Transcript: Ariana Grande on Good Hang with Amy Poehler
Full Transcript
Click any timestamp to jump to that moment in the video.- 0:00
Hello everyone. Welcome to another
- 0:01
episode of Good Hang. Boy, we have a
- 0:03
superstar on this podcast today and a
- 0:06
wonderful person. Ariana Grande is
- 0:08
joining us. And you know, I never had
- 0:11
the pleasure of meeting Ariana and I
- 0:14
walked away feeling like the biggest
- 0:17
fan, but also like I had met just a dear
- 0:20
dear openhearted and tender and nice
- 0:22
person. So um we are going to talk about
- 0:25
a lot of things today. We're going to
- 0:26
talk about Ariana's love of the
- 0:28
Christopher guest movie Best in Show. We
- 0:30
are going to talk about what it was like
- 0:32
singing with Mariah Carey. We're going
- 0:35
to talk about how she likes to take a
- 0:37
bath and she's going to demonstrate what
- 0:39
she does in there. Um, and uh we're
- 0:42
going to of course talk about Wicked 2,
- 0:44
the film that's out this week. Uh, the
- 0:46
gigantic hit that she is the star of. Uh
- 0:48
but but before we get started uh talking
- 0:51
to Ariana with a person this special, we
- 0:54
really need a special person to uh kick
- 0:57
us off. And you know, I wanted to talk
- 0:58
to somebody who knows Ariana, who is um
- 1:02
you know, close to her, who wants to
- 1:04
speak well behind her back and give me a
- 1:06
good question to ask her. And we have
- 1:09
the one, the only Bowen Yang. Bowen Yang
- 1:12
from SNL who I just got the chance to
- 1:15
perform with a few weeks ago. incredible
- 1:18
actor, comedian on a terrific podcast
- 1:21
with Matt Rogers, Lost Culturistas,
- 1:23
which we all know and love. So, let's
- 1:25
hear what Bowen has to say about our
- 1:27
girl Ariana Bowen.
- 1:30
Hi.
- 1:31
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- 1:37
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all your gifts this season. Get up. What
- 2:06
[music] do you say?
- 2:09
I wanted [music]
- 2:11
[singing]
- 2:14
>> Hi.
- 2:16
>> I love this print and this bow.
- 2:18
>> Oh my god. Thank you. I really was
- 2:20
trying to think about what to wear for
- 2:22
Ariana and I wanted to go a little high
- 2:24
fem.
- 2:25
>> Yes.
- 2:26
>> And uh this won't come as a surprise,
- 2:28
but I don't have a lot of that in my
- 2:29
closet. [laughter]
- 2:31
>> You are the high fem. You don't need
- 2:33
adornments for that.
- 2:35
>> Wow. Thank you. She does bring out a um
- 2:40
a femin a real like delicate feminine
- 2:43
energy. Yes. A daintiness that's really
- 2:45
nice to try to get into. Um, okay. We're
- 2:47
gonna talk to her today and thank you
- 2:48
for this time. But before we do, I just
- 2:50
have to say once again confess my love
- 2:53
for not only you
- 2:55
and all of the work that you do, but
- 2:58
Lost Cult, which congratulations on the
- 3:01
award show that you created out of
- 3:03
nowhere that I hope is very strong and
- 3:06
um, lucrative IP for years to come.
- 3:10
Um, congratulations on your podcast
- 3:13
which continues to delight, inform, and
- 3:17
entertain me in all different ways all
- 3:20
the time. I love it.
- 3:21
>> The fact that Thank you so much. I
- 3:24
receive that. The fact that I was
- 3:26
watching my heroes, you and Kristen,
- 3:31
named dropping us very casually in your
- 3:33
discussion about Salt Lake City
- 3:35
housewives. I I [laughter] I like leapt
- 3:38
out of bed. I was like supine in bed,
- 3:42
maybe
- 3:44
flirting with seasonal depression, and
- 3:46
then I [clears throat]
- 3:47
you y'all cured me right quick.
- 3:50
>> God, seasonal depression is a funny drag
- 3:52
name for [laughter]
- 3:57
>> for I don't know, anyone. For me,
- 3:59
>> ladies and gentlemen, seasonal
- 4:00
depression [laughter]
- 4:01
>> coming to the stage. Um, by the way,
- 4:03
before before we get to [laughter]
- 4:07
before we get to the question, what
- 4:09
where are we right now? Are we in an
- 4:10
office of yours?
- 4:12
>> We are in my home office. Um,
- 4:16
and I feel like I'm a commentator on
- 4:19
MSNBC.
- 4:20
>> Well, I was going to say if we were on a
- 4:21
Zoom right now, like a Zoom pitch or
- 4:23
something, I would pin your photo, make
- 4:26
it full screen right now, and I would
- 4:28
look at everything. Do you not do that
- 4:30
when you're on Zoom? Listen, this if
- 4:32
this were my podcast, I would go into I
- 4:34
don't think so honey about blurring your
- 4:36
background on Zoom. I get why people do
- 4:38
it.
- 4:38
>> I don't like it. I think a blurred
- 4:40
background is usually hiding a bed.
- 4:43
>> Yeah. Unmade
- 4:45
>> an unmade bed. And I remember those days
- 4:48
of co where heads of giant film studios
- 4:52
were
- 4:54
talking in front of their unmade bed on
- 4:57
Zoom.
- 4:58
>> Have some respect. Not for you. For me.
- 5:01
[laughter]
- 5:02
>> Exactly. Have some respect for me.
- 5:05
[gasps]
- 5:06
>> I don't want to see that. I don't want
- 5:07
to see a crumpled duvet.
- 5:08
>> No. Get in front of a blank wall, babe.
- 5:11
Anything but a bed in the background.
- 5:14
You're a grown man.
- 5:16
>> You're a grown and somehow you're under
- 5:18
lit. Like, fix it.
- 5:20
>> But I just So, congrats on your
- 5:22
background. It's beautiful. I love it.
- 5:23
Thank you.
- 5:25
>> So, um we're talking to Ariana Grande
- 5:27
today and you know
- 5:31
I have been very heartened and not
- 5:33
surprised by the relationship that you
- 5:35
two have like talent
- 5:37
talent loves talent and that both of you
- 5:40
feel like you have just become very
- 5:44
genuine and warm friends. Is that the
- 5:45
case?
- 5:46
>> It is absolutely
- 5:48
miraculously the case.
- 5:51
>> When did you guys first meet? We first
- 5:52
met in rehearsals for Wicked and this
- 5:54
was after the saga of um me maybe not
- 5:59
being able to do the movie because of
- 6:00
the SNL schedule and it has always been
- 6:05
was always in that time like my top
- 6:08
priority. Our wonderful benefactor
- 6:11
friend boss Lauren Michaels was like you
- 6:14
can't miss shows like if you're going to
- 6:16
fly back and forth to London like I just
- 6:17
don't think it's going to work. And then
- 6:20
on the wicked end, they were trying to
- 6:22
figure out how to make it happen. And
- 6:25
they were like, "Okay, I think we're
- 6:27
going to deploy
- 6:29
Miss Grande to pick up the phone and
- 6:33
call up Lauren and try to convince him
- 6:35
to let me do it." And I think that was
- 6:38
the beginning of like sealing the deal
- 6:41
of finalizing it, right? It's like she
- 6:43
like just that imagining that conver
- 6:45
like to be a to be a wire tap fly on the
- 6:48
wall for that phone conversation is is
- 6:51
really
- 6:53
thrilling to me. Just like hearing the
- 6:54
two of them talk to each other. I mean
- 6:55
they they have a great relationship too
- 6:57
cuz she's been at the show. She hosted
- 6:59
the first time. I thought that was a
- 7:01
gang busters episode before my time
- 7:03
there. And um so she really like she
- 7:06
already like went to bat for me before I
- 7:09
even met her. And Lauren was like, "A
- 7:11
Ariana [laughter]
- 7:13
I get it.
- 7:13
>> Ariana, I get it.
- 7:15
>> I get it. It's that thing where you're
- 7:18
trying to balance and
- 7:21
[laughter]
- 7:21
>> you friendship and your dreams.
- 7:24
>> Are you going to Wimbledon? [laughter]
- 7:26
>> Are you going to Wimbledon? You know, I
- 7:28
was at Tom Stopard's birthday and
- 7:31
[laughter]
- 7:33
>> he's he's he's written some of the best
- 7:35
plays ever and I think, you know, Wicked
- 7:37
is I think Wicked's a play is Would you
- 7:40
say it's a play? [laughter]
- 7:42
>> But you know, shout out to the Lord. He
- 7:45
did not need to give you that time off,
- 7:46
babe. He didn't need to give you the
- 7:48
time off. And she closed the deal.
- 7:50
>> And she closed the deal. And um then
- 7:53
thus began this like really organic
- 7:55
thing. And I was very this thing that
- 7:57
I've learned from working at SNL is like
- 7:59
you never step on the gas if you want to
- 8:02
like make any sort of genuine connection
- 8:04
with the host. You never want to force a
- 8:05
friendship or camaraderie. Um, and so I
- 8:08
went into that experience being like,
- 8:09
I'm going to be boundaries king
- 8:12
mutually, like respecting other people's
- 8:14
and honoring my own. And I was not like
- 8:17
forcing this friendship necessarily, but
- 8:19
she was just so warm and inviting. And
- 8:23
somehow within like a couple weeks, we
- 8:26
were like watching mommy dearest
- 8:27
together and like [laughter]
- 8:29
playing rummy cube and like baking
- 8:31
cakes. And it was it just happened in
- 8:33
the most unforced way, I think.
- 8:36
And that that also speaks to like the
- 8:38
tone of the friendship and and sort of
- 8:40
her personhood
- 8:42
in herself. Like she's just a very
- 8:46
I don't know. I think she's someone who
- 8:47
like is strength in softness. She is
- 8:52
like, you know, incredibly vulnerable
- 8:54
and that is why people adore her. So,
- 8:57
what question do you have a question
- 8:59
that you think nobody ever asks Ariana
- 9:01
or would be an interesting question for
- 9:03
her to speak about or um you know
- 9:07
something that would be fun for us to
- 9:08
talk about?
- 9:09
>> Yeah, I mean like what does she think
- 9:12
the throughline of her work is? Like I
- 9:17
think she has had such a varied career,
- 9:21
right? like start off Nickelodeon or I'm
- 9:24
sorry, you start off Broadway, you go to
- 9:26
Nickelodeon, you go pop star, you go
- 9:29
actor
- 9:32
and like there's like fashion
- 9:34
iconography on top of that like
- 9:35
throughout. It's like I want to see what
- 9:38
the unifying theory is from her. She
- 9:42
will kind of like squirm at that
- 9:43
question because anytime I like want to
- 9:46
like talk to her about like what her
- 9:47
favorite album is, she's like, "Don't do
- 9:49
that." Like it's it's great. It's great.
- 9:52
It's like true friend. She's like, "I
- 9:53
don't want you're not like entertainment
- 9:54
tonight. Like what are you doing?" I'm
- 9:56
curious to see how she would answer that
- 9:58
through you through me. And also the
- 10:00
second question is um silly dumb
- 10:02
question. What's the best note to sing?
- 10:06
>> Oo,
- 10:07
>> what's the best note to sing? [laughter]
- 10:10
>> That's such a good It's [gasps] so good
- 10:13
because I mean I I'm sure you are the
- 10:15
same. I mean, I I just love music and
- 10:19
watching
- 10:20
when the way singers sing. I feel that
- 10:22
way about when dancers dance. Like, it's
- 10:24
just like it's just like, "Wow, how did
- 10:27
you do that?" I just can't. It just
- 10:30
feels like magic. And there's so many
- 10:33
notes that she can sing,
- 10:35
>> right? [laughter] She must have one that
- 10:37
she
- 10:37
>> must Let's do Let's do a B. Let's do an
- 10:40
A. Let's keep it in G.
- 10:42
>> Keep it in G. just do G5 or whatever the
- 10:45
octave is. It's like it's like the the
- 10:46
the letter and the number because it's
- 10:48
the octave on the piano or whatever.
- 10:50
Like I don't you know I'm not I'm not a
- 10:51
music theorist, but
- 10:53
>> she I'm sure she has a thought around
- 10:56
that.
- 10:57
>> That's such a good question. It's like
- 10:59
we've done B minor too many times.
- 11:02
That old hacky note.
- 11:04
>> Oh, that old chestnut. Gh. Get that
- 11:07
away. Get B minor away. I need to do
- 11:09
major.
- 11:10
>> Well, I cannot wait to see you soon.
- 11:12
Thank you so much for doing this. I know
- 11:15
she will be thrilled that you did,
- 11:16
Bowen. I just adore you.
- 11:18
>> I love you so much. I'll see you very
- 11:19
soon.
- 11:20
>> Same, same, same. Thank you so much for
- 11:22
your time. Bye.
- 11:25
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- 12:32
>> Ariana, I'm so excited to be here with I
- 12:35
don't even know how to talk anymore.
- 12:36
That was not
- 12:37
>> It's okayish.
- 12:38
>> Did you just use an English accent?
- 12:39
>> I know. [laughter]
- 12:44
You have to start over.
- 12:45
>> Do you I feel like you're a sponge
- 12:47
though. I feel like you pick up on the
- 12:49
way other people talk.
- 12:50
>> I think I I I've always loved to do
- 12:53
voices. Like when I was a little girl, I
- 12:54
loved to impersonate and do characters
- 12:57
and voices and accents. And
- 12:58
>> you're so good at them. And that's kind
- 13:00
of what I wanted to start with today.
- 13:01
First of all, it's nice to meet you.
- 13:02
>> It's nice to meet you, too. I love you
- 13:04
so much.
- 13:04
>> I love you, too. I feel like I know you
- 13:06
as most people do, but I am thrilled to
- 13:09
meet you in person.
- 13:10
>> Me, too.
- 13:11
>> And I was thinking about how to start
- 13:13
today and I was thinking, yes, we'll
- 13:14
talk of course about the huge success of
- 13:16
Wicked and we'll talk about your music
- 13:18
and we'll talk about your life and all
- 13:19
that, but I wanted to talk about you as
- 13:22
a funny person, as a comedian, as a
- 13:25
deeply genuinely funny person. You're
- 13:28
very funny.
- 13:29
>> Thank [laughter] you. coming from you.
- 13:31
I'm I am Yeah, I'm like I've
- 13:34
been saying since I walked in, but
- 13:36
that's really how I like I can't
- 13:38
[laughter]
- 13:38
>> I adore you and I Yeah, I look up to you
- 13:41
so much. I love SNL. I'm
- 13:43
>> so like I
- 13:45
>> Well, what is your relationship to
- 13:46
comedy like when when you were growing
- 13:48
up? What were you watching? What did you
- 13:49
like?
- 13:50
>> My favorite movie was Best in Show
- 13:52
>> from a really young age. I Which is so
- 13:55
strange, you know, to be a child and to
- 13:57
really love that. I I I don't when I was
- 13:59
really young. Um,
- 14:01
>> did you love that style of, you know,
- 14:02
that like mockumentary style?
- 14:04
>> I did. I I did. I loved like dry humor
- 14:07
and um it made me feel so close to my
- 14:10
family, like laughter. My dad and I
- 14:13
bonded over our favorite movies. And
- 14:15
>> Well, what kind of what what's your
- 14:16
dad's sense of humor?
- 14:17
>> Um, we love Jim Carrey. Uh, we love, you
- 14:21
know, all the Adam Sandler movies and,
- 14:23
you know, that kind of thing. The
- 14:25
Christopher Guest, of course, and SNL.
- 14:26
And that was just sort of how we bonded
- 14:29
was through comedy. Do you remember
- 14:31
getting your first laugh? Do you
- 14:32
remember like being in [sighs and gasps]
- 14:36
getting my first laugh? Yeah. I I
- 14:39
actually Wow. I I've never thought about
- 14:41
this in [laughter] my my life, but I was
- 14:45
really little. I don't know how old I
- 14:48
was, but I was doing standup. I forget
- 14:49
the name of my persona that I had
- 14:51
created, but I was doing standup as a
- 14:54
guy, as like an as like this guy, this
- 14:56
old guy from my grandparents, and I got
- 14:59
a laugh from them, and I just remember
- 15:00
it felt so special. I don't [laughter]
- 15:02
know. [gasps] You were in their house
- 15:04
doing it.
- 15:05
>> Yes. And I And I don't remember the name
- 15:07
of the character, but it was full out.
- 15:09
It was like I had disappeared into this
- 15:11
man. I'm always interested in the
- 15:13
connection between musicians and
- 15:14
comedians because I think they have some
- 15:16
kind of love for each other and I I
- 15:17
don't know exactly know what it is.
- 15:19
>> I think so. I think I think for me
- 15:22
personally the thing that I love about
- 15:24
both so much music and comedy is that
- 15:26
they've always made me feel so like safe
- 15:28
and like I can relate to the person, you
- 15:31
know?
- 15:32
>> And um
- 15:33
>> you learn a lot about somebody by what
- 15:35
they laugh at.
- 15:36
>> Yes,
- 15:37
>> you do.
- 15:38
>> Yeah. Um, and when you find someone who
- 15:41
uh has the same sort of like ticklish
- 15:44
spots as you, that's just
- 15:46
>> the best thing. You know, when you work
- 15:47
with someone and you find someone that
- 15:49
tickles you the same way. My best friend
- 15:50
Liz Gillies, we look up to you and Tina
- 15:52
so much because we are like, "Oh my god,
- 15:54
we should do things like that someday."
- 15:56
[laughter]
- 15:56
>> You guys are so funny together.
- 15:58
>> Oh my god.
- 15:59
>> What I love about your what I've seen of
- 16:01
your relationship is again that kind of
- 16:03
feeling of play. Like you know each
- 16:04
other and you kind of you're like being
- 16:06
stupid basically. We love to be stupid.
- 16:09
What a gift it is to be able to play and
- 16:11
be stupid sometimes.
- 16:12
>> I know. And I mean, I feel that when you
- 16:13
do SNL is that you're not a afraid to be
- 16:16
stupid and you kind of like it.
- 16:18
>> It's the best.
- 16:18
>> It's the best.
- 16:19
>> And it's it's so vulnerable, but you
- 16:21
can't be afraid. It's like it's just the
- 16:23
most thrilling thing in the You really
- 16:25
have to be down.
- 16:26
>> You do. You can't go in halfway.
- 16:28
>> No. And it is you whether it's you're
- 16:31
impersonating someone or you're doing
- 16:33
some stupid idea. It's it's it's I I'm
- 16:37
sure you feel this way too. I bet it's
- 16:38
similar to singing which is you have to
- 16:40
kind of push through
- 16:41
>> to the other side and make sure you're
- 16:43
committing to whatever you're doing.
- 16:45
>> Have to see it through. [laughter]
- 16:47
>> It doesn't matter. [gasps] And if you're
- 16:48
on the and you're if you're locked eyes
- 16:50
with someone and the scene is cuz you've
- 16:52
done SNL a few times
- 16:53
>> and their bald cap is sliding and
- 16:54
[laughter]
- 16:55
you're like what the hell are we doing?
- 16:56
>> Yeah. Or you're like, "This scene's
- 16:58
never gonna see the light of day." Like
- 16:59
we This is not making the show. We You
- 17:02
have to be safe with each other.
- 17:04
>> Totally. It really is where like love
- 17:06
blooms.
- 17:07
>> It really is. It really [laughter] is.
- 17:08
It's true.
- 17:09
>> It's true. Because if you if you hang in
- 17:11
there with each other, then you're kind
- 17:13
of friends for life.
- 17:14
>> Yeah.
- 17:14
>> It's true. Yeah.
- 17:15
>> We've we've kind of had some really
- 17:17
extraordinary circumstances with slime
- 17:19
and bald caps and things. Did you ever
- 17:22
have any things on SNL where where you
- 17:24
know it's always fun like the bloopers
- 17:26
of that show like where things go wrong
- 17:28
or you don't make your change or
- 17:31
anything like a stress dream come true?
- 17:33
Did anything ever happen there when you
- 17:35
were there?
- 17:36
>> First of all, I am dying for your
- 17:38
stories. Can I can I return the question
- 17:40
after I answer?
- 17:41
>> Absolutely.
- 17:41
>> Please. I have so many for you. Can we
- 17:43
do another episode where I'm just asking
- 17:45
all the questions, please? [laughter]
- 17:47
>> Um let's switch seats. But um no, I
- 17:52
thankfully other than like breaking a
- 17:55
couple of times. Yeah. Um, there was
- 17:57
this sketch that
- 17:59
didn't air that we did with Taran Kllum
- 18:02
>> and he was and he had this like big 70s
- 18:06
hair and he played this like weird
- 18:08
musician person and he wrote this song
- 18:11
that was so long [laughter]
- 18:13
and so strange and and I don't think I
- 18:16
don't think like Lauren loved it at the
- 18:18
end of the day.
- 18:19
>> Sure. And the audience was like
- 18:20
>> I loved it so much.
- 18:22
>> You were fighting for it. The audience
- 18:24
was on our side as well, but it it was
- 18:25
cut for time and that was kind of
- 18:26
heartbreaking because it was just so
- 18:28
ticklish.
- 18:29
>> I bet he still thinks about it that and
- 18:32
appreciates it because it was there's
- 18:33
nothing better than when the host fights
- 18:34
for something of yours. Even if it
- 18:36
doesn't make it, it means something that
- 18:38
they do.
- 18:39
>> I cherish it. My dad watches it every
- 18:40
day. That sketch it's on YouTube and he
- 18:42
watches it every single day without I'm
- 18:44
I'm not kidding. He starts his days with
- 18:46
Smile. I think it's I don't remember
- 18:47
what it's called, but I think it's the
- 18:48
song was called Smile
- 18:49
>> and he was like a 70. So it made the
- 18:51
show We were a sip of water and she
- 18:55
smiled too big for her face and everyone
- 18:58
was like [laughter]
- 19:01
>> but we were love we loved it. We loved
- 19:03
it.
- 19:04
>> Oh my god. I mean yeah one of the people
- 19:06
that became a friend to you is Bowen.
- 19:08
Yay.
- 19:09
>> Yes.
- 19:10
>> Such a talented nice person.
- 19:13
>> The most brilliant, the kindest,
- 19:16
[clears throat]
- 19:16
>> most caring.
- 19:18
So so ridiculously otherworldly smart.
- 19:21
Mhm.
- 19:22
>> And just so funny. I love him so much.
- 19:25
>> Well, we do this thing on this pod where
- 19:28
we kind of ask people um we have guests
- 19:31
uh who know our guests to come on and
- 19:33
and we speak well behind their back and
- 19:35
they give me a question to ask and so we
- 19:37
talked to Bowen today.
- 19:38
>> Oh my god.
- 19:39
>> Yes. Bowen was your person.
- 19:42
>> Yes. And um Bowen had such amazing
- 19:47
things to say about you and just you
- 19:50
that sketch when you two were together
- 19:52
as the that was your idea, right? The
- 19:55
when you were basically playing some
- 19:57
version of your mom.
- 19:58
>> I was I was [laughter] a version of my
- 20:00
mom.
- 20:00
>> So for people that don't remember, it
- 20:02
was kind of like a game a version.
- 20:04
>> Yeah. Sure. Yeah.
- 20:04
>> Yeah. Sure. Um
- 20:05
>> she's very proud of that, too.
- 20:06
>> Yeah. It was a game night that went
- 20:08
wrong basically.
- 20:09
>> It sure was.
- 20:10
>> Yeah. And you came to Bowen with the
- 20:12
idea which he said was like being handed
- 20:14
a gift.
- 20:15
>> Yes. Because sometimes life has to
- 20:19
inform art. And this was one of those
- 20:21
moments. [laughter] I was like, Bowen,
- 20:23
there's no reason that this happened if
- 20:25
we're not supposed to use it. And it was
- 20:28
a
- 20:28
>> So what is your mom like? Tell us tell
- 20:30
us what your mom is like. Like like that
- 20:31
sketch.
- 20:32
>> I mean just sometimes. Just sometimes.
- 20:34
That's a that's a side of her. She's a
- 20:36
beautiful gorgeous soul. I love her so
- 20:38
much. But she was very proud of that,
- 20:39
too. I warned her 15 minutes before
- 20:42
>> it started the show. No, the the show
- 20:44
started that night. She was in my
- 20:45
dressing room. She's like, "Break a leg,
- 20:46
honey." I was like, "By the way, sorry.
- 20:48
I have to [laughter] tell you because
- 20:49
the wig arrived and it's your hair." I
- 20:50
thought it was going to be like a blonde
- 20:52
bob. I didn't know it was going to be
- 20:53
your hair, but since it is your hair,
- 20:55
you do have to know I'm you in a sketch.
- 20:57
And she was like, "I can't wait." And
- 21:00
she loved it.
- 21:00
>> She loved it.
- 21:01
>> And I heard her as I was running to my
- 21:03
quick change being like, "THAT'S ABOUT
- 21:04
ME. IT'S [laughter] NOT ABOUT ME. She's
- 21:06
being me."
- 21:07
>> She loved it.
- 21:08
>> She loved it.
- 21:09
But we were having a family game night
- 21:12
[laughter] and
- 21:14
my brother's husband's brother
- 21:18
was a guest. We were playing games and
- 21:22
um you know my my I don't have the I
- 21:25
didn't get this thing that my brother
- 21:27
and my mom have where playing games is
- 21:29
really is really really competitive.
- 21:33
>> Okay. I don't you just want to have fun.
- 21:35
>> I love to have fun. I want to be with
- 21:37
everyone. I love them. I'm like really
- 21:39
thankful for the time that we get to be
- 21:41
together. I'm like, "Yay, let's play a
- 21:42
game."
- 21:43
>> That's not how they are.
- 21:44
>> Yeah.
- 21:45
>> It's really Yeah. And they're really
- 21:47
grateful, too. And it's good vibes
- 21:48
[laughter] until, you know, someone's
- 21:50
losing. And then um Yeah. My mom just
- 21:54
said like under her breath like
- 21:56
[clears throat] tiny dick syndrome or
- 21:58
something. And I was like, [laughter]
- 22:00
>> "Whoa, mommy, excuse me.
- 22:03
>> Mommy, wait. Mommy, your your inside
- 22:06
thought went outside."
- 22:07
>> Yeah. ma'am. I was like, "Mom, you
- 22:10
didn't just say that." And they were all
- 22:11
like giggling, but like nervously. And I
- 22:13
was like, [laughter] "This is she's
- 22:14
joking. She's doing a bit." And she was
- 22:16
like, "No, that's what that is."
- 22:18
[laughter]
- 22:19
>> And I was like, "Coming down the barrel
- 22:21
so hard."
- 22:21
>> And I was like, "Excuse me, guys."
- 22:23
Bowen. Hi. [laughter]
- 22:25
Something has just happened at some
- 22:27
point in our lives. We have to use this.
- 22:29
>> You were so funny in it. I mean, you're
- 22:31
so funny in so much stuff that you did.
- 22:32
I mean that you're you're singing off
- 22:34
key in Domingo which is hard to do I was
- 22:38
it hard to do to sing off key.
- 22:39
>> It was fun. It was really fun and I
- 22:41
liked that it got worse every time I
- 22:43
came back to the mic. It was like as
- 22:45
sort of really subtly
- 22:46
>> but the but no but with game night I I I
- 22:49
had to fight for that one like you said
- 22:50
like sometimes the it's it's the most
- 22:53
gratifying when you fight for it and
- 22:55
then finally people believe in it.
- 22:57
[laughter]
- 22:57
>> I was so happy. I feel like I get a
- 22:59
sense from you that, you know, and
- 23:01
you've been working long enough now to
- 23:03
know that one of the things I think
- 23:04
that's nice about getting older is you
- 23:05
know what you're good at. Like you're
- 23:06
like, I think I can do this well. Like
- 23:09
that isn't always the case when we're
- 23:11
figuring ourselves out, like what we can
- 23:13
actually deliver on, but I feel like
- 23:15
that's what I mean about the confidence.
- 23:16
I feel like you know what you can do
- 23:19
well comedically.
- 23:20
>> That is such a generous and nice thing
- 23:21
to say. Oh my god, I hope this is okay.
- 23:23
Sorry that I'm here. No, I'm kidding.
- 23:24
[laughter]
- 23:25
But like,
- 23:26
>> but I feel that about you. I know what
- 23:28
tickles me and I know that I um I know
- 23:31
how it feels like with the players like
- 23:33
to experience and if it has that like
- 23:36
>> carbonation that ticklish thing it's
- 23:39
then there's a chance you know and I am
- 23:41
not one to
- 23:43
>> you know I would never but we we were in
- 23:45
Lauren's office and we were going over
- 23:46
the run of show and he kept moving game
- 23:48
night over and I was like Lauren I'm so
- 23:50
sorry please can we at least try it at
- 23:52
dress can we please try it at dress
- 23:54
please I'm so like I promise I owe you
- 23:56
forever can We just try to address a
- 23:58
little more crew and he moved it back.
- 24:00
[laughter]
- 24:00
>> Okay. Yeah. I mean, people don't know
- 24:02
that that what's so cool and terrifying
- 24:05
about the SNL system is it still uses
- 24:07
just index cards.
- 24:08
>> I love the index cards and you have
- 24:11
these index cards with your scenes and
- 24:14
then it's just very like high school
- 24:16
play. You walk in and everyone looks up
- 24:18
to see if their card made it into the
- 24:21
show.
- 24:21
>> It's so special.
- 24:22
>> It is. It's really old school and it is
- 24:25
I have a little bit of PTSD when I see
- 24:27
index cards when you just said moving
- 24:30
the index card [laughter] that I just
- 24:32
had a moment of like
- 24:34
>> cuz I remember many times where the
- 24:36
index card was in a safe zone and then
- 24:38
you come in you're like where did it go?
- 24:40
>> Oh no.
- 24:42
>> Wait, do you have ones that you want to
- 24:45
share about? Well, you know what's also
- 24:47
fun about those index cards is there's
- 24:49
always kind of a collection at the
- 24:50
bottom because the show often runs long.
- 24:52
>> Mhm.
- 24:53
>> And you know, sometimes things have to
- 24:54
get cut on the fly as people know.
- 24:56
There'll be like two index cards
- 24:57
fighting for the bottom,
- 24:59
>> right?
- 24:59
>> There'll be two scenes that are in the
- 25:01
bottom and you're like, see on the mat
- 25:02
like let's see which one makes it
- 25:04
>> and you don't know until it's just
- 25:06
>> Yeah. It really does kind of build your
- 25:08
I think your um tolerance for rejection,
- 25:11
right?
- 25:12
>> Yeah. just kind of like you get used to
- 25:14
thinking, okay, this isn't my last good
- 25:16
idea. I have to try again next week. I
- 25:18
think that's good.
- 25:18
>> Yeah.
- 25:19
>> Yeah. But you feel but I I I feel like
- 25:22
Well, Bowen Bowen was so great talking
- 25:25
about you because, you know, he's such a
- 25:27
a friend and also loves talking about
- 25:32
how easy it is to talk to you. And then
- 25:35
his two questions were really funny. One
- 25:37
I don't really understand. [laughter]
- 25:39
One was kind of like two question. No,
- 25:42
they were there. But one was like um
- 25:45
what what would Ariana say is the
- 25:47
trajectory of her career? What is the
- 25:49
unifying theme?
- 25:51
>> Oh wow.
- 25:52
>> I know. It's it's kind of might be hard
- 25:54
to answer this early in the interview,
- 25:55
but
- 25:56
>> No, I feel it feels clear actually.
- 25:58
>> She's ready to answer it. It just it
- 26:00
feels as clear as Yeah. I don't know. I
- 26:03
I think I just am feeling a lot more
- 26:06
connected to myself and my art since I
- 26:10
started doing different things. I think
- 26:13
um you know I spent so much time only
- 26:16
doing pop music but I grew up as a girl
- 26:18
who loved musical theater and comedy. So
- 26:21
I think the thing that will be like best
- 26:24
for my soul and also for my art and for
- 26:27
what I'm giving myself to is if I'm
- 26:30
chasing things that um sort of feel
- 26:35
just very right in the moment even if
- 26:38
it's spontaneous if it's something
- 26:39
different like I am doing a movie right
- 26:42
now because it's a role that I I read
- 26:43
the script and I love it and it's funny
- 26:45
and I love the cast and I'm so excited
- 26:47
and then I'm going to do a small stint
- 26:49
of shows next year because
- 26:52
>> that is
- 26:53
>> like something that authentically
- 26:56
sounded good to me.
- 26:57
>> Yeah.
- 26:58
>> And then you know from there there are
- 27:01
other things that are different and I
- 27:03
think following those authentic impulses
- 27:07
um feel it feels like a really good idea
- 27:12
like a a a good thing. I think I
- 27:15
>> I think it's a sense of like getting
- 27:16
older and getting understanding like
- 27:19
listening to your own body like figuring
- 27:21
out Yeah. figuring out asking yourself
- 27:23
what do you want first which isn't
- 27:25
always the case and in
- 27:27
>> when we're um when we're doing a lot of
- 27:30
work we're sometimes doing things
- 27:31
because we have to do them or we should
- 27:32
do them and then when you take even a
- 27:34
second to say
- 27:36
>> what do I want to do? What feels right?
- 27:39
>> Yeah.
- 27:39
>> Yeah. That's something that is learned
- 27:43
over time. For me, I when I, you know,
- 27:46
sort of came into all of this and my pop
- 27:49
career sort of took over my life in a
- 27:52
way. I didn't have that at all, you
- 27:54
know,
- 27:54
>> and I think that is I feel very like
- 27:58
privileged and grateful to have learned
- 27:59
that that there can be room for for
- 28:02
different creative endeavors. And um
- 28:06
>> so that's been a really beautiful thing.
- 28:07
I think it will change a lot. I think
- 28:09
the first the last, you know,
- 28:13
10 or 15 years will look very different
- 28:16
to the ones that are coming up.
- 28:18
>> And I don't want to say any definitive
- 28:20
things like I I do know that I'm very
- 28:22
excited to do this small tour, but I
- 28:24
think it might not
- 28:25
>> happen again for a long long long long
- 28:27
time.
- 28:27
>> Sure.
- 28:28
>> You know, so I'm going to give it my all
- 28:30
and it's going to be beautiful and I'm
- 28:31
so grateful that I think that's why I'm
- 28:33
doing it
- 28:34
>> because I'm like one last harrah.
- 28:37
>> Perfect. Because for now, never say
- 28:39
never.
- 28:40
>> No, no, no. I'm not.
- 28:40
>> And it and also I think to your point
- 28:43
like when you're able to
- 28:45
>> step away from acting or music or
- 28:48
writing, you then you really appreciate
- 28:50
it when you get to go back to it
- 28:52
>> so much more and like you are able to do
- 28:55
better
- 28:57
by that art form because you're
- 28:59
appreciative and really able to feel
- 29:01
present in it. Well, this leads me to
- 29:04
Bowen's next question, which was, "What
- 29:06
is your favorite note to sing?"
- 29:09
>> Oh my god. [laughter] My [gasps]
- 29:11
favorite note to sing.
- 29:13
>> I know. Okay, I'm going to play you a
- 29:15
note. [laughter] You tell me if you like
- 29:16
it.
- 29:17
>> Okay. Because we got to get I mean, I
- 29:22
I just got nervous when I just named the
- 29:24
note [laughter] G cuz I was like,
- 29:25
"That's a note, right?" Yeah,
- 29:29
I know that G is is a note that I that
- 29:32
was the highest note of my adlib that I
- 29:34
sang in 13. I think G is pretty high.
- 29:36
>> It was something that I sang in 13. I
- 29:39
know that.
- 29:41
>> That's a nice one.
- 29:44
Can't tell you, but I love it.
- 29:45
>> Okay, let's do another one.
- 29:47
>> What about
- 29:48
>> Is this what I'm supposed to do? Here we
- 29:50
go. I can't [laughter]
- 29:52
Here we go. Here's a C. Oh,
- 29:55
beautiful. And [laughter] we have never
- 29:57
sounded that
- 30:00
>> gorgeous.
- 30:01
>> Okay, so Bowen, we don't know. We don't
- 30:03
know the answer. We don't know.
- 30:05
>> No, but I did learn a lot about music
- 30:06
theory today. [laughter] Thank you so
- 30:08
much, Amy Polar, for my for my
- 30:10
>> One of those notes reminds me of Annie,
- 30:14
which I know you were in,
- 30:16
which is one of my favorite musicals.
- 30:21
>> Yes. What is that note?
- 30:22
>> I don't know. We'll never know. I'll
- 30:25
never know. But I do know that's a hard
- 30:27
one to hit. I hear the relation. I hear
- 30:29
the I know why you thought of that.
- 30:32
>> One of my favorite songs in any musical
- 30:34
is Maybe and Annie. I love Maybe. That
- 30:36
is such a good song.
- 30:38
>> Sad one.
- 30:39
>> That's a sad one.
- 30:39
>> Well, that'll do it.
- 30:40
>> Yeah, that'll get you going.
- 30:42
>> That'll get you going.
- 30:43
>> And was that fun to be a little kid and
- 30:45
Annie? [laughter]
- 30:45
>> It was fun to be a little kid and Annie.
- 30:48
>> What a part.
- 30:49
>> What a big part. It was really a huge
- 30:51
undertaking at that age.
- 30:53
>> It's true. I was I was talking to Rachel
- 30:54
Drach. We were talking about um uh
- 30:57
musicals that like shaped us. And for
- 30:59
women my age, you in my 50s like Annie
- 31:02
was just it was kind of like it was
- 31:05
about it was just like it was about us.
- 31:07
Like it was it was like a musical for
- 31:09
us. It really was. It felt like the
- 31:11
first it was not about us. We were not
- 31:13
orphans.
- 31:13
>> Thinking [laughter] wait
- 31:16
but it was for us. [laughter]
- 31:18
>> Annie was for you. It was a young It was
- 31:22
a She was the same age as us, right?
- 31:24
Like that part was, you know,
- 31:27
>> to just to have a young girl be the lead
- 31:29
of a of a Broadway show and it's named
- 31:32
after her. It's not called Daddy
- 31:34
Warbucks and the Little Girl. It's
- 31:35
called Annie.
- 31:36
>> It shouldn't be [laughter] be called
- 31:37
that.
- 31:37
>> Shouldn't be called that.
- 31:38
>> I don't like that title.
- 31:40
>> Wait, so what are your what are your
- 31:42
>> Well, it's funny with Oh, my SNL or my
- 31:44
musical.
- 31:45
>> Your SNL like
- 31:46
>> bloopers.
- 31:47
>> Blooper. What's one of your favorite
- 31:50
blooper moments?
- 31:51
>> One thing that comes to mind is one time
- 31:53
I was doing a sketch where uh I think
- 31:56
Jason Baitman was the host and there was
- 31:58
a monkey in the sketch. Like a a I would
- 32:01
say maybe a chimpanzeee like a actor.
- 32:05
>> Yes, an animal actor.
- 32:06
>> How do you feel about animal?
- 32:07
>> I don't like them.
- 32:08
>> Yeah. I don't like them. And uh I it's
- 32:11
too stressful for me. And it was like a
- 32:14
young chimpanzee and um I keep I'm going
- 32:17
like this because I just want to show
- 32:19
how strong it was.
- 32:20
>> Yeah. Yeah. Yeah.
- 32:21
>> And I walked past the chimpanzzeee and
- 32:25
it reached out and grabbed me by the
- 32:28
wrist.
- 32:28
>> Oh no.
- 32:29
>> And wouldn't let go.
- 32:31
>> In the middle of a quick change. I think
- 32:34
it was like the blonde hair or my vibe.
- 32:38
>> And I started screaming.
- 32:40
>> Oh, that's really traumatic.
- 32:41
>> And chimpanzees are very strong.
- 32:44
>> Yeah. I I I like I famously.
- 32:47
>> Yeah. So, that was one where I was like
- 32:50
and I couldn't get it to let go of me
- 32:52
and I had to Yeah. It was all fine. It
- 32:54
was all fine. But that wasn't that was a
- 32:56
Would that be considered a blooper?
- 32:57
>> I don't I don't know. I think that's
- 32:59
like PTSD. That's like [laughter] a
- 33:02
different folder. But I love it. I'm
- 33:04
glad. I know.
- 33:12
I do want to talk to you about musicals
- 33:14
because I know you love musicals. Of
- 33:17
course
- 33:17
>> I do.
- 33:18
>> I I like them very much. [laughter]
- 33:22
>> I do. I like them very much. I feel
- 33:25
>> they are. I can also admit they're
- 33:26
ridiculous. Well, what I what I love
- 33:29
about them is when I feel transported,
- 33:31
to me, that is the best feeling ever
- 33:34
when I watch anything or but it's harder
- 33:36
for me to get transported in musicals
- 33:37
than in other things. And I get like,
- 33:41
you know, it's kind of like improv like
- 33:42
there's a vulnerability in that moment
- 33:44
and if it's good, you're psyched. And if
- 33:46
it's not good,
- 33:47
>> it's tough.
- 33:48
>> It's tough.
- 33:48
>> It's ticklish.
- 33:50
>> Yes. How do you when you're you've done
- 33:53
many musicals, you you're you're
- 33:55
currently making a film about probably
- 33:57
the most famous musical, Wicked. Like
- 33:58
when you're when you have that moment
- 34:00
right before the actor sings,
- 34:02
>> right?
- 34:02
>> It's just like jumping off a cliff kind
- 34:04
of. You have to stay in the acting
- 34:06
moment and then switch into song.
- 34:10
>> Do you know what I mean? What do you do
- 34:11
in the preciousness of that moment?
- 34:13
Well, for Wicked,
- 34:15
>> Mhm.
- 34:16
>> thankfully, I do feel like it's really
- 34:19
well written for the characters and for
- 34:22
the moment. So, it feels like they have
- 34:25
to sing the next thought, you know? But
- 34:26
I think
- 34:28
>> so that it can be as honest as possible
- 34:31
and feel like it's just acting and like
- 34:33
the singing whatever. It's vocal
- 34:35
training way long before you get there.
- 34:37
So that it doesn't even feel like a
- 34:39
thought. Like I trained my voice for
- 34:41
months before my first audition because
- 34:43
Glenda's voice is so different than
- 34:45
mine.
- 34:45
>> How did you train it? I trained with my
- 34:47
vocal coach Eric Vitro and it just takes
- 34:51
a muscle memory. So for weeks and weeks
- 34:54
and weeks, I'd go every day. I was I was
- 34:58
a coach on The Voice at the time, and I
- 35:00
was going in the mornings to Eric and
- 35:03
then my acting coach, Nancy Banks, and
- 35:05
we would work on random things, not even
- 35:07
Glenda related things, just to sort of
- 35:09
get the muscles moving. And I hadn't
- 35:12
acted in a long time. And I it was
- 35:13
important to me to get ready for the
- 35:14
audition. And um you know I just spent
- 35:20
every day going to retrain that falsetto
- 35:24
oporadic area of my voice because I
- 35:28
wasn't using it for a long time. And um
- 35:32
you can hear the quality change if you
- 35:34
look through like the voice notes from
- 35:36
way back then. Like the first week I
- 35:37
went there was so much air seeping out
- 35:39
and then slowly but surely like week
- 35:40
after week there was more purity and
- 35:42
more clarity to get higher. Does there
- 35:45
have to be less air? Like everything has
- 35:47
to be tighter in the vocal cords like
- 35:49
>> No, I think it just sounded I guess what
- 35:51
what I mean by that was that you could
- 35:52
hear like more rasp in my voice,
- 35:55
>> right?
- 35:55
>> So the same amount of air, but just the
- 35:57
quality became clearer and more pure as
- 35:59
time went on.
- 36:00
>> And Glenda doesn't have a rasp. She's so
- 36:03
touchy.
- 36:04
>> No, I mean unless there's like an
- 36:06
emotional break or something like that
- 36:08
can be imperfect, but she has a really a
- 36:10
pure tone and it's um more classical and
- 36:14
I trained really hard so that that could
- 36:16
not be a thought
- 36:17
>> on set so that by the time we were in it
- 36:19
and had to move seamlessly into the
- 36:23
songs hopefully you know that wasn't a
- 36:26
stress that wasn't a thing. No one was
- 36:27
worried about are the notes going to
- 36:29
come out right? And if they didn't, it
- 36:31
probably made sense emotionally. You
- 36:33
know, there are moments where
- 36:35
>> especially in the second one where we
- 36:37
have breaks and we have like choked up
- 36:40
and you can hear it. And that's kind of
- 36:41
like the beauty of being able to do it
- 36:44
live on set because you get to honor
- 36:46
what's happening in the scene.
- 36:48
>> Yeah.
- 36:48
>> But
- 36:50
it's wicked. And I what you're saying
- 36:53
where like maybe if it was something
- 36:55
else it might be I don't know. It's like
- 36:57
that back and forth is so hard to do.
- 36:59
Yeah,
- 36:59
>> you know, thankfully these songs felt so
- 37:02
intentional. Every single song in Wicked
- 37:04
feels so purposeful for the arcs of the
- 37:08
characters and for what's going on.
- 37:10
>> Did you speak in a different voice as
- 37:12
Glenda?
- 37:13
>> I did.
- 37:13
>> A higher voice so you could stay there
- 37:15
when you sang.
- 37:16
>> I did. It's It was kind of um
- 37:19
>> So on days when I'm singing I'll And
- 37:22
also most of the time this is kind of
- 37:24
where my voice sits is like here.
- 37:26
>> Yeah. Um, but sometimes it'll move lower
- 37:29
and then sometimes it'll move higher.
- 37:30
For Glenda, when she's uh younger, it
- 37:35
was a little bit pingier and in the when
- 37:39
she's older, it's a little more
- 37:40
grounded, a little more lived in. She's
- 37:42
like a public figure now. She's supposed
- 37:43
to, [clears throat] you know, she has
- 37:44
this like responsibility. So, it's a
- 37:46
little more and she's been through more.
- 37:48
So, it has a slightly different tone.
- 37:51
But then when she's with Elfie again and
- 37:53
having fun, there's more pep and um
- 37:57
yeah, I feel like people
- 37:58
>> That's incredible that you tracked all
- 38:00
that.
- 38:00
>> It was important. Thank you. But, you
- 38:03
know, it felt really important and
- 38:05
helpful because we were shooting both
- 38:07
films at the same time.
- 38:08
>> Yeah. So, just making sure I also I I
- 38:11
kept uh track of all of that with
- 38:14
colorcoded sticky tabs so that I could
- 38:17
like take a peek at which color so that
- 38:19
I could bounce back and forth. And then,
- 38:22
you know, there were a lot of little
- 38:23
tools that helped with the mind set
- 38:26
shift
- 38:27
>> between both films, but that was um one
- 38:31
of them. and singing voice and speaking
- 38:33
voice feeling a little different were
- 38:36
that was a really fun thing to sort of
- 38:38
figure out.
- 38:39
>> Um some of her songs in the second movie
- 38:41
you get to hear her open up a little
- 38:43
more
- 38:44
>> whereas like everything in the first
- 38:47
movie is so
- 38:49
>> um controlled and
- 38:51
>> prim and proper and bubbly.
- 38:53
>> Um yeah, you get to kind of like peel
- 38:56
back so many different
- 38:58
layers. She grows a lot in the first
- 39:01
movie. Her arc is it she has a a big arc
- 39:04
in the first movie and then in the
- 39:05
second one there's
- 39:06
>> a lot more to go.
- 39:07
>> Yeah,
- 39:08
>> because you're so good. You're such a
- 39:09
mimic. You do men's voices very well.
- 39:13
>> I am working on it because I'd like to
- 39:15
do more male drag and more male voices.
- 39:17
>> You're Eugene Levy is [laughter]
- 39:18
amazing.
- 39:18
>> Thank you. How did you see that? How
- 39:20
have you seen that?
- 39:21
>> From my laptop. [laughter]
- 39:24
>> Everything is here.
- 39:25
>> No one knows about that.
- 39:26
>> You're Can you do a little Eugene Levy?
- 39:28
Can you do you remember?
- 39:29
>> Yeah. I you know I I the thing about
- 39:31
that day is I had
- 39:33
>> I went to a place but I've [laughter]
- 39:35
never gone before
- 39:37
>> and I don't know if I'm able to accessly
- 39:40
but I can I also had put my gum in my
- 39:44
Invisalign.
- 39:45
>> Oo that's helpful.
- 39:47
>> We had teeth but they weren't like
- 39:49
working. They weren't sticking.
- 39:50
>> So I put gum in my Invisalign which
- 39:52
really helped.
- 39:52
>> And you were playing the character he
- 39:54
played in best in show not Eugene. It
- 39:56
was um
- 39:57
>> Eugene is very sophisticated. Not this
- 39:59
character,
- 39:59
>> Jerry Fleck.
- 40:00
>> I was playing Jerry Fleck.
- 40:03
>> And he was sort of like, "Hold on, I
- 40:05
have to like I have to like relax my
- 40:07
body. I [laughter] don't know how to
- 40:08
drop into this."
- 40:10
>> Um I'd like to think that Cookie and I
- 40:13
It's not as low as I'd like today. I
- 40:15
don't have my basement today.
- 40:16
>> It's so good.
- 40:17
>> Work as a team, though. I do nothing.
- 40:20
She does all the work with Winky.
- 40:23
Uh back to I don't know. back in the day
- 40:26
when I I was at Pon Deellion Junior
- 40:28
High. [laughter]
- 40:30
Well, um I wish you I wish people
- 40:33
listening could look at Ariana's face.
- 40:36
>> Really bad. What is it doing?
- 40:38
>> It's transforming. It's really good.
- 40:40
>> I never have any idea.
- 40:41
>> But you have a you have a way to get
- 40:43
pretty You can get pretty low.
- 40:45
>> I sometimes can. Yeah.
- 40:47
>> And you do have that. I mean, I I love I
- 40:51
[laughter] I love I want I want like I
- 40:53
feel like there's a lot of men's voices
- 40:55
you could do well.
- 40:56
>> Oh my god.
- 40:57
>> Because you're very you're very you're
- 40:59
very high fem as people like to say. I
- 41:02
don't know. And um fem
- 41:03
>> high fem I think.
- 41:05
>> And um but
- 41:06
>> I think we both are.
- 41:07
>> I I didn't think I was, but Bowen told
- 41:09
me I was.
- 41:10
>> I think you are. But you also have such
- 41:13
comfortability doing great male voices
- 41:15
and characters.
- 41:16
>> Same. And I and you know and I think
- 41:19
what I love about you is the way in
- 41:21
which you're very like open and um uh
- 41:25
supportive of the way that gender is its
- 41:27
own fluid experience and expression in
- 41:30
in in the way you live your life and
- 41:32
also the way you support people who are
- 41:35
expressing that fluidity.
- 41:37
>> But I think you have a very interesting
- 41:39
masculine feminine energy that you're
- 41:41
always playing around with and it's cool
- 41:43
to see it.
- 41:44
>> That's so nice. [laughter]
- 41:45
>> It's cool to see it. That's so nice.
- 41:46
>> You have a wide range of how you can
- 41:48
play around.
- 41:49
>> That is so nice.
- 41:50
>> Yeah.
- 41:51
>> I'd like to play more men.
- 41:52
>> Yeah. [laughter] Okay. America.
- 41:57
>> Oh, we should have worn mustaches for
- 41:59
this.
- 41:59
>> I love a mustache.
- 42:01
>> I love a mustache.
- 42:02
>> I love a mustache as well without with
- 42:03
with for Jerry for my performance as
- 42:05
Jerry. I um I had these big eyebrows
- 42:09
>> and no other makeup and and um big the
- 42:12
yeah the invisal line of my teeth. It
- 42:13
was really fun. And then you can do that
- 42:15
really breathy, you know, and also Judy
- 42:19
Garland is up in that world. I know you
- 42:21
love Judy and she and you have you can
- 42:24
do I just I mean I'm just I'm pointing
- 42:27
out your range
- 42:28
>> coming from you. I feel like I am
- 42:30
dreaming.
- 42:31
>> I don't know if anyone's told you you're
- 42:32
very talented.
- 42:33
>> That is very kind.
- 42:34
>> You're very very talented.
- 42:36
>> So are you.
- 42:37
Well, I mean, and and you know, you it
- 42:40
is pretty it's so fantastic to hear your
- 42:43
name up with. It's like Seline, Whitney,
- 42:47
Mariah,
- 42:48
>> what are you talking about?
- 42:50
>> You're in that sentence.
- 42:51
>> No.
- 42:52
>> Yes, ma'am.
- 42:53
>> No, no.
- 42:54
>> Yes, you are in that sentence. And what
- 42:56
>> that's crazy. It must be I guess because
- 43:00
I'm talking about people that you love
- 43:02
study and completely like are are you
- 43:06
know a huge fan and you're also their
- 43:09
peer and you're singing with them. Who
- 43:11
is someone that you sang with that you
- 43:14
had to just kind of like keep looking
- 43:16
over and being like oh my oh my god like
- 43:18
I can't believe I'm singing with them.
- 43:19
>> Mariah.
- 43:20
>> Yeah. Every time I'm I cross paths with
- 43:24
her, which has been like a handful now,
- 43:27
and that feels just like such a dream,
- 43:30
>> I have to pinch myself. And um the best
- 43:34
part is how kind she has been to me and
- 43:38
how she's embraced me and um
- 43:42
>> just she's a wonderful kind person. I I
- 43:46
really love her. It's very surreal. What
- 43:48
was it about Mariah's music growing up
- 43:51
that spoke to you? What was that special
- 43:53
sauce about her voice?
- 43:54
>> The vocals and the sense of humor.
- 43:56
>> I think her her her
- 43:59
pen and her producing ear. I mean,
- 44:04
>> yes, she's the greatest vocalist, of
- 44:06
course, but the the other pieces are
- 44:09
just so are just what make her her, you
- 44:12
know?
- 44:12
>> Yeah.
- 44:12
>> Um,
- 44:14
>> talk about, you know, she's the greatest
- 44:16
singer. So many people sing beautifully,
- 44:17
but her her point of view and her sense
- 44:19
of humor and her um [snorts] wit in her
- 44:22
songwriting [clears throat]
- 44:23
and Yeah. And she talk about male drag.
- 44:27
>> Why did she do that?
- 44:28
>> Yes.
- 44:28
>> What did she obsessed video?
- 44:30
>> Look it up.
- 44:31
>> Let's look it up. You have to see it.
- 44:33
>> She dressed she and and Lady Gaga also
- 44:36
does that as well. So well.
- 44:38
>> Yes. Oh my god.
- 44:40
>> And I mean
- 44:41
>> I love these divas. I she's another as
- 44:43
well who is just so I love the sweetest
- 44:46
in the world.
- 44:47
>> You could that rain on me so good. Um
- 44:49
well thank you and I loved seeing you
- 44:51
two together because it just felt like
- 44:53
two professional super talents like I
- 44:57
could just
- 44:58
>> we're theater nerds as well.
- 44:59
>> Yeah. Yeah. Okay. Obsessed Mariah Carey.
- 45:02
Oh, she's dressed as a um she's at the
- 45:05
limousine. She's a limousine driver.
- 45:07
She's obsessed with herself. [laughter]
- 45:10
She's playing a
- 45:14
>> Wow. I never saw this. I'm
- 45:16
>> I know.
- 45:17
>> I'm She's one of us.
- 45:19
>> That is so cool. Who are you seeing in
- 45:22
music in film and who who are you saying
- 45:24
like, "Whoa, they're doing something
- 45:26
really exciting inspired by them."
- 45:28
>> I have to say, I'm sort of I'm on set
- 45:30
right now. I'm filming this movie. I'm
- 45:32
filming.
- 45:32
>> Can you talk about what you're filming
- 45:33
or is it
- 45:34
>> I'm filming Fauler-in-law?
- 45:36
>> Oh, nice. So, I'm having so much I know
- 45:38
it's crazy. It's like the fourth
- 45:41
movie, but it's like it's such a treat
- 45:42
and it's such a privilege. I'm I'm
- 45:44
learning so much and working with Ben
- 45:46
Stiller and Robert Dairo and everyone
- 45:49
that is in this cast. I'm I'm really
- 45:51
enjoying my time with and it's such a
- 45:53
>> Who's directing it?
- 45:54
>> John Hamburg, who
- 45:56
>> John is awesome.
- 45:57
>> Yeah, he's wonderful.
- 45:58
>> Yeah, he's great. And it's just so great
- 46:00
to um sort of experience a new a new
- 46:06
journey and uh like learn from those
- 46:08
around me. And
- 46:09
>> I'm very inspired by my cast. I love and
- 46:12
Beanie Feldstein is in it and she's
- 46:14
incredible. I love her so much.
- 46:15
>> So funny.
- 46:16
>> So funny. So wonderful. And um yeah, I'm
- 46:19
learning a lot from my castmates and um
- 46:23
yeah,
- 46:23
>> and it's probably like a lot less
- 46:26
physical
- 46:29
um it's probably a lot less physically
- 46:31
exhausting than Wicked, which
- 46:32
>> must be not. [laughter]
- 46:34
>> I'm not kidding. I'm not kidding. I
- 46:35
don't know if I'm allowed to say this,
- 46:36
but I have to say it cuz you're going to
- 46:37
laugh your ass off. My character is a
- 46:40
triathlete.
- 46:42
>> Oh, no.
- 46:44
So, you're always running? I spent
- 46:45
yesterday doing burpees in high knees
- 46:48
with Robert Dairo and he's like good job
- 46:51
Olivia good job and it's like the
- 46:53
craziest most [laughter] I'm like what
- 46:55
is this movie what are we doing but
- 46:57
[gasps] I'm having a blast like it's
- 47:00
really special but no [laughter] it's
- 47:01
bar it's not physically exhausting yeah
- 47:03
she's a lot of things but a triathlete
- 47:05
is one of them there's also a lot of
- 47:07
biking in this movie like a lot a lot a
- 47:10
lot lot
- 47:11
>> Ben Stiller is so
- 47:12
>> he's so fitian he runs a couple miles a
- 47:16
day
- 47:17
>> before. Yeah, it's too much. I mean,
- 47:19
it's crazy.
- 47:20
>> No, it's it's too much.
- 47:21
>> I feel like I'm on the set of the
- 47:22
Avengers between him and Bob, Mr. Dairo.
- 47:25
I'm like,
- 47:26
>> yeah.
- 47:26
>> Are you guys
- 47:27
>> But Bob Bob's not running in the
- 47:28
morning, is he? Oh my god.
- 47:30
>> At like 4 at like 3:30.
- 47:33
>> They got them. They got to stop. That's
- 47:35
not okay.
- 47:35
>> Obsessed with them. But I do love a good
- 47:37
morning Pilates moment. I do.
- 47:38
>> Here's how I feel about running.
- 47:40
>> Yes. Yes.
- 47:43
You prefer I prefer walking. I prefer
- 47:45
walking.
- 47:45
>> There we go.
- 47:46
>> And when people are running, I'm like
- 47:48
too much running.
- 47:50
>> Yeah.
- 47:50
>> What are you running from?
- 47:51
>> I I hear
- 47:53
>> it's too much running. [laughter]
- 47:55
>> But I just I just assume that Wicked is
- 47:57
just so much physical because also the
- 48:00
outfits the outfits are a lot of like
- 48:04
like wearing an outfit is is a heavy
- 48:07
like that's just a and the
- 48:09
>> Well, every day was corseted. The only
- 48:11
the only looks the only looks that I had
- 48:13
that weren't corseted were my pajamas.
- 48:16
But it was but it was helpful.
- 48:18
>> Yeah. It kept you feeling
- 48:19
>> Yeah. I I was so eager to get into my
- 48:21
corset and her shoes because I wanted to
- 48:23
like find her posture immediately and
- 48:25
like her weird stiffness. I wanted to
- 48:27
jump into that.
- 48:28
>> So I had a rehearsal corset and
- 48:29
rehearsal shoes and then it was like
- 48:31
fine by the time we you know it was it
- 48:33
was great.
- 48:34
>> And John Shu seems awesome.
- 48:35
>> He's the best person in the whole entire
- 48:38
world. You can just kind of tell right
- 48:40
away. I mean,
- 48:41
>> I have to say in general, the press that
- 48:44
you and Cynthia did for the tour was so
- 48:47
exciting to watch because
- 48:50
>> there is an like a,
- 48:52
>> you know,
- 48:54
>> there's this thing that one always has
- 48:55
to push against when you're a woman in
- 48:57
the business, which is people are kind
- 48:59
of constantly comparing and
- 49:01
>> asking each other.
- 49:04
like there's just like a little bit of a
- 49:05
a an electricity in the air that people
- 49:08
are looking for conflict. And what you
- 49:12
and Cynthia did over and over and over
- 49:14
again was so radical which is you kept
- 49:18
>> getting ahead of it, speaking to it and
- 49:21
then in the moment really
- 49:24
>> reminding everybody about how you made a
- 49:26
commitment to each other to support each
- 49:28
other through the project. It was really
- 49:30
cool. And in doing so, you commented on
- 49:32
the bigger idea of like the pressure
- 49:34
women feel constantly to be compared to
- 49:36
each other and to
- 49:38
>> have conflict with each other.
- 49:40
>> Did you two make that pact together? It
- 49:42
feels like you did. Did you say it to
- 49:44
each other or was it just unspoken?
- 49:46
>> Well, we did, you know, it was it was
- 49:49
really first of all, thank you. It was
- 49:51
it was really hard work, you know. Yeah.
- 49:54
um not to commit to that but to kind of
- 49:59
um take care of each other. Firstly,
- 50:02
through this incredibly huge thing that
- 50:06
was making Wicked, you know, um I really
- 50:09
wanted to
- 50:10
>> be safe.
- 50:12
>> Yeah.
- 50:12
>> In each other, you know, I I wanted to
- 50:15
make sure that she knew immediately.
- 50:18
Like I I am a cancer. I jumped in way
- 50:20
too fast. I was like, "Hi, [laughter]
- 50:23
>> time."
- 50:23
>> You were like, "Ready to cry?"
- 50:24
>> Yeah. I was like, "Hello.
- 50:25
>> Shall we cry together?"
- 50:26
>> Yeah. Start with the the like the
- 50:28
darkest. No, I was like, like, but you
- 50:30
know, I really did want to
- 50:32
>> want to establish that right right away.
- 50:34
And I kind of said, "Hey,
- 50:36
>> we're getting to know each other. I, you
- 50:38
know, we're going to learn a lot about
- 50:40
each other very quickly."
- 50:41
>> Yeah.
- 50:41
>> You need to know. I want you to know
- 50:43
there's nothing that we can't talk
- 50:44
about. You don't have to face something
- 50:47
alone. Um, if you need help with
- 50:49
something, I am on your side already. I
- 50:52
don't even know what it is yet, but
- 50:53
we'll get there together. This is um a
- 50:56
huge undertaking
- 50:58
>> and I want us to stay connected as much
- 51:01
as possible
- 51:03
>> um
- 51:04
>> every step of the way. And you know,
- 51:06
there were so many challenges in the
- 51:09
making of and that we checked in and we
- 51:13
always stayed
- 51:14
>> um honest, you know.
- 51:16
>> You did. And we got to see it. It was
- 51:18
really cool because you have to
- 51:21
[sighs and gasps]
- 51:22
>> deal with a lot of people's energy when
- 51:23
they're talking to you about the stuff
- 51:24
that you made. And the way And also you
- 51:27
guys just physically checked in. Like
- 51:28
it's really sweet how you touch each
- 51:30
other. [laughter]
- 51:31
>> You like to touch
- 51:33
>> in a in a nonsexual way in a in a loving
- 51:37
way of like supporting each other.
- 51:40
>> You like to hold each other's
- 51:42
>> like hands and and be there for it's
- 51:44
very sweet. You like to do that with
- 51:46
people. You do I do like I do I I am
- 51:48
very
- 51:50
>> I I I channel a lot of energy through my
- 51:52
hands.
- 51:53
>> Yeah.
- 51:54
>> And so I'm always holding a hand. I'm
- 51:56
always like squeezing a something as
- 51:57
you've learned.
- 51:59
>> I'm always reaching for something.
- 52:00
Sometimes
- 52:01
>> you have so many things here that you
- 52:02
can squeeze fake food if you want.
- 52:04
>> That's wonder. No, but it's often it's
- 52:06
often like who I'm with and like Yeah.
- 52:08
It's like I I like to channel support
- 52:10
and energy and like whatever. I didn't
- 52:12
even notice that it was a thing about me
- 52:14
until that thing happened.
- 52:17
>> And then
- 52:17
>> you're talking about when you grabbed
- 52:18
Cynthia's little finger. It was so cute.
- 52:20
>> Cuz I didn't know what the was
- 52:21
going on. Sure.
- 52:22
>> And um
- 52:23
>> and you were like and you [laughter]
- 52:24
just reached over a little teeny tiny
- 52:26
grab.
- 52:26
>> I knew it was gender and and sexy and
- 52:28
beautiful and I just wanted to be
- 52:29
supportive. I was like, "Oh my god."
- 52:32
>> And it was so sweet and it felt sweet.
- 52:35
But again, a great example of in a
- 52:38
awkward or confusing moment, you you
- 52:40
guys kept turning towards each other.
- 52:42
>> Yes. And I think that's something that
- 52:43
we've worked hard to maintain. And, you
- 52:45
know, there's a lot of time that passes
- 52:46
between the wrapping of the film and
- 52:48
then the press tour happening. Um, and
- 52:50
then, you know, it's a check-in here and
- 52:52
there when you can. You know, we're both
- 52:53
so busy, but we do our very best um to
- 52:56
stay connected in that way and to take
- 52:58
care of each other. Let's all take care
- 52:59
of each other so that we can honor the
- 53:00
project as much as humanly possible and
- 53:02
do great work. Yeah.
- 53:03
>> Is [snorts] like
- 53:04
>> the best lens ever. Yeah. And I'm so
- 53:06
lucky that John Chu is the king of
- 53:10
[snorts]
- 53:11
that exact thing that we're talking
- 53:13
about.
- 53:13
>> I mean, the fact that he was at his
- 53:15
baby's birth and not at Wicked Premiere.
- 53:18
[laughter]
- 53:19
>> Well, I mean, thank thank God.
- 53:20
>> I know. But there's a few people that
- 53:22
would have made a different choice.
- 53:23
>> I know. But he had three over the course
- 53:25
of the whole film, you know. I think
- 53:26
>> he had three babies. Yeah.
- 53:28
>> Well, let's let's be clear. His wife had
- 53:31
three babies.
- 53:31
>> Yes. Yes. First three babies. Yes. But
- 53:34
but um
- 53:34
>> but that's how long we've been working
- 53:36
on.
- 53:36
>> Oh, that's a lot of babies.
- 53:37
>> Isn't that crazy?
- 53:38
>> Yeah.
- 53:40
>> Wow. No twins.
- 53:41
>> No twins.
- 53:42
Okay. [laughter] All right. Um
- 53:45
Okay. I have a lightning round for you.
- 53:47
>> Okay. Okay. Okay. So,
- 53:49
>> I have to disclaim. I'm really bad at
- 53:51
lightning. Take Lightning doesn't have
- 53:53
to be fast. I'm I'm like in the middle
- 53:54
always because PTSD I build a case for
- 53:57
both answers.
- 53:58
>> Yeah. [laughter]
- 53:58
>> So I I'm like very indecisive
- 54:02
due to things.
- 54:03
>> Okay. Got it. So I want you to know that
- 54:05
this is not it's you don't have to worry
- 54:07
about being fast cuz I also don't ask
- 54:09
the questions fast.
- 54:10
>> Oh, [laughter]
- 54:12
thank God.
- 54:12
>> So it's a slow we're on a slow round. A
- 54:15
really slow landing like [laughter]
- 54:16
where you kind of see it in the sky and
- 54:18
it comes down really slowly and it hits
- 54:20
the ground really slowly. Okay. Turtle
- 54:21
round. Um, so the first thing I'm gonna
- 54:23
ask you is kind of a gotcha question.
- 54:25
>> Okay,
- 54:26
>> give me give me it.
- 54:28
>> And this gotcha question is
- 54:33
>> you say you're 53.
- 54:35
>> I don't say that.
- 54:36
>> That's what the internet says.
- 54:38
>> I say I'm 52. Well, the internet says a
- 54:39
lot of things.
- 54:40
>> True.
- 54:40
>> I'm 5'2.
- 54:41
>> That was the question.
- 54:42
>> I'm 5'2.
- 54:43
>> Are you 5'2?
- 54:44
>> I'm 5'2.
- 54:45
>> Is it 5'2 on your license?
- 54:48
>> Um,
- 54:48
>> do you have a license? [laughter]
- 54:51
I haven't used it in a long time.
- 54:53
>> I'm in I'm in New York. I ask, "Do you
- 54:54
have a current driver's license?"
- 54:56
>> I think so. [laughter]
- 54:57
>> She thinks so.
- 54:58
>> I'm kidding. I'm joking. No, I do. I do.
- 55:00
I'm not driving though.
- 55:01
>> Do you like being 5'2? What What's the
- 55:02
pros and cons of being 52? I asked cuz I
- 55:04
am also 5'2, but my license says 53.
- 55:07
>> I Oh, does it?
- 55:08
>> Yeah.
- 55:08
>> Was that a choice?
- 55:09
>> No, it they measured me or somehow
- 55:11
someone put it down.
- 55:12
>> It was a tall day. [laughter]
- 55:14
>> You were having a tall day.
- 55:15
>> I was having a tall day. I get it.
- 55:16
>> And I got I got I got like excited. I
- 55:18
was like 53. I was like, "Okay." And
- 55:20
then
- 55:21
>> black [laughter] pepper.
- 55:22
>> Yeah. So 5'2. So 52.
- 55:24
>> What do you think about being a tiny a
- 55:26
tiny person?
- 55:27
>> I think it's fine. I think I'm enjoying
- 55:28
my time.
- 55:29
>> Mhm.
- 55:30
>> Things I wish I could reach more.
- 55:32
>> Yeah.
- 55:32
>> I wish I could reach
- 55:34
>> like the water more. I wish I could
- 55:36
reach it.
- 55:36
>> Is there anything that you think um you
- 55:39
wish you had height for? Like
- 55:42
>> just I guess reaching. [snorts]
- 55:44
>> No, I mean just reaching.
- 55:45
>> Yeah.
- 55:46
>> You know, the highest book, the highest
- 55:47
water, the highest whatever it is. But I
- 55:49
But I'm okay with it. Do you Are you Do
- 55:51
you
- 55:51
>> I mean I know I know no other way.
- 55:53
>> I know no other way.
- 55:54
>> I know other way. I mean I have heard
- 55:55
that uh shorter people live longer,
- 55:58
[laughter]
- 56:00
>> but um not to brag.
- 56:01
>> I don't know why.
- 56:04
[laughter]
- 56:05
>> I hope so.
- 56:06
>> I hope so.
- 56:06
>> Well, I hope we all live long.
- 56:09
>> I don't know what I'm saying.
- 56:10
>> We can't all live long. Let's give it to
- 56:12
the short people.
- 56:12
>> I hope everyone lives a beautiful long
- 56:13
life.
- 56:14
>> Of course, but let's have short people
- 56:15
live longer.
- 56:16
>> Something Let's have something.
- 56:17
>> Okay, moving on. Lightning round.
- 56:19
>> Okay. [laughter]
- 56:21
>> Do you think you had a past life? Have
- 56:23
you ever felt like you've lived before?
- 56:24
>> Oh god, you're going here. That's so not
- 56:27
lightning. [laughter]
- 56:29
>> I do feel like I've lived before, but I
- 56:31
don't
- 56:31
>> Who what? Who was she? He What was Where
- 56:34
did you live? Do you have a sense?
- 56:35
>> I have no sense. I have no sense. But I
- 56:37
But I do feel old.
- 56:38
>> Um, so that's what people say. They say,
- 56:40
"Oh, like an old soul."
- 56:41
>> I I not calling myself an old soul. I
- 56:44
think I'm just tired, actually.
- 56:45
[laughter] Just whoever you are was
- 56:47
tired. Yeah. I think I think it was
- 56:49
tired and I think [laughter] I think
- 56:51
they might have drowned.
- 56:52
>> Ooh, sorry. Sorry. I just have a thing
- 56:56
with like when people hold their breath
- 56:57
underwater. I don't like that.
- 56:59
>> Okay. Very good to know.
- 57:01
>> I don't like that at all.
- 57:02
>> Great.
- 57:02
>> But back to the thing when you said, "Is
- 57:03
there anything you wish you could do?" I
- 57:04
just have one more if I don't get it
- 57:06
out. I I wish I were a person who like
- 57:09
had entomology endless entomology
- 57:11
knowledge and I could look at a bug and
- 57:12
be like, "Ah, leodopa a pier." You know,
- 57:14
that kind of person. I do wish I had
- 57:16
that.
- 57:17
>> Who could classify insects?
- 57:18
>> Different insects.
- 57:19
>> Mhm.
- 57:20
>> Different like you know the people who
- 57:21
do that with birds.
- 57:23
>> I have the bird app. The Merlin app. Do
- 57:25
you have that?
- 57:25
>> No.
- 57:26
>> It's fabulous. You you play you record
- 57:28
the sound of the bird and it quickly
- 57:30
pops up what it is. They can tell by
- 57:31
their tone of voice. I love that.
- 57:33
>> I feel like you would also probably be
- 57:35
able to impersonate a lot of birds.
- 57:37
>> I think you you have a lot of faith in
- 57:39
me. You're being really kind to me.
- 57:41
[laughter]
- 57:42
Um best Halloween costume you've ever
- 57:44
worn? Oh, well,
- 57:46
>> or one that you've worn.
- 57:47
>> I think my favorites are
- 57:50
um the best in show stuff that I did
- 57:52
with Liz that we did together. That's
- 57:54
forever my favorite. And I was also the
- 57:56
um pig face from Twilight Zone. That was
- 57:59
like a
- 58:00
>> Oh, yes. That's a old classic.
- 58:02
>> Yes. I love Halloween.
- 58:03
>> For people that don't remember, there
- 58:04
was a Twilight Zone where a woman woke
- 58:06
up from
- 58:07
>> the beholder.
- 58:08
>> Yes. And it was she woke up from what
- 58:10
was like plastic surgery and everyone
- 58:13
started screaming and her face looked
- 58:14
beautiful.
- 58:15
>> Gorgeous.
- 58:16
>> But they were all
- 58:17
>> pig faces.
- 58:18
>> Mhm.
- 58:19
>> Fabulous.
- 58:20
>> Chew on that.
- 58:21
>> Fabulous episode.
- 58:22
>> Um, what about uh best bath product? You
- 58:25
love taking baths. What?
- 58:27
>> I love Lush. I'm a Lush person.
- 58:29
>> You're like a bath bomb.
- 58:29
>> I'm a bath bomb.
- 58:30
>> So you love a fizz.
- 58:31
>> I love a fizz. I love the smell. I love
- 58:34
like salts and a bath bomb and a trickle
- 58:37
of oil like essential oils.
- 58:39
>> And do you take um do you have one of
- 58:41
those things on your bathtub like where
- 58:43
it goes across where you can put your
- 58:44
phone? Do you take your phone to your
- 58:46
bath?
- 58:47
>> I do. I take my I also take my laptop. I
- 58:50
get a [laughter] lot of work done. I'm
- 58:52
not kidding. Okay, so I have to talk
- 58:53
about this because I'm a big bath
- 58:54
person. Did someone tell tip you off?
- 58:56
>> Yes, we heard you were a big bath
- 58:57
person.
- 58:57
>> Oh my god. I'm a big bath person. I like
- 58:59
like it's like a it's like it's a
- 59:00
ritual. It's a Yeah, it's a ceremony.
- 59:03
And I have
- 59:04
>> us talk us through the ceremony.
- 59:05
>> I have my like I have my
- 59:07
>> I'm in the bath and I have my coffee
- 59:10
[laughter]
- 59:10
I have my coffee here.
- 59:12
>> Got it. Do you have a
- 59:13
>> laptop here? No, it's just on the edge
- 59:15
of the thing and I know that's scary.
- 59:16
>> I know. I know. But it's okay. It's
- 59:18
always fine.
- 59:19
>> And you know I push the bubbles back
- 59:21
[laughter] so they're not in the way
- 59:23
because this is what this is. This is
- 59:24
when I have time to do like my approvals
- 59:26
of stuff before I go to work. That's
- 59:28
good.
- 59:28
>> So I'm able to like look at the links of
- 59:30
stuff
- 59:30
>> in the water. Yeah. I look like
- 59:33
interesting and yet afraid of drowning.
- 59:35
>> I know. But that's [laughter] the thing.
- 59:37
So, I'm in control in the bath. There's
- 59:39
big control that we're working on. And
- 59:42
I'm in control in the bath.
- 59:44
>> And I'm a cancer. So, I'm very I'm very
- 59:46
aquatic. I love the water. I love to be
- 59:48
submerged. But the drowning thing.
- 59:50
>> Yeah. Um, favorite Italian food.
- 59:53
>> Ooh, I have to say pasta.
- 59:57
>> What kind? So many kinds.
- 59:59
>> Marinada. Just simple Marinara.
- 1:00:02
>> Yeah. What my Nona would make.
- 1:00:03
>> Yes. I'm sorry about the passing of your
- 1:00:05
Nona. She seemed amazing. Marjorie
- 1:00:08
>> was amazing and she was so funny.
- 1:00:09
>> Tell me about her.
- 1:00:10
>> My favorite Nona story is Frankie coming
- 1:00:12
out
- 1:00:13
>> to her and um
- 1:00:16
>> so Frankie, you're
- 1:00:17
>> My brother is Frankie. Um he is gay. Um
- 1:00:20
and he [laughter] is very gay. I don't
- 1:00:23
know if you know. Um and he um and he
- 1:00:26
came out to us and you know my first
- 1:00:27
question was like, "Do you have a
- 1:00:28
boyfriend? Who is he? I want to meet
- 1:00:30
him." And um you know, Nona was just
- 1:00:32
trying to figure it out. You know, very
- 1:00:34
accepting, very loving, very
- 1:00:35
celebratory, but she was just trying to
- 1:00:36
figure it out because she couldn't
- 1:00:37
believe it. And you know, in her mind,
- 1:00:39
she had plenty of like boyfriend. I uh
- 1:00:41
he had plenty of girlfriends and
- 1:00:43
whatever. And um so she goes, "Frankie,
- 1:00:48
>> have you seen a pair of breasts?"
- 1:00:50
[laughter]
- 1:00:52
And he was like, "Yeah, yeah, yeah.
- 1:00:54
Know, I' I've
- 1:00:56
seen breasts." Yeah. And she goes,
- 1:00:58
"Didn't do anything for you." [laughter]
- 1:01:02
He was like, "No, no, no, no." And she
- 1:01:07
was like, "Well, you're gay." And
- 1:01:10
[laughter] Matt was like, "Yeah, I
- 1:01:12
know." Like, he [gasps] was like, "I
- 1:01:13
wasn't asking for you."
- 1:01:15
>> She was like, "One time, right before
- 1:01:17
you leave, can I just tempt you one more
- 1:01:19
time?"
- 1:01:20
>> Have you seen all of them?
- 1:01:21
>> She's like, "I just want to know if you
- 1:01:22
know what you're what you mean." It was
- 1:01:24
just so
- 1:01:25
>> Before you go, I'd like to remind you
- 1:01:27
what you're missing. And Frankie
- 1:01:29
[clears throat] was like, "I'm okay."
- 1:01:29
>> Yeah, I'm good. I know. I've already
- 1:01:31
asked this question. I promise.
- 1:01:33
>> She seems amazing. Like,
- 1:01:35
>> your family seems like it they're like a
- 1:01:38
really funny like tight group. Like, you
- 1:01:41
seem really connected to your family.
- 1:01:43
>> They I mean, we are. We are.
- 1:01:45
>> I mean, are you a typical Italian
- 1:01:47
family? Like,
- 1:01:47
>> I think so. I think so. I think like I
- 1:01:51
that's how we kind of grew up in the
- 1:01:53
loud Italian household with Sunday
- 1:01:55
dinners and cards and yeah,
- 1:01:58
>> you know, I learned poker with like I
- 1:01:59
was saying way before I should have
- 1:02:01
probably. And yeah, I I was
- 1:02:03
>> it was beautiful. I do feel like I am so
- 1:02:06
right smack in the middle between my mom
- 1:02:08
and my dad. Like I think Frankie and my
- 1:02:10
mom are like very similar and then I
- 1:02:12
like kind of in the middle of it all.
- 1:02:14
But yeah, they were amazing and my
- 1:02:16
grandpa [clears throat] was the best
- 1:02:17
ever. What was he like?
- 1:02:19
>> He was the best. And
- 1:02:20
>> what did you call him?
- 1:02:22
>> Grandpa.
- 1:02:22
>> Grandpa.
- 1:02:23
>> I called my nona nona and my grandpa
- 1:02:25
grandpa because he thought no no sound
- 1:02:27
too sounded too negative.
- 1:02:29
>> No, no,
- 1:02:29
>> no, no. He didn't [laughter] like it.
- 1:02:31
>> He was like, "No, no, no, no, no."
- 1:02:33
>> Yeah.
- 1:02:34
>> But he was incredible.
- 1:02:35
>> Yeah.
- 1:02:36
>> And he didn't And when Frankie came out
- 1:02:38
to him, he was just like, "What? What
- 1:02:40
the hell? Who cares? What are we going
- 1:02:41
to love him any less? We got dinner
- 1:02:42
reservations at Positano. Let's go."
- 1:02:44
>> Perfect. It's like that's what you wish
- 1:02:46
for every kid. You wish for every kid
- 1:02:48
that they have that kind of like loving,
- 1:02:51
teasing, instant acceptance, instant
- 1:02:54
love,
- 1:02:55
>> and just like being seen right away.
- 1:02:57
>> We need it now more than ever.
- 1:02:58
>> Amen. Amen.
- 1:03:00
>> I wish that for all the kids.
- 1:03:01
>> Same. And you do you provide that for a
- 1:03:03
lot of people. Ariana, you're just so
- 1:03:05
great. I just love love you so much,
- 1:03:08
too.
- 1:03:08
>> I was so nervous and excited to come
- 1:03:10
here because I adore you so much.
- 1:03:12
>> Thank you. Was there anything we didn't
- 1:03:13
talk about? I don't think they're okay.
- 1:03:14
Great. [laughter]
- 1:03:16
>> Thanks so much for doing this. It means
- 1:03:18
a lot. And um congrats on Wicked 2,
- 1:03:22
which is going to be out this week. And
- 1:03:24
I'm sure this little indie film is going
- 1:03:26
to get a lot of people talking.
- 1:03:28
[laughter]
- 1:03:29
>> No, but congrats on the huge success of
- 1:03:31
it and I can't wait to see all the stuff
- 1:03:33
that's coming up for you. And I'm just
- 1:03:34
such a fan. So, thanks for doing this.
- 1:03:36
>> You too. I love you and thank you for
- 1:03:38
having
- 1:03:38
>> Thank you so much.
- 1:03:40
>> Thank you, Ariana. It was so great to
- 1:03:43
have you and so great to um hear you
- 1:03:46
talk about all of the good things. And
- 1:03:48
it is time now for the Polar Plunge.
- 1:03:50
Today's Polar Plunge is presented by
- 1:03:52
Visible. When your phone plans as good
- 1:03:54
as Visible, you've got to tell your
- 1:03:56
people. Unlimited data, just 25 bucks a
- 1:03:58
month. Join today at visible.com.
- 1:04:01
So, to plunge into the uh into the
- 1:04:03
interview today, uh I I just want to say
- 1:04:06
that Ariana talked a lot about game
- 1:04:07
night and how uh how much fun she has
- 1:04:10
playing games and how some members of
- 1:04:12
her family get competitive. And I just I
- 1:04:15
wanted to just kind of do a public
- 1:04:16
service announcement to remind people
- 1:04:18
that a competitive person at game night
- 1:04:20
can ruin a game night. But as kind of a
- 1:04:25
competitive person myself, don't come if
- 1:04:27
you're not ready to win.
- 1:04:29
So, walk the line. Be care and try, but
- 1:04:35
don't be, you know, so awful that uh you
- 1:04:37
make everybody quiet. It's a fine line,
- 1:04:40
but I know you can reach it. So, today's
- 1:04:42
Polar Plunge was presented by Visible.
- 1:04:44
It's one line wireless on Verizon's 5G
- 1:04:46
network for $25 a month. That's a top
- 1:04:49
tier network at a budget friendly cost.
- 1:04:51
Tell your people and make the switch.
- 1:04:53
Terms apply. Sevisible.com for plan
- 1:04:55
features and network management details.
- 1:04:58
Thank you so much for listening. See you
- 1:05:00
again. Bye. [applause]
- 1:05:02
You've been listening [music] to Good
- 1:05:03
Hang. The executive producers for this
- 1:05:05
show are Bill Simmons, Jenna Weiss
- 1:05:07
Berman, and me, Amy Polar. The [music]
- 1:05:09
show is produced by The Ringer and
- 1:05:10
Paperkite. For The Ringer, production by
- 1:05:12
Jack Wilson, Cat Spalain, [music] Kaia
- 1:05:15
McMullen, and Alia Xanerys. For
- 1:05:17
Paperkite, production by Sam Green, Joel
- 1:05:20
Levelvel, and Jenna Weiss Berman.
- 1:05:21
Original music by Amy Miles.
- 1:05:26
I [music] could hate.