is going to
- 46:55
have like that whimsy, that magic in it.
- 46:58
>> Yeah. And I I want to be with those
- 47:00
people.
- 47:00
>> Yeah. You know. Yeah. Yeah. Yeah. Did
- 47:02
you really Were you a big comedy fan
- 47:03
growing up? Because you've done a lot.
- 47:05
What were you watching? What? We were
- 47:06
all watching SNL and What were you
- 47:08
watching growing up
- 47:09
>> at a young age? I was watching stuff I
- 47:11
shouldn't be watching. So, my dad was
- 47:13
the only person in my only male in New
- 47:14
England that didn't care for sports.
- 47:16
>> Not kidding. Like, we never grew up at
- 47:18
the Red Sox, the Celtics, because that
- 47:19
stuff all happened
- 47:20
>> when I got to junior high,
- 47:22
>> right?
- 47:22
>> And I had to fall in a peer group. So,
- 47:24
like I gota I got to start caring about
- 47:25
sports,
- 47:26
>> right?
- 47:27
My dad liked old '8s titty comedies and
- 47:30
pro wrestling [laughter]
- 47:31
like Benny Hill. He loved. So I'm
- 47:34
watching like
- 47:35
>> Benny Hill.
- 47:37
>> My people don't understand how important
- 47:39
Benny Hill was. I mean
- 47:41
>> unless you're my dad.
- 47:42
>> It's it's in and now you watch now and
- 47:44
you're like Jesus Christ this is a
- 47:46
terrible show. Like Benny Hill is talk
- 47:48
about predator.
- 47:49
>> It just didn't age well for for the
- 47:51
time.
- 47:51
>> But at the time I remember being a
- 47:53
little kid being like what is this?
- 47:55
[laughter] Yep.
- 47:56
>> A lady standing behind a bunch of
- 47:58
melons.
- 47:59
>> Yep.
- 47:59
>> And Benny Hill is like like a cartoon
- 48:02
character trying to grab
- 48:04
physical. And it was like what? What is
- 48:08
this? Like
- 48:09
>> and and and [laughter]
- 48:11
so in our psyche. Benny Hill.
- 48:13
>> Yeah. The chase with the music has
- 48:15
become a meme.
- 48:16
>> You don't have to do the Benny Hill
- 48:17
style, but you do the chase in the music
- 48:19
and it's it's a meme. Like
- 48:20
>> And did they watch like did they
- 48:22
>> they watch like Kentucky Fried Movie?
- 48:24
Um, Animal House, Catty Shack,
- 48:27
>> uh, Anything Rodney did, like I mean,
- 48:30
you name it. I mean,
- 48:31
>> all those comedies. We t we talked about
- 48:33
Mr. Mom, like,
- 48:35
>> uh, it just 80s comedies. My dad would
- 48:39
literally fast forward through the
- 48:41
romance OF LIKE THE ROMCOMS.
- 48:43
>> Got into the jokes,
- 48:45
>> but they were great. Yeah, but dude,
- 48:47
some of them like you go back and you're
- 48:49
like, "Oh my god, Porky's like
- 48:51
>> Porky's was a that was on
- 48:53
>> that was and when you were a young woman
- 48:56
watching Porky's it was not good."
- 48:59
>> So,
- 49:00
>> John, it really [ __ ] it really [ __ ]
- 49:02
with our heads.
- 49:03
>> It did because it was like what is going
- 49:06
on? It's like the like there was so much
- 49:08
like you know I remember watching Weird
- 49:10
Science and being like incredible movie
- 49:12
and then a couple years later I'm like
- 49:14
okay two teenage boys create a sex
- 49:16
robot. It's Kelly Le Brock and they're
- 49:20
like come sex robot come meet our
- 49:22
friends and I'm like that did that does
- 49:24
[ __ ] you up. [laughter]
- 49:26
>> It does. We we saw I'm sure this has
- 49:29
happened where you look at an 80s movie
- 49:30
you're like this is hilarious comedy and
- 49:32
then you play it and you're like oops.
- 49:34
There's a lot of that. But you have you
- 49:36
have a like you have a real knack and
- 49:38
love I think for comedy especially, but
- 49:40
you do all different kinds of acting.
- 49:42
Um, what do you what do you like what's
- 49:44
your relationship to acting right now?
- 49:46
Like what you know, you're you're you're
- 49:48
retired.
- 49:49
>> Uh, I'm I'm a retired physical
- 49:51
performer.
- 49:52
>> We'll see.
- 49:52
>> No, no, no, no.
- 49:54
>> Okay.
- 49:54
>> So, I have stated that speaking in
- 49:57
absolutes is impossible.
- 49:59
>> Yeah, exactly. I've also used the term
- 50:01
it would be financial suicide [laughter]
- 50:04
for someone to be like here's what it's
- 50:06
going to take and I'll be like you did
- 50:09
it I'm a liar [laughter] financial
- 50:12
suicide judge Judy Judge Judy negotiates
- 50:14
her contracts she slides over a number
- 50:18
>> that [snorts] is so she's such a G
- 50:20
>> such a G and then she goes and if you
- 50:23
don't want me to do it
- 50:25
>> guess what
- 50:25
>> go home
- 50:26
>> guess what
- 50:26
>> who cares I got I'm good
- 50:28
>> I got a
- 50:30
I got 3:15. It's 30:07.
- 50:32
>> She's like,
- 50:34
>> she slides. She slides and they look and
- 50:36
then they go,
- 50:37
>> "Welcome back." or whatever. Um, but
- 50:40
>> so never performing physically again.
- 50:41
>> Okay. Got it. Got it.
- 50:42
>> And there's there's multi- tears to
- 50:44
that. Uh, I I need to stop because
- 50:46
physically I want to be I want to enjoy
- 50:48
a long good life. I don't want to have a
- 50:50
bunch of crusty years and punishing my
- 50:52
body.
- 50:53
>> The math isn't in my favor for the good
- 50:55
years.
- 50:55
>> What is the part of your body that barks
- 50:57
the most when it's
- 50:58
>> low back? But so so I'm a male or I'm a
- 51:01
human at 50. That's everyone.
- 51:03
>> Yeah.
- 51:04
>> Aside from that, I did really good.
- 51:05
>> That's great. Do you do like Pilates and
- 51:07
yoga and like stretchy stuff?
- 51:09
>> Heavy stretchy stuff.
- 51:10
>> Yeah.
- 51:10
>> And I hate it and I do it a lot all the
- 51:13
time.
- 51:13
>> Can you touch your toes?
- 51:14
>> I can.
- 51:15
>> [ __ ] I can't touch my toes.
- 51:19
>> Stay in the frame.
- 51:23
>> The suit is tough.
- 51:24
>> My god, John is doing it. He's touching
- 51:25
his toes. I can't I actually can't bend
- 51:28
farther THAN THE SUIT.
- 51:29
>> WA.
- 51:30
>> YEAH,
- 51:31
>> that's really good. John,
- 51:32
>> I can go hands flat on the floor. That's
- 51:33
my stretch flat on the floor.
- 51:35
>> That's my stretch every day in the
- 51:36
shower. And if you walk in on me taking
- 51:38
a shower, [laughter]
- 51:40
>> you'll see me in a different POV.
- 51:43
>> Man, I was just all the funky bits
- 51:46
spread open. That is the every morning
- 51:48
full spread. Start with that full
- 51:50
spread. Man, I I I was I was really
- 51:53
hoping that you would be not flexible
- 51:55
because
- 51:56
>> No, cuz that's I have to work.
- 51:57
>> You have to work at it. That's
- 51:59
incredible.
- 52:00
>> I want to move around.
- 52:01
>> Yeah.
- 52:01
>> So, I can talk about it or do it.
- 52:03
>> Okay.
- 52:04
>> And it sucks and I hate it and I do it.
- 52:05
>> Oh, god. You do. You You're good at
- 52:07
doing things you don't like to do,
- 52:09
>> but I like to do them because I like
- 52:10
what it yields.
- 52:12
>> Yeah. And and uh forced austerities are
- 52:15
a luxury because life gives you stuff
- 52:16
that you really don't want to do that
- 52:18
you didn't get to choose. So it's
- 52:20
>> and a lot of times the choose like I
- 52:22
want to do this or I want to be good at
- 52:24
this. All right. It's going to be a lot
- 52:25
of things that are going to be tough.
- 52:26
>> Yeah. Okay. So I'll [ __ ] stretch
- 52:28
more. Jesus.
- 52:29
>> You got to
- 52:30
>> I know.
- 52:30
>> You got to I mean it's just it's like a
- 52:32
crusty rubber band. You got to you got
- 52:34
to make sure. Don't don't let it get too
- 52:36
weird.
- 52:37
>> Oh god. Okay.
- 52:38
>> So physically I'm good.
- 52:39
>> So you're physically good and you're
- 52:41
feeling good and your relationship to
- 52:42
acting now feels like what what have you
- 52:44
learned about yourself as you've become
- 52:45
as you've acted more and more?
- 52:47
>> What I what have I learned?
- 52:48
>> Yeah. Yeah,
- 52:48
>> acting and wrestling are the same.
- 52:51
>> The same.
- 52:52
>> Interesting.
- 52:53
>> I don't run the company, so I don't
- 52:54
control who wins and loses.
- 52:56
>> Right.
- 52:56
>> Uh I get a chance to make choices within
- 52:58
my story, but I can't change the finish.
- 53:00
>> Mhm.
- 53:00
>> I should be prepared. I should hit my
- 53:02
time. I shouldn't ask for more than I'm
- 53:04
given. And I should be grateful what I
- 53:06
have. If you do good work and you are
- 53:08
professional, it increases the math of
- 53:10
people calling me back.
- 53:11
>> Right. And also, I got to say, John,
- 53:13
you're such a softy. You were the like
- 53:16
you're really really I talked about it
- 53:17
earlier. You're such a generous person.
- 53:18
You're the person that's given the most.
- 53:21
Um, you know, you've you've fulfilled
- 53:22
more Makea-Wish wishes than any
- 53:25
celebrity, over 650 at this point. You
- 53:28
you do incredible amounts of charity
- 53:30
work. I know that about you. Giving that
- 53:32
amount of time to people is expensive.
- 53:36
It's a lot of energy and and even that
- 53:38
sometimes I'm sure you walk away feeling
- 53:40
like I wish I could have given more. How
- 53:42
do you kind of when you approach people
- 53:45
who are sick and ill? Because a lot of
- 53:47
people are very scared of reaching out
- 53:51
when people are in a tough place. You
- 53:52
know what I'm talking about? It's not
- 53:54
easy to be around especially young
- 53:56
people who are having um perhaps like
- 54:00
who are perhaps at close to the end of
- 54:02
their lives.
- 54:03
>> Remember your why.
- 54:04
>> Mhm.
- 54:05
>> Why am I there? Am I there to be scared?
- 54:09
>> Right.
- 54:09
>> Am I there to be sad?
- 54:13
No. I am there to be the hope.
- 54:16
>> Mhm. M
- 54:16
>> and that is my why. And now I'm retired.
- 54:19
People like Cody, people like Ria,
- 54:21
people like Roman, it's their time to be
- 54:25
the hope. You know what I'm saying?
- 54:27
>> Yeah.
- 54:27
>> Those experiences
- 54:29
renew my faith in humanity.
- 54:31
>> Yeah.
- 54:31
>> They give me gratitude for life.
- 54:33
>> Yeah.
- 54:33
>> I'm so grateful for the people I've met.
- 54:35
>> Yeah.
- 54:36
>> Like, and man, when people are just raw,
- 54:40
emotionally excited, you see it. It's
- 54:43
real. You can't fake it. I like what I'm
- 54:45
learning about you, um, John, is like
- 54:48
you're chase you're you're chasing
- 54:50
emotion. Like you're looking for it. You
- 54:52
like want to have real connection.
- 54:53
>> Don't we all?
- 54:55
>> No.
- 54:56
>> I disagree.
- 54:57
>> Well, I mean, I guess I mean, I guess we
- 54:59
do, but I guess we do at the end.
- 55:02
>> There's no 100% certainty of anything.
- 55:04
There might be a mathematical
- 55:05
>> answer. I guess it's just that people
- 55:06
don't make it a priority, right? Like
- 55:09
they they might want it, but they but
- 55:11
but it feels like you prioritize
- 55:13
connection. That's what matters. I'm
- 55:14
just
- 55:15
>> I'm just I'm just saying like
- 55:16
>> I get what I'm just trying to I'm trying
- 55:18
to do me the best the best I can.
- 55:20
>> You won't take a You won't take a
- 55:21
[ __ ] compliment.
- 55:21
>> I will say at this moment in life
- 55:24
connection swinging them around in the
- 55:26
ring and I'm going to give you a
- 55:27
compliment before the finish. Now
- 55:29
everybody calm down and get quiet so I
- 55:31
can compliment you. And now take a nap.
- 55:33
>> CDA. CDA.
- 55:34
>> It's too late. Um Okay. [clears throat]
- 55:36
Um and so um uh uh the other thing is
- 55:41
you you brought up Cody.
- 55:42
>> Yeah. So, we do a thing on the podcast
- 55:45
where we talk to someone who knows our
- 55:47
guest.
- 55:48
>> I did this for Idris.
- 55:49
>> Oh, yeah. That's right.
- 55:50
>> It's where I gave you the [laughter]
- 55:51
It's where the mythology behind that
- 55:53
bottle of wine. You've pounded during
- 55:55
this show.
- 55:56
>> Oh my god.
- 55:56
>> And forgot that I did your show. Yes.
- 55:59
>> Yes.
- 56:00
>> I remember you did it. What was the What
- 56:01
was the mythology? What is the
- 56:02
>> I told you the next time I see you bring
- 56:04
a bottle of wine.
- 56:04
>> Oh, I did forget that.
- 56:06
>> I wish you would let me remember that
- 56:08
way. I wouldn't have had to carry that
- 56:09
in my bag. [laughter]
- 56:12
This is so fancy this wine. I can't wait
- 56:14
to drink it. Okay, thank you for doing
- 56:16
that for Idris. And um
- 56:18
>> it's Idris. He's my guy.
- 56:20
>> And um Cody talked to us today.
- 56:24
>> I'm so glad you talked to him.
- 56:25
>> Cody Rhodess, first of all,
- 56:27
>> cuz I will say not a lot of wrestlers on
- 56:29
Good Hang.
- 56:33
Trying to You're trying to have a
- 56:34
diverse portfolio of people in the
- 56:36
entertainment space.
- 56:39
Not a lot of WWE superstars. Good hang.
- 56:43
Think I might be numero uno.
- 56:45
>> Yeah. Well, we've got two today.
- 56:47
>> That's right. See, there we go.
- 56:48
>> Chill out. We've reached our goal.
- 56:50
>> I think this is a great day. You've
- 56:51
increased your population by 100%.
- 56:54
>> You're right. And I do want to talk to
- 56:55
more wrestlers.
- 56:56
>> And that's why I started the podcast.
- 56:58
>> No, but you will out of guilt. You be
- 56:59
like, we gota Could somebody get the
- 57:01
number of that guy because we'll have
- 57:02
that'll be crazy.
- 57:03
>> But, you know, I love talking to Cody
- 57:05
and um
- 57:06
>> that's good. Well, first of all, I found
- 57:08
out that um the term baby face, which
- 57:10
>> yeah,
- 57:11
>> absolutely love and uh
- 57:12
>> heal too.
- 57:14
>> Heel. Would I be considered a baby face?
- 57:17
>> So, this is another thing. It's kind of
- 57:18
it's kind of ambiguous. If you went out
- 57:21
and tried to be liked, you would be a
- 57:24
heel.
- 57:24
>> [ __ ]
- 57:25
>> I think if you went out and you yourself
- 57:27
>> baby face,
- 57:28
>> born baby face.
- 57:29
>> And then, uh do women get different
- 57:31
terms in wrestling? Do they?
- 57:32
>> No, the terms are universal.
- 57:34
>> Okay. Love that. Okay. And it was really
- 57:36
fun to talk about him noticing how much
- 57:40
you not only care about your own work
- 57:43
and pay attention to the good work of
- 57:44
others, but that you're kind of
- 57:46
constantly
- 57:47
um learning new things. I mean, you
- 57:50
taught you you learn you know Mandarin
- 57:52
>> a little bit.
- 57:52
>> You know French, I am a
- 57:54
>> little bit.
- 57:55
>> Okay, congrats. Um
- 57:57
>> that so like that's like you know math.
- 57:59
I know a little bit of math. I don't
- 58:01
know all of math.
- 58:02
>> Like I I know I know um speak um could
- 58:05
you order in a restaurant in both those
- 58:07
languages?
- 58:08
>> Yes.
- 58:09
>> Congrats. That's great. Well, Cody was
- 58:12
like, "What are you Cody's question is
- 58:14
such a brotherly question, which is like
- 58:17
what are you going to do with all this
- 58:18
knowledge?"
- 58:19
>> He was like, "Write a book and if you
- 58:21
don't write a book, what's the point of
- 58:23
it all?" [laughter]
- 58:24
>> And then he was like, "What can you not
- 58:27
do?" Well, but Cody was really funny.
- 58:29
His question was really this search for
- 58:32
knowledge and getting like you really
- 58:34
want to know things. What do you what do
- 58:36
you what what's what what's behind that
- 58:38
search? What's behind like the drive for
- 58:40
those things?
- 58:41
>> Am I honoring life correctly?
- 58:43
>> Yeah. But but why do you worry that
- 58:45
you're not?
- 58:45
>> Because look how lucky I am.
- 58:47
>> Yeah.
- 58:48
>> Like am I am I doing enough?
- 58:50
>> Am I doing enough?
- 58:51
>> If I'm not moving forward
- 58:53
>> Mhm.
- 58:54
>> I'm not honoring the luck. I I talk
- 58:56
about like earning the sunset. I'm big
- 58:58
on like honoring the luck. This is not
- 59:00
in my control. This is like the weird
- 59:03
mystical piece of the universe from who
- 59:06
I am when I was born, where I was born,
- 59:08
the opportunities I've been had that are
- 59:10
beyond my control. Just go like hell and
- 59:13
try to honor the luck. It's what I do
- 59:16
alone
- 59:17
>> to focus, stay committed, do something
- 59:19
hard, feel good about myself like it is
- 59:22
mine. But when you go to my wrestling
- 59:26
matches, you're going to be encouraged
- 59:28
to just take take a break and calm down
- 59:30
and take a nap. Just you got it. You
- 59:33
did.
- 59:33
>> You are. You are.
- 59:34
>> I do think productivity is a cur. You
- 59:36
know, it can be a curse.
- 59:37
>> Leaving money on the table. [laughter]
- 59:40
>> Okay, we got a little quick lightning
- 59:42
round. Here we go. What are you reading
- 59:44
>> right now? Uh, mania's crisis and
- 59:47
[clears throat] crashes, eighth edition.
- 59:48
>> What's that? It is a history of market
- 59:51
mania, uh, crashes and, um, bubbles.
- 59:55
>> Uhhuh.
- 59:56
>> Okay, great.
- 59:57
>> Because I just want to know about it.
- 59:58
>> You want to know about it? Okay.
- 59:59
>> It's a tough book to read.
- 1:00:00
>> Yeah.
- 1:00:02
>> The South City Crisis, the mania bubble,
- 1:00:04
and yes,
- 1:00:05
>> railroad fever in the 1800s. [laughter]
- 1:00:08
>> An album that you're into right now that
- 1:00:10
you've been listening to.
- 1:00:11
>> Uh, old or new.
- 1:00:12
>> I'm rocking to some cocktail jazz
- 1:00:15
>> because I want to try to learn how to
- 1:00:16
play it. But when I'm alone, blues. Like
- 1:00:19
a John Lee Hooker Howling Wolf Blues.
- 1:00:22
>> Okay. Uh fun movie you've seen recently
- 1:00:25
or like a or a comfort movie like one
- 1:00:28
that's on that if you see it, you're
- 1:00:29
just like I want to watch it.
- 1:00:30
>> Just watch Lauren Michaels documentary.
- 1:00:32
>> Oh yeah.
- 1:00:33
>> Loved it.
- 1:00:34
>> Loved it.
- 1:00:35
>> Like reminds me a lot of what we do. And
- 1:00:38
man, when I walked the hallowed halls of
- 1:00:40
Saturday Night Live, like as a single
- 1:00:43
serving guest
- 1:00:44
>> Mhm.
- 1:00:45
The amount of respect I have for
- 1:00:47
everyone
- 1:00:48
>> and then him
- 1:00:49
>> seeing seeing that it was awesome.
- 1:00:53
>> It was awesome.
- 1:00:54
>> John, the thing about wrestling,
- 1:00:56
>> you you know you've made it when
- 1:00:58
everyone has an impression of you.
- 1:00:59
>> Totally.
- 1:01:00
>> He is what a what a amazing person.
- 1:01:03
>> When I was wrestling in Canada, um okay,
- 1:01:06
are you are you watching anything fun?
- 1:01:08
>> We just got through four seasons. This
- 1:01:12
is going to be taped, but we're taping
- 1:01:13
it on Will Forte's birthday. Happy
- 1:01:15
birthday Will.
- 1:01:15
>> Happy birthday, Will. Happy birthday in
- 1:01:18
hell, Will. [laughter]
- 1:01:19
>> That's Tina Faze.
- 1:01:21
>> Tina's the Four Seasons. Great second
- 1:01:23
season.
- 1:01:23
>> So, we just got through the second
- 1:01:24
season of that. Fantastic. And uh that
- 1:01:26
Yeah. So, that's that.
- 1:01:27
>> And then, um you're in the new movie
- 1:01:29
Little Brother with Eric Andre.
- 1:01:31
Congratulations on that. And what was it
- 1:01:33
like working on that and the experience
- 1:01:35
of working?
- 1:01:35
>> Eric is an eccentric physical comedian.
- 1:01:38
[laughter] He is awesome. I got to say,
- 1:01:41
I've always been impressed by what he
- 1:01:42
can do.
- 1:01:43
>> Yeah.
- 1:01:43
>> Um give give someone the chance to to
- 1:01:46
show what they can do and you set
- 1:01:48
yourself up to be surprised. He crushed.
- 1:01:50
>> Yeah.
- 1:01:51
>> Uh not only I I read the script and it
- 1:01:53
came from him and I'm like, "Dude, this
- 1:01:55
is your vehicle. I will gladly do this
- 1:01:57
cuz you're going to shine."
- 1:01:59
>> There's also parts in there that are
- 1:02:01
really heartfelt.
- 1:02:02
>> Uhhuh.
- 1:02:02
>> And he crushed those as well.
- 1:02:04
>> Yeah.
- 1:02:04
>> And like what a moment. I think it's
- 1:02:06
going to be a great movie. It's going to
- 1:02:08
be a great movie for people who see it
- 1:02:09
on Netflix. I'm very happy to be a part
- 1:02:10
of it. I got to do a comedy.
- 1:02:11
>> Yeah.
- 1:02:12
>> Where, you know, with comedies, you're
- 1:02:13
like laughing all the time.
- 1:02:14
>> Well, this is my last question, which is
- 1:02:15
like what I know you love to laugh and
- 1:02:18
you love comedy. What do you What's
- 1:02:19
making you laugh right now like what?
- 1:02:21
>> It could be anything.
- 1:02:22
>> Yeah. Like is there a video, a scene
- 1:02:24
from a What's something that you like?
- 1:02:26
>> No, you never know. I think Okay, X
- 1:02:29
makes me laugh.
- 1:02:30
>> Yeah.
- 1:02:30
>> I rule out everything else. A lot of it
- 1:02:32
is me. Like the joke's on me.
- 1:02:35
>> Uhhuh. Right. being self like yeah
- 1:02:38
>> allowing yourself to be a soundboard for
- 1:02:40
humor not only like eases the tension
- 1:02:43
you never know what it can lead to
- 1:02:45
>> right
- 1:02:46
>> a lot of it is like the big bullseye in
- 1:02:48
the fuchsia pinstripe
- 1:02:49
>> right
- 1:02:51
>> so if you open that door it's kind of
- 1:02:52
cool and then that gets like you don't
- 1:02:55
want to be too crazy cuz sometimes ball
- 1:02:57
busting can be bullying and you always
- 1:02:58
want to you know cool cool that tea
- 1:03:00
kettle
- 1:03:01
>> but a little bit of teasing is like
- 1:03:03
language
- 1:03:03
>> the door that like hey
- 1:03:05
>> look at look at me I'm such an Yeah.
- 1:03:07
>> And then like, "Hey, let's talk."
- 1:03:08
>> Yeah. Yeah. Yeah. You know,
- 1:03:09
>> see, you're trying to get connection
- 1:03:11
there. You're back to connection.
- 1:03:12
>> Laughter helps connection, doesn't it?
- 1:03:14
If we're laughing about something, we're
- 1:03:15
talking about something.
- 1:03:16
>> So true.
- 1:03:17
>> That's why folks are going to love
- 1:03:17
little brother. They're going to laugh
- 1:03:18
and they're going to wake up the next
- 1:03:19
morning and be like, "What's your
- 1:03:20
favorite part?"
- 1:03:21
>> Yeah. Yeah. Awesome. Well, Cena, I love
- 1:03:24
a good hang.
- 1:03:25
>> It's such a good hang. I love seeing
- 1:03:27
you. You're so fun to talk to and fun to
- 1:03:30
work with and um such a considerate,
- 1:03:34
nice person. Thanks for doing this, pod.
- 1:03:37
Thanks for the kind words. I probably
- 1:03:38
will never wear a tie again for anybody,
- 1:03:40
but you never
- 1:03:41
>> Oh my god. Thanks.
- 1:03:43
>> We literally just ran out and got it
- 1:03:44
across the street.
- 1:03:45
>> You look great.
- 1:03:46
>> Thanks.
- 1:03:47
>> And you just put this together. Like a
- 1:03:48
lot of those just put together looks are
- 1:03:50
really trying hard.
- 1:03:51
>> Well, I realized halfway through I was
- 1:03:53
like, he's going to show up in a suit.
- 1:03:54
I'm like, we got And we were like, we
- 1:03:56
got to get our [ __ ] together. We got
- 1:03:58
[laughter]
- 1:03:58
>> Let's go.
- 1:04:00
paper
- 1:04:02
that matches. It looks great. Thank you.
- 1:04:05
I appreciate
- 1:04:05
>> it. Thank you so much for doing it.
- 1:04:06
>> Thank you.
- 1:04:07
>> Y
- 1:04:09
>> Thank you so much, John Cena. It was so
- 1:04:11
fun having you here and I can't wait to
- 1:04:13
take this tie off and get regular
- 1:04:18
sticking it to the man. But um no, I it
- 1:04:22
was so fun talking to you and um such a
- 1:04:24
pleasure always to hear your uh
- 1:04:26
perspective and POV and for this Polar
- 1:04:29
Plunge as we wrap up um you know we
- 1:04:31
talked John and I talked a lot about
- 1:04:33
comedies '8s comedies those like big
- 1:04:35
dumb funny things that we grew up on.
- 1:04:38
And speaking of Big, Dumb, and Funny, um
- 1:04:41
I just want to remind everybody that Wet
- 1:04:44
Hot American Summer, a film I did 25
- 1:04:46
years ago, is celebrating its 25th year.
- 1:04:49
And there's going to be a million
- 1:04:50
different ways to go back and watch what
- 1:04:52
is really genuinely a funny, dumb movie
- 1:04:57
with a lot of cast members who are at at
- 1:05:00
the beginning of their careers. Um uh so
- 1:05:04
check that out if you can and um check
- 1:05:07
out John Cena's new movie uh Little
- 1:05:09
Brother and continue to support the arts
- 1:05:12
and wrestling because if we learned one
- 1:05:14
thing they are the same thing. Goodbye.
- 1:05:19
You've been listening to Good Hang. The
- 1:05:21
executive producers for this show are
- 1:05:23
Bill Simmons, Jenna Weiss Berman, and me
- 1:05:25
Amy Polar. [music] The show is produced
- 1:05:27
by The Ringer and Paperkite. For the
- 1:05:29
Ringer, production by Jack Wilson, Cat
- 1:05:31
Spelain, Kaia McMullen, and Aia [music]
- 1:05:33
Xanerys. For Paperkite, production by
- 1:05:36
Sam Green, Joel Levelvel, and Jenna
- 1:05:38
Weiss Berman. Original music by Amy
- 1:05:40
Miles.
- 1:05:43
I could [music and singing] hate.