Transcript: Adam Scott on Good Hang with Amy Poehler
Full Transcript
Click any timestamp to jump to that moment in the video.- 0:00
Hello everyone. Welcome to another
- 0:01
episode of Good Hang. I am so excited to
- 0:03
talk to my TV husband, the father of my
- 0:05
triplets, Adam Scott aka Ben Wyatt,
- 0:08
Leslie Nope's dream come true. Adam
- 0:11
Scott, incredible actor, friend. He's
- 0:14
just I I just loved talking to him today
- 0:16
and we really get into it. We talk about
- 0:18
his love of you, too. We talk about how
- 0:20
he weirdly likes to drive barefoot. We
- 0:24
talk about parks and wreck, of course,
- 0:25
and we give you a lot of juicy stuff
- 0:27
there. and I try to figure out the crazy
- 0:30
ending of Severance. And um honestly, I
- 0:33
I don't know what's going on. So, I I
- 0:34
try to have him help me um understand
- 0:37
that incredible show. But before we
- 0:40
start, um we always like to talk to
- 0:43
people who know our guest and who want
- 0:44
to give us a question. And we're going
- 0:46
to keep this parks and wreck reunion
- 0:47
going today by talking to the one, the
- 0:50
only Nick Offererman.
- 0:53
Nick, are you there?
- 0:56
This episode of Good Hang is presented
- 0:58
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- 0:59
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[Music]
- 1:42
Hi Nick.
- 1:44
Hello,
- 1:45
Nick. You know what I love? Every time I
- 1:46
see you, I never know what kind of hair
- 1:48
situation I'm going to get with you. And
- 1:51
you and our guest today, Adam Scott,
- 1:55
great heads of hair.
- 1:56
That's the main thing we have in common.
- 1:58
Um, super super cute uh
- 2:03
guy in in one instance and donkey with
- 2:07
uh great heads of hair.
- 2:09
Stop it. You are so handsome. I love to
- 2:12
see you since I've seen you last in
- 2:15
person. It's been a minute. And um the
- 2:17
the one of the best things about this
- 2:18
podcast is getting to like talk to
- 2:20
everybody again and spend time with
- 2:22
everybody. And today I'm spending time
- 2:24
with the great Adam Scott,
- 2:27
the greatest.
- 2:29
Well, you know, we're going to talk
- 2:30
about this when we're in person someday
- 2:31
together. But I think that, you know, I
- 2:35
know that the character of Ron Swanson
- 2:37
is
- 2:39
iconic and it is in no um small part to
- 2:43
the way that you transformed yourself
- 2:45
and the way you approach your work
- 2:47
because I met you in Chicago back in the
- 2:50
day and you were coming from to this
- 2:52
work in a much more for lack of a better
- 2:56
term like more prepared actor space and
- 3:01
and you you're such a fine actor and I
- 3:03
can't wait to talk to you about it. And
- 3:05
Adam very similarly like kind of came
- 3:07
into the biz from that space too.
- 3:11
He did. Uh thank you by the way. I did
- 3:13
not expect compliments today. But I
- 3:15
Well, your people uh emailed me and said
- 3:17
I needed to start with them. So
- 3:19
I thank you and please thank them for me
- 3:23
as well. Um yeah, I love that about
- 3:27
Adam. I love his uh they hilariously
- 3:30
asked me to write a little thing for
- 3:32
Time magazine for like the hundred cool
- 3:35
people at right now. And it it was so
- 3:38
funny cuz they asked me to like sum up
- 3:41
his his thing and they gave me like 650
- 3:46
words or some something so brief that
- 3:49
and then they even cut paragraphs where
- 3:53
I was like come on you guys. Like this
- 3:54
guy's career is hilariously varied and
- 3:59
astonishing and also risible. Like he
- 4:03
has literally done everything. Um
- 4:05
I'm just going to look up Rizible real
- 4:07
quick.
- 4:08
It's a it's you'll you'll love Rizible.
- 4:10
R I S I B L E.
- 4:13
You love words. You are you've taught me
- 4:16
a lot of words. Rizible. Such as to
- 4:19
provoke laughter. I should know that
- 4:21
word.
- 4:24
You know, I love about him that he he
- 4:27
has done like piranha 3D and like just
- 4:32
wonderful like be movie schlot kind of
- 4:34
stuff. Also crazy the what was that HBO
- 4:39
show where he had apparently it was in
- 4:41
his contract that he had to show his
- 4:43
balls every episode.
- 4:44
Tell me you love me. He had a prosthetic
- 4:46
penis. It was the first thing I saw of
- 4:47
him.
- 4:48
Oh my god. And and he carried it off.
- 4:51
He sure did. literally carried off.
- 4:53
I guess I I guess you could have to say
- 4:54
he pulled it off.
- 4:58
He really pulled it off. I've known him
- 5:00
for a long time. We uh did play
- 5:03
workshops together like 20 plus years
- 5:06
ago and he was just this cool funny guy.
- 5:10
Like if you get to step aside with Adam
- 5:13
anywhere, he's just immediately the cool
- 5:16
kid where he's he whatever he says to
- 5:18
you, you're like, "Oh, I just want to
- 5:20
hang out with you." whatever this event
- 5:22
is. I mean, getting to work with him
- 5:23
finally on on Parks and Wreck, I always
- 5:26
said, and to this day, I still feel like
- 5:28
he's my favorite leading man that I've
- 5:31
worked with. Um, because he's so
- 5:34
authentic. He um he he lets the dorky
- 5:38
parts of himself shine. Even in
- 5:41
severance, he, you know, Adam's pure
- 5:45
sort of youthful uh juvenile otter like
- 5:49
persona
- 5:51
comes out even though he's like our our
- 5:53
romantic leading man. And I agree, it's
- 5:57
so gorgeous to see him leading this
- 6:00
massive artistic achievement. Yeah, I I
- 6:03
I I'm going to talk to him today about
- 6:06
obviously when he joined our show and
- 6:09
how uh what that felt like to jump onto
- 6:12
a train that was already moving. But I
- 6:14
realize I never talked to you. Look, you
- 6:18
and I I think had such similar first day
- 6:21
goals for the show and it was to make
- 6:24
good work and have a good time. And I
- 6:26
feel like we, you know, you more than
- 6:29
anyone at times really were my partner
- 6:32
in that every day. And
- 6:36
um I'm so grateful for it. But was there
- 6:39
when you remember him and Rob joining
- 6:42
the show was what do you remember
- 6:44
feeling about that at the time?
- 6:45
There was an excitement for sure. Uh
- 6:48
Adam was just coming off Party Down
- 6:50
which Megan had worked on with him,
- 6:52
right? And I was I was a really big fan
- 6:54
of
- 6:55
your great wife Megan Mali. People
- 6:56
should know your Tammy wife in life and
- 6:59
on on the show.
- 7:01
Tammy 2 plus.
- 7:03
I remember being excited at the talent
- 7:07
and but also having a little bit uh
- 7:10
where we had maybe eight series regulars
- 7:12
at the time. We were like um do we need
- 7:16
two can we service two
- 7:19
new hunks? Uh,
- 7:21
do we have enough do we have enough hunk
- 7:23
room?
- 7:24
Yeah.
- 7:25
Yeah. Yeah, I hear you. Um, okay. So,
- 7:27
I'm asking my Zoomers to uh give me a
- 7:30
question to ask my guest. So, I was
- 7:32
wondering if there's any question you
- 7:34
think I should ask Adam today. If I was
- 7:35
just hanging with Adam, this is what I
- 7:37
would ask him is he's he's he's one of
- 7:40
those guys who has a few dozen stories
- 7:44
that I've never heard, even though I've
- 7:46
heard dozens. Um, of just like
- 7:50
luminaries that he's, you know,
- 7:52
Scorsesei put him in a Leo movie. like
- 7:57
he's he's done so much and and casually
- 8:00
and quietly been uh in so many great
- 8:04
arenas.
- 8:05
I I would just say tell me tell me a
- 8:08
story about uh somebody who you would be
- 8:12
starruck with that I haven't heard um
- 8:16
that you've worked with.
- 8:17
That's a great question, Nick. I love
- 8:19
that question. And you're right there.
- 8:21
There's a quiet
- 8:23
experience that Adam doesn't brag about
- 8:27
certainly, but that like a lot he's been
- 8:30
on a lot of different sets with very
- 8:32
interesting to your point luminaries.
- 8:35
He's been he's been everywhere.
- 8:37
Well, friend, I hope I I can't wait to
- 8:39
get you in this seat. And it's a hot
- 8:41
seat, man. And and when we get when you
- 8:43
get here, I do want to talk more about
- 8:44
facial hair because I do think you've
- 8:46
had to switcheroo so much in your life
- 8:49
and your Ron's mustache is I'm going to
- 8:54
put it up there in the Mount Rushmore of
- 8:56
mustaches and I miss you very much and
- 8:59
love you and so appreciate you doing
- 9:01
this.
- 9:02
Well, I I miss you and love you as well
- 9:05
and uh give give my best to the gang and
- 9:07
we'll be in touch.
- 9:08
All right, buddy. See you soon.
- 9:10
Cheers.
- 9:12
This episode is brought to you by Uber
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Well, people haven't seen this feel. You
- 9:57
can't you can't hear it, but you can.
- 10:00
Listeners, this is a heavy peach. You
- 10:03
could kill someone with that peach.
- 10:05
That's why I like it.
- 10:06
Why is it is it a paper weight?
- 10:08
I guess it probably is. Doesn't smell.
- 10:09
There's not. You know what it doesn't
- 10:11
smell like is a peach.
- 10:12
Nope.
- 10:13
[Laughter]
- 10:15
Um, listeners, Adam Scott's just come
- 10:16
into the studio and he's um checking out
- 10:19
all the fake food. I knew you would love
- 10:21
it.
- 10:21
Peach still looks like a butt no matter
- 10:23
what.
- 10:24
Yeah, Peach is a butt.
- 10:26
I mean, that's why you give send someone
- 10:28
a peach emoji. You're like,
- 10:29
you're like, "Hey." You're like, "I like
- 10:31
your butt."
- 10:33
These are the miniature.
- 10:34
I love it.
- 10:36
Uh, this is doesn't get enough play.
- 10:38
This you might like. This is a felt
- 10:40
sandwich. But guess what? You can take
- 10:42
it apart.
- 10:43
You can also take a bite if you want. I
- 10:46
love a You know what? We don't You know
- 10:48
what we don't talk about enough is how
- 10:50
great a good sandwich is.
- 10:52
What is your favorite sandwich?
- 10:54
Uh I like
- 10:55
if you were to build a sandwich.
- 10:56
Okay. First of all, it would need to be
- 10:59
felt all of it. Um I just if feels good
- 11:03
in your hands.
- 11:05
Yeah.
- 11:06
Two different cheese. I mean, this is
- 11:08
I don't know. This might be too much
- 11:09
information, but I have a little bit of
- 11:10
TMJ.
- 11:12
So, yeah. So, it's hard. It's hard for
- 11:15
me to open my mouth to eat a sandwich.
- 11:18
I get nervous that I'm going to get
- 11:20
locked.
- 11:21
Sure. Like this.
- 11:23
And your arms, too. Locked like this.
- 11:25
And so, a giant sandwich.
- 11:27
Yeah. It's But check this out.
- 11:30
Bread.
- 11:31
Yeah. Tomato.
- 11:33
Tomato.
- 11:34
Some onion.
- 11:36
Onion. What the heck? What are we in
- 11:38
California?
- 11:39
AO. I don't like AO on a sandwich.
- 11:41
I don't either. Let's talk about it
- 11:42
because I feel like AO makes it soggy.
- 11:45
It also slides out.
- 11:47
That's what you said.
- 11:48
It doesn't cooperate with the rest of
- 11:50
the sandwich.
- 11:51
Um, speaking of AO,
- 11:53
yeah,
- 11:53
Adam Scott is here and he's a California
- 11:55
kid.
- 11:56
You're a California kid.
- 11:57
Yeah,
- 11:58
you grew up in California.
- 11:59
You love giving me [ __ ] about being a
- 12:02
California person.
- 12:04
Well, you grew up in Santa Cruz. and
- 12:05
tell people how you used to drive.
- 12:07
If you're wearing This is a universal
- 12:09
thing.
- 12:09
It definitely is not.
- 12:10
If you're wearing flip flops,
- 12:12
okay, yeah, that's already 80% of the
- 12:14
world is already
- 12:15
and you have to drive a car. It is
- 12:18
unsafe to keep the flip-flops on. You
- 12:20
have to kick them off and drive
- 12:22
barefoot.
- 12:24
People in Santa Cruz drive barefoot.
- 12:27
Ridiculous.
- 12:28
And Adam one time casually was like,
- 12:30
"You know when you're like driving
- 12:31
barefoot?" I I said, "Is your house on
- 12:33
fire?"
- 12:34
Yeah. Yeah. Yeah. Did you forget your
- 12:35
shoes?
- 12:36
But Santa Cruz people drive barefoot.
- 12:38
If you keep your flip flops on, they can
- 12:40
easily get like caught under the the gas
- 12:44
or the the brake and then you're you
- 12:46
know
- 12:46
Yeah. I I I that has happened to me when
- 12:49
I'm driving a golf cart on vacation. I
- 12:51
don't wear flip flops in life.
- 12:53
You Oh, so you've never entered a car
- 12:55
with flip flops on?
- 12:57
I don't know if I ever have cuz like I
- 13:00
feel like
- 13:00
I'm going to call [ __ ] on that right
- 13:02
now.
- 13:04
Well, first of all, I don't like uh
- 13:06
flip- flops that have the thing. You
- 13:08
probably You know what? Santa Cruz
- 13:09
probably loves this. The thing between
- 13:11
the the big toe and the
- 13:13
How else does a flip-flop function? What
- 13:16
kind of flip-flops are you wearing?
- 13:17
I like a flip-flop that Well, I guess
- 13:19
it's not a flip-flop that has the thing
- 13:20
over the foot.
- 13:21
Yeah, that's a sandal.
- 13:22
Okay. I like a sandal. I don't like a
- 13:24
flip flop.
- 13:24
All right. All right.
- 13:25
Um
- 13:26
Agree to disagree.
- 13:27
Santa Cruz. It feels like you guys
- 13:28
walked around flip-flops all day and all
- 13:30
these people.
- 13:32
I remember I sent you a photo from
- 13:34
Hawaii once. That's why I thought of
- 13:35
Hawaii where I I sent you a photo of my
- 13:38
barefoot on a gas pedal and you were
- 13:41
just like, "Nuhuh."
- 13:42
Al Yeah. So gross. Also truly like um
- 13:48
bare feet in general like I'm a I don't
- 13:52
know.
- 13:52
Yeah. Listen,
- 13:53
how do you feel about bare feet?
- 13:54
Okay. I'm I don't like love bare bare
- 13:57
feet and I don't wear flip flop fl like
- 14:01
I feel like in my 20s I was fine with
- 14:04
like jeans and flip flops which now I
- 14:08
feel like should be illegal.
- 14:10
I mean we spent a lot both of us spent a
- 14:13
lot of time in New York City. Like flip
- 14:14
flops in New York City is disgusting.
- 14:17
Doesn't work. It's gross.
- 14:18
I mean I guess Santa Cruz is nice but
- 14:19
how can you run away from those
- 14:21
vampires?
- 14:22
Yeah in flip flops you can't do it. My
- 14:24
first introduction to Santa Cruz was the
- 14:26
movie Lost Boys where there were hot
- 14:28
vampires.
- 14:29
Yeah. Jason Patrick in 1987.
- 14:32
So, how were you? How old were you then?
- 14:34
I was when that movie came out.
- 14:36
When they filmed it, I was 13 and my
- 14:39
next door neighbor Joe Ferrara. He owned
- 14:41
the comic book store that they use in
- 14:43
the movie. So, I got to go on the set of
- 14:46
Lost Boys as a 13-year-old
- 14:49
and I met Joel Schumacher
- 14:52
and I stood outside Cory Hay and Cory
- 14:55
Feldman's trailers and watched them walk
- 14:57
to their trailers and it was super
- 15:00
exciting.
- 15:01
That's pretty much but um it was my
- 15:03
comic book store. It was the comic book
- 15:05
store I go to all the time. So, I saw
- 15:07
like how they made it look different for
- 15:09
the movie and it was just it was cool.
- 15:11
What were comics were you into when you
- 15:12
were a kid? I was into I was into like
- 15:15
the Freak Brothers and Fat Freddy's Cat.
- 15:18
Do you know what these?
- 15:20
Nope.
- 15:20
So, do you think I just made those up?
- 15:22
Fat Freddy's Cat.
- 15:23
Fat Freddy's Cat and the and the
- 15:25
fabulous furry Freak Brothers. They were
- 15:28
like stoner. They were comic books about
- 15:31
stoners.
- 15:31
Oh, interesting. So, it wasn't more it
- 15:33
wasn't like the Marvel universe. Was it
- 15:36
I did that for I dabbled in that but I
- 15:38
was kind of more into the weird like
- 15:40
Zippy the pin head and do you know who
- 15:43
that is?
- 15:43
I I think I remember that a little bit
- 15:45
like when I was older there was it was a
- 15:48
like alternative comic
- 15:50
and I don't know why I was into it. Uh
- 15:53
but I I loved the Freak Brothers and I
- 15:55
wasn't smoking pot when I was like a
- 15:58
little kid or anything. I just love
- 16:00
these comic books. I know
- 16:01
you weren't you heard it here first
- 16:03
guys. Adam was not
- 16:04
I mean Santa Cruz I guess it's a kind of
- 16:06
a tossup.
- 16:06
They just blow it into your car. I'm
- 16:08
sure
- 16:09
with the they blow it into your car and
- 16:11
make you take your shoes off.
- 16:12
Yeah. You just flip flops are made out
- 16:14
of weed. I'm sure
- 16:15
you have to smoke your flipflops.
- 16:17
Um I have now interviewed Rudd and Ham.
- 16:21
Ham I haven't gotten into the studio
- 16:23
yet, but I did he did he he um he did
- 16:26
thing.
- 16:27
Yeah, he zoomed in from a hot air
- 16:28
balloon. Yeah, that's right. Um, but we
- 16:30
talked a little bit about you guys all
- 16:33
meeting and being like,
- 16:35
you know, young bucks at the same time,
- 16:38
which is really wild.
- 16:40
Yeah.
- 16:41
Where and they've talked about you.
- 16:44
Where did you see yourself in that trio?
- 16:46
What how would you describe because
- 16:48
you're What would you How would you
- 16:49
describe yourself if you like which
- 16:50
angel are you?
- 16:51
That's so funny. It's true. I always
- 16:54
kind of feel like sort of the little
- 16:56
brother in that trio a little bit
- 16:58
cuz I'm quite a bit younger than both of
- 17:01
them. Obviously that's like
- 17:03
pretty good. Um,
- 17:05
no, I feel like
- 17:08
Rudd I knew Paul I knew first um because
- 17:12
we met I met him at my graduation from
- 17:16
acting school. He was he was a speaker
- 17:19
at the graduation and I
- 17:20
He was talking about acting. No, he was
- 17:23
giving out an award and I was wearing
- 17:25
like this uh polyester red suit
- 17:30
just cuz I uh you know, you're just kind
- 17:32
of looking for attention wherever you
- 17:34
can get it. I guess if you're graduating
- 17:35
from theater school.
- 17:37
Oh, that's so that hit me really hard.
- 17:39
That's so true. You're just like, I'm
- 17:40
going to wear I'm going to dress like a
- 17:42
cowgirl or something and you're like,
- 17:44
I'm really I'm really out there.
- 17:45
Everyone's going to just cheer for me
- 17:48
just because I'm wearing this thing. Um
- 17:52
uh but yeah, we we I remember we hung
- 17:55
out afterwards and he was like, "Nice
- 17:57
suit." Um
- 17:58
so it worked.
- 17:59
It totally worked. Um
- 18:01
but yeah, so so so that was like 1993.
- 18:06
So I've known Paul and then we did a
- 18:08
play together which I think he brought
- 18:09
up on your show um in the fall of 1993.
- 18:13
Now, I remember I got my first acting
- 18:15
job while I was rehearsing that play and
- 18:18
my beeper kept going off while we were
- 18:21
rehearsing and the other guy in the
- 18:23
scene kept turning it off. Um,
- 18:25
passive aggressive
- 18:26
and it was Yeah. Yeah. turning it like
- 18:30
turning off that acting job for me.
- 18:32
He was like, "No." Exactly.
- 18:33
He's like, "We need you to be here."
- 18:34
Trying to stand in front of that acting
- 18:36
job.
- 18:36
Exactly.
- 18:37
Uh that guest spot on Dead at 21. He
- 18:40
didn't want anyone. He He wanted to get
- 18:41
that. And that guy was Leonardo
- 18:43
DiCaprio.
- 18:44
That's right. That's right. And was
- 18:47
never heard from again.
- 18:48
Nope. Never worked again.
- 18:50
Um, so yeah. So I knew Paul then and
- 18:52
then I met Ham like a few years later.
- 18:54
But I mean that is that's a very that's
- 18:58
a very like outsiders young gun kind of
- 19:00
vibe that you guys were all acting like
- 19:03
trying to audition. Yeah. I mean, and in
- 19:06
in the world in in in in the world,
- 19:09
you're very different, but I imagine
- 19:10
like there was I don't know, you could
- 19:12
have done a lot of similar parts and
- 19:14
probably audition for similar things.
- 19:16
Yeah. And I remember once uh John and I
- 19:19
were each doing a different CSI. He was
- 19:23
doing regular CSI. I was doing CSI Miami
- 19:25
and we were shooting like near each
- 19:28
other in Culver City or something and
- 19:31
like met up to go get a a beer
- 19:33
afterwards and I remember just kind of
- 19:37
sitting there and just being like, "How
- 19:39
much longer do you think we're going to
- 19:40
need to be like doing CSI, Mike?"
- 19:43
Because it was years and years for both
- 19:46
of us.
- 19:46
I know. I think it's super satisfying to
- 19:50
talk to you about this stage of your
- 19:52
career cuz like a lot of people I know
- 19:56
frankly you had so much experience
- 19:59
before a lot of America knew you like
- 20:02
and I was talking to like Nick about
- 20:04
this earlier. Oh, I talked to Nick
- 20:06
Offerman about it.
- 20:06
I did.
- 20:08
It was a surprise. But um he wanted to
- 20:10
know um when like when in that in that
- 20:14
part of your career before we all met
- 20:16
And I think he was specifically talking
- 20:18
about when you worked with Martin
- 20:19
Scorsesi, but like what what was when
- 20:22
were you really starruck during that
- 20:24
time?
- 20:25
I was always starruck and never felt
- 20:28
comfortable partially because
- 20:32
and maybe it's similar for you like not
- 20:35
growing up in Los Angeles or in show
- 20:38
business at all like having zero contact
- 20:40
with it. It being on a TV show or being
- 20:43
in a movie felt like going to the moon.
- 20:46
Mhm.
- 20:46
So once you're there, it's just so crazy
- 20:49
that there's a camera and there are
- 20:51
lights and a famous person sitting next
- 20:54
to you that I sort of it took me a
- 20:56
really long time and I think probably
- 20:59
hindered me. It's probably one of the
- 21:01
reasons that I
- 21:03
that it took me a while as I just never
- 21:05
was able to relax because I was so
- 21:08
freaked out by all of it. Um
- 21:10
really
- 21:11
I think so.
- 21:11
Just were you really anxious? really
- 21:14
anxious but really nervous.
- 21:15
Nervous.
- 21:16
And
- 21:17
how did it manifest? Did it manifest or
- 21:20
Yeah, it manifested in me not being and
- 21:22
and I think part of it is and it's
- 21:25
something that I saw you doing pretty
- 21:27
immediately when we started working
- 21:29
together is you were like
- 21:32
you were good with all of it and
- 21:35
comfortable with all of it and you were
- 21:39
able to share yourself with the camera
- 21:42
which is something that took me a long
- 21:44
time to even realize was something you
- 21:46
needed to do beyond figuring out what
- 21:49
the scene was or the characters or
- 21:51
anything like that. You just have to be
- 21:53
able to to open up and share yourself
- 21:58
with it. Does that make sense?
- 21:59
It doesn't. It's so interesting because
- 22:00
it's kind of like what we talked about
- 22:03
like the way in to like when you and any
- 22:07
job the way the way you enter can be
- 22:10
kind of the thing that you identify with
- 22:12
forever like I'm this kind of person.
- 22:14
I'm this kind of performer. And I always
- 22:17
found like when I was in Chicago and
- 22:19
it's funny like Nick is a good example.
- 22:20
Nick was in like the like serious
- 22:23
theater scene and there were the
- 22:24
improvisers and you know people that
- 22:27
came the comedy road. There were the
- 22:29
serious actors who studied acting,
- 22:31
right?
- 22:32
And I used to find that they were so
- 22:35
trained and so good and I felt a little
- 22:38
inferior in terms of skill
- 22:40
but I also thought they took things very
- 22:42
seriously.
- 22:43
Yeah. And because of it, they were
- 22:46
missing that like play
- 22:47
totally like it was all their work was
- 22:50
done when they got to set.
- 22:51
I said this about you and Katherine Han,
- 22:54
two very skilled actors who who who
- 22:57
studied.
- 22:58
You first of all, you knew your lines,
- 23:00
which is important.
- 23:02
Okay, that's your lines.
- 23:04
I did. But I mean I just mean but I mean
- 23:06
you would you would both prepare in a
- 23:08
way that was an you know part of the
- 23:11
process of you working and the
- 23:13
preparation was really impressive. Um
- 23:16
and what I really um loved about working
- 23:19
with you and still do is you are one of
- 23:21
those rare people that you may maybe it
- 23:23
was learned maybe it didn't come right
- 23:25
away but you do have a big sense of
- 23:28
play. You do not come in with some
- 23:30
preconceived notion of how things should
- 23:32
go.
- 23:33
And you can straddle that like really
- 23:36
good, deep acting and really dumb fun
- 23:42
[ __ ]
- 23:42
right?
- 23:43
But that's because Yeah. Yeah. Sorry.
- 23:45
Go.
- 23:46
No. Why? Why do you think that's because
- 23:48
Well, I think that's because I was doing
- 23:50
it with you.
- 23:50
But you were doing it before then, too.
- 23:52
Not really. I mean,
- 23:54
really? Party down,
- 23:56
right? And
- 23:57
but Party Downs,
- 23:59
but Party Down was more scripted. I
- 24:01
mean, we didn't have the like fun runs
- 24:03
and stuff like we did on Parks.
- 24:05
Um, I think Martin Star would improvise
- 24:09
more than anybody. Um, and Step
- 24:12
Brothers, I was just like trying to keep
- 24:14
my head above water. I'd never really
- 24:16
improvised before. So I was like it was
- 24:18
one of the reasons I looking back I was
- 24:20
I I once started really doing parks and
- 24:24
it's like this is the way to do it. This
- 24:26
is like so fun
- 24:28
and um and it's no less satisfying than
- 24:33
some serious thing. It's it's all in
- 24:36
there. The characters are bone deep.
- 24:39
It's so funny. Everyone cares about each
- 24:42
other and it's super fun. Um, so it it
- 24:46
made me kind of think like all those
- 24:48
years I was wasting trying to like get
- 24:50
three lines on NYPD Blue, I could have
- 24:53
been trying to do something at Improv
- 24:56
Olympic or it just it's just you look
- 24:58
back and
- 25:00
it's so funny. I I can remember all the
- 25:02
those years that we all did those movies
- 25:04
big and small parts in them where improv
- 25:06
was so important to make those movies
- 25:09
come alive. But I remember there was
- 25:12
like a tipping point for me one time in
- 25:14
a movie that I did where like there was
- 25:16
just like 10 people like shouting jokes
- 25:19
at me, right,
- 25:20
about like do this and do that. And I
- 25:22
remember going like oh I don't even know
- 25:23
what my character's name is. I don't I
- 25:25
don't even know what my character is.
- 25:27
Like it's so I kind of
- 25:29
It's so interesting you say that because
- 25:31
like it's around that time from like
- 25:33
2005 through like 2013
- 25:36
that was the overwhelming culture on
- 25:40
comedy sets was just a bunch of people
- 25:42
screaming
- 25:43
jokes at you and you just being like
- 25:45
yeah who which one of us says and
- 25:47
they're like either one and you're like
- 25:49
who cares cool yeah I've done a good job
- 25:51
with my character if either one of us
- 25:53
can say this joke. No, I know. And I
- 25:55
feel I it's it's and you like your
- 25:58
career is so interesting. You have done
- 26:02
so many different things. I think it's
- 26:04
what is I I know for me like so exciting
- 26:08
about this moment for you is that um
- 26:12
it's just it there just really nothing
- 26:16
you can't do. Adam,
- 26:17
stop that.
- 26:18
It's so true, dude. So ridiculous. Um,
- 26:21
have But but I think people like to know
- 26:24
these things. Was there ever a part you
- 26:26
auditioned for that you got close on
- 26:27
that you didn't get?
- 26:28
Yeah. Uh, Six Feet Under.
- 26:31
Yeah, that that was the one that I
- 26:34
didn't get. And it's good that
- 26:35
it was for Michael Se Hall's role.
- 26:37
Michael Se Hall's role. And it's good
- 26:38
that I didn't get it because
- 26:41
it wouldn't be nearly as good if I had
- 26:45
done it cuz
- 26:47
um he was perfect and incredible. He's
- 26:50
incredible. And I wasn't ready.
- 26:52
But you mean like it was between you and
- 26:54
two other guys?
- 26:55
He and I tested for it and I believe
- 26:58
that hurts.
- 26:59
I It It was It was the one where I was
- 27:01
like, I might stop doing this. I think
- 27:04
that it's time for me to like read the
- 27:08
tea leaves and walk away. I think people
- 27:10
understand that enough when you we all
- 27:12
have when you lose a part and it's so
- 27:14
close and then the show is this hit and
- 27:16
you watch it.
- 27:17
It really is like
- 27:18
painful
- 27:19
someone [ __ ] your girlfriend in front
- 27:20
of
- 27:21
Yeah.
- 27:23
100%.
- 27:23
You're just like, "Oh my god, this show
- 27:25
is so good and he's so good in
- 27:27
that show." And that show was everything
- 27:30
like it just kind of like eclipsed all
- 27:33
other shows. It was the show I went and
- 27:35
did a couple episodes as Michael's
- 27:37
boyfriend. Oh, that's really
- 27:39
like in season two and
- 27:42
and Michael was like, "You want to see
- 27:43
the trailer you could have?"
- 27:44
Yeah. Yeah, exactly. Everything he
- 27:46
showed me his uh his bank account. Um
- 27:49
no, he he was lovely, of course, and and
- 27:52
it was fun and stuff, but yeah, that was
- 27:54
a blow. That was hard. Um but you know,
- 27:58
that's it's also important that you have
- 28:01
those
- 28:03
those experiences.
- 28:04
Are you good in auditions, do you think?
- 28:06
No. No. No. No. Terrible.
- 28:08
Me too.
- 28:08
I hated it so much. I was so nervous.
- 28:11
You were nervous.
- 28:12
Yeah.
- 28:13
What about you?
- 28:14
Well, I was nervous, too. But the way I
- 28:16
masked my nervousness was, which is not
- 28:18
a great quality, is I would get kind of
- 28:20
like um I would seem kind of ambivalent.
- 28:22
Uhhuh.
- 28:23
Like I would get kind of, you know, when
- 28:24
you get nervous, you get sleepy.
- 28:25
Yh. Y
- 28:27
so I would be very nervous and just like
- 28:30
stomach in knots and and and really
- 28:32
psyching myself out of like just go in
- 28:35
there just just you know just do what
- 28:37
you can do.
- 28:38
Yeah.
- 28:38
But that would tip over into
- 28:41
I don't care.
- 28:41
I don't care.
- 28:42
Yeah.
- 28:42
And what was your audition like for
- 28:44
Park? Did you audition for parks and
- 28:46
No. No. I was lucky.
- 28:48
You just got they gave it to you.
- 28:50
Yeah. Cuz Mike,
- 28:54
I remember the day that my phone had you
- 28:58
and Mike's names on the voicemail thing
- 29:02
and I was like, whoa, is this is it
- 29:04
finally like happening to me cuz I and I
- 29:07
showed someone like look Mike Sher, Amy
- 29:10
Polar and then there was someone else
- 29:11
who was calling me. It was like suddenly
- 29:13
for whatever reason people were there
- 29:16
were incoming calls asking me to do
- 29:19
stuff and then that had never happened
- 29:21
before. Um I don't remember why that
- 29:24
started happening on one particular day
- 29:27
but you left me a voicemail and that was
- 29:29
a huge deal. I'm sure I still have it.
- 29:31
Really?
- 29:32
Yeah. I'm sure I do.
- 29:33
We should put like a techno beat to it.
- 29:35
Totally
- 29:35
put it out.
- 29:36
No, that's when I first heard it I was
- 29:37
like this would make a great song.
- 29:40
This would be a hit. This is catchy.
- 29:42
How does this voicemail catchy to me?
- 29:44
So, wait, just Yes. C can can I just
- 29:47
want to interject so I don't forget
- 29:49
that's what I do. I I always forget [ __ ]
- 29:51
that I was going to say. Every single
- 29:54
day someone tells me Parks got them
- 29:58
through the pandemic. And I heard you
- 29:59
mention it on a previous episode.
- 30:01
Every single day people say, "I watched
- 30:04
it during co I watch it with my kid. My
- 30:06
kid's going through a hard time. I like
- 30:09
to watch it at night because I get I
- 30:11
have a lot of anxiety. Like
- 30:13
I I cannot believe the way that that
- 30:16
show continues to be a a medicine for
- 30:20
people. It's
- 30:20
it's so nice.
- 30:22
And Ben and Lesie.
- 30:24
I know. I know. We just We Do you
- 30:27
remember we were texting just a couple
- 30:28
months ago and just kind of commented on
- 30:31
how nice they are?
- 30:33
They're so nice. They're so much nicer
- 30:35
than us.
- 30:36
So much nicer. And they're so nice to
- 30:38
each other.
- 30:39
I know.
- 30:40
And every every woman deserves a Ben.
- 30:42
Every woman deserves a partner like Ben
- 30:44
who roots for you and like looks at you
- 30:49
and is just like, "That's my gal." Like,
- 30:52
everyone deserves that kind of
- 30:54
relationship.
- 30:55
Lesie from the word go
- 30:59
loved Ben.
- 31:00
Oh beyond.
- 31:01
Like I Now looking back, it's like they
- 31:04
were just in love with each other.
- 31:06
immediately
- 31:07
and their arc was such so juicy. The
- 31:09
writers, Mike and the writers, because
- 31:11
they meet and they're just like,
- 31:13
"Well, what's your deal?"
- 31:15
Oh, yeah. It was like,
- 31:16
and then and then they like each other,
- 31:19
but then they can't
- 31:20
they can't be together.
- 31:22
They can't be together, but she's like,
- 31:23
"Really?" I mean, they probably could
- 31:24
have
- 31:25
I know. It didn't matter, but
- 31:27
And then they
- 31:28
And Mike was like, "This is totally fake
- 31:30
and whatever, but we just need to have
- 31:32
Rob care about you two being together."
- 31:34
And it worked. And it was like made it
- 31:36
even hotter.
- 31:38
And then Ben was like, "I want you."
- 31:40
Like Ben kept putting Leslie's, you know
- 31:42
what it is.
- 31:43
They kept putting each other's needs
- 31:46
over their own. They cared about what
- 31:48
the other one needed and they respected
- 31:50
each other. Like they really liked what
- 31:52
the other one did.
- 31:54
And it was the best thing about that
- 31:55
relationship is how um you know, with
- 31:57
the exception of Ann who is
- 31:59
of course
- 32:00
Leslie's number one. Um
- 32:02
of course uh
- 32:03
I've accepted that.
- 32:04
Yeah. uh is the way that they um they
- 32:08
just rooted for each other.
- 32:10
Yes,
- 32:11
they really rooted for each other.
- 32:12
I I haven't seen a ton of It makes me
- 32:15
sad to watch the show cuz I miss it.
- 32:17
Why did you say that? Why does it make
- 32:19
you sad?
- 32:20
Because I I miss it. I like you were
- 32:23
saying like we really appreciated being
- 32:26
there every day and it was so fun. And
- 32:29
also just sort of walking in that
- 32:31
building and then suddenly you're there
- 32:33
and the hallways and the
- 32:35
Yeah,
- 32:35
it was so fun and the people I just
- 32:38
loved everybody. But I guess maybe it
- 32:40
just That's a good question. Why does it
- 32:43
actually make me sad?
- 32:43
I think I know is cuz you're stuck in
- 32:45
that [ __ ] weirdo.
- 32:48
You're running.
- 32:50
I told Adam I was like too much running.
- 32:52
Too much running. Yeah, I know. I was so
- 32:55
tired.
- 32:56
I mean just exhaust and there's you
- 32:58
don't even know where you're going. I
- 32:59
mean, every hallway looks the same.
- 33:00
I know. Get lost. Get lost every day.
- 33:03
It's just that's why
- 33:04
it's exhausting and confusing.
- 33:07
Yes,
- 33:08
I know. Pawny hallways.
- 33:10
People are dying in your new workplace.
- 33:12
Like, they're getting killed.
- 33:14
Pawnie, everyone's nice. There's a
- 33:17
graphic painting of a massacre on the
- 33:20
wall, but it's covered up. That's true.
- 33:22
That's okay.
- 33:23
It was a terrible massacre. Um, but
- 33:25
something I saw recently is our very
- 33:28
first scene in that bar when
- 33:30
I love that scene.
- 33:31
Me too.
- 33:32
So well written, that scene.
- 33:33
Yes. And
- 33:35
we're having a beer and I say Ben says,
- 33:38
"Yeah, but you want to you're going to
- 33:40
run for and and like immediately just
- 33:42
knows that Leslie has the these
- 33:45
ambitions." Yes.
- 33:46
That it seemed that you'd never even
- 33:48
said out loud before, but is 100% what
- 33:52
you planned on doing. It was just such a
- 33:54
great little
- 33:55
Yes. What they saw they saw in each
- 33:57
other the dream for the other like they
- 34:01
just they kept like they assumed the
- 34:04
best and they saw
- 34:07
the potential in each other basically. I
- 34:09
know it was so fun to play that. And I
- 34:11
was saying too that I I for this
- 34:13
interview I rewatched your first scene
- 34:15
which it's so good because Nick and I
- 34:18
are on the we you know Ron and I never
- 34:21
sat on this. We never even sat down next
- 34:23
to each other.
- 34:24
Usually you were at Loggerhead.
- 34:25
Yeah. We were across from each other
- 34:27
and so it's like you've got the kind of
- 34:30
like
- 34:30
Pawnie side and then you and Rob come in
- 34:33
with suits,
- 34:34
right?
- 34:35
And it's like who are these whippers
- 34:36
snipers?
- 34:42
first,
- 34:46
who is this new person?
- 34:48
Who are these guys? Yeah.
- 34:56
What was it like to join a show that was
- 34:59
in motion that you had watched already
- 35:02
on TV?
- 35:02
It was so weird. Um, but immediately
- 35:06
fun. Like even the first table read, I
- 35:08
remember I was like I got I walked in
- 35:11
the room like 1 minute after I was
- 35:14
supposed to be there. So I was already
- 35:15
like thrown like I'm [ __ ] late to my
- 35:19
first Jesus Christ. And but it was
- 35:22
immediately so warm and welcoming and
- 35:25
super fun. People Everybody's laughing
- 35:28
at the incredible jokes in the script.
- 35:32
But then when we started shooting, um, I
- 35:35
mean, you you know, you it was a it was
- 35:38
a a welcoming place. It immediately kind
- 35:40
of fostered encouraged your best, but
- 35:44
also
- 35:46
um to take swings and shots without any
- 35:51
sort of fear of doing the wrong thing.
- 35:55
That was just never really there. And
- 35:57
then that short season was kind of short
- 35:59
when we started because I was
- 36:00
Prager's
- 36:02
and it's not always easy like getting
- 36:06
chemistry going with a gal who's like
- 36:08
hiding her stomach behind a plant.
- 36:10
Easy,
- 36:11
but it was I remember just being like,
- 36:13
"Oh, bless your heart, Adam." The other
- 36:15
thing I just like that I feel like I am
- 36:18
proud of during that is the way in which
- 36:22
and I I said it before but I feel like
- 36:24
the way in which in real time I it it's
- 36:27
a job that I felt the most present in
- 36:31
SNL felt like a you know a speeding
- 36:34
train an emergency room and I learned
- 36:37
really fast and hard lessons really fast
- 36:40
and for
- 36:41
everyone on parks I felt like we were
- 36:43
all kind kind of in this tender bubble
- 36:46
because we often thought we were going
- 36:48
to get
- 36:48
cancelled
- 36:49
where
- 36:51
we just kind of knew what we had. I
- 36:53
don't know.
- 36:54
I think that you guys did a really good
- 36:56
job because all the stuff about us
- 36:57
almost getting cancelled. I think we all
- 36:59
kind of sensed something, but I don't
- 37:01
think any of us except you and I think
- 37:03
you and Mike protected us from a lot of
- 37:05
that, which is great producing and
- 37:08
really taking care of all of us.
- 37:11
Um,
- 37:12
I don't think we were ever quite I've
- 37:15
kind of heard all of it since. Um, but
- 37:17
it was pretty tenuous there at the end
- 37:20
of the seasons.
- 37:21
Yeah. Yeah.
- 37:22
Which is scary.
- 37:23
You're a great producer. What do you
- 37:24
like about producing? Speaking of
- 37:26
producing.
- 37:26
That's nice of you to say. Um, I learned
- 37:30
a lot watching you work and working with
- 37:33
you, both as a producer, but also as the
- 37:36
lead actor. like you really kind of set
- 37:39
the template for me
- 37:42
truly um how everyone should and
- 37:46
deserves to be treated
- 37:48
cast and crew and all of that. I always
- 37:50
kind of directing specifically is like
- 37:53
cuz you're looking at a monitor all day.
- 37:55
It's like getting to watch television
- 37:57
which is like one of my favorite things
- 37:58
to do except you get to go in and try to
- 38:00
make it better. And producing is
- 38:02
somewhat similar in that you're spending
- 38:04
all of your time just trying to nitpick
- 38:07
and find all of the things that don't
- 38:10
work and find solutions for all of them
- 38:13
or or making sure everybody's happy and
- 38:16
feeling good about what they're doing.
- 38:17
That's another important component that
- 38:20
I really learned from you and Mike, too.
- 38:22
It's so important that everybody is
- 38:25
feeling like they're a part of it, like
- 38:27
a useful cog in the machine, and that
- 38:29
there it's a satisfying job for them.
- 38:32
Now, do you guys have um for severance,
- 38:35
uh which by the way, congratulations.
- 38:36
Thanks.
- 38:37
And get that Emmy speech ready, baby.
- 38:40
Get that Emmy speech ready, honey,
- 38:43
please.
- 38:43
Um but um
- 38:46
get it ready. But um
- 38:50
uh when you um when you shoot that show,
- 38:53
is it I just feel like it's a really I
- 38:56
mean it's so beautifully shot, you have
- 38:59
such great uh set design. You have tons
- 39:03
of like it just seems like it's a long
- 39:06
How many days take is one episode take?
- 39:09
Well, it depends.
- 39:10
It's long, right?
- 39:11
It's long. The season 2 I think it was
- 39:15
186 days.
- 39:16
Wow. for the season, which is a a long
- 39:20
time, you know. I mean, I think like one
- 39:22
episode took like six weeks and then I
- 39:25
think it's kind of average out because
- 39:26
we shoot them like three at a time all
- 39:29
mixed up together crossboard is the you
- 39:32
do that. Okay.
- 39:33
Season one we shot the entire thing at
- 39:36
once. So like in month nine we were
- 39:39
still shooting scenes from the first
- 39:41
episode. But the thing that that did,
- 39:44
the accidental thing that that did is,
- 39:46
you know, the first few episodes of any
- 39:48
show are a little shaky and everyone's
- 39:50
finding their tone a little bit or
- 39:52
characters or whatever. It spread that
- 39:54
out over the entire season. So it kind
- 39:56
of felt more or less
- 40:00
fully real, you know, in a way fully
- 40:02
realized from the start, but the shaky
- 40:04
scenes are kind of distributed over the
- 40:07
over the um
- 40:09
you do so much switcheroo in that show.
- 40:12
I mean like you have to act against
- 40:14
yourself. You have to figure out
- 40:16
versions of yourself truly that change
- 40:18
mid scene, let alone mid-sentence. Do
- 40:21
you have a script supervisor or a graph
- 40:23
or someone that keeps that? How do you
- 40:26
keep track of that?
- 40:27
Yeah. Um, that's a good question. I in
- 40:30
season one, I remember I had heard that
- 40:32
Michael Keaton had this big like these
- 40:34
big poster boards for multiplicity where
- 40:37
he kept track of all of his characters
- 40:40
and I got large like construction paper.
- 40:44
I remember I was staying in Aziz's
- 40:46
apartment in season one. And so I was
- 40:48
like I remember putting it out on the
- 40:50
floor and getting like a marker and
- 40:52
drawing a line and like trying to like
- 40:56
mark down like the scenes and the
- 40:58
episodes and eventually was like I I
- 41:00
don't know what I'm and I just stopped
- 41:02
doing that. I just gave up. But um I
- 41:06
think it's uh you just sort of map it
- 41:09
out and then just like a math problem.
- 41:12
is try to kind of lock in what's going
- 41:14
on.
- 41:15
Particularly if you're shooting it all
- 41:17
at once, you have to sort of make some
- 41:19
decisions and and um we would go back
- 41:22
and forth between characters sometimes
- 41:23
in
- 41:24
in one like in the morning we would do
- 41:26
iny stuff and in the afternoon do udy
- 41:29
stuff.
- 41:29
Ah interesting.
- 41:30
Yeah. And so
- 41:31
Oh, that's interesting. Yeah.
- 41:32
So you like iny before lunch outy after
- 41:34
lunch.
- 41:35
That's right.
- 41:36
Which is good cuz you're slowed down
- 41:37
after lunch.
- 41:38
You want to let it outy.
- 41:39
Yeah. Yeah. You got to get it out.
- 41:40
You got to get it out.
- 41:41
Yeah. Yeah,
- 41:41
you let it iny, then you got to get it
- 41:43
out.
- 41:46
I mean, it's such a such an indication
- 41:47
of how well that show um uh trapped us
- 41:52
because in the in this last season, just
- 41:55
so incredible. The finale was so
- 41:56
incredible.
- 41:57
Thanks. What?
- 42:00
Your wife,
- 42:02
right?
- 42:03
She went
- 42:05
pretty hard to get back to you.
- 42:07
Yeah, I know,
- 42:08
dude.
- 42:08
I know. Were you pissed?
- 42:11
Yeah.
- 42:11
Yeah. Yeah.
- 42:13
And Britt is incredible. I got to do a
- 42:16
movie with Brit.
- 42:17
Yeah, that's right. You guys did
- 42:18
Yeah, we did this movie Sisters and she
- 42:20
was so fun in it and so funny. She's
- 42:22
great in the show. But
- 42:25
well, what other choice was any Mark?
- 42:28
I don't know the choice whether you're
- 42:29
going with your wife.
- 42:30
So walk out the door and like end your
- 42:32
life and
- 42:34
Yes, you go to the door.
- 42:36
That's the choice you would.
- 42:37
What do you mean end your life? He walks
- 42:39
out that door. He doesn't know if he's
- 42:41
ever coming back. He He walks out that
- 42:44
door, he becomes his Audi. He doesn't
- 42:46
know if that Audi is ever going to walk
- 42:48
back in that building.
- 42:49
But that building is not great.
- 42:52
No, but it's better than not existing.
- 42:54
But it Yeah. I don't know. That's a good
- 42:56
question.
- 42:57
That was such a good ending. It was like
- 42:59
standing up shouting at the TV ending.
- 43:02
It was so good. And you played it so
- 43:04
well and it was so exciting to watch
- 43:06
that ending. It was so satisfying.
- 43:08
You were nice. texted me like right
- 43:10
after and you you text pretty promptly
- 43:13
after things and it always means the
- 43:16
most when you text me. It really does.
- 43:18
I mean it means the most that I get to
- 43:19
have friends that I mean can for people
- 43:21
listening can you imagine your favorite
- 43:22
t it's the best feeling in the world
- 43:24
your favorite TV show and then you get
- 43:27
to text the person on it immediately and
- 43:29
be like what the [ __ ]
- 43:30
right
- 43:31
and you know and it's not like you get
- 43:33
any spoilers but you just get to like be
- 43:35
like you get to process
- 43:37
Yeah. Like I think growing up if I ever,
- 43:39
you know, if I had ever been able to, I
- 43:41
don't know, text Molly Ringwald, right,
- 43:44
and be like,
- 43:45
"Dude,
- 43:46
you, why didn't you pick Ducky?"
- 43:48
Ducky man.
- 43:48
Ducky was the dude.
- 43:50
Um, or like I remember I wrote viewer
- 43:53
mail to David Letterman
- 43:56
and just never, you know, it just kind
- 43:58
of went off and and disintegrated in the
- 44:01
mail.
- 44:01
And you were like, Dave?
- 44:03
Yeah, Dave. Hey,
- 44:04
I remember I came up with this whole
- 44:05
thing that I thought they would use to
- 44:08
create a bid around that I thought would
- 44:09
be
- 44:10
so lame. Yeah, people should know this
- 44:12
about you. You have great hair and you
- 44:14
do not have a system. That is your hair.
- 44:17
Do you mean like a toupe?
- 44:19
I I don't know. Just you don't have a
- 44:20
system, whatever that is. And there's
- 44:22
nothing wrong with having it.
- 44:24
No, look, there is nothing wrong with a
- 44:26
system.
- 44:26
Nothing wrong with a hair system,
- 44:28
men and women. I'm just saying that Adam
- 44:30
has great hair and
- 44:33
you do you think it's because you're
- 44:34
Scottish? Aren't you Scottish? And
- 44:36
I'm Scottish. I'm Sicilian. Oh,
- 44:39
okay. That maybe it's that.
- 44:41
I don't know. But also, I started taking
- 44:44
Propezia when I was like 30 years old.
- 44:47
Really?
- 44:48
Yeah. It started it started coming out
- 44:50
um pretty like when I was like 30ish.
- 44:54
Um, yeah. I mean, everyone on Park's
- 44:57
room, all the guys had great hair.
- 44:59
Yes. And all the men and Katherine Han
- 45:01
had great hair.
- 45:02
Han has great hair.
- 45:03
And then I don't think Rashida would
- 45:04
mind or Aubrey would mind that we all
- 45:06
felt like we had
- 45:09
our hair was
- 45:12
it was just it's just thin.
- 45:13
Oh.
- 45:13
But um it was all the men would just
- 45:16
have these like giant heads of hair.
- 45:18
That's right.
- 45:19
like and it just and just I mean Nick
- 45:22
would grow a beard in a day. Like he
- 45:24
would
- 45:24
Yeah. Yeah. That mustache is like what
- 45:27
is it 45 minutes he can grow that?
- 45:29
Yeah, he can grow it in 45 minutes if he
- 45:30
just goes
- 45:31
Yeah. He has to push really hard.
- 45:33
Um but one more severance question which
- 45:36
is um uh what is happening on it? What
- 45:41
is it? And
- 45:44
what what happened?
- 45:45
Right. What's going on?
- 45:46
And what's going on? what happened and
- 45:49
what is it?
- 45:50
But you do host a podcast. How has that
- 45:52
been?
- 45:53
Ben and I host it.
- 45:54
Yeah. How has it been doing that? Like
- 45:55
what's it like to talk about the show
- 45:57
that you're
- 45:58
It's actually been um we did we
- 46:01
originally it was actually Naomi's idea.
- 46:03
She was like you guys like because it
- 46:05
had been 3 years since season 1. We were
- 46:07
just like we were just worried about
- 46:10
everyone that watched the first season
- 46:11
coming back. So, we're just trying to
- 46:13
think of ways to and Naomi thought, "You
- 46:16
got you know, you guys should do this."
- 46:17
And um it actually was it's so fun to
- 46:21
just go back and really be able to to
- 46:24
watch the episodes as finished things
- 46:27
and talk over it with the actors or, you
- 46:30
know, crew members or or whomever. um
- 46:33
and kind of talk about it as audience
- 46:36
members and kind of dipping into uh what
- 46:39
we remember, what we intended and you
- 46:42
know all that stuff.
- 46:43
Cool. And do you remember the YouTube
- 46:45
podcast you used to do with Aur?
- 46:46
Yes.
- 46:47
What if I didn't remember it?
- 46:49
Do you remember? That's such a bad
- 46:50
question. Do you remember?
- 46:53
Because it's something that you could
- 46:55
forget. People also don't know that you
- 46:58
did a podcast about you too and it was
- 47:00
called
- 47:01
you talk and you two to me.
- 47:05
Why? Why did you do a podcast about you
- 47:07
two?
- 47:07
We did it because we found out that we
- 47:11
were both you fans and there was
- 47:14
something funny about doing a doing it
- 47:16
because YouTube is so huge. There was
- 47:19
something funny about doing it's almost
- 47:21
like doing a podcast about like Sizzler
- 47:24
or something. I love YouTube, but
- 47:27
they're big and so and I don't know.
- 47:29
It's hard to pinpoint exactly why it's
- 47:31
funny to do the thing and that wasn't
- 47:34
the right analogy, but um we both found
- 47:38
out that that that Kulop Scott's wife
- 47:41
and Nam were sick of hearing about you
- 47:44
two and didn't want to talk about it
- 47:45
anymore. And so we I think maybe Seth
- 47:49
Meyer said something on this show about
- 47:52
being a middle-aged man. If you want to
- 47:54
have middle-aged male friendships, you
- 47:56
need to do a podcast together.
- 47:58
Oh my god. Yes. Yeah. I mean, it is it
- 48:02
it's one of the things I love about you
- 48:04
is you have a very back of the classroom
- 48:07
style of comedy. Like you are a side
- 48:10
like you're the like out of your mouth
- 48:11
talker. You're a [ __ ] talker. Um, not in
- 48:15
a bad way, but you like, you know, you
- 48:17
are you are
- 48:18
you can be like the a love tap from Adam
- 48:22
is like a quick, you know, to me that's
- 48:26
what intimacy is is when you can like
- 48:29
[ __ ] talk your friends. Um, and you like
- 48:33
to mumble out of the side of your mouth
- 48:35
in the back of the class.
- 48:36
Sure. But what comes what what's great
- 48:38
about that is along with that comes like
- 48:41
you like deep dives into
- 48:46
dumb stuff.
- 48:46
Dumb stuff.
- 48:48
Like getting dumb stuff and and like
- 48:50
elevating it by the way you talk about
- 48:52
it. Have you always been like that?
- 48:54
Maybe
- 48:54
cuz you were a big TV and movie fan
- 48:56
girl. Like you just were a kind of a
- 48:58
nerd in that way when you talked about
- 48:59
comic books. I mean
- 49:01
yeah I know there's nothing nerdier than
- 49:02
a [ __ ] comic book. But like
- 49:05
particularly Fat Freddy's cat. Um
- 49:09
uh yeah, I think that and I think doing
- 49:11
it on a podcast is extra good because
- 49:13
you can edit it and make it shorter
- 49:16
now that you're my we're the same age.
- 49:18
Are you like a year younger than me?
- 49:19
I think we're the same.
- 49:21
Do you have like hobbies now that you're
- 49:23
getting into like you know how we are
- 49:25
like that happens to us like where we're
- 49:27
like I want to
- 49:29
start
- 49:29
sculpt gardening stuff like do you do
- 49:32
that? No, I've never I I have like
- 49:36
in the garage is like a bicycle and a um
- 49:40
what did I have? I had a telescope that
- 49:43
I
- 49:44
got like a really nice telescope and
- 49:46
never once used it.
- 49:50
Um a bicycle that I rode once. Um I
- 49:54
don't I've been looking for I don't
- 49:57
I I like working and and I like Do Do
- 50:00
you have a thing? No, it's funny you say
- 50:02
that about a telescope. That is such a
- 50:05
like, you know what? I'm going to get a
- 50:06
nice telescope.
- 50:07
Get a [ __ ] telescope.
- 50:08
I deserve it.
- 50:09
Yeah, I know. Look at the stars.
- 50:11
I mean, who are we?
- 50:12
Yeah.
- 50:13
On this tiny marble.
- 50:14
There's a moon. It's up there every
- 50:16
night. I've never taken a good look at
- 50:17
it.
- 50:19
And then I just never looked at it.
- 50:21
Just cut to a dusty place to hang your
- 50:23
clothes.
- 50:24
I don't care about the moon that that
- 50:26
much. Um,
- 50:27
I guess what I'm asking underneath that
- 50:29
question is like you've been working
- 50:31
really hard for a long time. What's your
- 50:33
relationship to work and to hard work
- 50:35
and do you
- 50:36
That's a good question. I feel like it's
- 50:38
um it's all mixed up and somewhat
- 50:41
dysfunctional. You know what I was
- 50:42
thinking about actually and it's sort of
- 50:45
on the same line of thinking is is that
- 50:48
you mentioned SNL earlier and
- 50:50
something that I realized recently was
- 50:53
when I really kind of met you and got to
- 50:56
know you SNL was only like what 2 years
- 51:00
ago a year and a half before Parks.
- 51:03
Yeah. Like it was a fresh thing and what
- 51:07
an intense experience and what a giant
- 51:10
change work-wise from that environment
- 51:13
and that the pressure of that to the
- 51:17
pressure of of parks which was an
- 51:19
enormous amount of pressure but entirely
- 51:21
different.
- 51:22
It must have been that must have been
- 51:24
something that you that took a while to
- 51:27
kind of settle and grapple with.
- 51:29
Yeah. I mean the what I was lucky about
- 51:32
almost was how much I had to do. I felt
- 51:37
like if I had been playing if if Leslie
- 51:40
Nope was a character that worked three
- 51:41
days a week
- 51:43
uh I feel like I would have been
- 51:45
struggling because to your point I just
- 51:48
had to I like made a lot of I feel like
- 51:50
swings and misses in the beginning like
- 51:52
the show did kind of did too, right?
- 51:54
like the I think we were all trying to
- 51:56
figure out what the show was and I think
- 51:58
it just took me a while to settle down.
- 52:01
You know, I used to make a joke when I
- 52:02
would be in people's movies, I'd be
- 52:03
like, you know, when you get into
- 52:04
someone else's car and the music's too
- 52:06
loud,
- 52:07
that may be how I am. Like, feel free to
- 52:10
turn me down. And I think it took a
- 52:12
while and honestly, Adam, so much of it
- 52:14
was our work together where I felt like
- 52:18
grounded
- 52:19
on the ground as a performer enough to
- 52:22
just settle because so much of the
- 52:24
beginning was
- 52:27
sketch energy, which is different,
- 52:29
right? Which is all about right now. We
- 52:32
got to like make it great. I mean, I
- 52:34
don't know. I'm just guessing that it's
- 52:36
all about like an immediate thing that
- 52:38
you have to put everything into.
- 52:40
Yeah. Yeah. And Yeah.
- 52:41
Yeah. And I think one of the things that
- 52:44
was so fun about what we got to do is
- 52:47
the camera
- 52:49
helped us
- 52:52
at least it helped me have my feelings
- 52:55
about, you know, there I I tell people
- 52:57
like, "Of course you of course we love
- 53:00
Ben. We got to like Ben. We watch Ben
- 53:03
watch Leslie and we love Leslie." So
- 53:06
like when people love Leslie, we love
- 53:08
them. And we got to watch Ben love her
- 53:12
because the camera w like we got to do
- 53:14
so much indirect stuff like we didn't
- 53:17
have to face to face all the time. We
- 53:19
had feelings our characters had feelings
- 53:20
for each other because of the camera.
- 53:22
And
- 53:22
that's right
- 53:23
the even though I mean and it's such a
- 53:25
beautiful
- 53:26
uh genre that mockumentary because it
- 53:29
allows you to just even create space and
- 53:33
depth in the shot. People are just not
- 53:34
in the same room.
- 53:35
That's right. And like I remember we
- 53:37
always used to say we loved it when
- 53:39
there were spy shots through like blinds
- 53:41
because it made our acting better. You
- 53:43
remember that?
- 53:44
Yes. Do
- 53:45
you also remember this thing we used to
- 53:46
do where sometimes we would be doing a
- 53:48
scene and we'd be like, "Okay, I can't
- 53:51
I'm not someone who can predict the
- 53:53
future 100%." But I will say it was like
- 53:58
a couple times a season. I will say I
- 54:00
can say with 100% certainty that neither
- 54:04
of us will ever win an award for acting
- 54:08
for this scene.
- 54:12
Totally.
- 54:12
You would say it sometimes and sometimes
- 54:14
you know what let's just I mean and also
- 54:17
on the other side I would sometimes say
- 54:19
you know and I said this on the podcast
- 54:21
like I would say like Adam your acting
- 54:22
is so good. You'd be like shut up. We're
- 54:25
in the middle of the scene. like because
- 54:27
it was like oh my god. Um I mean it but
- 54:31
Oh yeah. I mean that's what I love about
- 54:33
working with you and I just feel like
- 54:35
before we end like I just want to feed
- 54:37
our fans a little bit more which is what
- 54:40
um
- 54:42
what do you think was the most romantic
- 54:44
scene between Ben and Lesie?
- 54:45
Oh man,
- 54:48
it's so sweet.
- 54:49
I know. But what was the most
- 54:50
the most romantic? I think I think well
- 54:56
there are a couple of nominees.
- 54:59
Okay.
- 54:59
But I think I think maybe smallest park
- 55:04
cuz I
- 55:05
I just heard a little groan.
- 55:07
I hope it's a good groan.
- 55:09
Someone just being like
- 55:12
I love smallest park.
- 55:13
Me too.
- 55:14
Nicole Holiff Center. The great Nicole
- 55:15
Holl Center directed that.
- 55:16
Chelsea wrote that. Chelsea Peretti
- 55:18
wrote that episode
- 55:20
and I remember really
- 55:23
like feeling connected shooting that and
- 55:26
just being like this is kind of feeling
- 55:29
like how special it was.
- 55:31
Yes.
- 55:32
Making the show and that was
- 55:35
Yeah, that was but I don't know what
- 55:38
what do you think?
- 55:39
Well, I have a lot I I mean I feel like
- 55:42
that was such a big one. I feel like
- 55:44
some of the I have such a affinity for
- 55:47
the beginning beginnings parts of Ben
- 55:50
and Leslie because I do think it also
- 55:52
just reminded me of like we were
- 55:54
you know the show was deciding that they
- 55:56
were going to love each other too.
- 55:58
Yeah.
- 55:58
And um
- 56:01
I really love this tiny moment when they
- 56:04
realize they have they like the same
- 56:06
spot when they like to sit under the
- 56:09
sunflower mural. Well,
- 56:11
I love that moment
- 56:12
when I ask you if you know where that
- 56:15
mural is and your response is really
- 56:19
it's a rewindable moment.
- 56:21
I love that moment between both of us
- 56:23
because and of course Parks then pays it
- 56:26
off years later.
- 56:27
Years later
- 56:29
by sitting underneath it.
- 56:30
Yep.
- 56:31
Um I also, you know, when we shot Ben
- 56:34
and Leslie's wedding, it was so fun. It
- 56:36
was like we were all just sitting there
- 56:38
all day goofing around.
- 56:40
Um, and it was so fun. And like
- 56:42
I think we had real champagne, too.
- 56:44
Maybe.
- 56:45
We probably did.
- 56:46
Yeah,
- 56:46
we probably did. And then that probably
- 56:48
became a problem later in the day.
- 56:50
Yeah, probably champagne. Not something
- 56:52
to have when you're when you have like a
- 56:56
10-hour workday ahead of you. Speaking
- 56:58
of champagne, maybe our fans would like
- 57:00
to know that on our last day of shooting
- 57:02
or one of our last days, like speaking
- 57:04
of like romantic goodbyes, we all
- 57:09
climbed up on the top of the hair and
- 57:12
makeup trailer
- 57:14
and like did a big toast up there cuz we
- 57:16
shot on uh at a a studio called CBS
- 57:19
Radford
- 57:20
and it was very like we wrote our names
- 57:22
on the wall. We were sharing a studio.
- 57:26
We had Who had been there before?
- 57:27
Malcolm in the middle.
- 57:29
Yeah.
- 57:29
And maybe Sein No,
- 57:31
Seinfeld was on the lot, but not that
- 57:34
particular stage. Naomi and I have our
- 57:36
office at Radford.
- 57:37
You do?
- 57:38
Yeah.
- 57:40
I walk over there all the time.
- 57:41
That would have been my first time shoot
- 57:43
really shooting anything on a stu. I had
- 57:45
never had like a studio experience
- 57:46
before and I was so lucky to do it
- 57:48
there.
- 57:48
But yeah, we like got up on the trailer.
- 57:51
I mean, there was just so many proper
- 57:53
goodbyes for that show. We really And
- 57:56
Mike and the writers really landed that
- 57:58
plane.
- 57:59
Yeah.
- 58:00
And that's that's rare. Like that is so
- 58:02
rare. Are you asked all the time if
- 58:04
there there'll be a more arcs or a
- 58:07
reboot or something?
- 58:09
I always feel like it's it's been it's
- 58:11
done. Like it was perfectly done. Like
- 58:14
how do you do that?
- 58:14
Perfectly. Maybe they should do like
- 58:16
Muppet Babies. They should do like parks
- 58:18
and wreck babies. Like everyone has
- 58:19
babies.
- 58:20
Like that Instagram thing where
- 58:22
everyone's
- 58:23
Oh, yeah. Yeah. AI babies. They should
- 58:26
do AI babies,
- 58:27
but like a whole series.
- 58:28
Yeah.
- 58:29
Of all of us just in a crib together.
- 58:31
Yeah. But they should do it like present
- 58:33
day where like the politics are really
- 58:35
dark
- 58:36
and mean. And so it should be like tiny
- 58:39
babies fighting each other.
- 58:40
They hate each other. It's like
- 58:41
apocalyptic political babies.
- 58:45
And they all like are like, "Oh no,
- 58:48
I hate you so much.
- 58:49
I hate you so much. Yay." I mean,
- 58:51
yay. I hate you. Because we made the
- 58:54
show in an era where public service was
- 58:58
encouraged and valued,
- 58:59
right?
- 59:00
And funded.
- 59:01
Yes.
- 59:02
It was or I mean, you know, I'm sure it
- 59:04
wasn't as funded as much as it should
- 59:07
have been, but it was funded at least.
- 59:09
Um, it's an entirely different I know
- 59:12
tone to American life. I know it's and
- 59:15
and you know the the
- 59:18
many fun town halls that we used to have
- 59:21
to do
- 59:21
were so fun to sit together and do those
- 59:23
and just have people like just come up
- 59:25
and score and be so funny.
- 59:27
The funniest people coming and doing
- 59:29
stuff on the show.
- 59:30
We had the best best rotating cast of
- 59:33
geniuses come through there. In fact, a
- 59:35
lot of people should know that at the
- 59:36
end of the year, we made a um the show
- 59:39
made like a yearbook.
- 59:40
Yeah.
- 59:41
Um and it was a list of every single
- 59:43
person that's been in the show. And by
- 59:44
the way, RIP. Um I know
- 59:47
Jonathan Joss,
- 59:48
Ken Hote,
- 59:49
what a sweetheart.
- 59:50
Sweet man. And
- 59:52
funny.
- 59:52
Very funny. And so sad for him and his
- 59:54
family and his husband. Yeah.
- 59:56
Um you know when you have that feeling
- 59:57
sometimes like you wish you could go
- 59:58
back to high school and enjoy it,
- 1:00:00
right?
- 1:00:01
That's how it felt like we actually got
- 1:00:02
to do it in real time.
- 1:00:03
Yeah. because it was genuinely goofy and
- 1:00:07
funny.
- 1:00:08
Yeah.
- 1:00:08
Like the best jokes.
- 1:00:10
Uh
- 1:00:11
what is your what is your one of your
- 1:00:12
favorite Jo what is one of the favorite
- 1:00:14
funny scenes you got to do? So many
- 1:00:16
so many. I mean I always think of you
- 1:00:19
guys on the on on the ice at the ice
- 1:00:22
skating rink with Gloria Stefon.
- 1:00:24
Yeah.
- 1:00:24
I mean that is I remember at the table
- 1:00:26
read that was we couldn't stop laughing
- 1:00:29
because it was so funny.
- 1:00:31
Yeah. Mike Scully wrote that episode and
- 1:00:33
Mike Skully Sebast,
- 1:00:34
we got to uh walk across that ice and I
- 1:00:39
remember just thinking this is so fun.
- 1:00:41
Oh my god, what a fun job.
- 1:00:43
I wasn't even in that scene.
- 1:00:45
Yeah, that's right. That's right. Sorry.
- 1:00:47
We should probably just Photoshop.
- 1:00:49
We should put me in that scene. That's
- 1:00:50
why I brought it up. I feel like it
- 1:00:52
would I I deserve it. You know, my kids
- 1:00:55
watched the the show during the pandemic
- 1:00:57
like everyone else did
- 1:00:58
and um I rewatched a lot of stuff and it
- 1:01:01
was so fun because I remembered the
- 1:01:03
feeling of how everything was to shoot
- 1:01:05
it,
- 1:01:06
but I didn't remember what was going to
- 1:01:08
happen.
- 1:01:08
It is weird to watch yourself doing
- 1:01:10
something and have no recollection of it
- 1:01:13
happening in in your life. It's so
- 1:01:15
strange.
- 1:01:16
I um What are you I ask this to
- 1:01:19
everybody like what are you laughing at
- 1:01:20
right now? I mean, first of all, you you
- 1:01:22
know, do you you're very serious now.
- 1:01:26
That's right. I don't Thank you for
- 1:01:28
acknowledging that I don't laugh
- 1:01:30
anymore.
- 1:01:31
I mean, you're all you're doing is
- 1:01:32
running and typing.
- 1:01:35
And if you'll I don't know if you
- 1:01:37
noticed, but while I'm running, I'm I'm
- 1:01:39
not laughing.
- 1:01:40
Not at all. I didn't see you crack a
- 1:01:41
smile once.
- 1:01:42
Cuz it's hard to laugh while you're
- 1:01:44
running because it's it's not funny.
- 1:01:47
You're running for your life.
- 1:01:48
That's right.
- 1:01:49
Yeah. I got to get there like as fast as
- 1:01:51
possible.
- 1:01:51
And again, I'd love to ask you where
- 1:01:53
where are you going?
- 1:01:54
Where am I going? Yeah,
- 1:01:55
I'm going down the hall.
- 1:01:57
Got to got to run down the hall. Um
- 1:02:01
what am I are you watching anything? Are
- 1:02:04
you like
- 1:02:05
anything like super funny?
- 1:02:06
Yeah. What are you like What are you and
- 1:02:08
Naomi liking right now or did you see
- 1:02:10
something recently or
- 1:02:13
You know what I've been watching
- 1:02:14
recently is I've been re-watching all
- 1:02:17
Sex in the City. The original.
- 1:02:19
Yeah. It's
- 1:02:20
incredible.
- 1:02:21
So [ __ ] good.
- 1:02:23
So good.
- 1:02:24
It is so good.
- 1:02:26
Such a love letter to that time period,
- 1:02:28
too.
- 1:02:28
Yes.
- 1:02:29
Were you ever on it? Cuz every act actor
- 1:02:31
I know is like Justin Thorough. Uh Bobby
- 1:02:34
Canavali.
- 1:02:35
Will.
- 1:02:36
Yep.
- 1:02:37
Everybody.
- 1:02:38
Yep. Um Slatterie.
- 1:02:39
Slatterie. Elizabeth Banks.
- 1:02:41
Yes. It's a real who's who.
- 1:02:42
Yeah. Everybody in New York. Um but it
- 1:02:46
is so good. And to to something I like
- 1:02:49
doing is watching it and just kind of
- 1:02:50
thinking about
- 1:02:51
all of this happening for the first
- 1:02:53
time, like women sitting at a table
- 1:02:56
together talking about
- 1:02:59
what whatever talking about themselves
- 1:03:02
and
- 1:03:03
talking about like how weird someone's
- 1:03:06
[ __ ] smells.
- 1:03:08
It's just like holy [ __ ] This is
- 1:03:10
incredible.
- 1:03:12
Like that has never been on TV before.
- 1:03:16
let alone said out loud for people and
- 1:03:19
just how Samantha is just
- 1:03:22
the most sex positive like incred like
- 1:03:26
not a moment of embarrassment
- 1:03:29
like so [ __ ] cool
- 1:03:31
so good
- 1:03:32
and Sarah Jessica Parker is so great at
- 1:03:36
being the center of a show
- 1:03:38
servicing everybody else but also
- 1:03:41
keeping that motor going in the middle
- 1:03:43
of it's so good
- 1:03:45
there's a couple shows that make me when
- 1:03:46
I'm in Los Angeles really miss New York.
- 1:03:48
Sex old Sex in the City and Law and
- 1:03:50
Order.
- 1:03:51
Oh, yeah. Sure.
- 1:03:52
Yeah.
- 1:03:52
Were you on Law and Order?
- 1:03:53
I was on Law and Order once.
- 1:03:55
So jealous.
- 1:03:55
You weren't on Law and Order.
- 1:03:56
No, that was my dream.
- 1:03:58
Really?
- 1:03:59
Never. I mean, I didn't see I wasn't
- 1:04:01
auditioning in that way. I didn't think
- 1:04:02
I was like a good enough actor, but I
- 1:04:05
wanted to be on Law and Order so bad.
- 1:04:07
Yeah. Yeah.
- 1:04:09
What was your character? Why do I not
- 1:04:10
know that you Law and Order? I should
- 1:04:12
know this.
- 1:04:12
Timothy Dinkens. I don't know what the
- 1:04:15
name was. Um,
- 1:04:16
we can look it up.
- 1:04:17
Uh, I was working at the grocery store
- 1:04:21
arranging fruits or vegetables when they
- 1:04:23
came up and first started talking to me.
- 1:04:26
And
- 1:04:28
I remember my agent at the time calling
- 1:04:30
me right after it aired and being like,
- 1:04:32
"You don't know how to handle those
- 1:04:34
vegetables."
- 1:04:35
Like, you weren't doing anything.
- 1:04:37
Was your Who were the peeps that was it?
- 1:04:39
Or the Orbeck years?
- 1:04:40
It was uh, no, it was Dennis Fina.
- 1:04:43
Dennis Fina
- 1:04:43
who was so cool
- 1:04:45
and uh Jesse Martin
- 1:04:48
fantastic.
- 1:04:49
Did you meet Esapatha who I Apath if you
- 1:04:52
if you're listening I need to get you on
- 1:04:53
the show.
- 1:04:54
She's great.
- 1:04:54
She's incredible.
- 1:04:55
Uh Sam Watston
- 1:04:58
Yeah.
- 1:04:58
So you went to the court. You got to you
- 1:05:00
got to the law the law part.
- 1:05:02
Pablo Shriber and I were in court
- 1:05:04
together and he ended up being guilty
- 1:05:07
and I was the red herring. I think
- 1:05:09
what were you accused of doing? probably
- 1:05:12
killing someone. I don't totally
- 1:05:14
remember.
- 1:05:15
Um, well, we're gonna watch.
- 1:05:17
You have your Are you finding my
- 1:05:18
character's name? And if it's Timothy,
- 1:05:21
whatever I said, that would be amazing.
- 1:05:23
Okay. Timothy Dinkens.
- 1:05:25
Yeah, Timothy Dinkens.
- 1:05:27
Was Adam Scott on law and order? Okay.
- 1:05:32
The trail leads to a pair of
- 1:05:34
perpetrators. another mercenary played
- 1:05:36
by Pablo Shriber and the brother of one
- 1:05:39
of Shriber's fellow mercenaries who was
- 1:05:40
killed in a roadside ambush by
- 1:05:43
presumably Al Qaeda.
- 1:05:46
God, I don't know.
- 1:05:47
The brother You forgot the Al Qaeda
- 1:05:49
part.
- 1:05:49
I did.
- 1:05:50
The brother is Adam Scott and he is the
- 1:05:52
only true innocent.
- 1:05:53
That's right.
- 1:05:54
And the own of the whole show.
- 1:05:55
That's right.
- 1:05:57
Wow. Wow. That's I wanted to play a um I
- 1:06:01
wanted to play the opposite. See,
- 1:06:03
because
- 1:06:03
you wanted to be a mermaid. to be like
- 1:06:05
the one that you would would not suspect
- 1:06:07
and then it's like I burned the whole
- 1:06:09
place.
- 1:06:10
I wanted to be a pyro cuz I felt like of
- 1:06:13
all
- 1:06:13
you wanted to specifically be a
- 1:06:14
pyromaniac.
- 1:06:15
I wish I wanted to be like a babyfaced
- 1:06:17
pyro, you know, someone who just is
- 1:06:19
like,
- 1:06:21
you know, she seems like she's helping
- 1:06:22
the police and then she's like they
- 1:06:24
deserved it. Yeah. You know, whatever
- 1:06:25
kind of weird psycho thing. Okay. So,
- 1:06:27
Sex in the City is what you're watching
- 1:06:29
and laughing at.
- 1:06:30
Yeah. I'm I It's great. I and you know
- 1:06:34
when you're I I saw something recently
- 1:06:36
that said that repeated if you have the
- 1:06:38
urge to watch something you've seen
- 1:06:39
before and repeat viewings is a sign of
- 1:06:42
a particular kind of intelligence.
- 1:06:46
Oh
- 1:06:46
yeah. No, this is real.
- 1:06:48
It's a sign of intelligence.
- 1:06:49
Intelligence. I saw this on
- 1:06:53
on Instagram. Did you see this on
- 1:06:54
on Instagram?
- 1:06:55
Okay. Yeah.
- 1:06:56
It just and it was a picture of someone
- 1:06:57
watching TV and it just said that. There
- 1:07:00
was no nothing to back it up and I was
- 1:07:02
like, "Oh, great. We watched more Sex in
- 1:07:04
the City."
- 1:07:08
You saw it on Dr. Instagram,
- 1:07:09
Frankie. My daughter and I just flew
- 1:07:11
together from New York like night before
- 1:07:14
last and we got on the plane and I got
- 1:07:17
in my seat and she was across the row
- 1:07:18
from me and I got in and like suddenly
- 1:07:21
and started watching Sex in the City
- 1:07:23
that I had downloaded cuz I and she was
- 1:07:26
like, "Dad, are you watching more Sex in
- 1:07:29
the City?"
- 1:07:31
Yeah.
- 1:07:33
I love you.
- 1:07:34
I love you, Amy. Thank you for having
- 1:07:36
me. This is so fun.
- 1:07:37
We were really excited to do this one
- 1:07:38
today. Oh, that's very nice. I love
- 1:07:41
being here. Thank you.
- 1:07:42
Come back when we do our big we'll do a
- 1:07:44
big park show
- 1:07:45
or we can do Philly justice again.
- 1:07:50
Today's Polar Plunge is brought to you
- 1:07:52
by Wayfair here to help you make your
- 1:07:54
home a happy place. Well, that was an
- 1:07:57
amazing episode with Adam. Uh we got uh
- 1:08:00
so deep. I love talking to him and um
- 1:08:02
he's just the best. and he mentioned uh
- 1:08:04
Six Feet Under, a show that he got close
- 1:08:07
to booking. And that did remind me of
- 1:08:10
the parks finale. You know, for people
- 1:08:12
that watch the end of parks and
- 1:08:13
recreation, Mike Sher and I were talking
- 1:08:16
about the idea that in comedies, you
- 1:08:19
don't always get to see um the future.
- 1:08:21
You don't always get to see what happens
- 1:08:23
to these characters that you've grown to
- 1:08:25
love. And so,
- 1:08:27
we were so blown away by the Six Feet
- 1:08:29
Under. I think we were heavily
- 1:08:32
influenced by the idea of that when we
- 1:08:34
wrote the finale of Parks and
- 1:08:36
Recreation. So, watch Six Feet Under.
- 1:08:38
And honestly, it's so good. I mean, and
- 1:08:42
better because Adam didn't get cast in
- 1:08:44
it. You know what I mean? Michael Hall
- 1:08:45
is incredible. So, um, you know, Adam's
- 1:08:48
loss is our win. And, um, and check that
- 1:08:51
show out. And um you know, as always,
- 1:08:55
thank you for caring so deeply about
- 1:08:58
parks and wreck because I do too. Um
- 1:09:01
Wayfair makes it easier to turn your
- 1:09:02
home into your happy place. Express your
- 1:09:04
style and create a space you love with
- 1:09:06
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- 1:09:11
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- 1:09:12
wayfair.com and find something that's
- 1:09:14
just your style today. That's w
- 1:09:17
afir.com.
- 1:09:19
Wayfair, every style, every home. Thanks
- 1:09:21
for good hang and uh we'll see you soon.
- 1:09:24
Bye.
- 1:09:26
You've been listening to Good Hang. The
- 1:09:28
executive producers for this show are
- 1:09:29
Bill Simmons, Jenna Weiss Berman, and me
- 1:09:31
Amy Polar. The show is produced by The
- 1:09:34
Ringer and Paperkite. For The Ringer,
- 1:09:36
production by Jack Wilson, Cat Spalain,
- 1:09:38
Ka McMullen, and Aia Xanerys. For
- 1:09:40
Paperkite, production by Sam Green, Joel
- 1:09:43
Levelvel, and Jenna Weiss Berman.
- 1:09:45
Original music by Amy Miles.
- 1:09:49
really good at