Transcript: Favorite 'Parks and Rec' Memories on Good Hang with Amy Poehler
Full Transcript
Click any timestamp to jump to that moment in the video.- 0:05
Hello everyone. Welcome to another
- 0:07
episode of Good Hang. We are continuing
- 0:09
our clip package episodes and this is
- 0:12
the second of three. So, we will be back
- 0:14
with new episodes and guests in just two
- 0:17
weeks. But this week, we are putting
- 0:19
together uh an amazing episode of all of
- 0:23
the people from parks and recreation who
- 0:25
have come into the studio and sat and
- 0:27
talked to us. And it is a great list. It
- 0:29
is Mike Sher, Rashidita Jones, Aziz
- 0:31
Ansari, Katherine Han, Paul Rudd, Aubrey
- 0:35
Plaza, Adam Scott, and please know there
- 0:38
are more coming. In fact, a little
- 0:40
teaser, we do have Nick Offererman
- 0:42
joining us in season two of this
- 0:45
podcast. If there are seasons and
- 0:46
podcasts, we are insisting there are.
- 0:49
And so, um, you're going to hear from
- 0:51
all of these people today. And the
- 0:54
reason why we're doing these um these
- 0:56
clip shows is because I am finishing up
- 0:59
shooting a new show for Peacock called
- 1:02
Dig with my buddy Mike Sher who uh as we
- 1:06
all know um created Parks and Rex. So
- 1:09
let's kick off this episode by hearing
- 1:12
from Mike Sher first.
- 1:19
This episode of Good Hang is presented
- 1:21
by Subaru. Some cars go the extra mile.
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Long range Subaru hybrids take that to a
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may vary.
- 2:01
>> All I ever wanted was a really good
- 2:06
>> in the very very beginning the idea for
- 2:08
the spin-off of the office or was it
- 2:10
even an idea for spin-off was what?
- 2:12
Well, so Bencame Parks and Ben Silverman
- 2:15
was running NBC and they asked he asked
- 2:18
Greg to like do a spin-off. And so
- 2:20
Greg's response typically thoughtful and
- 2:22
considered was I would love to do
- 2:24
another show. If the best idea that I
- 2:28
have for a show is a spin-off, then I
- 2:30
will do a spin-off. If the best idea I
- 2:32
have is something else, I'll do
- 2:33
something else. Greg is a real one of
- 2:35
the the main things that he gave me in
- 2:38
terms of like how to do this job is best
- 2:40
idea wins. Doesn't matter who it comes
- 2:42
from. If it's staff writer or a 25-y
- 2:45
year veteran co-P or a person who works
- 2:48
in costumes or whatever, best idea wins.
- 2:51
That's it. No. And there is no uh
- 2:53
correlary to that. In every situation
- 2:56
that you're in creatively, best idea
- 2:58
wins. And so that's what he said
- 2:59
basically to Ben. And he was like, "It's
- 3:01
very important to me that you understand
- 3:02
that if the best idea I have is not a
- 3:05
spin-off of The Office, uh, then we're
- 3:07
going to do something else." And Ben was
- 3:09
like, "Totally hear you, buddy." And the
- 3:10
next day in the variety, he was like,
- 3:11
"Office spin-off is coming." Then just
- 3:13
totally ignored him and just announced
- 3:15
an office spin-off.
- 3:16
>> Sure.
- 3:16
>> So, uh, so Greg and I started meeting.
- 3:20
Greg asked me to do it with him. So, we
- 3:22
started meeting. We would go to Norm's
- 3:24
Diner in the Valley
- 3:26
>> uh like twice a week for breakfast
- 3:29
>> and we would just think of ideas and we
- 3:31
would talk about what interested us and
- 3:32
what was going on and we would inch down
- 3:35
a little path and then hit a dead end
- 3:37
and then inch back and we would um we
- 3:39
just met constantly over showing your
- 3:41
work. We met all the time forever and
- 3:45
eventually
- 3:47
came up with the idea of like, you know,
- 3:49
and and by the way, just to say it, some
- 3:51
of the ideas we talked about were office
- 3:53
spin-offs. There were like Craig
- 3:54
Robinson and Rain Wilson and all these
- 3:56
people on the show who could clearly be
- 3:58
on their own show.
- 4:00
>> So, we talked about family shows with
- 4:01
them or whatever. Greg was, I think,
- 4:03
wary of taking assets away from a show
- 4:06
that was very successful in part because
- 4:08
of its large, rich cast. We stumbled
- 4:11
upon this idea of like, okay, Dunder
- 4:13
Mifflin on the office is a fake company
- 4:15
and it's a way to saterize the private
- 4:17
sector. What if we create a whole fake
- 4:19
town and sadderize the public sector?
- 4:21
And as we're having that idea, the world
- 4:23
economy goes kabooy and they're talking
- 4:27
about like massive government bailouts
- 4:29
and we start to realize that like the
- 4:30
government, obviously federal really,
- 4:33
but also state and local was like going
- 4:35
to be very present in people's lives.
- 4:44
I had this idea for an abandoned lot
- 4:46
that would be turned into a park over
- 4:48
the course of the entire run of the
- 4:50
show. Very wirey idea. I was obsessed
- 4:53
with the wire as were you.
- 4:55
>> Yeah, we're we share that. We um
- 4:57
>> um and I thought like the the way that
- 5:00
The Wire portrayed like calcified
- 5:02
systems and how slow gears grind and
- 5:05
stuff was fascinating to me and I
- 5:06
thought it would be really funny where
- 5:08
in the p if it if you did a show that
- 5:10
ideally lasts for a long time and in the
- 5:11
pilot it's like we're going to do this
- 5:13
and then it literally doesn't get done
- 5:14
till the very end of like 9 years later.
- 5:17
So that was the idea that I really like.
- 5:20
Greg then was like what if it's not a
- 5:21
lot? What if there's like a giant hole
- 5:22
in the ground? What if it's a pit? And I
- 5:24
was like that's so much better. And so
- 5:26
that idea of all the 73 ideas we had
- 5:28
started to like
- 5:30
>> fizzy fizzy up. And it obviously is not
- 5:32
a spin-off of The Office. And
- 5:35
>> Greg, true to his word, was like, "This
- 5:36
is what we want to do." At some point,
- 5:38
we called you because we heard you were
- 5:41
leaving. And you were like, "I'm
- 5:43
theoretically interested in this. Let me
- 5:44
know." The show was given a guaranteed
- 5:49
13 episode order, which now is very
- 5:51
common place at the time was like
- 5:53
insane.
- 5:55
and The Office was going to be on after
- 5:57
the Super Bowl that year and this show
- 6:00
was going to launch after The Office.
- 6:02
Then you called us back and said,
- 6:04
"Actually, sorry, PGO." That's exactly
- 6:06
what you said. You saidgo, I I sent you
- 6:09
a telegraph.
- 6:12
>> Stop.
- 6:14
>> Shows off. Stop.
- 6:16
>> And it was like, "Well, you're going to
- 6:18
give birth like the week we have to
- 6:19
shoot this, so no go." And then like I
- 6:22
remember very clearly two weeks later I
- 6:23
went into Greg's office and I was like
- 6:25
you know there's no like we had we were
- 6:28
working on the show at that point pretty
- 6:30
strenuously and I was just like I just
- 6:32
don't think there's anyone but Polar who
- 6:33
can do this and he was like I had the
- 6:35
same thought last night and very quickly
- 6:38
we made a phone call to NBC and said if
- 6:40
we can get Amy for this we will give up
- 6:43
seven of the 13 guaranteed episodes cuz
- 6:45
we'd only be able to make six.
- 6:46
>> Dang.
- 6:47
>> And give up the Super Bowl slot. Boy,
- 6:49
you guys were I'm so appreciative you
- 6:51
did that.
- 6:51
>> I mean, it the thing was it was actually
- 6:53
a very simple decision because we were
- 6:55
like, you know, getting Amy Polar on
- 6:58
your show is a long-term decision. Like
- 7:00
that's a decision you make for like this
- 7:02
what you hope will be a very long chunk
- 7:04
of time. Like the Super Bowl slot is a
- 7:06
short-term decision. It's like yeah,
- 7:07
you'll get this like fisson of of
- 7:10
energy, but like it doesn't last. Like
- 7:12
no one ever like very rarely does that
- 7:15
determine the fate of a TV show. And so
- 7:19
we then called you back and said, "What
- 7:21
if you could start shooting three months
- 7:22
after you give birth?" And then we made
- 7:24
the show.
- 7:26
>> And it proved to be the most satisfying
- 7:29
creative experience I've ever had.
- 7:31
>> And I like
- 7:32
>> more than this podcast.
- 7:34
>> No, this is my number one.
- 7:35
>> Number two, it's number two.
- 7:36
>> Yeah. This is I mean besides this now
- 7:39
one of the ways like very concrete ways
- 7:42
to that is I feel like an example of
- 7:44
what I'm talking about which is like the
- 7:45
joy in the details is the way you like
- 7:48
to name characters.
- 7:50
>> Yeah. And I think you gave me um I think
- 7:53
you allowed me to use this in my book
- 7:55
actually, but you gave me like a list of
- 7:58
possible names instead of Leslie Nope,
- 8:00
the character I played on Parks Rec.
- 8:01
Like you gave me like bunch of different
- 8:03
alternative names,
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>> but you also love to name characters
- 8:08
left and right. What is it? What is fun
- 8:10
about names for you and naming?
- 8:12
>> Okay, so it's two things. The first is
- 8:15
growing up, first major comedic
- 8:17
influence, Monty Python. MontiPython
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experts at silly stupid names like
- 8:23
hundreds and hundreds and hundreds of
- 8:24
them. You can go look them up and their
- 8:26
sketches.
- 8:27
>> But the actual the actual thing that's
- 8:30
going on here is different. So I would
- 8:33
go to actors IMDb pages to see what they
- 8:36
had been in when we were casting in the
- 8:37
early days of the show and you would see
- 8:39
like woman number two or like man in
- 8:42
crowd or guy with sandwich. And it
- 8:46
really bummed me out. That person like
- 8:48
auditioned for this and booked this gig
- 8:50
and drove all the way across town and
- 8:52
like put on fake clothes and put on
- 8:54
makeup and whatever and had to stand in
- 8:56
a certain place, follow a million
- 8:58
instructions, say a line or two, and
- 9:01
then they yelled cut, and then that
- 9:03
person drove all the way home and they
- 9:04
got paid like $600 for like a week's
- 9:07
worth of work.
- 9:08
>> And they should be there should be
- 9:10
something better than man number two or
- 9:12
man and crowd. Yeah.
- 9:13
>> And so I decided at that moment, this is
- 9:15
early in season one I think of Parks
- 9:18
Wreck, that every character who appeared
- 9:20
on the show was going to have a first
- 9:21
and last name. So when you saw
- 9:24
>> instead of if it says man and crowd,
- 9:26
you're like, "Oh, well that it doesn't
- 9:27
really count as an acting gig." But if
- 9:29
you see Marv Vavma, which is a name I
- 9:32
gave a character once, you're like, who
- 9:34
the hell is Marv Vavma? What was Marva
- 9:37
up to? So I and it has been that was it
- 9:42
started with that intention and has
- 9:43
become one of the great truly one of the
- 9:46
great joys of my life is to give every
- 9:49
because here's the other thing sorry you
- 9:51
can cut all this out but the other thing
- 9:52
is if you name a character um Jack Smith
- 9:56
>> you can get away with it because there
- 9:58
are 10 trillion Jack Smiths but if you
- 10:00
name a character anything even mildly
- 10:01
interesting like Winona Cooper there's
- 10:04
going to be like four Winona Coopers in
- 10:06
the state that you're setting the show
- 10:08
in and then the legal comes back and
- 10:10
says you can't name your character that.
- 10:11
>> A lot of people don't know that you have
- 10:12
to get names cleared
- 10:13
>> be cleared and there have to be either
- 10:15
none or so many that not any one of them
- 10:18
could be could think that you're saying
- 10:21
anything about them. So I go for none.
- 10:23
>> None.
- 10:24
>> Yeah. I go for the weirdest names. Uh we
- 10:28
had a character recently on the show on
- 10:30
a man on the inside named Aphilio
- 10:33
Pepipe. There's no Ailia Pipa Pepes
- 10:36
anywhere in the continental United
- 10:37
States. So, you get to use that name.
- 10:40
That has been my goal is to have none
- 10:42
have have the Google search come up
- 10:44
empty with every name of every
- 10:46
character.
- 10:46
>> Okay. With that in mind, will you please
- 10:48
read some of these names that you have
- 10:50
invented?
- 10:51
>> Yeah.
- 10:52
>> Like just a few here on the bottom of
- 10:53
this page.
- 10:54
>> Okay.
- 10:55
>> Uh Mona Lisa Sapperstein. Yes.
- 10:57
>> Jenny Slate's character.
- 10:58
>> Yes.
- 10:58
>> Uh
- 11:02
>> do you remember all these? Amazing.
- 11:04
>> Trod Frankenstein.
- 11:06
>> Okay, tell us about
- 11:06
>> Trod. So Trod Frankenstein was a local
- 11:09
reporter or he had a like almost like a
- 11:12
little show like this in Pawane where he
- 11:14
would interview political people like
- 11:16
Leslie Nope.
- 11:17
>> A a great way to come up with a name
- 11:18
that doesn't exist is to take a normal
- 11:20
name like Todd and then just stick
- 11:21
another letter in there somewhere. Trod
- 11:24
and then Frankenstein is just
- 11:25
Frankenstein with a P at the end. Uh
- 11:28
Tyrion Fonzerelli. Tyrion Fonzerelli.
- 11:31
Obviously a combination of two
- 11:33
characters from TV history. Tyrion
- 11:35
Lannister and Arthur Fonerelli. This
- 11:38
name goes to Matt Murray. Matt Murray
- 11:40
did this.
- 11:40
>> Ah, Panther.
- 11:41
>> Yeah, Panther. Matt Tyrion Fonerelli was
- 11:44
right around Parks and Wreck among other
- 11:45
things.
- 11:46
>> Was a guy in a jewelry store who was
- 11:48
buying a um an engagement ring for his
- 11:52
to be betrothed when an and Chris Trager
- 11:56
were shopping for rings.
- 11:57
>> Great. Uh Leslie, nope. We know who that
- 11:59
is. Gretzky Susan Pellegrino. Okay, this
- 12:04
so
- 12:06
>> Gretzky Susan Pelgrino was like the
- 12:08
fourth in a series of names that that
- 12:10
for some reason all involve the last
- 12:12
name of the greatest hockey player who
- 12:14
ever lived, Wayne Gretzky. I don't
- 12:16
offhand remember who Gretzky Susan
- 12:17
Pellegrino is. Also, it should be noted
- 12:19
hyphens huge part of my naming process.
- 12:22
>> Yeah. So exciting.
- 12:23
>> It's a way to get another name in there.
- 12:25
>> Another name. And also, there's no way
- 12:26
that someone's going to have this name.
- 12:28
>> No one's first name is Gretzky Susan.
- 12:30
Gretzky hyphen Susan.
- 12:32
>> Typhoon Montelbond.
- 12:34
>> Oh, I love Typhoon.
- 12:35
>> Typhoon was uh was Don's hairdresser.
- 12:37
>> Yep.
- 12:38
>> Uh Ty Typhoon also Matt Murray, I
- 12:41
believe, named gave Typhoon the first
- 12:43
name Typhoon. We needed a last name.
- 12:45
Where do you go for the last name?
- 12:46
Ricardo Monttobon. Typhoon. Monttobond.
- 12:49
Cassandra Sassnanorp. Okay. Cassandra
- 12:52
Sassnorp was I believe I could have this
- 12:54
wrong. was just Sandra. It was like
- 12:56
Sandra Snorp.
- 12:58
>> Okay.
- 12:58
>> And then the legal was like doesn't
- 13:00
didn't clear. We found a Sandra Snorp.
- 13:02
So guess what you do? You add five more
- 13:03
S's. Now you're good.
- 13:05
>> Sandra
- 13:05
>> Sandra Sassnorp.
- 13:07
>> Summer Ole Kraken Frogfrong. Okay. This
- 13:10
is a MontiPython ripoff straight up.
- 13:12
>> Okay.
- 13:13
>> Um Olay O E with an accent. And uh and I
- 13:18
guess just that part in there's a
- 13:20
there's a MontiPython sketch called I
- 13:22
think election night special where
- 13:24
they're just going through election
- 13:25
election results and local elections all
- 13:27
over the country. And there's a there's
- 13:30
a a silly party and a sensible party. So
- 13:33
all the people in the sensible party
- 13:34
have names like John Smith and all the
- 13:36
people in the silly party have very
- 13:38
crazy names. And there's also a very
- 13:40
silly party and a slightly silly party.
- 13:43
It's if you want names, go watch that
- 13:46
sketch. It'll it'll uh it'll it'll sate
- 13:50
you. Summer, Olay, Krak, and Frog Frog.
- 13:52
That's a good one. Frog Frog is a great
- 13:54
last one.
- 13:55
>> Yeah.
- 13:57
>> Okay. So, do you think some of your best
- 13:59
acting was in Parks and Wreck when you
- 14:02
had to pretend that you didn't know who
- 14:04
Genuine was?
- 14:05
>> You know, it's it's still one of my
- 14:07
biggest complaints. I remember we did
- 14:09
the table read for that and I was like,
- 14:11
"No, no, no one's gonna buy it because I
- 14:14
don't buy it." Okay, pick anybody else
- 14:17
on this cast to to try to play that in
- 14:20
an honest way. It is so unfair that
- 14:23
you're making me do this. It really
- 14:25
Yeah, it still hurts
- 14:26
>> because how how how familiar are you
- 14:29
with genuine? You were married.
- 14:34
>> Um I mean, you know, I live in '90s R&B.
- 14:39
That's where my heart is. It's not here.
- 14:42
I mean, it is with you, but and for the
- 14:44
most part, it's part it's not present.
- 14:46
It's in '90s R&B. So,
- 14:48
>> he's a very important figure.
- 14:50
>> Yeah. I feel like we have had some hard
- 14:53
ass laughs. And I was trying to think
- 14:55
the other day like places that we've
- 14:57
laughed a deep laughs and it's it really
- 15:01
does add years to my life. I know that.
- 15:04
And I I wonder if you could tell the
- 15:07
story about um when we were on um Parks
- 15:11
and it was because we talked about it,
- 15:13
we've talked about it before. when we
- 15:15
were in parks and it was the first
- 15:17
season. It was the hunting episode
- 15:20
>> and just kind of set up uh we were
- 15:23
shooting that whole week way far away
- 15:25
somewhere in California, you know, I
- 15:29
don't even remember where
- 15:30
>> and we had to do a scene with Nick
- 15:32
Offerman and that I think about it
- 15:34
sometimes the way that laugh came. It
- 15:36
was like it was giggle giggle orgasm
- 15:40
city. But um but but uh don't worry,
- 15:42
we'll cut that. But
- 15:46
but um what do you remember about it?
- 15:48
What do you want?
- 15:49
>> Well, I remember we were he maybe ate
- 15:52
something weird and we were trying to
- 15:53
give him Ipac.
- 15:55
>> So Nick Offererman playing Ron Swanson
- 15:57
ate something. Yeah. I don't remember
- 15:59
actually what happened in the show.
- 16:01
>> I was like determined as a nurse that I
- 16:03
was like you have to throw up. Like you
- 16:05
can't right you're gonna get sick. And
- 16:06
he's like I'm fine, right? And I we were
- 16:09
trying to get this like liquid in his
- 16:11
mouth and you know it's Hollywood so um
- 16:15
things that happen like on camera don't
- 16:18
actually happen in real life. So it was
- 16:20
written that we like hold him down and
- 16:23
he's resisting us and we give him this
- 16:25
this thing. But
- 16:29
like you don't know you don't know how
- 16:32
small you are cuz I think both of us
- 16:34
like I'm always like I'm like a tall
- 16:36
person right? Like I ask people if if I
- 16:38
feel tall, but I'm not.
- 16:39
>> And I'm not. And I'm And I'm
- 16:40
>> How tall are you?
- 16:41
>> 53 and a half.
- 16:42
>> Yeah. Yeah. I'm 5'2.
- 16:44
>> And And And Nick is solid.
- 16:46
>> Yeah.
- 16:46
>> He's a solid dude.
- 16:48
>> Yeah. He's like a Midwestern cornfed
- 16:51
dude.
- 16:51
>> Dense and like and muscular. And he
- 16:54
>> we were trying to hold him down and he
- 16:56
was whipping us around with such ease.
- 17:00
Like we couldn't we actually the both of
- 17:02
us could not hold him down. And he was
- 17:04
like literally just go beep and we would
- 17:07
just fly off the bed in each direction.
- 17:09
We could not stop.
- 17:10
>> One of us, we each had one arm.
- 17:13
>> Yeah.
- 17:13
>> And he would, it felt like just the
- 17:16
flick of a wrist.
- 17:18
He was being gentle.
- 17:19
>> Yeah. He wasn't doing He wasn't fighting
- 17:21
for his life.
- 17:22
>> Yeah. No. No.
- 17:23
>> And we could not get him to stay down.
- 17:26
>> Could not. Could not.
- 17:27
>> And I remember that feeling. Also, I
- 17:29
think there's something fun about
- 17:30
wrestling. Like there is so it's so good
- 17:33
and being thrown around is so fun.
- 17:35
>> Yes. and he was throwing us around and I
- 17:39
feel like I just like if I was to
- 17:41
picture it in my mind you were just like
- 17:43
like I could just see you going past me
- 17:45
and your hair going and then your legs
- 17:47
going and
- 17:50
me and I just remember like I remember
- 17:53
seeing you flying by which can't be true
- 17:57
but
- 17:57
>> I feel like we were tumbling all over
- 17:59
the floor like every time we got back on
- 18:00
the bed we were like t and we were we
- 18:02
were kind of like in each we were both
- 18:05
trying to be like on top of him and then
- 18:07
like just flipping over really quickly.
- 18:10
>> And I think too because Nick is such a
- 18:11
lovely gentle guy in general, we knew
- 18:14
there was something about us that knew
- 18:15
we weren't going to get hurt and but he
- 18:17
was making like grunting bear sounds.
- 18:22
>> It was really really really fun.
- 18:24
>> That was a really I mean I'm trying to
- 18:25
think of like there was so many good
- 18:27
crackup moments. Crackup moments. I'm
- 18:29
100 years old.
- 18:30
>> What a crackup. But I'm just like I was
- 18:33
like
- 18:34
>> there's that spot in in uh Andy and
- 18:37
April's house. Remember where we could
- 18:39
never get a scene done? Just that one
- 18:41
that living room
- 18:42
>> spot. Yeah. It was haunted.
- 18:44
>> Yeah. And then I remember there was one
- 18:45
time you were like Rashida cuz I could
- 18:47
not get through it. But I really It felt
- 18:49
like haunted. It did not feel like it
- 18:51
was my fault.
- 18:52
>> Yeah. I'm sorry I said that. There was I
- 18:54
a couple times I would see bloopers for
- 18:55
the show and I'd be like Amy.
- 18:57
>> No, but those days were so long. They
- 18:59
were long and it was fun until it
- 19:01
wasn't. You're like, "Oh my god, it's 10
- 19:02
p.m. We just want to go home."
- 19:03
>> I know. And the And there was a scene
- 19:06
for people that um care. There was there
- 19:10
was a a spot in that on that set where
- 19:13
anyone who stood there couldn't get
- 19:14
their lines and then of course it became
- 19:16
self-fulfilling prophecy in many ways.
- 19:18
>> Yeah.
- 19:19
>> But there was just a lot of um deep
- 19:23
laughs and deep um and deep laughs off
- 19:27
camera. Like one of the thing one of the
- 19:28
things I treasure And there's so many
- 19:32
things I treasure about my friendship
- 19:33
with you was that we would be talking
- 19:37
like this and we'd be just talking and
- 19:39
talking and just like talking about our
- 19:40
day and talking about life and then they
- 19:41
would just go or action and then we
- 19:43
would just talk like Leslie and we'd do
- 19:45
our scene and be like we kind I'll speak
- 19:48
for myself kind of knew it kind of
- 19:49
didn't
- 19:50
>> and then they'd then they'd cut they'd
- 19:53
work on it and we would just go back to
- 19:55
talking like it was like a dream job. We
- 19:57
filmed in between our conversations and
- 20:00
also I think I remember very clearly in
- 20:02
the pilot because we had already been
- 20:04
friends for years when we shot the pilot
- 20:06
and they were doing one of those spy
- 20:08
shots and we were in your office and we
- 20:09
were talking and it was like you know
- 20:12
other people were like oh this is great
- 20:14
like this is a thing that really works
- 20:15
their friendship we're really going to
- 20:16
be able to sell it and we're like uh duh
- 20:18
>> duh no kidding
- 20:19
>> what do you mean
- 20:20
>> I mean they really did base the entire
- 20:22
show at the end of the day on the fact
- 20:25
that Leslie and an were, you know, each
- 20:27
other's number one.
- 20:28
>> Yeah.
- 20:28
>> Yeah.
- 20:30
>> Not hard to do.
- 20:31
>> No. And what I mean, we've talked about
- 20:34
this before, but we when we first
- 20:36
started the show, I think it was like it
- 20:39
was kind of like we were trying to
- 20:40
figure out who was going to play what
- 20:42
part and who was going to come on board.
- 20:46
And um
- 20:48
and kind of like the beginnings of that
- 20:51
show were
- 20:53
I'll say a little clumy,
- 20:54
>> crunchy, crunchy. crunchy. Can we talk
- 20:58
about it? Yeah, I'd love to. Oh my god.
- 21:00
>> Yeah, it was crunchy
- 21:01
>> because I think for I I don't think a
- 21:02
lot of people know this. For the
- 21:04
beginning, I think we both were worried
- 21:07
that we had taken each other's part
- 21:10
>> like Yes. So, so I had been on hold for
- 21:15
this untitled thing that was going to
- 21:18
that Greg and Mike were going to write,
- 21:19
right? And I had done a year on the
- 21:21
office and they let me go which made
- 21:25
sense. It was it made sense. I was
- 21:26
>> You had such a tough job there because
- 21:29
Yeah.
- 21:29
>> Everybody wanted Jim and Pam and then
- 21:31
guess who shows up? A very likable cool
- 21:34
and everyone was like, "Oh no, wait. I
- 21:36
love Karen."
- 21:37
>> It did not feel that way. People did not
- 21:39
like me. Like fans were not about it.
- 21:42
But they had to create tension for the
- 21:44
relationship to be earned later. So I
- 21:46
was the third point in the triangle.
- 21:47
It's fine. I like accept it. But anyway,
- 21:50
so Mike was like, "We're working on this
- 21:51
other show. I'll put you on hold. We
- 21:54
don't know what it is yet." Remember,
- 21:55
people thought it was like a spin-off of
- 21:57
The Office for a second.
- 21:58
>> But anyway, so they kept like kind of
- 22:01
decide like changing the the car the
- 22:03
main characters of the show. When they
- 22:04
pitched it to me, the boss was a was a
- 22:06
guy
- 22:07
>> and they didn't know if they were going
- 22:09
to cast me or not. But I remember you
- 22:11
were extremely pregnant.
- 22:13
>> Yeah.
- 22:13
>> We had just gotten back from Italy.
- 22:16
>> You and I were in Italy. That's right.
- 22:18
>> We were in Italy and it was very hot.
- 22:20
>> That's right.
- 22:21
>> And a day later,
- 22:23
>> you were like, "Let's go to lunch. I
- 22:25
need to talk to you about something."
- 22:25
>> Do you remember where we went?
- 22:26
>> Past.
- 22:27
>> Yes, I do.
- 22:28
>> In New York City.
- 22:29
>> I do.
- 22:30
>> Oh, God. And I said, "Let's talk about
- 22:31
something
- 22:33
>> dear."
- 22:34
>> No, no, no. You
- 22:35
>> And I was like, I want you to raise this
- 22:36
baby with me.
- 22:38
>> It's yours.
- 22:40
>> This baby is yours. I know. And you need
- 22:41
to accept it. Um, but you no I actually
- 22:44
hold this this moment as like a gold
- 22:46
standard of friendship and being able to
- 22:49
take care of your oneself and the person
- 22:52
that you love at the same time. I really
- 22:53
do, Polos, because it was what you did
- 22:56
and how you did it was very hard because
- 22:58
you took me to lunch and said, "I'm so
- 23:00
sorry, but they offered me the part."
- 23:02
Both of us thinking it was the same part
- 23:04
I was on hold for
- 23:06
>> being created by a friend of ours. And
- 23:08
so I immediately started crying in
- 23:10
besties and you held my hand and you
- 23:13
were so warm and you were so there was
- 23:16
something about it where you were like I
- 23:18
know I'm sorry buddy but you also you
- 23:20
didn't like do the thing that I
- 23:21
sometimes do where I'm codependent where
- 23:23
I'm like I know I suck. I'm the worst
- 23:25
person. I don't even deserve it. Like
- 23:26
whatever I would say to try to make the
- 23:28
other person feel better which doesn't
- 23:30
work. You didn't do that. you like held
- 23:32
your space and you also comforted me at
- 23:34
the same time which was like a very
- 23:37
beautiful thing.
- 23:38
>> I wonder what Sh's version of this is.
- 23:41
>> Let me tell you because I left him a
- 23:43
message almost immediately cuz I'm not
- 23:46
shy. I was and I was like, "Oh, I'm such
- 23:48
an idiot for thinking I could even be on
- 23:50
the show. Like, anybody wants me on this
- 23:52
show." Of course, I didn't get this.
- 23:53
Like Amy is like a, you know,
- 23:55
>> what a mean part of yourself to be.
- 23:57
>> Very mean. Very mean. That's a that's a
- 23:59
person we're trying to um to not invite
- 24:01
to the dinner party anymore. But um so I
- 24:04
I called him. I was like, "Hey, would
- 24:06
love to talk to you." He was on a plane.
- 24:08
>> And he landed. He's like, "Uh" I was
- 24:10
like, "Mhm. You want to you want to tell
- 24:12
me what's going on cuz it would have
- 24:13
been really nice for you to tell me and
- 24:14
not Amy to tell me that I wasn't getting
- 24:16
this job." And he's like, "No, no, no.
- 24:18
Back up. We changed the boss. It's a
- 24:20
woman and Amy's playing the boss." And I
- 24:22
was like, "You
- 24:24
Oh my god. Like we might be working
- 24:27
together." Yes. It kind of went from oh
- 24:29
no to oh my god, we might be the two
- 24:32
women on the show.
- 24:34
>> Yes. And I still wasn't cast because I
- 24:36
still had to do a bunch of chemistry
- 24:38
reads after that. But but that became,
- 24:40
you know, this huge possibility of like
- 24:44
my life being the best from the worst to
- 24:47
the best.
- 24:48
>> God, I'm sweating even thinking about
- 24:50
that. He wasn't they had they just
- 24:51
hadn't decided things and and they they
- 24:53
were trying to build around you I think
- 24:55
is what happened around that character.
- 24:57
So I think they had just done that and I
- 24:59
think you wanted to tell me as soon as
- 25:01
possible because we were so close
- 25:04
>> which was the right instinct and Mike
- 25:06
decided to get on a plane which was his
- 25:09
instinct
- 25:10
>> and he just flew for hours. He just went
- 25:13
to different cities and he never got off
- 25:14
the plane. And that's what exacts do.
- 25:17
That's what a powerful person does is
- 25:19
they get on the plane.
- 25:19
>> They just get on as many planes as
- 25:21
possible. My phone was off.
- 25:24
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- 26:28
>> Your little Zezy is all grown up.
- 26:29
>> I know. My Zezy is just a He's an old
- 26:33
man now.
- 26:33
>> I know. If you watch if whenever I see
- 26:36
old parks things I was like I didn't
- 26:37
know that me and Aubrey did a show and
- 26:39
we were little kids like it's really
- 26:42
>> I know. How old were you when you
- 26:44
started on show?
- 26:44
>> I was 13 in season
- 26:47
and then when we finished I just turned
- 26:49
18. I I got my driver's license like in
- 26:52
the middle of the run.
- 26:53
>> A lot of people don't know that you were
- 26:54
18 when you were playing Tom Hammerford
- 26:56
on Parks and Rec.
- 26:57
>> Yeah.
- 26:57
>> It is true though. It is. You You look
- 27:00
like a baby. You were a baby.
- 27:04
I didn't know anything. I the first
- 27:06
seasons I I didn't know how to act or
- 27:08
anything. I should not have been on
- 27:10
television. NBC should have been like,
- 27:11
"We got to get Is there any Indian guy
- 27:13
that's done more acting?"
- 27:15
>> A lot of people don't know you were the
- 27:16
first person hired for Parks.
- 27:18
>> Uh yeah, I met with them. And
- 27:20
>> what was that meeting like? Do you
- 27:21
remember it?
- 27:22
>> Well, it was so mysterious what they
- 27:23
were up to. I had a meeting with them
- 27:26
and I told them, "I don't know what
- 27:27
you're doing, but whatever it is, that
- 27:29
would be a dream job." And um and you
- 27:34
know this was like when The Office was
- 27:36
on and Mike and Greg were both involved
- 27:38
in that and that was you know my
- 27:39
favorite show like that on the air and
- 27:41
and so I told him whatever you're up to
- 27:43
let me know. And then of course
- 27:45
>> you know when it all came together with
- 27:47
you and Rashidita and everything and and
- 27:49
>> well I'm kind of learning when I was
- 27:50
talking to Plaza when Plaza was here she
- 27:52
was uh talking about like her meeting
- 27:54
with them too and
- 27:56
>> yeah very famous stories. Yeah. Yeah.
- 27:58
>> I know. And it's kind of funny. I kind
- 28:00
of forgot the Avengers Assemble feeling
- 28:02
of those guys going out and and getting
- 28:05
people and bringing them in and and
- 28:08
talking about like we're going to do
- 28:09
something very cool. I mean, it it was
- 28:11
it didn't even feel like there was a ton
- 28:13
of auditioning. It was more just them
- 28:15
picking people that they thought was
- 28:17
funny. not only funny and I I feel like
- 28:21
all of us whenever we see each other do
- 28:23
interviews kind of say this kind of
- 28:24
stuff at nauseium but it's so true but
- 28:26
also just the best people I've ever met
- 28:29
in my life.
- 28:30
>> Yeah.
- 28:30
>> Like really I cannot believe it cuz
- 28:32
we've all done other stuff and you know
- 28:35
not everybody's you know look we've all
- 28:38
done other stuff. I don't talk about
- 28:39
everything the way I talk about parts.
- 28:42
you know, you do some things and some
- 28:44
people different energy, not necessarily
- 28:45
mean or bad, but just something like we
- 28:47
all just clicked and there was a vibe
- 28:49
that worked with all of us and and and
- 28:51
just to pay respect to you and Mike, you
- 28:54
know, when I did Master None with Allan
- 28:56
and as I become a director, I I you
- 28:59
know, what I learned from you and Mike
- 29:01
in terms of how to lead um I mean, I
- 29:04
can't thank you enough. It was the the
- 29:06
best role model I could ever have. sees.
- 29:12
Let me see if you can guess how many
- 29:13
times how many episodes of Parks you
- 29:15
did. Do you do you would you know to
- 29:17
guess?
- 29:18
>> I would say
- 29:20
between seven and 13.
- 29:22
>> Yeah, 10.
- 29:23
>> 10. Okay. Between seven and 13. That was
- 29:28
my It's kind of right between That's
- 29:30
amazing.
- 29:32
But it was such a huge impact on my
- 29:34
life. Like it's still the thing I get
- 29:36
most recognized for.
- 29:38
>> Really?
- 29:38
>> Yes.
- 29:39
>> And I just remember Well, first of all,
- 29:41
you were the most incredible number one
- 29:43
on a call sheet because you had dance
- 29:45
parties at lunch every day and anybody
- 29:48
that walked on that like set just was
- 29:51
filled with such confidence and such
- 29:54
joy, which is I had the greatest time on
- 29:58
that show. I have such I don't have the
- 30:00
greatest that's where we kind of fell in
- 30:02
love
- 30:02
>> but that is re that's really Katherine
- 30:04
where we I think actually met my first
- 30:06
kind of like real memory is in the
- 30:08
trailer of parks and wreck and
- 30:11
>> we used to Katherine is talking about
- 30:13
dance parties and we used to do a thing
- 30:15
where just like after lunch we would
- 30:17
play three songs best
- 30:18
>> the great Autumn Butler our makeup
- 30:20
artist
- 30:21
>> had great taste in music and we would
- 30:22
just kind of dance around for two or
- 30:24
three songs.
- 30:25
>> Yeah. the best.
- 30:26
>> I think for me, a way to honestly just
- 30:28
keep my energy up.
- 30:29
>> Yeah.
- 30:30
>> But it became a way to meet people in
- 30:32
the trailer. And I remember two things I
- 30:35
loved about you right away. How much you
- 30:37
love to laugh. People that know you know
- 30:39
that like you you laugh. If someone's
- 30:42
going to break in a scene, it's this
- 30:45
professional over here.
- 30:46
>> You know you I don't Do you think you
- 30:48
break a lot?
- 30:48
>> I have to be really serious in my mind.
- 30:51
Like if I have because if it starts to
- 30:53
happen it is tears.
- 30:56
>> Yeah.
- 30:56
>> And mucus.
- 30:57
>> But you I have seen you in bloopers and
- 31:00
you're hanging in.
- 31:01
>> Yeah. I do hang in.
- 31:02
>> You hang in.
- 31:03
>> I do. Yeah.
- 31:04
>> You in fact go in harder. I think when
- 31:06
people are
- 31:07
>> I have to I know it's a survival
- 31:09
technique. I just have to dig in a
- 31:11
little bit. I do. I go harder.
- 31:13
>> I feel like every time I've done a scene
- 31:15
with you, you are so good at
- 31:18
improvising. In fact, like a lot of your
- 31:21
character on Parks and Rec, Jen
- 31:23
Barkley's moments were improvised.
- 31:26
>> Were they really?
- 31:27
>> Well, my one of the favorites, one of
- 31:28
one of Tik Tok and memes and gifts and
- 31:32
show his poncho.
- 31:33
>> Poncho was
- 31:34
>> So, let's talk about what happened for
- 31:35
people that have never seen that. What
- 31:36
What is it? What? Tell us what that
- 31:38
scene was.
- 31:39
>> Well, I went to Ben and Leslie's house.
- 31:42
Um, I'm speaking as Jen Barkley, my
- 31:44
character. I'm the first person now.
- 31:45
>> Well, for people that aren't watching,
- 31:47
she just transformed. just transform.
- 31:49
>> Her eyes turned dark and she's a
- 31:50
completely different person.
- 31:51
>> A lot more hairspray.
- 31:53
I went to their house. They have
- 31:54
children. Uh I am not into children at
- 31:57
all. I wore a plastic poncho so that I
- 32:03
wouldn't get any sticky fingers or crap
- 32:05
all over me. And at some point the kids
- 32:07
rush by with paint, nail me with the
- 32:10
paint. And it's some take just to make
- 32:13
you guys laugh. I DON'T EVEN DID NOT
- 32:14
HAVE ANY IDEA it was going to be any. I
- 32:17
just swung my arms open. I went poncho
- 32:20
poncho. And that really has become
- 32:23
>> it has it's like Batman's cape.
- 32:27
>> I mean,
- 32:28
>> oh that was the best. Like I just
- 32:29
wanting to make you guys laugh and just
- 32:31
having so the the energy is so loose. So
- 32:34
I like it's funny you say that
- 32:35
improvising again. I can do it if I know
- 32:38
who I am and like the given
- 32:39
circumstances and like that I feel like
- 32:42
I feel really free in that department.
- 32:45
But just
- 32:46
>> well, you know how like we we were on
- 32:48
set a lot and I would watch you work and
- 32:49
I would say the same thing about Adam
- 32:50
and I wonder too if it's because of your
- 32:53
both of your training, but I would watch
- 32:56
the way you two worked
- 32:59
and you would have a moment where we
- 33:03
you'd stay really really loose and but
- 33:06
just right before the scene and I can
- 33:07
think of a couple scenes the great scene
- 33:10
>> where Jen Barkley is telling Leslie no
- 33:12
basically you know you have to start.
- 33:15
>> Oh,
- 33:15
>> you have to start thinking bigger, which
- 33:17
is a huge moment in the show. I love the
- 33:20
writing in that scene. Oh my god, that
- 33:21
scene.
- 33:22
>> Mike Sher and the writers like I just
- 33:23
love how they slowly took care of Leslie
- 33:27
and they sent people in
- 33:29
>> to give her these messages
- 33:31
>> and Jen Barkley is just this like Gen X.
- 33:35
>> Yes.
- 33:35
>> Um ballbuster.
- 33:37
>> Yes.
- 33:37
>> Who who kind of sees something that
- 33:40
Leslie doesn't. Anyway, in that moment
- 33:42
when you're giving that speech, I
- 33:43
remember very clearly right before the
- 33:45
scene, you just took a moment and I
- 33:50
think we joked about it later because I
- 33:53
was like it was like watching
- 33:55
it was watching a a real actor.
- 33:58
>> Oh god.
- 34:01
>> You were on Parks and Wreck. You only
- 34:04
did five episodes. Do you know that?
- 34:05
>> I know.
- 34:06
>> Um but you played a character that stood
- 34:09
the test of time. I mean
- 34:11
I mean if only if only we had Bobby
- 34:13
Newport. Just a a guy who wants to be
- 34:16
liked.
- 34:17
>> Yeah.
- 34:17
>> And who
- 34:18
>> I know. If only, right?
- 34:20
>> I mean Bobby at the time
- 34:22
>> means well just doesn't quite grasp any
- 34:24
of it.
- 34:24
>> He wants to go to the afterparty.
- 34:26
>> Yeah.
- 34:26
>> Bobby Newport played by you was the like
- 34:29
the rich son of the um Swedom's family.
- 34:34
the the family, the Newports that owned
- 34:36
the big factory in the fictional town of
- 34:38
Panee that Parks and Wreck took place
- 34:40
and Bobby Newport ran against Leslie and
- 34:43
it was like what Bobby had that Leslie
- 34:46
could never get was that
- 34:49
Gwiz like I can't believe I fell into
- 34:52
this like I just want to have a good
- 34:54
time you guys.
- 34:55
>> Yeah, I think that's even a line that
- 34:59
that's how Bobby feels about abortion,
- 35:00
isn't it?
- 35:00
>> Oh yeah, right. What did he say about
- 35:01
abortion? I guess my thoughts on
- 35:03
abortion are just like want everybody to
- 35:05
just have have a good time.
- 35:07
>> Just want everybody to have a good time.
- 35:09
I mean, come on, guys.
- 35:10
>> What?
- 35:11
>> And Bobby kept getting flustered by
- 35:14
Leslie wanting it cuz he wants it. Like
- 35:17
there's that great scene where he's
- 35:18
like, "Can you just drop out of the race
- 35:20
cuz I want it."
- 35:21
>> Yeah. Yeah.
- 35:22
>> I want it.
- 35:23
>> I want it. Come on. Please. You could do
- 35:25
it. Just do it. Come on.
- 35:29
>> And people are like, I don't I love the
- 35:30
guy. He's great and he doesn't seem to
- 35:32
want it.
- 35:33
>> Yeah. And he doesn't know anything. But
- 35:35
that neither do I.
- 35:36
>> That's, you know,
- 35:37
>> you're Leslie No is capable and great
- 35:41
for that job. Bobby Newport is not.
- 35:43
>> No. And Bobby was I think was thinking
- 35:45
like maybe I'll just get it and then
- 35:47
Leslie you can do it.
- 35:48
>> Yeah. How about that? That's a good
- 35:50
compromise.
- 35:52
>> What do What are your memories of doing
- 35:53
that character was such a funny
- 35:55
character. You were so great.
- 35:56
>> Thank you Amy. My memories of that were
- 35:59
I can't believe I get to work with my
- 36:02
favorite people in the world. You and
- 36:05
Adam and Catherine, Rashida and like it
- 36:10
was like this is the dream. I mean this
- 36:12
is the you know I remember when you were
- 36:15
talking to Tina on the very first
- 36:17
episode you did where you were saying
- 36:18
you feel like the how the great thing
- 36:22
that can happen if you are able to
- 36:24
sustain enough of a career
- 36:26
>> that you you can get to a point where
- 36:28
you work with your friends or you get to
- 36:31
work with people you really like
- 36:33
>> because it's not work it's just it's
- 36:36
it's just the best and I mean it was
- 36:38
such a fun character obviously and the
- 36:40
show is so great and you're so great in
- 36:42
it. Um, it was it was it was just
- 36:47
>> it was a dream. It was a dream and you
- 36:50
know and I was
- 36:51
>> uh I loved it. I loved every second of
- 36:53
it. I loved
- 36:54
>> hanging out with all you guys.
- 36:57
>> So fun.
- 36:57
>> It was really fun.
- 36:58
>> It was. And that and it was those scenes
- 37:00
were so funny. Like he got You got to do
- 37:03
the stupidest talk about fun. Stupid.
- 37:05
It's the stupidest stuff.
- 37:07
>> Yeah. Well, there's nothing um there's
- 37:11
nothing funnier to me than unearned
- 37:14
confidence.
- 37:15
>> Yeah.
- 37:16
>> Like just
- 37:18
>> somebody feels like they you know it's
- 37:19
like I've got it figured out and it's
- 37:21
like no you don't. Yeah.
- 37:22
>> Um but but if it's
- 37:25
>> and if it's
- 37:27
if it's like nice unear like if it's f
- 37:30
it's really funny if it's not nice
- 37:32
unearned confidence. But uh that was the
- 37:35
thing of like he had a lot of kind of
- 37:38
unearned confidence, but he had he was
- 37:40
just dumb.
- 37:41
>> Yeah. He wanted to have a good time
- 37:42
though. But he's a nice he he was sweet.
- 37:44
>> He was sweet.
- 37:45
>> And that and and that was and that was a
- 37:48
fun that was kind of that's a fun thing
- 37:50
to get to play. It's a fun kind of
- 37:52
character to get to play.
- 37:53
>> Would you would we describe him as like
- 37:55
guess? Is that the word?
- 37:57
>> Yeah, I think that's a good way to do
- 37:58
it. Yeah, there's Yeah,
- 37:59
>> I know that word.
- 38:01
That's a really good, by the way. Of
- 38:02
course you do.
- 38:03
>> [ __ ] great word.
- 38:04
>> Anyway, is a [ __ ] great word.
- 38:05
>> [ __ ] great word.
- 38:06
>> God damn.
- 38:14
>> We meet on the set of Parks and Wreck.
- 38:16
And for people that don't know, like you
- 38:18
had a crazy week when you got hired.
- 38:21
>> You got like three jobs that same week.
- 38:23
What happened that week you were hired
- 38:25
on Parks? So I basically I was like
- 38:29
trying to get a part in funny people the
- 38:34
Jud Appatile movie with Seth Rogan and
- 38:36
Adam Sandler
- 38:37
>> and I went through kind of this whole
- 38:39
vetting process in New York and then
- 38:42
enough where Allison Jones who cast that
- 38:45
movie and Parks and Wreck was called me
- 38:48
and was like all right like you made it
- 38:50
to the chemistry read stage so you have
- 38:52
to come out to LA and read with Seth and
- 38:54
see if you get the part basically. Um,
- 38:57
and so but I didn't really have an agent
- 38:59
or anything and I kind of had to like
- 39:01
pay my way, you know, to go out there.
- 39:03
So it was like a little bit janky, but I
- 39:04
got myself out there um to do that. And
- 39:07
then while I was out in LA for that week
- 39:10
to do the funny people thing, Allison
- 39:13
was like, "How would I send you on some
- 39:16
other things? Like how do you feel about
- 39:17
that?" And so yeah, so one of them was
- 39:20
she wanted me to go meet Mike Sher and
- 39:22
Greg Daniels who at the time were
- 39:25
shooting on the office and they were
- 39:27
shooting they were on the set of the
- 39:28
office. So she sent me to the set of the
- 39:30
office
- 39:32
>> and um and I and I didn't even I guess
- 39:34
at that time I didn't realize like I
- 39:37
didn't think like oh I could these
- 39:39
meetings
- 39:40
>> will get me a job. I mean, I think it's
- 39:42
one of the things about being young
- 39:43
that's kind of nice is you're not really
- 39:44
aware what you're actually like what's
- 39:47
at stake.
- 39:48
>> No, definitely not that. I mean, if it
- 39:50
was an audition, obviously I know like
- 39:52
all right, I'm going to get the part or
- 39:53
not. But like
- 39:54
>> general meetings, I didn't really get
- 39:56
the vibe of that.
- 39:57
>> How old were you then?
- 39:58
>> I was 24 23 23 maybe. Um, but so then I
- 40:03
went to the set of the office and I was
- 40:05
so starruck. I see in my horse eye BJ
- 40:10
Novak and and Mindy Kaling walked by and
- 40:12
I was like oh my god I was like they're
- 40:14
in the show or whatever and Mike Sher is
- 40:17
like hello
- 40:19
>> and he's like at his desk like and I'm
- 40:22
like what? And then I just met him for
- 40:26
like he describes it. He really
- 40:28
embellishes this story. I think
- 40:30
>> he loves this story.
- 40:31
>> He loves it but he's like and then I met
- 40:33
the weirdest person. I'm like,
- 40:34
>> there's no bigger fan of Aubrey Plaza
- 40:36
than Mike Sher.
- 40:37
>> Yeah, right. Um,
- 40:39
>> he loves it though because I think like
- 40:42
I mean it just speaks to honestly the
- 40:44
fact that
- 40:46
you've always been yourself confidently
- 40:49
yourself and you don't have a vibe of
- 40:53
like you don't you are the opposite of a
- 40:56
pick me as the kids would say like you
- 40:58
you do not have that vibe and and that
- 41:00
draws people in and I think he was like
- 41:02
who is this person? Yeah.
- 41:04
>> Who seems mad at me while I try to give
- 41:06
her a job?
- 41:07
>> Yeah. Literally. And why are you wearing
- 41:09
jean shorts in a general meeting?
- 41:11
>> Like ripped jean shorts.
- 41:12
>> And you were like, I didn't know what
- 41:13
this was.
- 41:14
>> No. And then I got a phone call and they
- 41:17
were like, you're on a TV show. I'm
- 41:19
like, what? No. But then
- 41:22
>> which one? What? What? You're like The
- 41:24
Office.
- 41:25
>> Yeah. I literally probably said that. I
- 41:27
didn't know what was going on. And then
- 41:28
they were like, "Um, actually, you got
- 41:31
the part, but actually
- 41:34
you have to audition to play yourself.
- 41:36
>> You don't have to name names, but I
- 41:37
wonder who else was up to play you."
- 41:39
>> I don't think that anyone.
- 41:41
>> Oh, right. It was just one person.
- 41:42
>> I think they just made me do it like for
- 41:44
the network or something. I think I
- 41:46
found out later. I mean, maybe not. I
- 41:47
don't know. It was probably like, you
- 41:49
know.
- 41:49
>> Yeah.
- 41:50
>> It was you, Sharon Stone, and Gina Gers.
- 41:53
Yeah. So you get the part, we're on the
- 41:55
set and then like I mean we could do a
- 41:58
whole obviously we could do a whole
- 42:00
episode about our experiences there and
- 42:02
there are so like I mean I don't the
- 42:06
best thing about our relationship I feel
- 42:08
like is I don't like all like a lot of I
- 42:12
think longl lasting relationships is you
- 42:14
don't always like remember how you met.
- 42:16
Like
- 42:17
>> I just remember like just I just have
- 42:19
this vision of you being next to me on
- 42:22
the set of that show and me being like
- 42:26
welcome like you know Leslie was
- 42:28
supposed to be like welcoming
- 42:30
>> April and April was supposed to be like
- 42:32
what am I doing here and Amy was
- 42:35
welcoming Aubrey and Aubrey was like
- 42:37
what am I doing here?
- 42:38
>> Truly. Yeah.
- 42:39
>> I mean I I remember when we first met
- 42:41
and it I think I told you this story. It
- 42:43
was um the promos that we shot.
- 42:47
>> That's right.
- 42:47
>> And which was weird because we hadn't
- 42:51
shot the show yet.
- 42:53
>> And the rest of the cast hadn't even
- 42:55
been cast yet. I think at that point it
- 42:57
was just like Aziz, me, you.
- 42:59
>> Yeah.
- 43:00
>> Maybe another. Yeah. I don't think we
- 43:02
had Nick yet or
- 43:03
>> I don't think so. But they had me and I
- 43:07
was there like physically there. So they
- 43:10
shot this promo of us on a swing set
- 43:13
>> and that's when I met you like
- 43:15
officially for the first time and I
- 43:16
think I was literally on a swing like a
- 43:18
child like and I was like and I was like
- 43:21
just don't make any sudden movements.
- 43:23
>> Um and swinging
- 43:25
>> except swinging and then you which is
- 43:26
kind of good cuz swinging is really good
- 43:28
sematically
- 43:29
>> for me like I like um but then yeah you
- 43:32
came over and we were both just swinging
- 43:34
like little babies. That's how we met
- 43:37
>> on a swing. We met on a playground which
- 43:39
is kind of nice.
- 43:39
>> Really nice. And it feels like the show
- 43:41
was that like it was it felt like a true
- 43:44
like playground space. It really was
- 43:47
like we I mean I loved and love working
- 43:51
with you. I love playing with you. I
- 43:53
love acting with you.
- 43:54
>> I love you as an actor. I love you as a
- 43:57
person. I love your
- 43:58
>> acting, Plazi. You know how good I think
- 44:00
you are.
- 44:01
>> I love playing with you. And I feel like
- 44:04
our dynamic, well, like the arc of of um
- 44:07
in many ways like April had the biggest
- 44:09
growth in the show. She goes from
- 44:13
truly not wanting to be where she is to
- 44:15
like, you know,
- 44:18
ending the show like with some kind of
- 44:20
purpose and a a love in her life and
- 44:23
like some also like a she kind of stands
- 44:27
up for what she doesn't want to do,
- 44:28
which is a big part of your 20s. Like,
- 44:31
>> but um when you started that character,
- 44:34
when you started her, did you have any
- 44:36
idea where you thought it would go? Now,
- 44:38
did you have any,
- 44:40
you know, did you did you see Yeah.
- 44:43
>> No, I just
- 44:45
No, I think I just once I realized like,
- 44:48
oh, what's so fun about this character
- 44:51
is that like
- 44:52
>> it's a game of not showing anyone that I
- 44:57
really care.
- 44:58
>> Yes. And like once I locked into that,
- 45:00
it was a real like it felt like there
- 45:03
was
- 45:05
no limit to like the growth or like what
- 45:07
could happen because
- 45:09
>> if you hint that there's something else
- 45:12
going on. It's like you can kind of
- 45:14
>> play with that and also in different
- 45:16
ways with every different character. So
- 45:18
I feel like maybe on an unconscious
- 45:20
level but
- 45:21
>> I felt like oh there's so much to play
- 45:24
with even though it feels really subtle
- 45:26
and simple. Yeah, that was her secret is
- 45:28
she cared but she pretended she didn't.
- 45:30
And so when it would pop out, it was so
- 45:32
satisfying.
- 45:33
>> Yeah,
- 45:33
>> it was so funny and good. And the ways
- 45:35
in which she tried to keep
- 45:37
>> those things hidden were so funny.
- 45:40
>> Yeah.
- 45:41
>> And then I think just the Andy April
- 45:44
thing was such an organic like I had no
- 45:47
idea that was going to become a thing
- 45:49
until that one episode.
- 45:50
>> So let's talk about that. So Andy uh
- 45:52
pray uh played by Chris Pratt. Um, and
- 45:55
you um, April and Andy had an episode
- 45:58
where a bunch of us were off like doing
- 46:00
the like a harvest. We're at the harvest
- 46:03
festival. We're at some festival.
- 46:04
>> I don't know where you guys were.
- 46:05
>> We were doing something together. And
- 46:07
>> you were like camping or something.
- 46:09
>> Oh, maybe. Oh, yeah.
- 46:11
I don't know.
- 46:12
>> And so they put you guys in the office
- 46:14
and just said like, "Let's see what
- 46:15
happens to these two characters when
- 46:17
they hang out."
- 46:17
>> Yeah. And basically the chemistry that
- 46:20
those characters had was the building
- 46:22
block for why they eventually became
- 46:24
like the the real romantic love story of
- 46:27
the show other than Leslie and Anne.
- 46:29
>> Yeah.
- 46:31
>> Cuz Anne doesn't deserve
- 46:33
>> Don't talk about Ann.
- 46:34
>> Sorry.
- 46:36
>> But what do you remember of that day? I
- 46:39
have a v well Greg Daniels directed the
- 46:41
episode which I I will always remember
- 46:44
because he was so delighted like he had
- 46:47
such a like little kid energy and he was
- 46:49
so he just was like very willing to like
- 46:53
let's just try things and
- 46:55
>> we had a whole day where we were just
- 46:56
playing it. It was like kind of like
- 46:58
what you said like the office like the
- 47:00
bull room or bullpen the bullpen.
- 47:03
>> Um the bull room the bullpen like became
- 47:06
a playground and I I just remember
- 47:09
>> I have an image of like us sitting under
- 47:10
the table. We were like under that main
- 47:13
table for a while. Like I don't even
- 47:14
know what we were doing down there.
- 47:16
>> Um but we were under there and I just
- 47:19
remember
- 47:21
>> I don't know. It just felt it was so
- 47:23
fun. It just felt like I remember before
- 47:25
then there was I think it was like the
- 47:27
finale of the maybe the first season or
- 47:30
>> I don't remember what season, but
- 47:32
>> there was a very subtle moment where
- 47:34
we're all in a group. We're in a circle
- 47:36
and
- 47:38
um Andy's like saying something about
- 47:41
his band or he's like something about
- 47:44
like I think like this band name is cool
- 47:45
or whatever and everyone else is like no
- 47:47
and April's and I was just like I like
- 47:49
it and it was like an improvised thing
- 47:51
but I do you remember that where where I
- 47:53
remember being like and then I remember
- 47:56
>> like knocking on Mike Shur's like door
- 47:58
and being like listen I was like April
- 48:01
loves Andy and April thinks Andy is cool
- 48:04
because he's so not cool that he's cool.
- 48:06
Do you understand? And Mike was like,
- 48:08
"Get out of here." And I was like, "You
- 48:10
I was like, "You better listen to me."
- 48:12
Um,
- 48:13
>> no, you did. You knocked on.
- 48:14
>> It was like I Yeah, it was it was more
- 48:16
like just the little conversation.
- 48:18
that was it was like a it was like a
- 48:20
layer to that character because you
- 48:21
become his advocate like and that's the
- 48:23
part of April that like is like another
- 48:26
interesting layer is like again she acts
- 48:28
like nothing matters and she's um you
- 48:30
know completely disaffected but she's
- 48:33
actually very fiercely loyal.
- 48:35
>> Yeah.
- 48:36
>> And very um and like sticks up for
- 48:39
people she believes in which I think is
- 48:41
a charact character trait of you too.
- 48:43
Like you're very you're a very loyal
- 48:45
friend.
- 48:46
>> Yeah. you're a really really protective
- 48:48
friend. Um, and you really stick up for
- 48:51
people who you love. And that side of it
- 48:54
was so great because then we got to see
- 48:57
her like manage him, care about the
- 49:00
band,
- 49:00
>> see potential for him that he didn't see
- 49:03
in himself.
- 49:04
>> Mhm.
- 49:05
>> And he was just like, I can't believe
- 49:08
how lucky I am.
- 49:09
>> And I remember when the writers had you
- 49:11
guys get married, we were all like,
- 49:13
what? Like
- 49:13
>> I know that was insane. That was Do you
- 49:15
What do you remember of that day
- 49:17
shooting it?
- 49:18
>> We There was a lot of crying. You cried.
- 49:20
>> I mean,
- 49:21
>> I love a wedding.
- 49:22
>> You c I remember you like cried in the
- 49:25
kitchen and then you were like crying
- 49:26
like off camera and I was like, "Stop."
- 49:28
>> You cried that much.
- 49:29
>> Yes, you did. You like literally cried
- 49:31
all day. It was so weird.
- 49:33
>> I was so happy you were in love.
- 49:34
>> You were like crying all day. There was
- 49:35
like I was like,
- 49:36
>> "I'm not crying all day."
- 49:38
>> I was like, "We're not even the camera."
- 49:39
I was like, "We're in my trailer. Like,
- 49:41
why are you doing this?" And you were
- 49:43
like, "How do you feel?" I'm like,
- 49:44
>> "Oh my god, no idea.
- 49:45
>> I'm ordering a salad for lunch. Like,
- 49:47
this is my job."
- 49:48
>> I was crying cuz you were crying so hard
- 49:49
and I was worried that we weren't going
- 49:51
to get the shot. I was crying cuz I was
- 49:53
sad at how much you were crying.
- 49:55
>> I don't think so.
- 49:56
>> I think that you thought it was real and
- 49:58
>> Yeah. I I assumed it was legally
- 50:00
binding. Yeah.
- 50:02
>> But it was so good. And the And the And
- 50:04
the vows were so funny.
- 50:07
>> Yeah.
- 50:07
>> And the wedding was so stupid.
- 50:10
>> Okay. I mean, I guess like when do you
- 50:13
wa have you rewatched Parks and Wreck?
- 50:16
>> Nope.
- 50:17
>> What? I'm finding this out. Okay.
- 50:19
>> I wouldn't even know how.
- 50:22
>> Shut up.
- 50:25
>> Okay. Okay.
- 50:27
>> You ask me how
- 50:28
>> you've never wa the big giant screen
- 50:31
that you watch your movies on.
- 50:32
>> How does it workoop these days? I
- 50:34
wouldn't
- 50:35
>> and go to go to
- 50:36
>> go to what? Type in where the search is.
- 50:39
>> How? Someone tell me.
- 50:41
>> Peacock.
- 50:42
>> No.
- 50:43
>> Yes. Yes. Go there or go to iTunes.
- 50:47
>> I wish I knew how.
- 50:48
>> Just Just pick up your controller and
- 50:50
just wreck into it and it'll come up.
- 50:54
>> Okay. It's probably not the right one.
- 50:56
>> Go to your DVDs. You love your DVDs.
- 50:58
>> I wish I had one right now.
- 51:00
>> Um, but so you've never rewatched it?
- 51:03
>> No.
- 51:04
>> I don't know what's wrong with you guys.
- 51:05
I
- 51:06
>> if it comes on in a hotel room, I
- 51:08
literally throw something. I throw it.
- 51:11
>> Adam says I will literally break.
- 51:12
>> Adam says the watching the show makes
- 51:14
him sad.
- 51:16
>> Nick has told me he has not rewatched
- 51:17
it.
- 51:18
>> Liar. He jerks off to it every night.
- 51:21
>> You know, he sits there and like touches
- 51:23
himself.
- 51:27
>> You're so right. He's got it on right
- 51:28
now.
- 51:29
>> Nick. Nick.
- 51:32
>> Tammy.
- 51:33
>> You're right. He does watch it for
- 51:34
Tammy.
- 51:35
>> His real life Megan Mali.
- 51:37
>> They get off on that. They watch it
- 51:38
together.
- 51:38
>> They watch. You're so right. They watch
- 51:39
it together and they and then they just
- 51:41
slap each other in the face.
- 51:42
>> They're disgusting.
- 51:43
>> They're to so disgusting. Nick, I know
- 51:45
you're listening. You're not fooling
- 51:47
anybody. Two more things about parks. Uh
- 51:50
what? We had so many fun guest stars
- 51:52
come in and like you connected with some
- 51:55
of them in interesting ways.
- 51:57
>> I don't know if you remember this, but
- 51:59
do you remember when Chris Bosch was on
- 52:01
the show, the basketball player?
- 52:04
Chris Bosch. He was a Miami Heat player.
- 52:07
>> Oh, yes.
- 52:08
>> And he was in like had like different
- 52:11
beat basketball like Roy um
- 52:13
>> Yeah. We had Roy Yes. Yeah. Chris Bosch.
- 52:16
Yes. Chris He was with like Aziz and um
- 52:19
was he like John Ralph.
- 52:20
>> Yeah. Entertainment 720.
- 52:22
>> Yeah. But like I don't know if you know
- 52:23
the story. It was a really quick story
- 52:25
but it was so stupid. But I was a really
- 52:26
big Chris Bosch fan. So like I was like
- 52:29
oh my god like I can't believe he's
- 52:31
coming. like this is insane. I was like,
- 52:33
I want to play a prank on him.
- 52:35
>> Do you know this? No. And so he had to
- 52:37
go through hair and makeup, but you
- 52:39
know, he I think had very little hair
- 52:41
and you know, whatever. Um didn't need
- 52:42
makeup cuz he's a guy or whatever.
- 52:44
>> Um but you know how they always put them
- 52:46
through the works anyway. So I was like,
- 52:47
I'm going to pretend to be the hair
- 52:49
stylist
- 52:51
>> and I think it was it Terry maybe was in
- 52:54
there and you know how she had those
- 52:56
glasses or whatever. So I was like,
- 52:58
Terry, give me your glasses or I can't
- 52:59
remember whatever. And I'm thinking like
- 53:01
this is gonna be hilarious because it's
- 53:03
gonna be me and he'll be like, "Haha,
- 53:06
it's you." Um, so I like pretend to be
- 53:09
Terry. I'm like at her station
- 53:12
>> and then he goes through like makeup
- 53:13
first and they're like, "You look good."
- 53:15
You know, a little powder and you're
- 53:17
good. And then he like went and he was
- 53:18
like, "Yeah, yeah, thanks a lot." And
- 53:20
then he sat down in my chair and I was
- 53:22
like "Well,"
- 53:24
and I looked and I was like, "What are
- 53:26
we going to do today?" And I was like
- 53:28
doing like a dumb thing and he didn't
- 53:31
make any eye contact with me. He was
- 53:32
just looking down and he was so sweet.
- 53:34
But he didn't make eye contact. He was
- 53:36
just like, "Yeah, whatever you think."
- 53:37
>> Oh no. And you were like,
- 53:38
>> and I was like, "Well, I think that
- 53:42
you're looking pretty good, sir." And
- 53:45
he'd be like, "Yeah, I'm so I'm good.
- 53:46
All right." And I'd be like, "Well,
- 53:48
you're not that good." And then it was
- 53:50
like I just kept it going. And someone
- 53:53
videotaped it. And it was
- 53:55
>> so awkward. didn't recognize me at all.
- 53:58
Didn't know who I was. Don't think he
- 53:59
ever knew who I was. Not once.
- 54:01
>> Chris Bosch isn't going to be watching
- 54:02
the show before he comes and does. He's
- 54:04
too busy.
- 54:05
>> I was. He thought I was uh
- 54:07
>> he thought you were a hair person
- 54:08
>> and like the PA are like, "We really
- 54:10
need him on set." I'm like, "WELL, HE'S
- 54:11
ALMOST DONE IN MY department of hair."
- 54:15
And then
- 54:16
basically it just died
- 54:18
>> and he never he never nope.
- 54:19
>> Well, Chris is probably listening so now
- 54:21
you know.
- 54:22
>> Never not once.
- 54:23
>> Did you even work with him on set that
- 54:25
day?
- 54:26
Never saw him again. Literally never saw
- 54:27
him again ever in my life.
- 54:31
>> Every single day someone tells me Parks
- 54:35
got them through the pandemic. And I
- 54:36
heard you mention it on a previous
- 54:38
episode.
- 54:38
>> Every single day people say, "I watched
- 54:41
it during co I watch it with my kid. My
- 54:44
kids going through a hard time. I like
- 54:46
to watch it at night because I get I
- 54:48
have a lot of anxiety." Like I I cannot
- 54:52
believe the way that that show continues
- 54:54
to be a a medicine for people. It's
- 54:58
>> It's so nice. Isn't that nice?
- 55:00
>> And Ben and Lesie.
- 55:01
>> I know. I know.
- 55:03
>> We just We Do you remember we were
- 55:05
texting just a couple months ago and
- 55:07
just kind of commented on how nice they
- 55:10
are?
- 55:11
>> They're so nice. They're so much nicer
- 55:13
than us.
- 55:13
>> So much nicer.
- 55:14
>> And they're so nice to each other.
- 55:16
>> I know. And every every woman deserves a
- 55:19
Ben. Every woman deserves a partner like
- 55:22
Ben who roots for you and like looks at
- 55:27
you and is just like that's my gal. Like
- 55:30
everyone deserves that kind of
- 55:31
relationship.
- 55:32
>> Lesie from the word go
- 55:37
loved Ben.
- 55:38
>> Oh beyond.
- 55:39
>> Like I now looking back it's like they
- 55:41
were just in love with each other
- 55:44
immediately. And their arc was such so
- 55:46
juicy. The writers, Mike and the
- 55:48
writers, because they meet and they're
- 55:50
just like,
- 55:51
>> "Well, what's your deal?"
- 55:52
>> Oh, yeah. It was like,
- 55:54
>> and then and then they like each other,
- 55:56
but then they can't
- 55:57
>> THEY CAN'T BE TOGETHER.
- 55:59
>> THEY CAN'T BE TOGETHER. She's like,
- 56:00
"Really?" I mean, they probably could
- 56:02
have been together.
- 56:02
>> I know. It didn't matter, but
- 56:04
>> And then they was like, "This is totally
- 56:07
fake and whatever, but we just need to
- 56:09
have Rob care about you two being
- 56:11
together." And it worked. And it was
- 56:13
like made it even hotter.
- 56:16
>> Ben was like, "I want you." Like Ben
- 56:18
kept putting Leslie's, you know what it
- 56:20
is?
- 56:21
>> They kept putting each other's needs
- 56:24
over their own. They cared about what
- 56:25
the other one needed and they respected
- 56:27
each other. Like they really liked what
- 56:29
the other one did.
- 56:31
>> And it was the best thing about that
- 56:33
relationship is how um you know, with
- 56:35
the exception of Ann, who is
- 56:36
>> of course
- 56:37
>> Leslie's number one. Um
- 56:39
>> of course,
- 56:40
>> uh
- 56:40
>> I've accepted that.
- 56:42
>> Yeah. uh is the way that they um they
- 56:46
just rooted for each other.
- 56:48
>> Yes,
- 56:49
>> they really rooted for each other.
- 56:50
>> I I haven't seen a ton of It makes me
- 56:53
sad to watch the show cuz I miss it.
- 56:55
>> Why did you say that? Why does it make
- 56:57
you sad?
- 56:58
>> Because I I miss it. I like you were
- 57:01
saying like we really appreciated being
- 57:03
there every day and it was so fun. And
- 57:07
also just sort of walking in that
- 57:09
building and then suddenly you're there
- 57:11
and the hallways and the
- 57:12
>> Yeah,
- 57:13
>> it was so fun. And the people I just
- 57:15
loved everybody.
- 57:16
>> I think one of the things that was so
- 57:18
fun about what we got to do is the
- 57:21
camera
- 57:23
helped us
- 57:25
at least it helped me have my feelings
- 57:28
about you know there I I tell people
- 57:31
like of course you of course we love
- 57:34
Ben. We got to like Ben, we watch Ben
- 57:37
watch Leslie and we love Leslie. So like
- 57:40
when people love Leslie, we love them.
- 57:43
And we got to watch Ben love her
- 57:45
>> because the camera w like we got to do
- 57:48
so much indirect stuff like we didn't
- 57:50
have to face to face all the time. We
- 57:52
had feelings, our characters had
- 57:54
feelings for each other because of the
- 57:55
camera. That's right.
- 57:57
>> The even though I mean and it's such a
- 57:59
beautiful uh genre that mockumentary
- 58:02
because it allows you to just even
- 58:04
create space and depth in the shot.
- 58:07
People are just not in the same room.
- 58:09
>> That's right. And like I remember we
- 58:11
always used to say we loved it when
- 58:12
there were spy shots through like blinds
- 58:15
because it made our acting better. Do
- 58:16
you remember that?
- 58:17
>> Yes. Do you also remember this thing we
- 58:20
used to do where sometimes we would be
- 58:22
doing a scene and we'd be like, "Okay, I
- 58:24
can't I'm not someone who can predict
- 58:26
the future 100%." But I will say it was
- 58:31
like a couple times a season. I will say
- 58:33
I can say with 100% certainty that
- 58:37
neither of us will ever win an award for
- 58:40
acting for this scene.
- 58:45
like totally
- 58:46
>> you would say it sometimes and sometimes
- 58:48
you know what let's just I mean and also
- 58:51
on the other side I would sometimes say
- 58:53
you know and I said this on the podcast
- 58:55
like I would say like Adam your acting
- 58:56
is so good you'd be like shut up we're
- 58:58
in the middle of the scene like because
- 59:00
it was like oh my god um I mean but oh
- 59:05
yeah I mean that's what I love about
- 59:07
working with you and I just feel like
- 59:09
before we end like I just want to feed
- 59:11
our fans a little bit more which is what
- 59:14
Um,
- 59:15
what do you think was the most romantic
- 59:18
scene between Ben and Lesie?
- 59:19
>> Oh, man.
- 59:21
It's so sweet.
- 59:23
>> I know. But what was the most
- 59:24
>> The most romantic? I think
- 59:27
>> I think Well,
- 59:30
>> there are a couple of nominees.
- 59:32
>> Okay.
- 59:33
>> But I think
- 59:34
>> I think maybe smallest park
- 59:38
>> cuz I just heard a little groan.
- 59:40
>> I hope it's a good groan. Yeah. Someone
- 59:42
just being like
- 59:45
I love smallest.
- 59:47
>> Me too.
- 59:48
>> Nicole Holiff Center the great
- 59:49
directseel wrote that
- 59:51
>> Chelsea Peretti wrote that episode
- 59:53
>> and I remember really
- 59:56
like feeling connected shooting that and
- 1:00:00
just being like this is kind of feeling
- 1:00:02
like how special
- 1:00:04
>> it was. Yes.
- 1:00:05
>> Making the show and that was
- 1:00:09
>> Yeah. That was But I don't know what
- 1:00:12
what do you think?
- 1:00:13
>> Well, I have a lot. I I mean, I feel
- 1:00:15
like that was such a big one. I feel
- 1:00:17
like some of the
- 1:00:18
>> I have such a affinity for the beginning
- 1:00:22
beginnings parts of Ben and Leslie
- 1:00:24
because I do think it also just reminded
- 1:00:26
me of like we were, you know, the show
- 1:00:29
was deciding that they were going to
- 1:00:30
love each other, too.
- 1:00:31
>> Yeah. And um I really love this tiny
- 1:00:36
moment when they realize they have they
- 1:00:39
like the same spot when they like to sit
- 1:00:42
under the sunflower mural.
- 1:00:44
>> Well,
- 1:00:45
>> I love that moment
- 1:00:46
>> when I ask you if you know where that
- 1:00:49
mural is and your response is really
- 1:00:53
it's a rewindable moment.
- 1:00:54
>> I love that moment between both of us
- 1:00:56
because and of course Parks then pays it
- 1:00:59
off years later. later
- 1:01:02
>> by sitting underneath it.
- 1:01:04
>> Yep.
- 1:01:05
>> Um I also, you know, when we shot Ben
- 1:01:08
and Leslie's wedding, it was so fun. It
- 1:01:10
was like we were all just sitting there
- 1:01:11
all day goofing around.
- 1:01:14
>> Um and it was so fun. And like
- 1:01:16
>> I think we had real champagne, too.
- 1:01:18
Maybe
- 1:01:18
>> we probably did.
- 1:01:19
>> Yeah,
- 1:01:20
>> we probably did. And then that probably
- 1:01:22
became a problem later in the day. Yeah,
- 1:01:24
probably champagne. Not something to
- 1:01:26
have when you're when you have like a
- 1:01:29
10-hour workday ahead of you.
- 1:01:32
>> Are you asked all the time if there'll
- 1:01:34
be a more arcs or a reboot or something?
- 1:01:37
>> I always feel like it's it's been it's
- 1:01:40
done. Like it was perfectly done. Like
- 1:01:42
how do you do that?
- 1:01:43
>> Perfectly. Maybe they should do like
- 1:01:45
Muppet Babies. They should do like Parks
- 1:01:46
and Wreck babies. That's right. Like
- 1:01:47
everyone has babies.
- 1:01:48
>> All of us as like that Instagram thing
- 1:01:51
where everyone's
- 1:01:52
>> Oh, yeah. Have you seen that? Yeah. AI
- 1:01:53
babies. They should do AI babies,
- 1:01:56
>> but like a whole series
- 1:01:57
>> Yeah.
- 1:01:57
>> of all of us just in a crib together.
- 1:02:00
>> Yeah. But they should do it like present
- 1:02:01
day where like the politics are really
- 1:02:03
dark. Yep.
- 1:02:04
>> And mean. And so it should be like tiny
- 1:02:07
babies fighting each other.
- 1:02:08
>> They hate each other. It's like
- 1:02:10
apocalyptic political babies.
- 1:02:13
>> And they all like are like, "Oh no, I
- 1:02:16
hate
- 1:02:17
>> I hate you so much.
- 1:02:18
>> I hate you so much. Yay." I mean,
- 1:02:20
>> yay. I hate you. because we made the
- 1:02:23
show in an era where public service was
- 1:02:26
encouraged and valued,
- 1:02:28
>> right?
- 1:02:29
>> And funded.
- 1:02:30
>> Yes.
- 1:02:31
>> It was or I mean, you know, I'm sure it
- 1:02:33
wasn't as funded as much as it should
- 1:02:35
have been, but it was funded at least.
- 1:02:38
>> Um it's an entirely different I know
- 1:02:40
>> tone to American life.
- 1:02:42
>> You know, when you have that feeling
- 1:02:43
sometimes like you wish you could go
- 1:02:44
back to high school and enjoy it,
- 1:02:46
>> right?
- 1:02:47
>> That's how it felt like we actually got
- 1:02:48
to do it in real time.
- 1:02:49
>> Yeah. because it was genuinely goofy and
- 1:02:53
funny.
- 1:02:54
>> Yeah.
- 1:02:54
>> Like the best jokes.
- 1:02:57
Uh
- 1:02:57
>> what is your what is your one of your
- 1:02:58
favorite what is one of the favorite
- 1:03:00
funny scenes you got to do? So many
- 1:03:03
>> so many. I mean I always think of you
- 1:03:05
guys on the on on the ice at the ice
- 1:03:08
skating rink with Gloria Stefon.
- 1:03:10
>> Yeah.
- 1:03:11
>> I mean that is I remember at the table
- 1:03:13
read that was we couldn't stop laughing
- 1:03:15
because it was so funny.
- 1:03:17
>> Yeah. Mike Scully wrote that episode and
- 1:03:19
>> on Mike Skully.
- 1:03:20
>> We got to uh walk across that ice and I
- 1:03:25
remember just thinking this is so fun.
- 1:03:27
Oh my god, what a fun job. I wasn't even
- 1:03:30
in that scene.
- 1:03:31
>> Yeah, that's right. That's right. Sorry.
- 1:03:33
We should probably just photoshop.
- 1:03:35
>> We should put me in that scene. That's
- 1:03:36
why I brought it up. I feel like it
- 1:03:38
would I I deserve it.
- 1:03:42
>> Okay, are you guys ready to watch it?
- 1:03:43
>> Yeah.
- 1:03:44
>> Okay, here we go.
- 1:03:45
>> Yes. really exciting.
- 1:03:48
>> Amy, are you gonna play it FROM
- 1:03:54
IT?
- 1:03:55
>> I'm supposed TO
- 1:04:00
GO.
- 1:04:02
>> You've been listening to Good Hang. The
- 1:04:04
executive producers for this show are
- 1:04:06
Bill Simmons, Jenna Weiss Berman, and
- 1:04:08
me, Amy Polar. The show is produced by
- 1:04:10
The Ringer and Paperkite. For the
- 1:04:12
ringer, production by Jack Wilson, Cat
- 1:04:14
Spalain, Kaia McMullen, and Alia
- 1:04:16
Xanerys. For Paperkite, production by
- 1:04:19
Sam Green, Joel Levelvel, and Jenna
- 1:04:21
Weiss Berman. Original music by Amy
- 1:04:23
Miles.
- 1:04:26
really good. Hey