Transcript: Jennifer Lawrence on Good Hang with Amy Poehler
Full Transcript
Click any timestamp to jump to that moment in the video.- 0:05
Hello everyone. Welcome to another
- 0:06
episode of Good Hang. Very excited about
- 0:08
our guest today, Jennifer Lawrence. Jen
- 0:11
and I, we have a good time and we laugh
- 0:13
a lot in this episode and we talk about
- 0:15
a lot of great things. Her incredible
- 0:17
career, the surprising parts of
- 0:19
Parenthood, um her long torso, my short
- 0:22
legs, um and we do what we always like
- 0:24
to do here in Good Hang. We sing along
- 0:26
to Shaniah Twain. But before we get
- 0:28
started, we want to talk to somebody who
- 0:30
knows our guest, who can speak well
- 0:31
behind her back and give me a question
- 0:33
to ask this guest. And we are joined by
- 0:36
Justine Shuraki. Justine is a producer.
- 0:39
She runs Excellent Cadaavver, the
- 0:41
production company that's produced uh
- 0:43
films like Causeway and Die My Love. And
- 0:46
uh her and Jen have been friends
- 0:47
forever. So Justine, are you there?
- 0:50
Let's get started.
- 0:57
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- 0:59
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last.
- 1:38
>> Hey girl.
- 1:39
>> Hi. I'm really happy to talk to you
- 1:41
today because I mean I think the stuff
- 1:43
that you guys have done together is
- 1:45
really really special but also you just
- 1:47
shared a long history together as people
- 1:49
in the world and friends.
- 1:51
>> Well that's very generous of you to say
- 1:52
and obviously we've been enormous fans
- 1:55
for hundred years. So it's like such an
- 1:57
honor to talk to you and I'm like
- 1:59
pinching myself and she is too that
- 2:02
she's coming on the podcast. So
- 2:03
>> oh my god she's so good at podcasts. I
- 2:05
mean she's so good at talking.
- 2:06
>> That's that's her [ __ ] for sure.
- 2:10
Now, um, before we start talking about
- 2:13
Jennifer, I do want to talk about you.
- 2:15
Where did you grow up?
- 2:16
>> I grew up in Wilmington, Delaware.
- 2:18
>> I actually think we have Aubrey Plaza in
- 2:20
common. And I grew up with Aubrey and
- 2:22
did community theater with her.
- 2:23
>> You did your childhood? Yes. Yes.
- 2:26
>> You guys went to the same school? Like
- 2:28
you were in the same town? Yeah,
- 2:29
>> we went to the same elementary school
- 2:30
and we both um were in community theater
- 2:34
at the Wilmington Drama League, an
- 2:35
esteemed venue for like most of our most
- 2:39
of our childhood.
- 2:40
>> Oh my gosh. What was Baby Plaza like?
- 2:44
>> Exactly the same as Adult Plaza.
- 2:47
>> Yeah.
- 2:47
>> Like hasn't changed a bit.
- 2:50
>> The greatest. The greatest.
- 2:52
>> That's so what a small world. And so the
- 2:54
two of you are like there doing shows
- 2:56
and and and performing and then where
- 2:59
where does that take you after you
- 3:01
graduate?
- 3:01
>> I didn't really know where I would fit
- 3:04
in film and so I you know took a bunch
- 3:08
of odd jobs and and explored and during
- 3:11
that period I met Jen.
- 3:12
>> And what was your first impression of
- 3:14
her when you met? My first impression of
- 3:16
Jen was that she was a wild beast.
- 3:19
>> Mhm.
- 3:19
>> And also that she had
- 3:22
because Jen didn't have like a
- 3:24
traditional
- 3:26
education, she also swerved a lot of the
- 3:29
like social anxiety that I think a lot
- 3:31
of people our age had been plagued with.
- 3:34
So Jen had this like abandon and lack of
- 3:38
self-consciousness that was really
- 3:39
unfamiliar to all of our friends. So, we
- 3:43
were sort of like wideeyed by her. And I
- 3:45
think that that's something that she
- 3:47
still possesses all these years later.
- 3:49
It's something that she hasn't outgrown
- 3:52
or, you know, she's she's never
- 3:54
Yeah. She's she has not become jaded by
- 3:57
her totally surreal lifestyle.
- 3:59
>> So, how do you go from two young women
- 4:02
like sitting on a couch in a small LA
- 4:04
apartment to running this big company
- 4:06
and making these big movies? Like, how
- 4:07
does that work?
- 4:08
>> Oh, man. I mean, it's it's a loaded
- 4:11
question. I think that we
- 4:15
met as young women and obviously
- 4:19
developed our taste together. We were
- 4:21
discovering film together. Uh everything
- 4:24
from Wong Car y to Sex in the City, you
- 4:27
know, like it ran the gamut. And I also
- 4:30
think that we
- 4:32
became best friends. And so
- 4:36
what we we care about similar things.
- 4:39
We're moved by similar things. we have
- 4:41
similar reactions to life and what's
- 4:43
happening in the world and that really
- 4:46
is the basis for our decision-m around
- 4:49
what we take on as producers. So, I
- 4:51
think the obviously like extraordinary
- 4:55
happen stance of Jen, Jen's young
- 4:58
success and her being in this incredible
- 5:01
position to get things made and then Jen
- 5:04
and I continuing to like care for our
- 5:07
relationship and continuing to grow
- 5:10
together. And so I think the Odyssey has
- 5:14
involved a ton of hard work and care and
- 5:19
um
- 5:22
all the things you would imagine and
- 5:24
also us uh
- 5:28
continuing to grow and being excited to
- 5:30
elevate each other.
- 5:31
>> And I also I loved Causeway.
- 5:34
>> Thank you.
- 5:35
>> Such a beautiful movie. I want to talk
- 5:36
to Jenna about it. I just it's just a
- 5:38
great great movie. beautiful director,
- 5:41
Laya.
- 5:41
>> Oh, we love Y Laya.
- 5:42
>> Brian is so Brian Tyrie Henry is so
- 5:45
good. Jen is so convincing as the
- 5:48
character that she plays, like a a
- 5:51
physically and kind of spiritually
- 5:52
wounded vet who's returning home. It's
- 5:54
so good. Such a good movie.
- 5:57
>> It's it's it's always so nice to see Jen
- 6:00
in those roles where the the kind of
- 6:02
like stripped back, quieter performances
- 6:05
where it's like so much of it is just
- 6:07
happening in her eyes. You know,
- 6:09
>> I don't I mean I don't I don't know how
- 6:11
to act like that. Like I mean we were
- 6:14
kind of talking about we were talking
- 6:15
about interviewing her and we were like
- 6:16
and you know it's hard not to be like
- 6:19
you're so good at acting.
- 6:23
>> Well, she is so good at acting.
- 6:25
>> She she's she's good. That's pretty
- 6:28
[ __ ] good.
- 6:29
>> Like you just are there times when
- 6:30
you're watching her and you're like,
- 6:31
damn, she's really good at acting.
- 6:33
>> Every time. Every time. Like I I I've
- 6:35
sat on probably 11 sets with Jen and
- 6:37
every time my mind is just like blowing
- 6:39
out of my face. I'm like still like it
- 6:42
does not get old. She just levels up
- 6:44
every time.
- 6:46
>> Mhm. You know her really well. You know,
- 6:48
sometimes we we ask people to talk well
- 6:50
behind our guest back and they've worked
- 6:52
with them or they kind of know them. But
- 6:54
you have you know her really really
- 6:56
well. um you've known her for a really
- 6:58
long time and you're deep
- 7:01
partners in in in work and you're loving
- 7:04
friends in life and what do you think I
- 7:08
should ask her today? Um what do you
- 7:11
want to know about, hear about, or what
- 7:12
do you think she'd want to talk about or
- 7:14
a story she'd want to tell? Oh man, I
- 7:17
mean with Jen, it's funny because she is
- 7:20
so um like transparent in these spaces.
- 7:24
Like I don't think that she's somebody
- 7:26
who where there are like a ton of
- 7:27
subjects that are off limits.
- 7:29
>> Well, it's okay. This is really helpful
- 7:31
because I've been prepping for the
- 7:32
interview and I don't want to put her in
- 7:34
an uncomfortable position ever to ask
- 7:36
her something she doesn't want to talk
- 7:37
about, but she also feels really um well
- 7:41
aware of what she feels comfortable
- 7:44
talking about. I guess. Um
- 7:45
>> I think she is and I think she'll also
- 7:48
like tell you like I think that she I
- 7:50
think like she'll pivot if she needs to.
- 7:54
>> You never have to answer a question if
- 7:56
you don't want to answer. And it is and
- 7:57
it's a magic trick to not answer it. And
- 8:00
people often forget that what question
- 8:01
they asked.
- 8:03
>> I mean this isn't a good thing to tell a
- 8:04
guest. Probably this is probably not a
- 8:07
good thing to get. But anyway, do you
- 8:09
have It doesn't have to be a heavy
- 8:11
question. It can be something small.
- 8:13
anything that you think we should ask
- 8:14
her today?
- 8:15
>> I mean gosh, like maybe because she's in
- 8:18
a position of constantly being asked
- 8:20
questions and she is never in charge of
- 8:22
what is being asked. Like maybe it's
- 8:24
asking her like what would you like to
- 8:25
talk more about that you don't feel
- 8:27
>> Whoa, that's a good friend opportunity
- 8:30
to declare, you know, maybe maybe she
- 8:33
has a big announcement
- 8:35
>> or just something that she'd like to
- 8:37
like reflect on.
- 8:39
>> You know what? That's a really good
- 8:40
friend because what you're basically
- 8:41
saying is just check in with her and see
- 8:44
if there's anything else she wants to
- 8:45
talk about.
- 8:46
>> Yeah,
- 8:46
>> it's so true.
- 8:47
>> What she like is tired of talking about,
- 8:49
you know, that too.
- 8:52
>> Yeah.
- 8:53
>> What are what do you want? It's
- 8:55
basically like you're at the TSA and
- 8:57
it's like what do you want to declare?
- 8:58
>> Yeah.
- 9:00
>> And what and what perishables would you
- 9:02
like to get rid of?
- 9:03
>> Totally.
- 9:03
>> Yeah. Well, no, but thank you so much
- 9:06
and um I will give your best to Aubrey
- 9:08
Plaza. I like picturing you guys being
- 9:11
weird together in Wilmington.
- 9:13
>> Yeah, that's that's that's the right
- 9:15
picture.
- 9:16
>> Justine, thank you so much for your
- 9:17
time. Really appreciate it.
- 9:19
>> Thank you. Thank you for having me. Have
- 9:20
a question, Jen.
- 9:21
>> All right. Nice talking to you.
- 9:22
>> I have to watch. All right. See you
- 9:23
later.
- 9:24
>> Okay. Take care. Bye.
- 9:26
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- 10:28
>> Jen,
- 10:28
>> hi. My voice was so deep.
- 10:30
>> Hi.
- 10:31
>> Hi.
- 10:33
I'm very excited that you're here.
- 10:35
>> I'm so excited to be here. I am a
- 10:37
really, really huge fan.
- 10:38
>> Oh, come on.
- 10:39
>> I am.
- 10:41
>> Say more.
- 10:41
>> No, I'm obviously being sarcastic.
- 10:44
>> Well, I was worried about what to wear
- 10:45
today cuz your style is so dope.
- 10:48
>> Thank you.
- 10:48
>> You have great style.
- 10:50
>> Oh my god, that's the only thing you
- 10:52
need to say to me ever.
- 10:54
>> And what is your I want to know how do
- 10:56
you pick clothes? What is your
- 10:58
relationship to clothes?
- 11:00
>> Okay, thank you so much. um would love
- 11:01
to talk about this. I'll just
- 11:03
>> because I'm fascinated because I'm
- 11:04
struggling with mine.
- 11:05
>> Um I Well, I I have a I have very
- 11:08
opinionated friends. One in particular,
- 11:10
very opinionated friends. And we clear
- 11:13
out we I do I do a lot of closet
- 11:15
cleanouts. I think living in New York
- 11:16
helps with that.
- 11:17
>> I don't have a lot of excess stuff that
- 11:20
confuses me.
- 11:21
>> I have things that I really like.
- 11:23
>> Do you think about Do you plan your
- 11:25
outfits for the I mean, obviously with
- 11:26
press it's different. I mean,
- 11:28
>> plan your outfits for the week. I do it
- 11:29
like mentally. I like start kind of
- 11:31
planning something and I I take my kid
- 11:33
to school and I know that I'm going to
- 11:35
get photographed, right?
- 11:36
>> So, I I do kind of do like a mental
- 11:39
>> like
- 11:40
>> like what do I how do I want to present
- 11:42
today?
- 11:43
>> No.
- 11:43
>> NO.
- 11:46
>> Cuz cuz the answer is always the same.
- 11:48
Today I want to present as like
- 11:51
effortless but you know like
- 11:53
>> this girl, how did she get so what I put
- 11:56
on? Um, and you know what else is really
- 11:58
important to remember?
- 11:59
>> Tell me.
- 11:59
>> You can write it down.
- 12:00
>> I'm ready.
- 12:01
>> Big goes with big.
- 12:04
>> Okay. This is
- 12:05
>> And if it's going if it's going to be if
- 12:07
it's No, but if it's going to be if it's
- 12:09
going to be tight, if if you're going to
- 12:10
have a baggie and a tight, you cannot
- 12:13
ever have tight on the bottom, baggy on
- 12:15
the top, or you'll look like a lamp. You
- 12:18
can have baggy on the bottom and tight
- 12:19
on the top, but you cannot do the other
- 12:21
way around.
- 12:21
>> I'll tell you something about baggy on
- 12:22
the bottom. I wore baggy on the bottom
- 12:24
for you today. You did.
- 12:26
>> Yeah. I'll show you later. I I have
- 12:27
baggy pants.
- 12:28
>> Um I'm so short. It like It's tough.
- 12:32
>> Yeah.
- 12:33
>> It's tough. It's tough to go baggy on
- 12:35
the bottom. But
- 12:36
>> I have short legs but a really long
- 12:38
torso.
- 12:40
>> Yeah. And big thick meaty arms.
- 12:46
>> So, okay. So, long torso. I see. Then
- 12:49
that silhouette. You know your
- 12:50
silhouette.
- 12:51
>> I guess.
- 12:51
>> Yeah. And it's I mean
- 12:53
>> you got great style.
- 12:54
>> Knowing is not loving.
- 12:55
>> Dude, you got great style. I mean I and
- 12:58
I and and like you like I'm always just
- 13:00
looking to see how women are dressing
- 13:02
like not not like just truly like how do
- 13:05
we
- 13:06
>> not just the style.
- 13:07
>> I try to take mental notes.
- 13:09
>> Yeah.
- 13:09
>> When I see something I
- 13:10
>> And when I actually feel comfortable, it
- 13:13
feels like such a win to wear something
- 13:15
that you feel like you look good in and
- 13:17
you also feel good in. It's like a hard
- 13:19
thing.
- 13:20
>> Yeah. feel like you're like representing
- 13:21
yourself accurately.
- 13:22
>> Yeah. Yeah. Or the the worst thing is
- 13:25
like when you're like I think I nailed
- 13:26
it and you see the picture
- 13:28
>> years later. Not even years later. Oh my
- 13:31
god.
- 13:31
>> You're like I remember feeling really
- 13:33
good.
- 13:34
>> Yeah. I had that recently cuz I was
- 13:36
postpartum but I was like
- 13:38
>> but I but I had like in my with my
- 13:40
second I had like bad postpartum. So
- 13:41
like I wasn't eating. So I felt really
- 13:44
skinny,
- 13:44
>> right?
- 13:45
>> But I wasn't.
- 13:46
>> But inside you felt
- 13:47
>> I was like strapless. let's do this. And
- 13:50
my baby was like 3 weeks old.
- 13:52
>> I mean, you like a lot of people like
- 13:55
were working through a lot of your
- 13:56
pregnancies. And that's also a weird
- 13:57
thing, too, because you're like your
- 13:59
your body is kind of you're like
- 14:00
bringing your body along for the ride.
- 14:03
>> Well, I was surprised more people
- 14:04
haven't talked about how skinny I am and
- 14:06
I'm my love because I'm pregnant
- 14:09
>> and I've been waiting and nobody said
- 14:11
it. Nobody's like, "Wow, you were
- 14:13
pregnant. You looked so skinny." Like,
- 14:16
I've never had an ompic rumor.
- 14:18
Not yet.
- 14:20
>> Not yet. Not yet, honey. Not yet. After
- 14:23
this. After this, we're going to take
- 14:24
this frame and we're going to squeeze it
- 14:26
down.
- 14:27
>> No, but it it is true. It's like
- 14:28
>> when you talk about how tall I am, like
- 14:32
>> um No, but I I I love what you've been
- 14:35
talking about. We're going to We have so
- 14:37
many things to talk about today. And I
- 14:38
just want to start by saying this is
- 14:40
what I've gleaned from meeting you
- 14:41
briefly and and feeling like I and I
- 14:44
know people who know you really well.
- 14:45
and just like
- 14:46
>> who?
- 14:46
>> Um I don't want to talk about that.
- 14:48
>> Um
- 14:50
>> they ask you
- 14:52
>> I'm best friends with your mom,
- 14:57
>> but you seem And I know it's going to
- 14:59
sound cheesy, but you like women.
- 15:02
>> Oh, yeah.
- 15:02
>> I know. But I do.
- 15:04
>> You do. And it shows.
- 15:05
>> Well, what do you think? I like love
- 15:06
white men.
- 15:08
>> Oh my god. If I could just be their
- 15:10
champion. They're so misunderstood.
- 15:13
You're always LIKE, "WAIT, THINK ABOUT
- 15:14
THE other side."
- 15:15
>> Not all men.
- 15:17
>> I have that tattooed.
- 15:19
>> No, but you know, you you And the reason
- 15:21
why to me it's not what you say. It's
- 15:23
not what one says, it's what they do.
- 15:25
And what you do all the time that I
- 15:27
think women do for each other is you
- 15:29
like you tell the real real behind
- 15:31
something like you you you talk about
- 15:33
like this was difficult or I'm thinking
- 15:35
about this or like you basically I think
- 15:37
when people stay mysterious
- 15:40
>> it's like a disservice to other women.
- 15:43
It's just like okay, you know, and you
- 15:45
do this thing that I really appreciate
- 15:47
that comes through which is you're
- 15:49
trying to be honest in real time and
- 15:50
trying to connect. And I think that's
- 15:52
>> I think that's what women do for other
- 15:54
women when they like women is the best
- 15:56
way to say it.
- 15:57
>> And so like today when I was thinking
- 15:59
about our interview, I was like I've
- 16:01
been really hearing you talk about how
- 16:04
you're trying to figure out the balance
- 16:06
between who do I want to be and what
- 16:09
like what parts of me do I want to give
- 16:10
out to the rest of the world and what
- 16:12
parts do I want to keep for myself which
- 16:13
feels like very like 30s
- 16:15
>> thing. Where are you at right now with
- 16:17
the balance of that? cuz you are so
- 16:19
famous and so real.
- 16:21
>> Uh oh, thank you.
- 16:22
>> And those two things are not always the
- 16:24
case,
- 16:25
>> right? I think that I when I do press, I
- 16:27
should do half than what normal people
- 16:29
do cuz I see my quotes and they like
- 16:32
they're insane. Like like Jennifer
- 16:34
Lawrence calls Courtney Kardashian
- 16:35
annoying. Like it's just too, you know.
- 16:37
>> Yeah, it's You're right. It's it's but
- 16:39
it I
- 16:40
>> it carries.
- 16:42
>> It carries. But it's well, first of all,
- 16:45
honestly, it's funny because it's you're
- 16:47
so funny.
- 16:48
>> Thank you.
- 16:49
>> And the third piece of the puzzle I'll
- 16:50
say is that you're very you feel like a
- 16:53
real person. You're very
- 16:54
>> ironic.
- 16:58
>> You've had your hand on my knee this
- 16:59
entire interview. It's And it's a long
- 17:01
stretch. You have a really long arm.
- 17:03
>> These pants are baggy. Really get in
- 17:06
there. Um, no. You're you're you're
- 17:09
famous and uh
- 17:12
>> erotic. erotic and real and deeply funny
- 17:16
like genuine
- 17:18
that's like coming from you. You're my
- 17:20
hero,
- 17:21
>> dude. But I I don't say that to
- 17:22
everybody. And you know, God is fair.
- 17:24
Like usually you don't have all those
- 17:26
things going at once. Usually you have
- 17:28
like very like important, interesting
- 17:31
actor who's like really good at acting
- 17:32
but maybe like you know maybe not the
- 17:35
funniest or you have a deeply funny
- 17:37
person who you wouldn't maybe believe in
- 17:38
a scene but you can do both.
- 17:40
>> Oh, thank you. believe I could do this
- 17:42
all day.
- 17:42
>> Okay. Well, I'm glazing as the kids like
- 17:44
to say.
- 17:45
>> What's Is that what they say?
- 17:46
>> You don't know. You glazing it. Well,
- 17:47
you've got teenagers.
- 17:49
>> What do you want to know about teens? I
- 17:50
know everything. You have two boys. I
- 17:52
have two boys.
- 17:53
>> I'm I You know, I missed my window to
- 17:55
really ask about six seven. I know that
- 17:57
it's like
- 17:57
>> it's over now.
- 17:58
>> I know. I missed the window. So, I I
- 18:00
don't even care anymore.
- 18:01
>> Actually, anything that we know is over,
- 18:04
>> right? By the time it gets to like your
- 18:05
mom.
- 18:06
>> Yeah. Like if the New York Times is
- 18:07
writing about it, it's it's been over.
- 18:09
Like no one's saying it anymore, but to
- 18:12
express
- 18:12
>> I really really liked boots
- 18:15
>> like like
- 18:15
>> like instead of period boots that but
- 18:18
that's from driveway
- 18:19
>> like I'm deceased boots like
- 18:21
>> yeah like like well like period end of
- 18:24
boots
- 18:25
>> right I feel like period's still around
- 18:27
period I feel
- 18:28
>> but you're supposed to replace it with
- 18:29
boots I think. Or that's just a gay
- 18:31
culture thing. I I don't actually know.
- 18:33
>> Yeah. Um we could I have a laptop. We
- 18:36
could look it up. We could spend the
- 18:37
entire
- 18:37
>> We could ask GPT.
- 18:40
>> Hello. Do we still say boots
- 18:42
>> young culture or just gay monoculture?
- 18:47
>> But asking for a friend.
- 18:49
>> But what is it? But you're in your
- 18:50
mid30s now.
- 18:52
>> You are I bet you're starting to feel
- 18:54
just just what you just expressed, which
- 18:56
is like, oh, old.
- 18:57
>> Oh, yeah.
- 18:58
>> But it's weird, right? Cuz you're you do
- 19:00
not feel old in your one does not really
- 19:01
feel old and they're 23.
- 19:03
>> My assistant is 23.
- 19:04
>> Okay. And so like I was doing like a
- 19:06
closet clean out yesterday and she was
- 19:08
like, "Oh my god, these are like real
- 19:10
skinny jeans."
- 19:12
Like they it was like a joke. She was
- 19:15
like, "Wow, they really do go in at the
- 19:16
bottom." And I'm like and we were
- 19:18
talking about Baby Mama. And I'm like,
- 19:20
"So funny. So funny." She was like,
- 19:21
"That was probably like the first comedy
- 19:23
I ever saw." And I was like, "How old
- 19:24
were you?" Seven.
- 19:25
>> You're a millennial.
- 19:27
>> Yeah.
- 19:27
>> Like midmillennial. Like
- 19:29
>> I don't know when it begins or ends, but
- 19:31
I was born in 90. You know, there's this
- 19:33
I feel like you would like this, but
- 19:35
we'll probably cut it. But there's this
- 19:36
book that I'm obsessed with called The
- 19:38
Fourth Turning, and it's all about how
- 19:41
80 years of history just keep repeating
- 19:42
itself, and we're kind of getting at the
- 19:44
end of the chaos era, which makes sense,
- 19:46
right, for the past like 20 whatever
- 19:47
years. But it's like each generation
- 19:50
throughout the years have come forward
- 19:52
to save
- 19:53
>> like, you know, different eras from
- 19:55
peril.
- 19:56
>> And the millennials are going to be the
- 19:58
heroes in the next um the next
- 20:01
>> Good luck. That sounds so hard. I'm so
- 20:04
tired.
- 20:05
>> But I believe in you and I wish you the
- 20:07
best of luck.
- 20:08
>> I was hoping that these kids would save
- 20:10
us.
- 20:10
>> It's you guys. And I feel like that
- 20:13
makes sense because we've really, you
- 20:15
know, I'm Gen X. We everybody like
- 20:17
really gave it to millennials and like
- 20:20
rolled their eyes at how well parented
- 20:22
they were, how blah blah blah we just
- 20:24
like thought that they were. And I think
- 20:25
they're going to really show us. They're
- 20:27
going to save things. So, chop chop.
- 20:30
>> Okay. All right. Thanks so much. Yeah,
- 20:32
it is funny when you see like what
- 20:33
gentle parenting is going to
- 20:35
>> Yeah.
- 20:35
>> do.
- 20:36
>> Yeah. But okay, speaking of gentle
- 20:38
parenting, this is a good segue.
- 20:40
>> I want to get to you go from I I'm blown
- 20:43
away by the story and I I'm sure you've
- 20:45
told it before, but I just need to know
- 20:46
the details, which is Louisville,
- 20:50
>> you're on a trip to New York with your
- 20:51
mom.
- 20:52
>> Yeah.
- 20:52
>> And a guy comes up on the street and
- 20:55
says,
- 20:56
>> "Can I take my card?" Yeah. Tell us the
- 20:58
story. Well, he took Okay, I will tell
- 21:00
you the story and I just I feel like I'm
- 21:02
lying. It's an amazing story.
- 21:05
>> Okay, but it's it's it is the truth, but
- 21:06
it's just one of those I'm like a woman,
- 21:08
so I feel like I have to like apologize
- 21:10
and that I'm lying.
- 21:12
>> Um I was in New York. I'm sorry.
- 21:15
For spring break and I was watching
- 21:17
street dancing in Union Square. Wow.
- 21:19
Never seen that before. Not a lot of
- 21:21
street dancing in Louisville. Mhm.
- 21:23
>> And um a man named Daniel who is a
- 21:26
talent scout came up to to me and my mom
- 21:28
and was like, "Can I take her picture?"
- 21:30
I'm like, "A model scout." And we were
- 21:32
just like, "Cool. Okay." You know, no
- 21:34
sense of danger.
- 21:35
>> Yeah.
- 21:35
>> Uh if he had like told us to meet him at
- 21:37
a hotel room, we 100% would have.
- 21:39
>> Totally.
- 21:40
>> Um and and then he took my picture on
- 21:42
the street. Joe Jonas actually wore the
- 21:44
picture on his t-shirt at a concert one
- 21:48
time and it was the first time I had
- 21:49
seen that picture since it happened. I
- 21:50
was like, "How did Joe Jonas get it?"
- 21:52
>> Um,
- 21:53
>> that's so weird.
- 21:54
>> Weird.
- 21:55
>> I've since seen it. Um, I don't really
- 21:58
know what to do with it. I'm not going
- 21:59
to like print it out. And so then I went
- 22:03
and started being interviewed by like
- 22:04
modeling agencies and what was becoming
- 22:06
like really apparent was like if you're
- 22:07
a model, you're a model. Like if you're
- 22:09
a model,
- 22:10
>> you're traveling, you're not acting,
- 22:12
like there's no commercials, there's no,
- 22:14
you know, so somewhere in those
- 22:16
interviews, I decided that I would only
- 22:17
sign with an agency that would also let
- 22:19
me act.
- 22:20
even though it hadn't been like an
- 22:22
actual
- 22:23
>> Yeah.
- 22:23
>> Did you know any actors growing up? Did
- 22:25
you think you would do that as a job?
- 22:27
>> No, never.
- 22:28
>> Wild.
- 22:28
>> But then once it kind of like was
- 22:31
brought up as a possibility I mean I did
- 22:33
I would always watch like Hillary Duff
- 22:34
like when I got home from school and
- 22:36
then I would like
- 22:38
>> do Hillary Duff like in the mirror. So
- 22:40
it kind of all came together.
- 22:42
>> But it is really random that someone
- 22:44
came up and was like, "Hey kid, throw
- 22:45
this pitch." And you like have the most
- 22:47
amazing fast ball. You're so good at
- 22:49
acting.
- 22:50
>> Oh, thank you.
- 22:51
>> And the fact that someone was like,
- 22:52
"Hey, do you want to go do this acting
- 22:55
thing?" I mean, I guess it was through
- 22:56
modeling, but like they were like, "Hey,
- 22:58
you." I mean, it's so wild. It's It's a
- 23:01
needle in a hay stack kind of. Do you
- 23:03
think you would have pursued it if that
- 23:04
didn't happen?
- 23:05
>> I don't think so. I don't think I would
- 23:07
have been aware that that was possible.
- 23:09
Although, like being in the big city, I
- 23:10
was like, "Oh, I want to live in a I
- 23:12
want to live here. I want to live."
- 23:14
>> Yeah. Like you know when you look back
- 23:15
at your life sometimes and you see like
- 23:17
Christmas cards where people say like
- 23:19
>> you know hope you make it to New York
- 23:20
someday and you think like did you ever
- 23:22
feel like you had that version of like I
- 23:24
want to get out of Louisville. I want to
- 23:25
be go somewhere else.
- 23:26
>> Yeah. I think like when it was happening
- 23:28
I think like I mean I really wasn't
- 23:30
there for that long when I think about
- 23:31
it like 13 14. That's normally like
- 23:33
before you even start getting those like
- 23:36
>> Yeah.
- 23:37
>> So once I came back it was just like an
- 23:39
impossible fever. It was just like I got
- 23:42
to get back there. I got to do it. you
- 23:44
know, and and I had made money. I used
- 23:46
to train horses and I would babysit, so
- 23:49
I had like $3,000. And so I was like,
- 23:52
I'm getting out of here.
- 23:53
>> Let's get out of here. You trained
- 23:55
horses?
- 23:56
>> Mhm.
- 23:57
>> Wow. You proved my point that I feel
- 23:59
like women and young girls that like
- 24:01
horses usually have great hair.
- 24:03
>> Wow.
- 24:05
Always. I don't know. I have a bunch of
- 24:08
theories and one of them is that if you
- 24:10
like horses, it makes your hair grow
- 24:11
really thick. Oh my god. Because you
- 24:14
know what? A friend of mine, every time
- 24:16
she's on mushrooms thinks that I look
- 24:18
like My Little Pony.
- 24:20
>> You have fantastic.
- 24:20
>> This is for you, Rachel.
- 24:22
>> This is for you, Ray. I hope you're
- 24:26
>> mind is going to be blown.
- 24:27
>> Yep.
- 24:28
>> Um, but when I was looking at your life
- 24:30
and career and I was kind of blown away
- 24:33
by how much stuff happened so fast and
- 24:36
young in the in the years of like 19 to
- 24:38
22. Yeah,
- 24:40
>> that was a lot.
- 24:41
>> That's why I was so emotional over those
- 24:43
skinny jeans. They were my 23-year-old
- 24:45
Rag and Bones.
- 24:47
>> Yes. And that was a tender time cuz you
- 24:49
were How old what year were you? 20 201
- 24:53
>> 2012.
- 24:55
>> Cuz you did Winter's Bone, beautiful
- 24:57
movie, incredible performance when you
- 24:59
were 19.
- 25:00
>> Then you do SNL close to that time, too.
- 25:04
Like the following year, maybe.
- 25:05
>> Did I? Yeah. 20. Yeah. because it was
- 25:07
before the Oscars for Silver Linings at
- 25:11
Winter's Bone. I remember being too
- 25:13
young to drink. I did, but at the
- 25:16
Oscars.
- 25:16
>> And what were your memories of doing SNL
- 25:18
at that time?
- 25:20
>> Skewed skewed.
- 25:22
>> I've read I've read
- 25:23
>> you weren't on the cast then.
- 25:24
>> No, 2012. I had left in 20 um 2008 and
- 25:29
then by 2012 I was doing parks and
- 25:31
wreck.
- 25:31
>> Okay. I don't I think I have to I have
- 25:34
to go back and do it again because I had
- 25:36
Walking Pneumonia. I was like under a
- 25:38
lot of pressure and doing a lot and I
- 25:40
was shooting one of the Hunger Games
- 25:41
movies. I was shooting I think the
- 25:42
second one while doing all of this
- 25:44
campaign and I would have to like fly,
- 25:46
go to a party, shake hands and then land
- 25:48
and you know shoot like poor me. Um but
- 25:52
I was very tired and so I think I was
- 25:54
just I remember I was also at that bad
- 25:57
age. I don't know if other people were
- 25:58
like this at this age, but we're like,
- 26:00
you know, when you you get asked like,
- 26:02
can you do any impressions or anything?
- 26:03
And I was like, no.
- 26:05
>> Yeah. You know, like I don't want to be
- 26:07
like,
- 26:08
>> and I can do this and I can do that. I
- 26:10
just kind of made everything like
- 26:11
everybody else's problem. I was like, I
- 26:13
don't know how to do that. I can't do
- 26:14
that.
- 26:15
>> Totally. I know. And and also, I mean,
- 26:18
I've it's it's hard to be young and on
- 26:22
that show. It's just hard. But your
- 26:23
relationship to comedy, what is it like
- 26:25
now? Do you want to make more, do more,
- 26:27
direct more, write more?
- 26:29
>> I would love I I wrote a comedy.
- 26:31
>> You did.
- 26:31
>> And I would love to direct it and I'll
- 26:33
star in it.
- 26:34
>> Oh my god, you should.
- 26:35
>> Thank you.
- 26:36
>> No Hard Feelings was great. You were
- 26:38
hilarious in it. It's such a good movie.
- 26:40
>> Well, I did not write and direct that
- 26:42
one. Um although I guess I could tell
- 26:44
people that I did. I always could.
- 26:46
>> People don't they don't pay attention.
- 26:48
>> No. Um after I wrote and directed No
- 26:50
Hard Feelings, I it really got me
- 26:52
thinking.
- 26:54
But thank you. I had a lot of fun doing
- 26:56
it.
- 26:57
>> And you want to direct as well.
- 26:58
>> Yeah.
- 26:58
>> Yeah. Right on.
- 27:00
>> Yeah. Great.
- 27:00
>> I mean, everybody does, you know.
- 27:02
>> I think that's true. Like I feel
- 27:03
sometimes people are not into it, but I
- 27:05
feel like I mean, are you finding that
- 27:07
like having worked now and done a lot of
- 27:10
stuff now that you're realizing like,
- 27:12
oh, I want more control in what I what I
- 27:15
do and how I like to work.
- 27:16
>> Yeah. But I also I had my first movie
- 27:19
ever was a female director and then I I
- 27:22
actually ended up working with more
- 27:24
female directors than me male director.
- 27:26
So as a teenager it was like really
- 27:28
>> like
- 27:29
>> not formidable formidable for
- 27:31
>> yeah form formidable
- 27:32
>> forming
- 27:34
>> formidable.
- 27:34
>> It was um
- 27:36
>> farming culture for me. So that made me
- 27:39
like realize
- 27:40
>> why I got to get this word. It's
- 27:42
formidable, right? No, it's like
- 27:44
formative.
- 27:45
>> Formative,
- 27:47
>> informative.
- 27:49
>> Well, it's a formative.
- 27:50
>> What I mean is experience.
- 27:52
>> Formative. Is that what it is?
- 27:53
Formative.
- 27:54
>> Yeah. Here we go. Formative. Something
- 27:56
that relates to formation or development
- 27:58
is shaping and influencing something
- 28:00
else.
- 28:00
>> That is precisely what I mean.
- 28:02
>> Yeah, we did it.
- 28:02
>> Yeah.
- 28:04
>> Um, so it was formative that I realized
- 28:07
that that was even like possible for me
- 28:08
to do it. So I had wanted to do it since
- 28:10
I was a teenager. So then when I went
- 28:11
into movies in like my 20s and now I
- 28:13
always tell the director and then they
- 28:15
include me in a lot of them have been
- 28:17
really nice and like included me in the
- 28:19
process and let me see like post and all
- 28:21
that stuff.
- 28:21
>> What is what's important for you when
- 28:23
you work like what what's the thing you
- 28:24
like to do for example like do you feel
- 28:27
like once I'm on set I want to escape
- 28:30
and just like dive in and I want other
- 28:32
people to handle the stuff. Do you like
- 28:33
to do you like the logistics of the
- 28:36
work? You
- 28:36
>> Oh, I do like the logistics.
- 28:39
like you like a call sheet. You like
- 28:40
knowing what's going to happen.
- 28:41
>> But I think that's like that's a woman's
- 28:43
brain,
- 28:44
>> you know? It's just it's really
- 28:46
>> my producing partner and I have been on
- 28:49
sets together since we were 21 and we
- 28:52
[ __ ] up a call sheet. I mean, we and
- 28:54
when I have like a friend that's going
- 28:55
to go do something, I'm like, "Send me
- 28:56
your call sheet. I'll get you two days."
- 28:59
>> Um, we just know how to make it make
- 29:01
sense. We It's It's divine. So, I like
- 29:05
the logistics. I also I need to connect
- 29:07
and have friends immediately. Like I got
- 29:10
to dive in and find, you know, the
- 29:12
camera guys, the like I got to find like
- 29:14
who my, you know, people are going to
- 29:17
be.
- 29:17
>> It's so interesting. You got to Yeah,
- 29:18
cuz you're like we're going to be
- 29:19
>> Which is not a photo shoot,
- 29:21
>> right?
- 29:21
>> Photo shoot. I don't want you to talk to
- 29:23
me. I just want I just want
- 29:25
>> totally agree. Like I just want it to be
- 29:27
over as fast as possible.
- 29:29
>> And it's just all of it's so
- 29:30
embarrassing, you know? like put your
- 29:33
hand like this.
- 29:37
>> Or if you're considered a funny person,
- 29:39
the worst part is they're like, "We have
- 29:41
a bunch of props."
- 29:42
>> Oh, no.
- 29:43
>> We have clown shoes for you, you [ __ ]
- 29:45
clown.
- 29:46
>> Put Put on the shoes, you [ __ ] clown.
- 29:48
But it's so true. I mean, I've been in
- 29:50
many shoes where like a chill goes down
- 29:51
your spine. They're like, "Just it's
- 29:53
always a whisper." There's a bunch of
- 29:54
fun props if you want to play with them
- 29:56
at any point.
- 29:57
>> If you want to play, you look over and
- 29:58
you're like, "Oh, no. It's like a giant
- 30:01
lollipop." and a rubber chicken.
- 30:03
>> Yeah. Like that's not going to come
- 30:04
naturally to me. Like if you want me to
- 30:06
pull on the rubber chicken, I will, but
- 30:08
you have to direct me to pull on it.
- 30:10
>> And the other thing is like we have a
- 30:11
really fun idea. You have all this
- 30:12
barbecue sauce on your face. Like it's
- 30:14
always it's always like we're going to
- 30:17
humiliate you
- 30:18
>> and you're going to just
- 30:20
>> you're going to smile your way through
- 30:21
it. You're you're such a good time,
- 30:23
>> right? Okay. I know mine aren't that
- 30:25
bad.
- 30:25
>> I'm kind of shocked to hear that. I mean
- 30:27
Well, I'm not shocked. talk to me.
- 30:28
Honestly,
- 30:28
>> they're just like, "We were thinking you
- 30:29
wouldn't wear a bra for this." And I'm
- 30:30
like, "I've had two children."
- 30:32
>> And they're like, "No." They're like,
- 30:33
"But
- 30:34
>> you want me to show you something? Come
- 30:36
here. I'm going to show you something.
- 30:40
>> All your pictures are you just
- 30:41
flashing?"
- 30:42
>> Uh, yeah.
- 30:51
>> Because a good hang, we're always
- 30:52
looking for a good hang. I have
- 30:54
questions I want to ask you. I want your
- 30:56
opinion about things. Oh, okay.
- 30:57
>> I want your hot takes.
- 30:59
>> Okay. Oh, yeah. No problemmo.
- 31:01
>> I know you like to give hot takes.
- 31:03
>> Yeah.
- 31:04
>> And I want And these are important
- 31:05
things.
- 31:05
>> Okay. I got to take it easy on the
- 31:07
housewives, though. I always get I get
- 31:09
like
- 31:09
>> Okay. I'm going to tell you something
- 31:10
about I don't know that much about
- 31:11
housewives.
- 31:12
>> Okay. No, no, no. It's fine. I mean,
- 31:13
that's good. I
- 31:14
>> But you like Below Deck.
- 31:15
>> Yeah, I do.
- 31:17
>> First question. If you were on Below
- 31:20
Deck, what would you want your job to
- 31:21
be? Which which of the jobs?
- 31:22
>> A stew.
- 31:24
>> I Well, no. No, no. I would go into that
- 31:27
laundry and I'd [ __ ] that laundry up.
- 31:29
I'd put a podcast in. I'd steam. I'd
- 31:31
fold. I'd have a system. I'd have a
- 31:34
colorcoded system.
- 31:35
>> I don't even People never want to go
- 31:37
down into the laundry and below deck.
- 31:38
And it's like, why? You don't have to
- 31:39
talk to any of the people. You're there
- 31:41
by yourself.
- 31:42
>> Yeah. I'm alone. And again, I would put
- 31:44
one ear pod in. I'd listen to some
- 31:46
murder and I just [ __ ] [ __ ] that [ __ ]
- 31:48
up.
- 31:49
>> It' be so satisfying. Yeah. And also
- 31:52
doing like doing turnown would be one of
- 31:54
the most satisfying thing getting the
- 31:56
lines in the vacuum perfectly.
- 31:58
>> Do you have like are you a earth sign?
- 32:00
What's your what you've got like a um
- 32:02
>> I'm a Leo.
- 32:03
>> Oh, so okay. So you've got you but you
- 32:05
have a lot of grounded. You like
- 32:07
organizing. You like straight things.
- 32:10
Does your house meet?
- 32:12
>> Well,
- 32:14
it I mean my if you look at my bedside
- 32:16
table and then you look at my husband's
- 32:17
bedside table, mine is an explosion.
- 32:20
pills everywhere. I mean, I look like
- 32:21
I'm dying
- 32:22
>> littered with pills.
- 32:23
>> What's What is her malady
- 32:26
>> and my husband's like just a bottle of
- 32:28
water.
- 32:29
>> Yeah. Um
- 32:29
>> Okay. But you like
- 32:30
>> But I do I I get I get satisfied once
- 32:33
it's like time to clean up.
- 32:35
>> You like a good You like a good system.
- 32:37
>> Yeah.
- 32:37
>> Yeah, that makes sense to me. And then
- 32:39
Okay, another question is, do you have a
- 32:42
nickname?
- 32:44
>> Fluffin nitro
- 32:47
boobs.
- 32:50
Boobs Lawrence, the full government
- 32:52
name. Um,
- 32:56
Nitro. Yeah.
- 32:58
>> Where did Nitro come from?
- 32:59
>> My brothers, cuz I was really hyper and
- 33:01
they called me Nitro.
- 33:03
>> Um, I love that you are
- 33:04
>> Oh, and my friends call me Ken from the
- 33:07
Barbie movie cuz I'm just Ken. I think
- 33:09
it's their way of calling me stupid.
- 33:11
And whenever I ask something stupid,
- 33:13
they're like, "She's just Ken."
- 33:17
Um, your you have two older brothers.
- 33:19
>> Yeah.
- 33:20
>> And what was it like growing up like
- 33:21
with older brothers? What do you feel
- 33:23
like there's a thing that happens to
- 33:25
like what's the good part about having
- 33:27
two older brothers?
- 33:29
>> Is there one?
- 33:30
>> Um, they're I mean I I mean they were
- 33:34
great. They were really protective, you
- 33:36
know, not with themselves. They're like,
- 33:38
you know.
- 33:39
>> I mean, did it make you like tough?
- 33:41
>> Yeah, I think it made me tough
- 33:42
>> as the mother of sons. I will say, and
- 33:44
you're you're gonna eventually notice
- 33:46
this too, because you had brothers, the
- 33:49
way boys and young boys talk to each
- 33:51
other won't be as shocking. Like, you're
- 33:53
you're going to it's used to it. And
- 33:55
again,
- 33:56
>> in fact, I find myself doing
- 33:58
>> I do too. And that's kind of a love
- 33:59
language. Like,
- 34:00
>> yeah,
- 34:01
>> when I've noticed the way that you
- 34:02
interact with people that you work with,
- 34:03
it also feels like you turn people into
- 34:05
brothers. Like, it feels like
- 34:06
>> I think I do.
- 34:07
>> Josh Hutcherson was a brother. It feels
- 34:09
like Robert Patson feels like a brother.
- 34:11
Like,
- 34:11
>> yeah. Oh, you're so right. Okay. Um,
- 34:14
Doritos, your opinion?
- 34:16
>> Love them.
- 34:16
>> Me, too.
- 34:17
>> Cool. I mean, but now I'm like older and
- 34:19
I like think about like what's in it. I
- 34:21
mean, not if I'm like on a plane. If I'm
- 34:23
on a plane and I see him, I'm going to
- 34:25
>> Dorito is going to get eight, but
- 34:26
>> Yeah.
- 34:27
>> But I do think about it more.
- 34:29
>> Okay. Do you do any impressions?
- 34:31
>> No.
- 34:33
Do I?
- 34:35
No, I don't think so. H I feel like I've
- 34:38
seen you do um I feel like I've seen you
- 34:40
do um
- 34:41
>> who do I
- 34:41
>> Real Housewives impressions, but no
- 34:43
>> I have to text.
- 34:44
>> Do you want to do the game that we do?
- 34:46
We do. We do this game at SNL which is
- 34:48
it's like you like do it or die and it's
- 34:50
basically um you don't have to do it and
- 34:52
we can cut it but it's really fun to
- 34:54
play and you can do it to me too which
- 34:55
you just give someone uh a name and they
- 34:59
have to do it. I have to do an
- 35:00
impression in 10 seconds. It's doesn't
- 35:01
have to be good but if you don't do it
- 35:03
you'll die.
- 35:04
>> Okay. You ready? and Robert Janeiro.
- 35:08
>> ME.
- 35:12
YOU DID IT.
- 35:14
YOU DIDN'T DIE. ME.
- 35:19
I would love to see a recut version of
- 35:22
him. Not saying, "Are you talking to
- 35:23
me?" But just going me.
- 35:29
>> I mean, I there's I I What What's the
- 35:33
coldest day you've ever had on set? And
- 35:35
the hottest day you've ever had on set?
- 35:37
>> Coldest was
- 35:40
uh I mean I know like the real answer
- 35:41
was like you know one of the Hunger
- 35:43
Games movies where I was like on a
- 35:44
frozen lake but it was actually in
- 35:45
Calgary doing Die My Love
- 35:48
>> because it was August so it was supposed
- 35:50
to be warm and so there wasn't like
- 35:53
there weren't like warming coats or
- 35:54
anything and you know I'm just in like a
- 35:56
t-shirt or whatever and so that was
- 35:59
>> the coldest that that like broke my
- 36:01
heart like made me want to cry. This
- 36:02
proves my theory that Marty Short, You
- 36:04
did cry because you were so cold. Yeah.
- 36:06
>> Um, this proves my theory that I said to
- 36:08
Marty Short, like it's never warm in
- 36:10
Canada. Never. And it's always [ __ ]
- 36:12
freezing. And it's freezing in August.
- 36:14
Always. And Canadians pretend like, "Oh,
- 36:16
we had a really nice day." And it's
- 36:17
like, "You did not have a nice day."
- 36:18
>> No, you were very cold.
- 36:19
>> It's really cold.
- 36:20
>> Um, when you're cold and you cry on set
- 36:23
in
- 36:23
>> I didn't cry on set. I cried in my
- 36:25
trailer to Justine. She was like,
- 36:27
"What's wrong?" And I was like, "I'm
- 36:28
just feeling really cold." But I was
- 36:31
pregnant. And I just remembered.
- 36:32
>> Yeah.
- 36:33
>> Yeah. Of course I cried. I probably
- 36:35
cried every day.
- 36:36
>> Yeah. That movie seems like there was a
- 36:38
lot of tears. [ __ ]
- 36:40
>> It was fun. It was fun to like play
- 36:41
somebody. That's
- 36:42
>> fun. But you have to do some stuff, man.
- 36:44
You have to go for it in some movies
- 36:46
that I'm like, "This is hard. Screaming
- 36:48
all day. Crying all day."
- 36:50
>> All day.
- 36:52
>> Hard. But you're so blessed.
- 36:53
>> I'm blessed.
- 36:54
>> Um
- 36:55
>> me blessed.
- 36:58
>> You talking to me? The last one here.
- 37:03
>> Hottest day on set.
- 37:05
>> Hottest day on set.
- 37:07
>> Hottest time you've ever like you
- 37:08
remember working and it was really hot.
- 37:10
>> The No, I know what you mean. Um I
- 37:13
answered the first one. I obviously get
- 37:15
the put the context together.
- 37:17
>> Maybe you were thinking about something
- 37:18
more ironic.
- 37:19
>> Um I think it was the first Hunger
- 37:22
Games. Yeah, the first Hunger Games. We
- 37:24
were shooting in uh North Carolina. It
- 37:26
was humid and we had those jackets on.
- 37:28
Oh, yeah. You need to run in those
- 37:30
jackets.
- 37:31
>> Running in the jackets. Yeah.
- 37:33
>> Speaking of running, I feel like uh my
- 37:35
next question like I what I love about
- 37:36
you is how you don't feel like you're
- 37:40
competitive with other actresses and you
- 37:41
really wish for other people's success,
- 37:43
but in a foot race, who would win
- 37:45
between you and Emma Stone?
- 37:47
>> She's got like really tiny bones and I I
- 37:50
just have very thick bones. Um so what
- 37:53
does that mean for running? That's hard
- 37:54
to know cuz thinner bones. You might be
- 37:58
faster out of the gate.
- 37:59
>> I think I think if I like got a clock
- 38:02
in, I'd knock her out in like two
- 38:04
seconds.
- 38:04
>> 100%. No offense, Emma, if you're
- 38:06
listening, but there's You would
- 38:07
definitely
- 38:08
>> No, I could I mean, I could take her
- 38:10
out. If it was like a fight or a
- 38:11
wrestle, she'd stun me. Um, but running,
- 38:16
I don't know because I don't know if her
- 38:18
hollow bones give her an advantage.
- 38:20
>> Yeah. Karaoke. What's your what what's
- 38:22
your go-to?
- 38:23
>> Any man of mine? Shaniah Twain.
- 38:25
>> Hm. I just want to hear I don't know
- 38:26
that one. This This is where your
- 38:27
Kentucky comes in.
- 38:29
>> Oh,
- 38:30
>> any man of mine.
- 38:31
>> Yeah.
- 38:38
>> Look how cute she is.
- 38:41
>> I still don't know this. Oh,
- 38:43
>> but you like it, right?
- 38:44
>> To do the Woo.
- 38:45
>> Yeah, of course.
- 38:48
>> This is what a woman wants.
- 38:49
>> This is what a woman loves.
- 38:52
And a man of mine better be proud of a
- 38:54
man. Even when I'm ugly, he still better
- 38:57
love me. And I can be late for a date,
- 39:00
that's fine. But he better be on time.
- 39:03
Woo. Any man of mine say it's it's just
- 39:06
right when dress is just a little too
- 39:09
tight. And anything I bet he's to say
- 39:11
better be okay. when I had a bad hair
- 39:14
day.
- 39:17
And if I change my mind
- 39:20
a million times,
- 39:23
>> I want to hear him say, "Yeah,
- 39:27
>> yeah."
- 39:28
>> Yeah. Yeah. Like that way.
- 39:37
>> Oh my god. You're good.
- 39:39
>> I know. Really good.
- 39:44
Very good.
- 39:45
>> I love karaoke, too.
- 39:46
>> Yeah. And I'm on key.
- 39:48
>> You were on key.
- 39:49
>> Yeah.
- 39:49
>> You were Did you ever say Did you ever
- 39:51
You're a good singer.
- 39:52
>> No,
- 39:53
>> that's not true. I just heard it. I just
- 39:56
heard it.
- 39:56
>> I know you did. I know you heard it.
- 39:58
Okay. Anyway, moving on.
- 39:59
>> All right. All right. Um uh have you
- 40:01
ever been awarded a middle or high
- 40:03
school superlative? Middle school or
- 40:04
high school superlative?
- 40:05
>> Most talkative.
- 40:06
>> Most.
- 40:07
>> Two years in a row. Then third year I
- 40:09
had left. I was in New York. like you
- 40:11
got to get out of here.
- 40:12
>> Yeah.
- 40:13
>> Talked my way right out of the building.
- 40:15
>> Most talkative. Yeah.
- 40:17
>> Most talkative and most for me and the
- 40:20
three that were like cousins were
- 40:22
talkative. Um like class clown and
- 40:25
mischievous. Like they all were like
- 40:27
together.
- 40:27
>> We didn't have those. We had talkative
- 40:29
best smile cuz I remember be not getting
- 40:32
that one. Um
- 40:33
>> you were going for that one
- 40:34
>> and like No, I was going for Miss
- 40:35
Camera.
- 40:36
>> Miss what?
- 40:37
>> Miss Cammer. Camera is the name of the
- 40:39
school.
- 40:41
This is like the rural juror. The rural
- 40:44
juror. Say Miss Camera.
- 40:47
>> Camera Middle School was the name. K A M
- 40:49
M E R E R. Camera Middle School.
- 40:54
>> That's where I went to school.
- 40:56
>> Okay. Um, we kind of went over this
- 40:58
already. Horses. Yes or no?
- 41:00
>> Yes.
- 41:01
>> Okay. Um, do you do that crazy thing
- 41:04
where you insist on doing your own
- 41:05
stunts?
- 41:06
>> No.
- 41:06
>> And have you ever I feel like Okay,
- 41:09
great. Just keep that up.
- 41:11
>> Okay.
- 41:12
>> Um, best album or song of the year? What
- 41:15
are you listening to that you love?
- 41:17
>> Oh, I don't know any current music.
- 41:19
>> I once they got rid of the radio, I
- 41:21
really I didn't know. I mean, how am I
- 41:23
supposed to do know what's coming out? I
- 41:26
just have my
- 41:27
>> phone.
- 41:28
>> But what part of my phone? My phone has
- 41:29
podcast. I mean, playlist.
- 41:31
>> Do you not listen to Do you not
- 41:32
>> I don't listen to like How do you listen
- 41:34
to live music on your phone? Honestly, I
- 41:37
usually learn about new music from
- 41:40
Instagram or Tik Tok that I then go and
- 41:42
buy.
- 41:43
>> The Lily Allen I don't know when this
- 41:45
podcast is coming out in the future, but
- 41:47
the Lily Allen album dropped a couple
- 41:49
weeks ago and oh, I love it.
- 41:52
>> So good. So good.
- 41:54
>> I didn't know it was a [ __ ] palace.
- 41:56
>> And um and um Monaga Mommy.
- 41:59
>> Managa Mommy. So good.
- 42:01
>> So good.
- 42:01
>> Yeah. And tennis. Tennis might be my
- 42:03
favorite song from the album. So so
- 42:05
talented. I feel like this I I was just
- 42:07
saying to someone like I feel like the
- 42:08
pop stars like they're just the female
- 42:11
pop like they're just dominating in
- 42:13
every area.
- 42:14
>> I know. Charlie XCX is so cool.
- 42:17
>> I know. Do you know her? I feel like you
- 42:19
guys would hang out.
- 42:20
>> I don't know her. I mean, would she hang
- 42:22
out with me? I don't know. I don't know.
- 42:24
>> She would just call her up.
- 42:25
>> I will.
- 42:27
>> Okay. So, let me talk about um your
- 42:29
movie Die My Love, which looks amazing.
- 42:31
And you once again like you're if I
- 42:34
haven't made it clear, you're so good at
- 42:36
acting.
- 42:37
>> Thank you very much. That's really
- 42:38
really nice.
- 42:39
>> And you really are doing the thing
- 42:40
you're meant to do.
- 42:41
>> Thank you. Yeah.
- 42:42
>> And do you feel that?
- 42:43
>> Mhm. Yeah. Yeah. Definitely.
- 42:45
>> Do you feel like was there ever a time
- 42:46
when you thought I there there's
- 42:48
anything else I would want to do? It
- 42:49
just feels like
- 42:50
>> Every time I'm on a press store,
- 42:53
>> you're like, you know what? I don't
- 42:54
think Yes.
- 42:58
>> Yeah. Yeah. It it just doesn't feel like
- 43:01
how does anybody like
- 43:04
>> But do you feel like when you get on set
- 43:05
do you feel or when you're work when
- 43:07
you're really in the work you feel super
- 43:09
relaxed?
- 43:10
>> Yeah.
- 43:10
>> Totally.
- 43:11
>> Yeah.
- 43:12
>> Yeah. I mean it's like it's hard and
- 43:14
you're tired and you know you'd rather
- 43:16
be like home.
- 43:17
>> Yeah.
- 43:17
>> But um
- 43:18
>> but you're like Yeah. So
- 43:20
>> this process seemed really cool. Lynn
- 43:23
and Robert seemed like you guys, Lynn
- 43:25
Ramsey, the director, it seemed like you
- 43:27
three
- 43:28
>> had some kind of way of working that
- 43:30
seemed really creative and cool. Was
- 43:32
that true?
- 43:32
>> Yeah, it was cool cuz Lynn and I talked
- 43:34
about it for like years before we like
- 43:36
really had a script.
- 43:38
>> So, I felt like
- 43:40
>> we had had so many conversations like
- 43:42
about this person and about her
- 43:43
circumstances that by the time we got
- 43:45
there, there was just like a lot of
- 43:48
freedom that was like kind of scary,
- 43:50
>> you know, like like an improv type of
- 43:54
situation where it's just like go.
- 43:56
>> It's kind of like under what terms, what
- 43:59
circumstances, but um but it was really
- 44:02
really fulfilling. I was like
- 44:04
challenging in a nice way.
- 44:05
>> And you're playing somebody who's kind
- 44:07
of like descending into
- 44:11
>> madness.
- 44:12
>> And do you when you when you're playing
- 44:14
something like that, do you track,
- 44:16
you know,
- 44:18
are you always trying to figure out like
- 44:19
where is she at in this scene? like how
- 44:22
far has she gone?
- 44:24
>> Kind of. I thought that I was going to
- 44:26
have to do that a little bit more, but
- 44:28
it ended up just being like finding the
- 44:31
truth of what she was saying like in the
- 44:33
moment, which I think sometimes it
- 44:35
didn't end up being as
- 44:37
>> um I don't know, like crazy as I
- 44:41
thought. But the costumes helped with
- 44:43
that because I think they like move from
- 44:45
a different place and so they at first
- 44:48
she dresses really differently and
- 44:50
sticks out and then as she stays there
- 44:52
she starts to blend in with the
- 44:54
community and so that was a good way
- 44:56
that I could mark kind of like where the
- 44:57
head my head space would be.
- 44:59
>> That's a that's very cool idea, right?
- 45:01
That you're realizing I'm wearing this
- 45:04
this pair of pants which reminds me that
- 45:06
I'm in this space. for like 8 months.
- 45:09
>> And it's kind of getting back full
- 45:11
circle to what we're talking about
- 45:12
clothes. Like I do feel like clothes,
- 45:13
like there are certain outfits, for
- 45:15
example, that I wore during co that I
- 45:17
cannot wear again because they just
- 45:20
>> Oh, because of co Oh, it's like when you
- 45:21
wear like work pants and then they get
- 45:23
ruined cuz they're work pants.
- 45:25
>> Or you get broken up with in a shirt and
- 45:27
you can never wear it again. Like
- 45:28
clothes hold some memory.
- 45:30
>> Yeah.
- 45:30
>> Yeah.
- 45:31
>> But you got to just get them right out
- 45:33
of there.
- 45:34
>> You got to get them out of there.
- 45:35
>> Yeah.
- 45:35
>> Um Okay. We've mentioned your producing
- 45:38
partner Justine a few times.
- 45:40
>> We have.
- 45:41
>> You have? You've mentioned her twice.
- 45:43
>> Oh my god.
- 45:43
>> Yeah. And she's like your best like a
- 45:46
really longtime friend. Tell us about
- 45:48
her.
- 45:48
>> She's Yeah. My best friend. Um we met
- 45:52
right after I did Winter's Bone. So I
- 45:54
was 19.
- 45:55
>> Um and we fell in love with movies. We
- 45:59
we like read together. We like
- 46:02
discovered Walt Whitman together. Um, so
- 46:05
it was like so we like I think our like
- 46:09
consciousness like woke up together and
- 46:11
and we were like and
- 46:13
>> she was always like she was my like
- 46:16
roommate when I started getting really
- 46:18
famous and she was really
- 46:20
>> I think I credit her a lot with like why
- 46:23
I didn't start kind of
- 46:25
>> getting too big for my britches or
- 46:26
anything cuz everything was really real
- 46:28
with her and
- 46:30
>> um and she's just I'm really lucky to
- 46:33
have her. I feel really um I love her a
- 46:37
lot. I feel loved by her. I trust her
- 46:39
completely. I trust her taste. She's
- 46:41
also a really hard worker. She likes
- 46:43
hard work.
- 46:44
>> So, um yeah, I'm really lucky. I
- 46:47
wouldn't normally recommend working with
- 46:48
friends, but in our case, it's worked
- 46:50
out nice.
- 46:51
>> You guys started a production company,
- 46:53
Excellent Cadabber.
- 46:54
>> Yeah.
- 46:54
>> You produced
- 46:55
>> about six or seven years ago. a bunch.
- 46:57
You You've been working together for a
- 46:59
long time and your company's produced a
- 47:01
bunch of amazing films, including
- 47:03
Causeway, which I think was one of my
- 47:06
most favorite things I've ever seen you
- 47:07
do. I love that movie. So good.
- 47:10
>> Thanks.
- 47:10
>> Um, for people who haven't seen it,
- 47:12
check it out. It's you and Brian Henry.
- 47:14
>> Brian Tyrie Henry, incredible. Um, from
- 47:16
Atlanta and many other things.
- 47:18
Incredible actor. And you two play vets
- 47:22
who are kind of physically and
- 47:23
spiritually struggling. Um, and back
- 47:26
home and it's such it's such a good and
- 47:29
Laya is an amazing Yeah.
- 47:31
>> director.
- 47:31
>> Laya Nugabower. It was her first film,
- 47:33
but she's a big theater director and
- 47:34
she's great. Sorry, the inside of my ear
- 47:36
is itchy. Is this gross?
- 47:37
>> No, but you know, itchy ears are a sign
- 47:39
of pmenopause. So, CONGRATS.
- 47:45
>> CONGRATS, BABY.
- 47:46
>> We'll cut that.
- 47:47
>> Oh, no. We'll double that.
- 47:49
>> We're going to make it really Yeah.
- 47:52
We're just like the preview.
- 47:53
>> We're going to we're going to underline
- 47:55
it with
- 47:55
>> We're here with Perry Menopause sufferer
- 47:57
Jennifer Lawrence.
- 47:59
>> I always thought that would be a good
- 48:00
drag name by the way is Perry Menopause.
- 48:01
>> Oh, it is. That really is.
- 48:05
>> But anyway, we talked to Justine.
- 48:07
>> You did?
- 48:08
>> Yes.
- 48:08
>> Oh, because we do this thing where we
- 48:11
have people talk about our guests and
- 48:13
like talk well behind their back and
- 48:14
give me a question to ask them. And I
- 48:16
talked to Justine today.
- 48:17
>> I should have kn I listened to this
- 48:19
podcast. I don't know why I'm so like
- 48:20
beside my I'm surprised. What did she
- 48:22
say?
- 48:24
>> She had a really good question, I
- 48:25
thought, which was basically like, "What
- 48:27
do you want to talk about?" She was
- 48:28
like, "Ask Jen what she wants to talk
- 48:32
about and what she's sick of talking
- 48:34
about."
- 48:34
>> Oh, I thought I know. I thought that was
- 48:36
a good friend question.
- 48:38
>> I'm sick of talking about the movie.
- 48:40
>> Yeah, great.
- 48:40
>> Um, we won't we're going to cut it out.
- 48:43
And I want to talk about
- 48:48
>> What have we not talked about that you
- 48:49
want to talk about?
- 48:49
>> Oh, I think we've covered every We've
- 48:51
talked about things that I would have
- 48:52
never known that I wanted to talk about
- 48:54
that I wanted to talk about.
- 48:55
>> Yeah.
- 48:56
>> So, I don't I can't answer it.
- 48:58
>> Okay.
- 48:59
>> Okay.
- 49:02
>> Well,
- 49:05
um, what do you listen to, watch? What
- 49:08
do you What makes you laugh? How do you
- 49:10
get yourself up up the elevator?
- 49:13
>> Well, you make me laugh.
- 49:14
>> Thank you.
- 49:15
>> Um, you're on my algorithm a lot and you
- 49:18
and Tina um and you guys hosted
- 49:21
>> a Golden Globes that I was at and you
- 49:23
were the funniest people I've ever seen
- 49:26
in my life. You made me proud to be a
- 49:29
woman. Was that when we said that um
- 49:33
American Hustle was
- 49:36
the title of the original title at the
- 49:39
wig factory?
- 49:42
>> Yeah.
- 49:43
>> But what Okay. But what do you listen to
- 49:45
read watch? Who makes you laugh?
- 49:48
>> Um I watch VEP.
- 49:51
>> Oh yeah. So we interviewed Julia
- 49:54
recently.
- 49:55
>> You did?
- 49:56
>> I I called her the LeBron James of
- 49:59
comedy. She's won so many championships
- 50:01
with different teams and she rejected
- 50:03
that.
- 50:04
>> She wouldn't she wouldn't accept that
- 50:06
title.
- 50:06
>> That's so her. I mean, what if she was
- 50:07
like, "Thank you." I know.
- 50:10
>> Um, yeah, she's she's a hero of mine.
- 50:14
Um, I love Modern Family.
- 50:16
>> Mhm.
- 50:16
>> Um,
- 50:17
>> are you like a true millennial and you
- 50:19
watch things that you've watched before
- 50:20
just to like go to sleep?
- 50:22
>> Yeah.
- 50:22
>> Yeah.
- 50:23
>> No, I'm Gen Z and I I don't know what
- 50:25
they do.
- 50:25
>> And you just love your clothes online.
- 50:27
>> Kiss your robot and sell your clothes.
- 50:29
Yeah. Yeah.
- 50:30
>> Well, um I mean I feel like we covered
- 50:32
so much good stuff.
- 50:33
>> Yeah.
- 50:34
>> I feel great about this interview.
- 50:35
>> I do too. I can't wait for it to come
- 50:37
out.
- 50:39
>> I'm going to be the first to watch it.
- 50:42
>> Last question is I know you do like a
- 50:44
lot of reality TV. What show would you
- 50:47
want to be on of all of them?
- 50:48
>> Well, I I mean want to be on them. I
- 50:52
guess the Kardashians cuz then I'd be
- 50:54
like on a private plane going to like
- 50:56
Fiji. Like
- 50:58
>> that's true.
- 50:59
Because the other ones like they're not
- 51:01
they're not like having a good
- 51:03
>> Yeah. Like there's no comfort.
- 51:04
>> Yeah,
- 51:05
>> you're right. You're right. Maybe.
- 51:07
Maybe. Yeah, cuz you just mentioned
- 51:08
Amazing Race and I feel like sometimes
- 51:11
there's like a little part of me that
- 51:12
thinks I would
- 51:13
>> I tried to go on Bear Grills.
- 51:15
>> You did?
- 51:17
>> Let you No, I What happened was I was
- 51:19
like I was determined to do it. Um I
- 51:22
ended up getting pregnant
- 51:24
>> and I but I was still going to do it and
- 51:26
then I texted my OB/GYN. I was like,
- 51:28
"Hey, so I'm going to be doing Bear
- 51:29
Grills on like the 17th. Is there
- 51:31
anything I should like tell them?" And
- 51:33
he was like, "You're not doing that."
- 51:35
I was like, "Oh." And then I just after
- 51:37
>> Do you know the show alone? Have you Are
- 51:39
you
- 51:39
>> I love Alone. Oh my god. Building the
- 51:43
the fortresses, building the cabins. H
- 51:47
isn't building the houses. Isn't that
- 51:49
the part that you want to do the most?
- 51:50
And and if I may,
- 51:52
the amount of energy that people build
- 51:54
on their houses is fascinating cuz some
- 51:57
people you're like, "You're going to get
- 51:58
way too tired. This house is too nice."
- 52:00
>> Yeah. They're burning a lot of calories.
- 52:01
>> Burning a lot of calories.
- 52:02
>> Other people, it's like you're sleeping
- 52:04
under a tarp for 6 weeks. Like you got
- 52:07
to get your house together. Like what's
- 52:08
wrong with you?
- 52:08
>> I know.
- 52:09
>> The in between of that is fascinating to
- 52:11
me.
- 52:11
>> Yeah. The bugs. It was really satisfying
- 52:14
when you're a guy white man didn't um
- 52:18
bring a fire starter cuz he was just
- 52:20
like I can do it.
- 52:21
>> I saw that one. That was
- 52:22
>> really satisfying.
- 52:25
>> Sean Freud, if you will.
- 52:28
>> I also love the men that that come on
- 52:30
really strong and immediately like twist
- 52:33
an ankle.
- 52:34
>> Yeah, I do love that.
- 52:35
>> Or the other thing that takes them down
- 52:37
their stomachs.
- 52:38
>> I'm surprised that they don't have them
- 52:40
just go with Cypro. that like cypro
- 52:43
isn't just like in there.
- 52:44
>> Maybe they do. Maybe they
- 52:45
>> I don't think they do. Seems like they
- 52:47
do.
- 52:47
>> The the diarrhea.
- 52:49
>> They get diarrhea immediately.
- 52:52
>> Immediately.
- 52:54
>> I need diarrhea immediately.
- 52:57
>> But they im and and men are just they
- 53:00
cannot handle when they when they don't
- 53:01
feel good. They just everything falls
- 53:03
the [ __ ] apart. So they're just like I
- 53:05
don't feel good. And you're like,
- 53:06
>> "See you later, dude." And the women are
- 53:08
just weaving baskets and staying there
- 53:10
for a 100 days. Yeah.
- 53:12
>> Anyway, Jennifer Lawrence,
- 53:13
>> thank you.
- 53:14
>> Thank you for coming.
- 53:15
>> Thank you for having me.
- 53:16
>> Thank you for spending time here today.
- 53:18
>> I think if any I've overstayed my
- 53:19
welcome.
- 53:20
>> If you want any food from the
- 53:21
background,
- 53:21
>> what if I just grabbed your favorite? I
- 53:23
JUST GRABBED THE TOP AND WAS LIKE,
- 53:25
"THANK YOU. BYE."
- 53:29
>> Thank you so much, Jennifer Lawrence.
- 53:31
That was so fun. And um and thanks for
- 53:34
being here. And you know, for this Polar
- 53:36
Plunge, I always like to dig a little
- 53:38
deeper on something that we spoke of in
- 53:40
the podcast. And I would just highly
- 53:41
recommend that you watch Causeway. It's
- 53:43
such a great film. Jennifer is so good
- 53:46
in it. Brian Tyrie Henry is so good in
- 53:49
it. An incredible actor. Um directed by
- 53:52
Laya Noaber. And it's just really really
- 53:55
good. Um it's just a I don't know. I
- 53:59
just loved it. I think you will too.
- 54:01
Check it out. Thank you for listening.
- 54:03
Please come back soon. Bye.
- 54:07
You've been listening to Good Hang. The
- 54:09
executive producers for this show are
- 54:10
Bill Simmons, Jenna Weiss Berman, and
- 54:12
me, Amy Polar. The show is produced by
- 54:14
The Ringer and Paperkite. For The
- 54:16
Ringer, production by Jack Wilson, Cat
- 54:18
Spalain, Kaia McMullen, and Alia
- 54:20
Xanerys. For Paperkite, production by
- 54:23
Sam Green, Joel Levelvel, and Jenna
- 54:25
Weiss Berman. Original music by Amy
- 54:27
Miles.
- 54:30
really good. Hey